U.K. Prime Mister Rishi Sunak has apologized for the treatment of gay veterans by sayg that a prev ban on LGBTQ+ people servg the U.K. ary was “an appallg failure of the Brish state.”
Contents:
- HAPPY PRIDE! HOW “Y.M.C.A.” BEME A GAY ANTHEM!
- VILLAGE PEOPLE GIV TMP OK TO PLAY GAY ANTHEMS 'YMCA,' 'MACHO MAN' AT RALLI
- THE 50 BT GAY SONGS TO CELEBRATE PRI ALL YEAR LONG
HAPPY PRIDE! HOW “Y.M.C.A.” BEME A GAY ANTHEM!
* the navy gay song *
” Though, today, you’ll hear the track at everythg om a school dance to a 50th anniversary party, has also been adopted by the gay muny as one of s unofficial anthems. The songs targeted a niche rerd buyg dience: gay disthequ and their patrons.
The tl were self-explanatory: “Fire Island” (the East Coast’s gay summer retreat); “San Francis (You’ve Got Me)” (the Wt ast’s premier gay statn); “Village People” (a look at the habants of New York Cy’s largely gay Greenwich Village); and “In Hollywood (Everybody is a Star), ” the promise of artistic acplishment the word’s entertament pal.
Village People nsisted of six members, each of whom personified a popular gay archetype.
VILLAGE PEOPLE GIV TMP OK TO PLAY GAY ANTHEMS 'YMCA,' 'MACHO MAN' AT RALLI
Only Willis and Rose participated on the “Village People” LP–wh Rose roly creded as “Felipe ‘Indian From the Anvil’“ (the Anvil was a gay NYC sex club). The gay msagg their songs, the gay fantasy stripper-stum, the gay dancg and fx macho posturg seemed to go over the heads of the dience–or they jt didn’t re.
“Key Wt” (a gay rort statn), “Jt a Gigolo, ” “I Am What I Am” (a gay claratn), and “Sodom and Gomorrah” reached their re dience–but the sgle “Macho Man” reached further. An energetic chant song whose lyrics extoled the male form, exercise and gym culture, “Macho Man” was heard by straight dienc as ls gay and more sports/athletics/ol-du fun mic. Neteen seventy-ne’s double entendre-tled “Cs’” (referencg gay cisg) h stor jt seven months after “Macho Man.
THE 50 BT GAY SONGS TO CELEBRATE PRI ALL YEAR LONG
” was not a “gay” song, but “a song for everyone. Addnally, lyrics like “lger on the siwalk where the neon signs are pretty” and “someone who is jt like you and needs a gentle hand to gui them along” were tac vatns for a gay listeng dience. ” was more than a h rerd, was a cultural tone: a world anthem built on, for, and about gay life and sensibili that was, neverthels, fully embraced by mastream dienc.