Strand Releasg—the gayt, ballsit film distributor that ever was—is turng 30. Where would we be whout ?
Contents:
- INTERNATNAL GAY CEMA: 33 LGBTQ MOVI TO SEE OM AROUND THE WORLD
- EVEN A POST-MOONLIGHT WORLD, IT’S NEARLY IMPOSSIBLE TO GET A GAY MOVIE MAAS PRI MONTH DRAWS TO A CLOSE, SIX LGBTQ DIRECTORS REFLECT ON THE TRIALS AND TRIBULATNS OF GETTG THEIR WORK THROUGH THE SYSTEM.BY NICK ROMANOJUNE 27, 2017CLOCKWISE OM LEFT, JT KELLY'S I AM MICHAEL, 2015, ELIZA HTMAN'S BEACH RATS, 2017, ANDREW AHN'S SPA NIGHT, 2016, JAMIE BABB'S BUT I’M A CHEERLEAR, 2000, IRA SACHS' LOVE IS STRANGE, 2014, SYDNEY FREELAND'S DNKTOWN’S FT, 2014.CLOCKWISE OM LEFT, OM EVERETT COLLECTN, URTY OF SUNDANCE FILM FTIVAL, OM STRAND RELEASG/EVERETT COLLECTN, OM LNS GATE/EVERETT COLLECTN, OM SONY PICTUR/EVERETT COLLECTN, OM TOY GUN FILMS.SAVE THIS STORYSAVESAVE THIS STORYSAVEHOLLYWOOD IS HAVG AN “EXCLIVELY GAY MOMENT”—A PHRASE ADVERTENTLY ED BY DIRECTOR BILL CONDON THIS WTER AND OVERBLOWN BY MEDIA ATTENTN. RECENT FILMS LIKE BETY AND THE BEAST AND POWER RANGERS HAVE “BROKEN GROUND” OR “MA HISTORY”—ACRDG TO THE HEADL, ANYWAY—AS MAJOR HOLLYWOOD RELEAS FEATURG OPENLY QUEER CHARACTERS. UNFORTUNATELY, THEIR “G OUT” SCEN HAVE MOSTLY BEEN LOST TRANSLATN.“I WATCHED ALIEN: COVENANT AND THERE’S A GAY UPLE , AND I HAD NO IA,” SPA NIGHT DIRECTOR ANDREW AHN TELLS VANY FAIR, LGHG. “AND I LOOK FOR GAY SH ALL THE TIME. I N’T BELIEVE I MISSED .”GLAAD’S FIFTH ANNUAL HOLLYWOOD REPORT RD NFIRMS THAT THE GAY MUNY IS STILL DRAMATILLY UNRREPRENTED MASTREAM MOVI: JT 23 OF THE 125 FILMS RELEASED BY STUDS 2016 FEATURED LGBTQ CHARACTERS, AND 10 OF THE 23 GAVE THEM LS THAN A MUTE OF SCREEN TIME. THE DIE REALM HAS BEE OUR PRIMARY SOURCE FOR MORE DIVERSY ON SCREEN. IT’S WHAT MA POSSIBLE FOR MOONLIGHT—A FILM ABOUT A QUEER PERSON OF LOR—TO W BT PICTURE AT THE OSRS. YET THAT SPACE WH S OWN PLITNS, AS MOONLIGHT DIRECTOR BARRY JENKS HAS DISCSED AT LENGTH.FOR SOMEONE LIKE LOVE IS STRANGE DIRECTOR IRA SACHS, WHO’S BEEN THE BS FOR MORE THAN 25 YEARS, N FEEL “NEXT TO IMPOSSIBLE” TO MAKE LGBTQ FILMS. “I’M ENURAGED BY ANYONE WHO MANAG TO MAKE A FILM WH LGBTQ NTENT THAT FURTHERS THE VISIBILY,” HE SAYS OF MOVI LIKE MOONLIGHT AND THIS YEAR’S CALL ME BY YOUR NAME, WHICH IS ALREADY GENERATG AWARDS BUZZ. “I NEED THE VISIBILY AS MUCH AS ANYONE WHO’S