John Benjam Hickey on 'In Treatment,' 'Sublet,' and Beg a 'Gay Elr'</tle><meta name="tle" ntent="John Benjam Hickey on 'In Treatment,' 'Sublet,' and Beg a 'Gay Elr'" /><meta name="scriptn" ntent="As the character actor thriv his 50s, he's playg a type of character we've rarely seen: a gay man who survived long enough to enjoy gettg olr." /><meta name="keywords" ntent /><meta property="og:type" ntent="webse" /><meta name="theme-lor" ntent="#000000" /><lk href="/_assets/sign-tokens/quire/static/imag/" rel="in" /><meta property="og:se_name" ntent="Esquire" /><meta name="fb:app_id" ntent="171874009543995" property="fb:app_id" /><meta name="article:publisher" ntent=" property="article:publisher" /><meta name="fb:pag" ntent="84169421673" property="fb:pag" /><meta name="twter:se" ntent="@Esquire" /><meta name="google-se-verifitn" ntent="1vf5i9wM7chlCFc_0XI_e-oCfDf4sEvp32sTGKokQ" /><meta property="og:tle" ntent="John Benjam Hickey Is Still Figurg Out What It Means to Be an ‘Elr’" /><meta property="og:scriptn" ntent="As the character actor thriv his 50s, he's playg a type of character we've rarely seen: a gay man who survived long enough to enjoy gettg olr." /><meta name="robots" ntent="max-image-preview:large,max-snippet:-1,max-vio-preview:30" /><lk rel="apple-touch-in" href="/_assets/sign-tokens/quire/static/imag/" /><meta property="og:image" ntent="" /><meta property="og:image:width" ntent="1200" /><meta property="og:image:height" ntent="600" /><meta name="thumbnail" ntent="" /><meta name="" ntent="" /><meta name="" ntent=" /><meta name="twter:image" ntent="" /><meta ntent=" property="og:url" /><meta name="to-publish" ntent="timely" /><meta property="og:type" ntent="article" /><meta name="twter:rd" ntent="summary_large_image" /><meta name="article:opn" property="article:opn" /><meta ntent="TV" property="article:sectn" /><meta ntent="2021-11-01T23:56:11Z" property="article:modified_time" /><meta ntent="2021-06-30T23:11:00Z" property="article:published_time" /><meta name="sailth.excerpt" ntent="It’s the Friday of what, a normal year, would be Pri Weekend John Benjam Hickey’s adopted home of New York Cy. This year, there’s no para, no dance on the Chelsea Piers, no big official events sponsored by Absolut Vodka and T Mobile like we’ve had sce the" /><meta name="" ntent="entertament,Entertament,tv,TV" /><meta name="" ntent="2021-06-30 23:11:00" /><meta name="sailth.socialtle" ntent="John Benjam Hickey Is Still Figurg Out What It Means to Be an ‘Elr’" /><meta name="ntenttype" ntent="standard-article" /><meta id="m1" name="m1" emProp="cssSelector " ntent=".ntent-hed" /><meta id="m2" name="m2" emProp="cssSelector" ntent=".ntent-k p" /><lk href="/" emSpe emType=" emRef="m1 m2" /><lk rel="preload" as="image" image-src-set=" 640w, 980w, 1120w, 1200w, 1920w" image-siz="100vw" /><lk rel="prefetch" href="" as="image" /><lk rel="preload" as="image" image-src-set=" 640w, 980w, 1120w, 1200w, 1920w" image-siz="100vw" /><meta name="next-head-unt" ntent="48" /><meta name="next-font-prennect" /><script id="vice-tect" data-nscript="beforeInteractive">(()=>{nst o="ontouchstart" 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href="/entertament/tv/a36894026/john-benjam-hickey-pri-terview/" data-vars-ga-ux-element="Breadcmbs" data-vars-ga-ll-to-actn="John Benjam Hickey Is Still Figurg Out What It Means to Be an ‘Elr’" data-vars-ga-outbound-lk=" class="e9l0kn00 css-10asp0m e1c1bym14"><span emProp="name">John Benjam Hickey Is Still Figurg Out What It Means to Be an ‘Elr’</span></a><meta emProp="posn" ntent="3" /></li></ol></nav><style data-emotn="css g4r5va">{font-fay:Glanz,Glanz-fallback,Tim,Serif;font-weight:normal;grid-lumn:1/-1;marg-bottom:0.9375rem;marg-top:0.9375rem;}@media(max-width: 48rem){{font-size:2rem;le-height:1.25;}}@media(m-width: 48rem){{font-size:2.625rem;le-height:1.1;}}@media(m-width: 64rem){{font-size:3.125rem;le-height:1.1;}}@media(m-width: 73.75rem){{font-size:3.37499rem;le-height:1.1;}}</style><h1 class="css-g4r5va exadjwu10"><span aria-hidn="te" class="css-0 eagam8p0"></span>John Benjam Hickey Is Still Figurg Out What It Means to Be an ‘Elr’<span aria-hidn="te" class="css-0 eagam8p1"></span></h1><style data-emotn="css 2qf7xf">{lor:#515150;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-weight:normal;marg-bottom:0.625rem;}@media(max-width: 48rem){{font-size:1.0625rem;le-height:1.2;}}@media(m-width: 48rem){{font-size:1.3125rem;le-height:1.2;}}@media(m-width: 64rem){{font-size:1.3125rem;le-height:1.3;}} a{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:0.0625rem;text-ratn-lor:#FF3A30;text-unrle-offset:0.25rem;lor:#000000;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;} a:hover{lor:#595959;text-ratn-lor:borr-lk-body-hover;}</style><div class="css-2qf7xf exadjwu8"><p>As the character actor thriv his 50s, he's playg a type of character we've rarely seen: a gay man who survived long enough to enjoy gettg olr.