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ARCHIVE OF OUR OWN BETA(FUNCTN(){FOR(VAR G="FUNCTN"==TYPEOF FEPROPERTI?FEPROPERTY:FUNCTN(B,C,A){IF(||)THROW NEW TYPEERROR("ES3 DO NOT SUPPORT GETTERS AND SETTERS.");B!=ARRAY.PROTOTYPE&&B!=OBJECT.PROTOTYPE&&(B[C])},H="UNFED"!=TYPEOF WDOW&&WDOW===THIS?THIS:"UNFED"!=TYPEOF GLOBAL&&NULL!=GLOBAL?GLOBAL:THIS,K=["STRG","PROTOTYPE","REPEAT"],L=0;LB||1342177279>>=1)C+=C;RETURN A};Q!=P&&NULL!=Q&&G(H,N,{NFIGURABLE:!0,WRABLE:!0,VALUE:Q});VAR T=THIS;FUNCTN U(B,C){VAR ("."),D=T;A[0] D||!D.EXECSCRIPT||D.EXECSCRIPT("VAR "+A[0]);FOR(VAR E;(());)||VOID 0===C?D[E]?D=D[E]:D=D[E]={}:D[E]=C};FUNCTN V(B){VAR ;IF(0=C.OFFSETWIDTH&&0>=C.OFFSETHEIGHT)A=!1;ELSE{D=C.GETBOUNDGCLIENTRECT();VAR ;("PAGEYOFFSET" WDOW?WDOW.PAGEYOFFSET:(DOCUMENT.DOCUMENTELEMENT||F.PARENTNO||F).SCROLLTOP);("PAGEXOFFSET" WDOW?WDOW.PAGEXOFFSET:(DOCUMENT.DOCUMENTELEMENT||F.PARENTNO||F).SCROLLLEFT);F=A.TOSTRG()+","+D;B.B.HASOWNPROPERTY(F)?A=!1:(B.B[F]=!0,A=(A+=E)}B.I&&(E="&RD="+ENURICOMPONENT(JSON.STRGIFY(B())),131072>(A+=E),C=!0);C=A;IF(C){D=B.H;B=B.J;VAR F;IF(WDOW.XMLHTTPREQUT)F=NEW XMLHTTPREQUT;ELSE IF(WDOW.ACTIVEXOBJECT)TRY{F=NEW ACTIVEXOBJECT("MSXML2.XMLHTTP")}TCH(R){TRY{F=NEW ACTIVEXOBJECT("MICROSOFT.XMLHTTP")}TCH(D){}}F&&(("POST",D+(-1==XOF("?")?"?":"&")+"URL="+ENURICOMPONENT(B)),F.SETREQUTHEAR("CONTENT-TYPE","APPLITN/X-WWW-FORM-URLEND"),(A))}}}FUNCTN B(){VAR B={},C;C=DOCUMENT.GETELEMENTSBYTAGNAME("IMG");IF(!)RETURN{};VAR A=C[0];IF(!("NATURALWIDTH" A&&"NATURALHEIGHT" A))RETURN{};FOR(VAR D=0;A=C[D];++D){VAR E=A.GETATTRIBUTE("DATA-PAGPEED-URL-HASH");E&&(!(E B)&&0=B[E].O&&>=B[E].M)&&(B[E]={,,OW:A.NATURALWIDTH,OH:A.NATURALHEIGHT})}RETURN B}VAR C="";U("PAGPEED.CRILIMAG.GETBEANDATA",FUNCTN(){RETURN C});U("",FUNCTN(B,C,A,D,E,F){VAR R=NEW Y(B,C,A,E,F);X=R;D&&W(FUNCTN(){WDOW.SETTIMEOUT(FUNCTN(){A(R)},0)})});})();('/NGX_PAGPEED_BEAN','','EVFAZEUQGZ',TE,FALSE,'C_GORREJFWO');
Walton is also rarely looked at om a queer perspective, spe the persistent, homoerotic overton of his narrative (which opens and clos Victor’s narrative).
His relatnship wh his Creature is well wrten on, aga, and there is some cril theory that sists he is d as homosexual: his sire to create a child whout heterosexual terurse; his fur vlence towards the Monster has been read as an act of ternalised homophobia; his distert Elizabeth and sistence that she is his “child” and “sister” seem very flat, if heterosexual at all. Walton’s relatnship wh Frankenste, however, is not viewed through this lens of homoeroticism. That’s gay..
To end, here is one of my favoure homoerotic moments om Walton’s letters:. Charlie Fox’s article ‘Why Frankenste’s Monster Hnts Queer Art’ at Goldhammer‘s ‘The Queer and the Creepy: Homosexual Dire Mary Shelley’s Frankenste‘ at Shultz’s article ‘Explorg the Inherent Queer Unrton of Mary Shelley’s Frankenste‘ at Fern Riddle’s article about Mary Shelley’s own bisexualy at you have accs to JSTOR (so jealo, if you do! Poor Lorelei is barely a character; she’s nice and so good to ar Igor, but she might as well have “NO HOMO” tattooed across her forehead for all of her te purpose as far as the plot is ncerned.