</p></div><style data-emotn="css 18k4ks7">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0.02rem;marg-bottom:0.625rem;paddg-right:0.3125rem;text-transform:upperse;}@media(max-width: 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data-emotn="css 285vyd">{le-height:1;}@media(max-width: 73.75rem){{paddg-left:0.9375rem;}}@media(m-width: 64rem){{paddg-left:0;}}</style><figptn class="css-285vyd enfs9c50"><style data-emotn="css 1mcfn5x">{lor:#595959;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;paddg-right:0.3125rem;}@media(max-width: 48rem){{font-size:0.70028rem;le-height:1.2;}}@media(m-width: 48rem){{font-size:0.70028rem;le-height:1.2;}}@media(m-width: 64rem){{font-size:0.75rem;le-height:1.3;}}</style><span class="css-1mcfn5x e6iqd2">Courty</span></figptn></div></div><style data-emotn="css woto36">{font-fay:Charter,Geia,Tim,Serif;font-size:1.1875rem;le-height:1.6;paddg-left:0rem;paddg-right:0rem;posn:relative;}@media(m-width: 48rem){{paddg-left:3.5rem;paddg-right:3.5rem;}}@media(m-width: 48rem) and (max-width: 61.25rem){{max-width:45.25rem;marg-left:to;marg-right:to;}}@media(m-width: 61.25rem){{paddg-left:0rem;paddg-right:0rem;}}@media(m-width: 73.75rem) and (max-width: 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em{font-style:alic;font-fay:Charter,Geia,Tim,Serif;}</style><p data-no-id="0" class="body-dropp css-am5pt0 et3p2gv0">It’s the Friday of what, a normal year, would be Pri Weekend John Benjam Hickey’s adopted home of New York Cy. This year, there’s no para, no dance on the Chelsea Piers, no big official events sponsored by Absolut Vodka and T Mobile like we’ve had sce the ‘90s. Instead, ’s an unanized cy-wi party; people n mix aga, bars have reopened, Brney seems tantalizgly close to beg eed, the mood is celebratory even if thgs are not yet normal. But Hickey’s stickg wh his Pri tradn: stayg largely out of the way. “The cy is thumpg and ragg back to life. It’s madns,” he lghs. “I’m very out, loud and proud, but I’ll let the kids have all the fun.” </p><style data-emotn="css 7ud">{width:100%;}@media(m-width: 20rem){{marg-left:to;marg-right:to;width:100%;}}@media(m-width: 30rem){{marg-left:to;marg-right:to;width:100%;}}@media(m-width: 40.625rem){{width:60%;marg-left:1rem;marg-right:0rem;float:right;}}@media(m-width: 48rem){{width:60%;marg-left:1rem;marg-right:0rem;float:right;}}@media(m-width: 64rem){{width:50%;marg-left:1rem;marg-right:0rem;float:right;}}@media(m-width: 73.75rem){{width:50%;marg-left:1rem;marg-right:0rem;float:right;}}@media(m-width: 75rem){{width:60%;marg-left:1rem;marg-right:0rem;float:right;}}@media(m-width: 90rem){{width:60%;marg-left:1rem;marg-right:0rem;float:right;}}</style><div data-embed="loop" data-no-id="1" class="css-7ud e1a0jkxd0"><style data-emotn="css 8atqhb">{width:100%;}</style><style data-emotn="css 1e3dj7m">{display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;-webk-flex-directn:row-reverse;-ms-flex-directn:row-reverse;flex-directn:row-reverse;-webk-align-ems:flex-end;-webk-box-align:flex-end;-ms-flex-align:flex-end;align-ems:flex-end;posn:relative;width:100%;marg-bottom:0.9375rem;width:100%;} {visibily:hidn;opacy:0;-webk-transn:visibily 0s .3s,opacy .3s lear;transn:visibily 0s .3s,opacy .3s lear;}</style><div class="align-right size-large embed e1a0jkxd1 css-1e3dj7m ejku7p04"><style data-emotn="css 5mi43p">{marg-bottom:0.9375rem;--aspect-rat:100%;width:100%;}</style><div class="__rp-ntaer css-5mi43p e6l0f0"><img src=" alt="Image no longer available" tle="Image no longer available" width="100%" height="to" dg="async" fetchPrry="high" /></div></div></div><style data-emotn="css aeyldl">{font-fay:Charter,Geia,Tim,Serif;font-size:1.1875rem;le-height:1.6;} strong{font-fay:Charter,Geia,Tim,Serif;font-weight:bold;} em{font-style:alic;font-fay:Charter,Geia,Tim,Serif;}</style><p data-no-id="2" class="css-aeyldl et3p2gv0">While nng wild a post-panmic New York Cy sounds like a good time, ’s hard to image anythg more enjoyable for an actor like Hickey than the summer he’s havg. In mid-life, well-tablished as a character actor, this month he has two major leadg rol, back to back: the die drama <em>Sublet</em>, and as one of Uzo Aduba’s patients season four of HBO’s <em>In Treatment</em>. They’re two que different rol, but they put Hickey ont and center a way we have not yet seen him on screen. Three s to a brilliant reer, John Benjam Hickey is havg a moment. </p><p data-no-id="3" class="css-aeyldl et3p2gv0">“It’s so weird,” he says. And ed, if not for Covid, the timg might not have been que the same. “I did <em>Sublet</em> Israel two years ago, and <em>In Treatment</em> last wter this crazy lockdown bubble. The fact that they me out at once and people are reactg to both of them is a weird nfluence of events. An embarrassment of rich, whatever that exprsn is.” </p><p data-no-id="4" class="css-aeyldl et3p2gv0">In six episos of <em>In Treatment</em>, Hickey plays Col, a whe-llar crimal fulfillg his urt-mandated therapy ssns after four years prison. Col thks he’s one of the good guys. “I’m so lucky to get to play such a son of a bch,” Hickey says. “A straight, whe, cis male who, bee he was born and raised on a untercultural hippie mune, nsirs himself very woke.” Instead, havg to bare his soul to a Black female therapist brgs up some issu. “It touch all of this unspoken, valier misogyny, homophobia, racism, all the stuff that’s jt unr the surface that’s so sry and toxic.” Hickey risted playg him as a villa: “Part of the problem is that we all objectify each other by lor, by genr, by sexual inty. Some of work our ass off to be better, but this is a guy who thks he walks the walk, and he don’t, and ’s revealed to him over the six episos a way that’s really shockg and fun.” </p><p data-no-id="5" class="css-aeyldl et3p2gv0">A show like this, wh s long two-person scen that he scrib as “bullfights,” was as close to theater as he’s been on a set: 28 pag of dialogue to memorize and get through each day. A challenge, even if he hadn’t still been alg wh ridual bra fog om a mid-2020 se of Covid. But he relaxed and remd himself that he was prepared. “It was the first time I realized that my experience was my iend. Bee of my experience theater, I knew what to do to get ready to play the part. I knew how to be able to go to work at 6am, and be able to shoot all of my stuff one day.” He lghs. “Now, I didn’t know how to not suck at .”<br /></p><style data-emotn="css 1736von">{--data-embed-display:flex;-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;clear:both;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;marg-bottom:0.9375rem;marg-left:to;marg-right:to;width:100%;}@media(m-width: 20rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 30rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 40.625rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 48rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 64rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 73.75rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 75rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 90rem){{width:100%;marg:0 to 0.9375rem;}} a span{right:1rem;} img{width:to;height:85vh;} a{display:-webk-le-box;display:-webk-le-flex;display:-ms-le-flexbox;display:le-flex;posn:var(--posn, relative);} img:not(.ewcw41w1){display:block;width:100%;height:to;-webk-align-self:flex-start;-ms-flex-em-align:flex-start;align-self:flex-start;}</style><div size="medium" data-embed="body-image" data-no-id="6" class="align-center size-medium embed css-1736von e1xqj1sx4"><style data-emotn="css uwraif">{width:100%;display:-webk-le-box;display:-webk-le-flex;display:-ms-le-flexbox;display:le-flex;-webk-flex-directn:lumn;-ms-flex-directn:lumn;flex-directn:lumn;marg-left:to;marg-right:to;-webk-box-pack:center;-ms-flex-pack:center;-webk-jtify-ntent:center;jtify-ntent:center;}</style><div class="css-uwraif e1xqj1sx3"><img alt="john benjam hickey" tle="john benjam hickey" loadg="lazy" width="2165" height="1367" dg="async" data-nimg="1" style="lor: transparent; width: 100%; height: to;" siz="100vw" srcSet=" 640w, 980w, 1120w, 1200w, 1920w" src="" class="css-0 exi4f7p0" /><style data-emotn="css swqnqv">@media(m-width: 20rem){{paddg-left:0rem;}}@media(m-width: 30rem){{paddg-left:0rem;}}@media(m-width: 40.625rem){{paddg-left:0rem;}}@media(m-width: 48rem){{paddg-left:0rem;}}@media(m-width: 64rem){{paddg-left:0rem;}}@media(m-width: 73.75rem){{paddg-left:0rem;}}@media(m-width: 75rem){{paddg-left:0rem;}}@media(m-width: 90rem){{paddg-left:0rem;}}</style><div class="css-swqnqv e1xqj1sx2"><style data-emotn="css 8h7i7x">{width:0;m-width:100%;paddg-top:0.625rem;letter-spacg:0.02rem;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.875rem;le-height:1.3;} em, i{font-fay:her;font-style:alic;}</style><div class="css-8h7i7x e1xqj1sx1">John Benjam Hickey on the set of <em>Sublet</em>.</div><style data-emotn="css 1am3yn9">{paddg-left:0rem;le-height:1;}</style><figptn class="css-1am3yn9 enfs9c50"><span class="css-1mcfn5x e6iqd2">Courty</span></figptn></div></div></div><p data-no-id="7" class="css-aeyldl et3p2gv0">In his first episo, Aduba’s Brooke tells Hickey’s Col that most of her new patients e “ready to talk,” to which he repli, “Ah, but beg <em>ready</em> to talk and beg <em>able</em> to talk are two different thgs.” <em>Sublet</em>, om Eytan Fox, director of <em>Yossi</em> and <em>Yossi & Jagger</em>, is a film that is ready and able to talk. Hickey plays Michael, a melancholy travel wrer on assignment Tel Aviv, who rents the apartment of Tomer, a film stunt played by Niv Nissim, who shows him the cy. It’s a very clever queerg of the <em>Unr The Tn Sun</em> space—an exploratn of what Hickey lls “a generatnal divi that two broken-hearted people exist on oppose sis of.” Michael is “ a middle-aged malaise, havg had tragedy his life,” Hickey says, “and then also havg lived through what my character’s generatn–and me, and you–have lived through.” </p><p data-no-id="8" class="css-aeyldl et3p2gv0">One of the film’s many surpris is that tak that malaise straight on. Michael is not fightg for his survival the way he would have been not long ago; the pills we see him take, which would almost certaly have been HIV meditn for any middle-aged gay character up to this pot, might jt be stats. The qutn for this fifty-somethg character, for what feels like the first time on screen, is not “will he live,” but “<em>how</em> will he live?”</p><p data-no-id="9" class="css-aeyldl et3p2gv0">It’s a qutn Hickey’s thought a lot about. For the gay men of Generatn X, “’s like we’re no longer livg a war zone. That’s not to say that the lamy of AIDS is over, we still have to live wh utn and pnce. It’s jt manageable now. But g out of the nuclear crisis of that time, not livg a time when we’re fightg for our liv and our right to s at the table, you get to our ag, and you’re faced wh an existential crisis. Like, <em>what now?”</em></p><p data-no-id="10" class="css-aeyldl et3p2gv0">In the theater, Hickey’s had a chance to explore the qutns at length. “I’m a beneficiary of a good number of wrers who are medatg on that,” he says. He starred “The Inherance” on Broadway, a vast, two-part play that addrsed the post-AIDS crisis generatn gap, and 2015’s off- Broadway “Dada Woof Papa Hot,” he played a gay father wh a se of survivor’s guilt. “My character had a monologue where he said: this is gog to sound horrible, but I miss that time. We were more alive on the pla, we were so different om other people, and we had a sgle, laser foc, which was to stay alive and to save our brothers and sisters.” </p><p data-no-id="11" class="css-aeyldl et3p2gv0">Hickey don’t miss that time. But the qutn still troubl him: “If I have all the same thgs as a straight person, if my problems are the same as theirs, then what mak me gay? Michael <em>Sublet</em> is sufferg through that. I’m not sure he knows what he’s supposed to be livg for. It’s 30-somethg years after the worst part of the lamy, and here he is, and he’s thkg about havg children. He’s dog the unthkable.”</p><p data-no-id="12" class="css-aeyldl et3p2gv0">It's uncharted terrory, on screen and off. The first generatn of gay men to live their liv openly lost those liv to AIDS, whether they actually died or were jt left to tend to those who did. And we, the generatn right behd, lost our elrs. If we’re mired this existential malaise, ’s bee we haven’t had anyone to show the way out. </p><p data-no-id="13" class="css-aeyldl et3p2gv0">“I don’t want to rce to this, but this whole <em>daddy</em> thg. Or is <em>zaddy?” </em>he asks, and beats the hell out of me. “We didn’t have that vernacular, that subset of attractn, bee for that olr generatn, there was such a stggle gog on for them to survive. I wouldn’t go so far as to say they were <em>untouchable</em>, but they were alg wh somethg that was very clear and prent, a way that the younger generatns lookg up at now don’t see dog.”</p><div size="medium" data-embed="body-image" data-no-id="14" class="align-center size-medium embed css-1736von e1xqj1sx4"><div class="css-uwraif e1xqj1sx3"><img alt=" treatment" tle=" treatment" loadg="lazy" width="1584" height="1054" dg="async" data-nimg="1" style="lor: transparent; width: 100%; height: to;" siz="100vw" srcSet=" 640w, 980w, 1120w, 1200w, 1920w" src="" class="css-0 exi4f7p0" /><div class="css-swqnqv e1xqj1sx2"><figptn class="css-1am3yn9 enfs9c50"><span class="css-1mcfn5x e6iqd2">Courty</span></figptn></div></div></div><p data-no-id="15" class="css-aeyldl et3p2gv0">I tell John about <style data-emotn="css umdwtv">{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:.0625rem;text-ratn-lor:#FF3A30;text-unrle-offset:0.25rem;lor:her;-webk-transn:background 0.4s;transn:background 0.4s;background:lear-gradient(#ffffff, #ffffff 50%, #d5dbe3 50%, #d5dbe3);-webk-background-size:100% 200%;background-size:100% 200%;}{lor:#000000;text-ratn-lor:borr-lk-body-hover;-webk-background-posn:100% 100%;background-posn:100% 100%;}</style><a href=" target="_blank" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn="my nversatn wh T.J. Osborne—" class="body-lk css-umdwtv et3p2gv0">my nversatn wh T.J. Osborne—</a>how he’d ially said beg gay wasn’t the most important thg about him; how he’s begng to realize actually might be; and how I’m startg to realize we say that to make ourselv seem ls threateng. He rrects me: “<em>We say that orr to survive.</em>” Hickey’s been out of the closet om the jump, and his openns didn’t e whout a st. “I me out at a time where agents and producers were like: ‘Better be reful, you played a gay part last year, don’t do that aga for a while.’ It’s not like I was le to be Brad Pt, I was a character actor, but still.” </p><p data-no-id="16" class="css-aeyldl et3p2gv0">He rells somethg brilliant he heard of someone sayg. He’s not sure whether was Tony Khner, but feels safe to attribute somethg brilliant to Tony Khner. “Somebody was talkg to him. Someone who had chosen not to e out, and this person said ‘I choose not to talk about my personal life.’ And Tony said ‘Beg gay is not your personal life. Beg gay is who you are.’” </p><p data-no-id="17" class="css-aeyldl et3p2gv0">I have to ask: if he’s thought about what mak him gay, what has he e up wh? He thks on for a long send, and then spills , “My dogs. I’m a kid om a small town Texas, so I thought ‘I have to get a big dog, I need a <em>guy dog</em>.’ I n’t believe I’m admtg this. And of urse I end up wh two ltle terrier mutts, 10 and 13 pounds.” He shak his head. “I don’t know what a gay dog is, but the are not the giant mangy straight-guy dogs I thought I was supposed to get.”</p><p data-no-id="18" class="css-aeyldl et3p2gv0">It’s funny, and he knows is, but that don’t mean he’s kiddg. “I rry that. I still rry that.”</p><style data-emotn="css 1oaqclt">{font-fay:Glanz,Glanz-fallback,Tim,Serif;font-weight:normal;marg-bottom:0.625rem;marg-top:0.625rem;text-align:center;}@media(max-width: 48rem){{font-size:1.75rem;le-height:1.3;}}@media(m-width: 48rem){{font-size:1.875rem;le-height:1.2;}}@media(m-width: 64rem){{font-size:2.125rem;le-height:1.2;}} b, strong{font-fay:her;font-weight:bold;} em, i{font-fay:her;font-style:alic;}</style><h2 data-no-id="19" class="body-h4 css-1oaqclt et3p2gv0"><strong>Get unlimed accs to + a prt subscriptn wh <a href=" target="_blank" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn="Esquire Select" class="body-lk css-umdwtv et3p2gv0">Esquire Select</a>.</strong></h2><p data-no-id="20" class="css-aeyldl et3p2gv0">Generatn X is left largely alone to figure out what gay middle age looks like, and to mol what after, the first generatn to do so en masse and openly. And maybe the generatns behd are cled to listen. “One of the wonrful surpris of this time my life is that a iend of me rented a place on Fire Island,” the legendary gay beach paradise on Long Island. “I’d never really gone there. It felt like a place where you’d wear a Speedo, and I didn’t feel like I’d be good at that.” </p><p data-no-id="21" class="css-aeyldl et3p2gv0">But now, this stage of life, “It’s Heaven. It’s the most egalarian place. It’s like a Grateful Dead show. It’s all shap and siz, all ag. And I thk for the younger generatn, there’s a love and appreciatn for those who survived and are still there. It’s palpable and eply movg, and... <em>sexy</em> is the wrong word, but jt filled wh emotn.”</p><p data-no-id="22" class="css-aeyldl et3p2gv0">Not that he feels like he should be on the receivg end of this level of sexy rpect. “When I’m characterized as an elr, or anyone to me for advice, my first thg I thk is, <em>a, I don’t thk I’m old, and b, I lerally don’t know anythg about anythg</em>.” </p><p data-no-id="23" class="css-aeyldl et3p2gv0">Don’t believe . He’s been a journeyman for three s, and now, his <em>zaddy</em> years, he’s havg a moment. John Benjam Hickey knows exactly what he’s dog.</p><style data-emotn="css 2ok9l4">{marg-top:1.875rem;borr-top:th solid #595959;}</style><div data-jam-id="thor-b" class="css-2ok9l4 e13rjwo40"><style data-emotn="css f0b5z8">{display:grid;grid-template-lumns:to 1;grid-lumn-gap:0.625rem;paddg-top:1.25rem;paddg-bottom:1.25rem;clear:both;}</style><div class="css-f0b5z8 e19xk9rq8"><style data-emotn="css irehmq">{borr-radi:50%;height:60px;width:60px;}@media(max-width: 48rem){{width:40px;height:40px;}}</style><span class="css-irehmq e19xk9rq1"><style data-emotn="css o0wq4v">{width:100%;height:100%;borr-radi:50%;vertil-align:middle;object-f:ver;}</style><img src="" alt="Headshot of Dave Holm" tle="Headshot of Dave Holm" width="100%" height="100%" dg="async" loadg="lazy" class="css-o0wq4v e19xk9rq3" /></span><div><style data-emotn="css 3sqxrq">{display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;grid-gap:4px;-webk-align-ems:basele;-webk-box-align:basele;-ms-flex-align:basele;align-ems:basele;-webk-box-flex-wrap:wrap;-webk-flex-wrap:wrap;-ms-flex-wrap:wrap;flex-wrap:wrap;}</style><div class="css-3sqxrq e19xk9rq7"><span class="css-0 e19xk9rq5"><style data-emotn="css 1yunoig">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0.02rem;-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-lor:her;text-ratn-thickns:0.0625rem;text-transform:upperse;text-unrle-offset:0.25rem;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}}{lor:#595959;text-ratn-lor:borr-lk-body-hover;}</style><style data-emotn="css 1kgdfad">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0.02rem;text-transform:upperse;lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0.02rem;-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-lor:her;text-ratn-thickns:0.0625rem;text-transform:upperse;text-unrle-offset:0.25rem;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}}{lor:#595959;text-ratn-lor:borr-lk-body-hover;}</style><a href="/thor/9774/dave-holm/" class="e1c1bym13 css-1kgdfad e1c1bym14"><span>Dave Holm</span></a></span></div><style data-emotn="css pqlu">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0.02rem;marg-top:0.625rem;text-transform:upperse;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}}</style><div class="css-pqlu e19xk9rq6">Edor-at-Large</div><style data-emotn="css 8u8x58">{display:-webk-box;font-fay:Charter,Geia,Tim,Serif;font-size:1rem;le-height:1.4;overflow:hidn;paddg-top:0.3125rem;-webk-box-orient:vertil;-webk-le-clamp:5;}@media(max-width: 48rem){{-webk-le-clamp:10;}}>*{display:le;} em{font-style:alic;font-fay:CharterItalic,Geia,Tim,Serif;} p{marg:0rem;} p a{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:0.0625rem;text-ratn-lor:her;text-unrle-offset:0.25rem;} p a:hover{text-ratn-lor:borr-lk-body-hover;}</style><div class="css-8u8x58 e19xk9rq4"><p>Dave Holm is Esquire's L.A.-based edor-at-large. His first book, "Party of One," is out now. </p></div></div></div></div><style data-emotn="css ciejky">{clear:both;marg-top:1.25rem;}</style><div id="journey-le" class="css-ciejky e1cslvxz0"></div><style data-emotn="css 79elbk">{posn:relative;}</style><div class="css-79elbk eg8z2o90"><div class="css-79elbk e1tp40ll1"><div data-anchor-id="P0-0" class="css-0 e1tp40ll0"></div></div><style data-emotn="css hi6ssp">{display:block;grid-area:article_body;grid-lumn:article_body-start/article_body-end;grid-row:to;jtify-self:center;marg:1.25rem 0 0;}@media prt{{display:none;}}@media(max-width: 30rem){{width:100%;}}@media(max-width: 61.25rem){{m-height:28rem;}}@media(m-width: 30rem){{width:488px;}}@media(m-width: 40.625rem){{width:612px;}}@media(m-width: 64rem){{max-width:40.25rem;}}</style><div class="css-hi6ssp eg8z2o92"></div></div></div></div><div></div><style data-emotn="css 6b9rfj">{display:block;-webk-flex-basis:lc((100vw - lc(20.625rem * 2 - 1rem) - 1rem - 20.625rem) / 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61.25rem){{display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;-webk-flex-directn:lumn;-ms-flex-directn:lumn;flex-directn:lumn;-webk-box-pack:jtify;-webk-jtify-ntent:space-between;jtify-ntent:space-between;}}@media(m-width: 48rem){{m-height:138px;}}@media(max-width: 61.25rem){{ntent:"";display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;borr-bottom:th solid #E8E8E8;}}</style><div class="standard-article-vertil-ad css-9fasmy eqm02p31"><style data-emotn="css 14b96eg">{m-width:18.75rem;text-align:center;}</style><div id="gpt-ad-vertil-top" class="ad-ntaer css-14b96eg e1hka4w80"></div></div></div></div></div></div></div><div data-teractive="WatchNext-1" class="css-0 e10xr3vp6"><style data-emotn="css 1pqv15d">{marg-bottom:1.875rem;marg-top:1.875rem;paddg:0 0.938rem;}@media(m-width: 40.625rem){{paddg:0 2.5rem;}}</style><div data-embed="watch-next" class="css-1pqv15d e10xr3vp5"><style data-emotn="css 604vx7">{text-align:center;marg:0 to;max-width:60rem;borr-top:0.125rem solid #15263D;}</style><div class="css-604vx7 e10xr3vp4"><style data-emotn="css 1sowyjy">{marg-bottom:1.25rem;}</style><div class="css-1sowyjy e10xr3vp3"><style data-emotn="css ju94x7">{marg:0rem;font-weight:normal;background-lor:#ffffff;lor:#000;borr:0.125rem solid #15263D;text-align:left;width:-webk-f-ntent;width:-moz-f-ntent;width:f-ntent;borr-radi:2rem;display:block;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.70028rem;le-height:1.2;letter-spacg:0.04rem;marg-top:-1rem;paddg:0.5rem 0.9375rem 0.25rem;text-transform:upperse;}</style><h6 class="css-ju94x7 e10xr3vp2"><span aria-hidn="te" class="css-0 eagam8p0"></span><span class="css-0 e10xr3vp1">Watch Next</span><span aria-hidn="te" class="css-0 eagam8p1"></span></h6><style data-emotn="css 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gay guy john

We ught up wh Outlanr's John Bell to talk ternalised homophobia, growg up gay, and his new turn The Night Larry Kramer Kissed Me.

Contents:

FOUR CLASSIC MOVIE ACTORS YOU DIDN'T KNOW WERE GAYA HOLLYWOOD HISTORY {FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}CELEBRIBY NEWNOWNEXT EDORSAUGT 24, 2017/8:00 {HEIGHT:HER;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;POSN:RELATIVE;-WEBK-FLEX-WRAP:WRAP;-MS-FLEX-WRAP:WRAP;FLEX-WRAP:WRAP;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;-WEBK-TRANSFORM-ORIG:CENTER;-MS-TRANSFORM-ORIG:CENTER;TRANSFORM-ORIG:CENTER;} IMG{HEIGHT:100%;WIDTH:100%;OBJECT-F:VER;}{HEIGHT:574PX;WIDTH:1020PX;}MGMBY NEWNOWNEXT EDORSAUGT 24, 2017 / 8:00 AM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"FOUR CLASSIC MOVIE ACTORS YOU DIDN'T KNOW WERE GAY","THUMBNAILURL":","DATEPUBLISHED":"2017-08-24T12:00:59.000+0000","DATEMODIFIED":"2017-08-24T12:00:59.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","URL":","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"LOGO TV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"LOGO TV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT"}},"CREATOR":"NEWNOWNEXT EDORS","ARTICLESECTN":"CELEBRI"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}GAY PRI MONTH IS CELEBRATED NATNALLY JUNE, BUT YEAR-ROUND ’S IMPORTANT TO LET YOUNG LGBT PEOPLE, WHO MIGHT BE NFLICTED ABOUT THEIR SEXUAL ORIENTATN, KNOW THAT WE’VE ALWAYS BEEN AROUND — EVEN THE BACKGROUND OF CLASSIC {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HERE ARE FOUR ACTORS YOU MIGHT NOT HAVE KNOWN WERE GAY WHO ARE WORTH {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}RICHARD {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}RICHARD HAYDN WAS BORN GEE RICHARD HAYDN LONDON ON MARCH 10, 1905. AS A YOUNG MAN, HE WORKED AS A MIC HALL ENTERTAER AND MANAGED A BANANA PLANTATN JAMAI BEFORE JOG A TOURG BRISH THEATER TROUPE. HIS FIRST APPEARANCE ON FILM WAS THE TV MOVIE PRODUCTN OF RED PEPPERS 1938. HE MOVED TO AMERI AND FIRST APPEARED ON BROADWAY THE 1939 PRODUCTN OF SET TO MIC, AND FOLLOWED THAT UP WH TWO FOR THE SHOW 1940. HE MA THE FIRST OF HIS MORE THAN 50 FILMS 1941 – CHARLEY’S {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HIS BETTER KNOWN FILMS CLU BALL OF FIRE, DEAR RUTH, THE LATE GEE APLEY, FOREVER AMBER, STG PRETTY, THE EMPEROR WALTZ, ALICE WONRLAND, MISS PTATATLOCK’S MILLNS, THE MERRY WDOW, JUPER’S DARLG, THE LOST WORLD, PLEASE DON’T EAT THE DAISI, FIVE WEEKS A BALLOON, MUTY ON THE BOUNTY, CLARENCE THE CROSS EYED LN, THE ADVENTUR OF BULLWHIP GRIFF, AND YOUNG FRANKENSTE. HE IS PERHAPS BT KNOWN FOR THE PLAYG THE ROLE OF MAX DETWEILER THE CLASSIC FILM THE SOUND OF MIC.20TH CENTURY-FOX/GETTY IMAGELEANOR PARKER AND RICHARD HAYDN ARE GREETED BY CHRISTOPHER PLUMMER A SCENE OM THE FILM 'THE SOUND OF MIC', 1965. (PHOTO BY 20TH CENTURY-FOX/GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HIS MANY TV APPEARANC CLU THE TWILIGHT ZONE, SHIRLEY TEMPLE’S STORYBOOK, BURKE’S LAW, THE MAN FROM UNCLE, BONANZA, BEWCHED AND MCCLOUD. HAYDN WAS ALSO A EQUENT PERFORMER ON RAD, AND A REGULAR ON THE BURNS AND ALLEN RAD SHOW. RICHARD HAYDN WAS GAY. HE LIVED A QUIET PERSONAL LIFE, AND WAS WELL-KNOWN HOLLYWOOD FOR HIS CHERISHED, AND LAVISH FLOWER GARNS WHICH HE TEND AT HIS BEVERLY HILLS HOME. HIS FAL ACTG ROLE WAS PROVIDG THE VOICE OF BOOKWORM THE 1985 FILM THE HUGGA BUNCH. HAYDN SUFFERED A HEART ATTACK AT HIS HOME AND DIED LOS ANGEL ON APRIL 25, 1985. HE WAS 80 YEARS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}VAN JOHNSONSILVER SCREEN COLLECTN/GETTY IMAGAMERIN ACTOR VAN JOHNSON (1916 - 2008) POSG ONT OF A TARTAN BACKGROUND, CIR 1955. (PHOTO BY SILVER SCREEN COLLECTN/GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}EMMY AWARD NOMATED SGER-DANCER-ACTOR VAN JOHNSON WAS BORN CHARL VAN DELL JOHNSON ON AUGT 25, 1916 NEWPORT, RHO ISLAND. HE WAS AN ONLY CHILD. HIS ALHOLIC MOTHER ABANDONED HIM WHEN HE WAS A CHILD. HE WAS RAISED BY HIS FATHER, WHO VAN SCRIBED AS “CHILLY.” AFTER GRADUATG OM HIGH SCHOOL, VAN MOVED TO NYC AND JOED THE OFF-BROADWAY REVUE, ENTRE NO 1935. HE TOURED A THEATER TROUPE AND MA HIS BROADWAY BUT NEW FAC OF 1936. IN 1939, HE APPEARED THE H BROADWAY MIL, TOO MANY GIRLS AND APPEARED THE FILM VERSN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HE APPEARED THE BROADWAY MIL, PAL JOEY, 1940/41. HE WAS LURED BACK TO HOLLYWOOD BY HIS IEND, LUCILLE BALL, AND SIGNED A SIX-MONTH NTRACT WH WARNERS. HE MA SEVERAL FILMS THERE, BUT WASN’T UNTIL HE SIGNED WH MGM, THAT HE BEME A FULL FLEDGED SUPER STAR. WH HIS TALL, ALL-AMERIN GOOD LOOKS, VAN BEME ENORMOLY POPULAR WH THE FANS. HIS MOST POPULAR FILMS CLU THE HUMAN COMEDY, A GUY NAMED JOE (DURG THE MAKG OF THIS FILM HE WAS NEARLY KILLED A R ACCINT THAT LEFT HIM WH A METAL PLATE HIS FOREHEAD AND FACIAL SRS), TWO GIRLS AND A SAILOR, THE WHE CLIFFS OF DOVER, THIRTY SENDS OVER TOKYO, TILL THE CLOUDS ROLL BY, EASY TO WED, MOTHER IS A FRHMAN, AND IN THE GOOD OLD SUMMERTIME, AMONG MANY OTHERS. HE WAS ONE OF THE MOST POPULAR LEADG MEN DURG THE WWII YEARS. HIS ACCINT PREVENTED HIM OM SERVG DURG THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IN 1945, HE WAS RATED #2 BOX OFFICE STAR AMERI, AND 1946, HE WAS RATED #3. VAN JOHNSON WAS GAY. HE MARRIED EVE ABBOTT WYNN ON JANUARY 25, 1947, ONE DAY AFTER HER DIVORCE OM ACTOR KEENAN WYNN. THE THREE HAD BEEN VERY CLOSE IENDS. IN 1948, THE UPLE HAD A DGHTER NAMED SCHUYLER, BUT LAGE VAN MATAED A CLOSE RELATNSHIP WH KEENAN WYNN. VAN AND EVE SEPARATED 1961, AND DIVORCED 1968. EVE JOHNSON SAID THAT THEIR MARRIAGE HAD BEEN ENGEERED BY LOUIS B. MAYER AT MGM. “THEY NEED THEIR BIG STAR TO MARRIED TO QUELL MORS ABOUT HIS SEXUAL PREFERENC, AND UNFORTUNATELY, I WAS — THE ONLY WOMAN HE WOULD MARRY.”{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}VAN WORKED STEADILY FILMS AND TV (PLAYG MORE THAN 125 ROL DURG HIS 52 YEAR REER). HE PERFORMED SUMMER STOCK AND REGNAL THEATER, AND NATNAL TOURS CLUDG THE MIL, SHOW BOAT. HE RETURNED TO BROADWAY FOR COME ON STRONG (1962), MATG DANCE (1965), AND 1986, THE MIL LA CAGE AUX FOLL, WHICH HE ALSO TOURED. VAN LIVED ON MANHATTAN’S EAST SI UNTIL 2002 WHEN HE MOVED TO AN ASSISTED RE FACILY NYACK, NEW YORK. VAN JOHNSON DIED ON DECEMBER 12, 2008 NYACK AT THE AGE OF 92. AT THIS TIME OF HIS ATH, HE WAS LONG TRANGED OM HIS ONLY CHILD. HE WAS LARGER THAN LIFE, UTTERLY CHARMG, HILAR, VERY FLIRTY, AND A TE MOVIE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JOHN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JOHN MEGNA WAS BORN JOHN INGOLIA ON NOVEMBER 9, 1952 QUEENS, NEW YORK CY. HIS FATHER WAS A PHARMACIST AND HIS MOTHER WAS A NIGHTCLUB SGER. HE WAS THE HALF BROTHER OF CONNIE STEVENS. JOHN MA HIS ACTG BUT 1958 ON BROADWAY THE MIL GREEENWILLOW. THE FOLLOWG YEAR HE STARRED ALL THE WAY HOME. HIS FIRST FEATURE FILM APPEARANCE WAS THE CLASSIC 1962 MOTN PICTURE TO KILL A MOCKGBIRD PLAYG THE ROLE OF THE “TOOTHY” SUMMER VISOR, DILL HARRIS.UNIVERSAL/GETTY IMAGROSEMARY MURPHY STG WH MARY BADHAM, PHILLIP ALFORD AND JOHN MEGNA A SCENE OM THE FILM 'TO KILL A MOCKGBIRD', 1962. (PHOTO BY UNIVERSAL/GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HIS MANY TV APPEARANC CLU TARGET: THE CORPTORS, NAKED CY, THE ALED HCHCK HOUR, DR. KILDARE, BEN CASEY, STAR TREK, I SPY, THE DANNY THOMAS HOUR, THE BLUE KNIGHT, AND POLICE WOMAN. HE APPEARED THE PROVOTIVE MA-FOR-TV MOVI I WANT TO KEEP MY BABY, AND THE BOY THE PLASTIC BUBBLE. HE STARRED AS “LTLE ADAM” A SERI OF TNAL SHORT ANIMATED FILMS TLED THE BIG WORLD OF LTLE ADAM THAT WERE PRODUCED BY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JOHN’S OTHER FILMS CLU HH…HH SWEET CHARLOTTE, BLD FOLD, FOLLOW THE BOYS, THE GODFATHER PART II, GO TELL THE SPARTANS, SUNNY SI, BUTCH AND SUNDANCE: THE EARLY DAYS, SMOKEY AND THE BAND II, AND THE CANNONBALL RUN. AS A YOUNG MAN, JOHN GRADUATED OM CORNELL UNIVERSY ITHA, NEW YORK. HE MAJORED PERFORMG ARTS. IN HIS LATER LIFE, HE TGHT ENGLISH, SPANISH AND HISTORY THE LOS ANGEL PUBLIC SCHOOL SYSTEM. HE WAS THE FOUNDG DIRECTOR OF THE NONPROF THEATER GROUP, L.A. ARTS. HIS FAL ACTG ROLE WAS THE 1984 TV MOVIE THE RATGS GAME. JOHN WAS GAY. HE NTRACTED HIV, AND DIED OF AIDS RELATED ILLNS ON SEPTEMBER 4, 1995 AT MIDWAY HOSPAL LOS ANGEL. MEGNA WAS 42 YEARS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ANTON WALBROOKGENERAL FILM {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ANTON WALBROOK WAS BORN ADOLF ANTON WILHELM WOHLBCK VIENNA, ATRIA ON NOVEMBER 19, 1896. HE ME OM A FAY OF ENTERTAERS, CLUDG CIRC PERFORMERS. ANTON STUDIED WH MAX REHARDT FOR SEVERAL YEARS AND WORKED ATRIAN THEATER AND FILM. IN 1936, HE TRAVELED TO HOLLYWOOD TO RE-SHOOT SOME SCEN FOR THE 1937 FILM, THE SOLDIER AND THE LADY. ANTON WALBROOK WAS GAY. HE DID NOT RETURN TO ATRIA, BUT BEE HIS MOTHER WAS JEWISH, HE QUALIFIED FOR THE NUREMBERG LAWS AS “HALF-JEWISH,” AND HE WAS ALLOWED TO SETTLE ENGLAND WHERE HE LATER FED A SOLID FILM REER. HIS FIRST FILM WAS MARTEN 1915. HE MA 19 FILMS ATRIA AND GERMANY, BEFORE MAKG HIS TRANSN TO AMERIN AND BRISH FILMS.GENERAL FILM {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HIS LATER FILMS CLU THE SOLDIER AND THE LADY, VICTORIA THE GREAT, GASLIGHT, DANGERO MOONLIGHT, 49TH PARALLEL, THE LIFE AND DEATH OF COLONEL BLIMP, THE MAN OM MOROC, THE QUEEN OF SPAS, LA RON, KG FOR ONE NIGHT, SAT JOAN, AND I ACCE!, AMONG OTHERS. HE IS BT KNOWN FOR PLAYG THE ROLE OF BORIS LEMONTOV THE 1948 DANCE CLASSIC THE RED SHO. IN THE LATE 1950S, HE RETIRED OM FILMS AND WORKED ON THE EUROPEAN STAGE AND TELEVISN. HIS FAL ACTG ROLE WAS THE GERMAN TV MOVIE, ROBERT UND ELISABETH 1966. ANTON WALBROOK DIED GARATSHSEN, BAVARIA, GERMANY ON AUGT 9, 1967 AFTER SUFFERG A HEART ATTACK. WALBROOK WAS 70 YEARS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A VERSN OF THIS ARTICLE ORIGALLY APPEARED ON WE ARE {BOX-SIZG:BORR-BOX;CLEAR:BOTH;}{BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS

On the ABC edy's 40th anniversary, Michael Montlack reflects on how he learned to be gay om a straight actor playg a straight character pretendg to be gay. * gay guy john *

Gay Pri Month is celebrated natnally June, but year-round ’s important to let young LGBT people, who might be nflicted about their sexual orientatn, know that we’ve always been around — even the background of classic are four actors you might not have known were gay who are worth rememberg.

THREE'S COMPANY MA ME THE GAY MAN I AM TODAY

&quot;Steven me up wh this ia for a character who was openly and unapologetilly gay. * gay guy john *

Richard Haydn was gay. Van Johnson was gay.

John was gay. Anton Walbrook was gay. Luckily, there's hardly the void of gay role mols many of experienced g up the 1970s and '80s.

Who would show me the gay way? But that imagery led to an even more alien notn: Were those the only kd of gay people the world?

‘NYPD BLUE’ STAR BILL BROCHTP ON HOW STEVEN BOCH PNEERED GAY CHARACTERS ON TV

Forty years ago, Rod Stewart released The Killg of Geie, a groundbreakg sgle about the murr of a gay man – now tragilly relevant aga the light of events Orlando * gay guy john *

Jack Tripper appeared on the screen 1977 (the 40th anniversary of the first episo is this March): boyishly handsome, adorably clumsy and generally ordary most ways, except one -- he was pretendg to be gay orr to live wh two female roommat. This was certaly "a step that was new" but not pletely unfaiar to a boy pretendg to be straight orr to live peacefully an unwelg (and John Rter, who played him, for that matter) wasn't queer, but the fact that he had the dacy to even label himself gay was astoundg. ) that we did fact exist and uld even fd zy hom for ourselv: sunny beach muni wh fun sisterly iends and zany, if often backward, landlords who might actually prefer a gay tenant over a straight one.

ROD STEWART: 'I WAS SURROUND BY GAY MEN THE 70S'

Queer Eye: Created by David Colls. Wh Ted Allen, Carson Krsley, Kyan Douglas, Thom Filicia. Five gay men try to improve the liv and nfince of straight men by givg them makeovers and advice." data-id="ma * gay guy john *

MICHAEL MONTLACK is the edor of My Diva: 65 Gay Men on the Women Who Inspire Them (Universy of Wisns Prs). Queer Eye for the Straight Guy me out eighteen years ago at a time when same-sex marriage wasn’t even legal yet, and when portrayals of gay guys on televisn and films were few and far between.

Dpe s meteoric succs, the show did meet s fair share of cricism, particularly wh regards to s “stereotypil” portrayal of gay guys as beg more herently knowledgable on thgs like fashn, groomg, and pop culture.

Wanr to gay Twter, and soon enough you’ll n to a screenshot or a GIF of one of Carson’s famo reactn shots. Somehow, the origal “Queer Eye for the Straight Guy” premiered on Bravo two s ago this month, prentg five gay men – each specializg a specific liftyle area – as they scend upon a (ually) heterosexual male subject need of some support, whether was wh clothg choic, groomg, anizatn or perhaps an unrlyg issue around self nfince.

JOHN TRAVOLTA SPEAKS OUT ON GAY MORS

John Travolta mented on the years-old allegatns that he is gay an terview wh The Daily Beast published on Tuday. * gay guy john *

It was a novel take on the makeover ncept, not only terms of beg one of the first monstroly succsful programs the then-nascent realm of realy TV, but also one of the first tl to feature not one – but five – gay people as the leads. (For ntext, had only been five years sce the s “Ellen” got nceled, shortly after the ma character played by Ellen DeGener me out as gay. Krsley agreed, sayg, “We meet people all the time who are probably their thirti now, who say, ‘I me om a very nservative fay, we were very relig, “Gay” was not somethg that was ever spoken about our home, and your show allowed to at least have that nversatn, if not make easier for me to e out.

He add that of urse, isn’t only gay people who approach them wh spiratnal msag, and that at the time the origal show aired, the st saw how their visibily as gay people wh a larger straight world was beg received firsthand. “For many people, we were the first real, live, real life gay people that they actually enuntered, ” Krsley observed. You’re the first gay person I met!

GAY GUY JOHN

Gay Guy John" data-dynamic="te * gay guy john *

“Of urse you’ve enuntered gay people! And anythg gay the zegeist has the potential to bee policized, then and now. “And we were a very nocuo group of five gay men helpg a straight guy try to get the job, or the look, or the girl.

And for those who cricized the origal seri for rercg stereotyp by havg a gay fashnista or bety expert swoop to tidy thgs up, Colls creds his rint foodie Allen for a memorable moment at the show’s first NBC upont Los Angel back 2003, when he faced a slew of reporters and had the perfect retort. “Ted fally grabbed , really grabbed a hold of the answer, which was like, ‘Yeah, we are, as a matter of fact, owng the clich around the fact that gays have a different perspective, have a unique visn and perspective of a lot of different thgs. "Steven me up wh this ia for a character who was openly and unapologetilly gay.

I’m the one who said, “Is this OK to have a gay guy on televisn? There were no gay characters on TV at the time.

GAY AND BISEXUAL MEN'S HEALTH ISSU

As the ghost of Capta Isaac Higgtoot, Jon is gettg to explore a new way of tellg gay stori. * gay guy john *

He me up wh this ia for a character who was very openly gay and unapologetilly so, and he wanted to show that ntrast to Det. He gave me nfince that I uld do this and have a reer — not only as an openly gay guy but as an actor general.

OUTLANR’S JOHN BELL ON GROWG UP QUEER FILM: ‘I HAD MOMENTS OF WANTG TO PRAY THE GAY AWAY’

Rearch has shown that the followg are some of the most mon health ncerns faced by gay and bisexual men. * gay guy john *

I jt got an email om a guy sayg that he and his son are watchg , and the father ed my character as an example of what might be like to be iends wh a gay guy to help his son wh a iendship of his own. Its subject uldn’t be more horribly relevant, given this past weekend’s massacre years ago this Saturday (18 June), Stewart released The Killg of Geie Parts I and II, the first major pop song to tell the tale of a gay man who died, part, bee of his sexual om solely a sad tale, Geie also ranked as the first chart h to prent a gay man wh not only empathy but admiratn. Cocintally, the song’s 40th anniversary arriv durg gay pri month.

A few h songs addrsg gay subjects had appeared before Stewart’s track. Before Geie, however, there had never been an earnt song portrayg the hardship and joy of a gay person’s life for a mass dience. Stewart says that 1976, he didn’t tend to wre a gay story per se.

“If someone said to me, ‘S down and wre a song about a gay man, ’ would have ightened the daylights out of me, ” he tells the Guardian.

ANDY COHEN IS BASILLY BEYONCé WHEN HE WALKS INTO A GAY BAR

As the character actor thriv his 50s, he's playg a type of character we've rarely seen: a gay man who survived long enough to enjoy gettg olr. * gay guy john *

Geie’s narrative follows a gay kid om a small town who’s rejected by his parents, g him to flee to New York Cy where he be the toast of the town. The tale ends tragilly when, after leavg the theater one night, Geie ns to a gang of New Jersey kids who target him for beg gay and murr him.

”The sger says he had a sympathy to Geie’s story bee “I was surround by gay men at the time. I had a gay manager and a gay PR guy.

Long John Baldry, who disvered me, was gay.

* gay guy john *

’”This superficial, glam-spired acceptance of homosexualy prevalent the era is reflected the song’s openg l: “In the days of changg ways/So-lled liberated days/A story to md of a iend of me...

*BEAR-MAGAZINE.COM* GAY GUY JOHN

Gay and Bisexual Men's Health Issu | Johns Hopks Medice .

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