STARTG OR BEGNG, AND AS MUCH AS THE DIENCE. IT’S A REMR THAT ’S NOT IMPOSSIBLE, THAT I’M WRONG TO SOME EXTENT.”JAMIE BABB, WHO PUT HERSELF ON THE MAP 1999 WH BUT I’M A CHEERLEAR, THOUGHT THE DTRY WOULD CHANGE WHEN BROKEBACK MOUNTA ME OUT 2005—BUT SHE TOO STILL NS TO THE SAME ROADBLOCKS THAT PERSISTED THE 90S. “IT’S SAD THAT THE HOLLYWOOD RPORATE MACHE, WHICH IS VERY MUCH QUEER AS FAR GLBT WORKG THE DTRY . . . ARE STILL TIMIDATED BY THE BOTTOM LE AND WORRIED THAT PEOPLE DON’T WANT TO WATCH QUEER STORI WHEN THAT LSON HAS BEEN, I THOUGHT, LEARNED TIME AND TIME AGA.”LGBT MOVI ARE STILL TOO OFTEN PIGEONHOLED AS “NICHE” ENTERTAMENT. JT KELLY HAD A “HEO REALIZATN” TO THAT EFFECT DURG THE FIRST FANCG MEETGS FOR HIS 2015 FILM I AM MICHAEL, STARRG JAM FRAN AS A GAY MAN WHO BE AN ANTI-GAY CHRISTIAN PASTOR. COMPANI WOULD SAY, “WE JT DID A GAY FILM LAST YEAR AND DIDN’T DO WELL.” HE RELLS THKG, “WOULD SOMEONE SAY WE DID A STRAIGHT FILM LAST YEAR AND DIDN’T DO WELL?”ELIZA HTMAN, APPROACHG THE GENRE AS A HETEROSEXUAL FILMMAKER, WAS UGHT OFF GUARD WH THE REACTN TO HER 2017 SUNDANCE SELECTN BEACH RATS. SHE EXPLORED “ADOLCENT FEMALE OBSSNS” WH HER FEATURE BUT, IT FELT LIKE LOVE—BUT WHEN SHE TOOK A MORE MASCULE APPROACH TO THE SAME NCEPT, WAS DISMISSED BY STG DIRECTORS AS THE ONE “WH ALL THE GAY SEX.”“IT WAS A LTLE NCERNG THAT THAT WAS WHAT PEOPLE WERE REACTG TO,” SHE SAYS, “BEE I THOUGHT THE FILM HAD A LOT MORE PTH THAN THAT. BUT I THK PEOPLE ARE A LOT MORE PROTECTIVE OF YOUNG TALENT, AND I THK THAT THERE ARE STILL STIGMAS AROUND WHAT KD OF ROL PEOPLE SHOULD AND SHOULDN’T PLAY.” BRISH ACTOR HARRIS DICKSON, WHO STARS BEACH RATS, HAD TO ASK HIS REPRENTATN TO BACK DOWN WHEN THEY “PHED BACK VERY HARD AGAST THE NUDY AND THE NTENT” OF THE STORY. HTMAN UNRSTANDS THEIR RPONSE TO SOME EXTENT—’S “THEIR JOB [TO] PROTECT THEIR CLIENTS”—BUT SHE ALSO BELIEV “THERE’S STILL A LOT OF TABOOS AROUND MALE NUDY AND MALE SEXUALY THAT EXIST FILM.”AS A TRANS NATIVE AMERIN WOMAN, SYDNEY FREELAND WAS TOLD THAT HER 2014 FEATURE DNKTOWN’S FT WAS A “NICHE OF A NICHE.” SHE LOOSELY BASED THE NCEPT ON HER OWN EXPERIENCE LIVG ON A NAVAJO RERVATN NEW MEXI, BUT MANY FANCIERS CLAIMED “THERE ISN’T A MARKET FOR THIS, PEOPLE DON’T WANT TO SEE THIS, PEOPLE AREN’T TERTED THIS, AND SO ON AND SO FORTH.” AHN, ONE OF THE MOST LD BREAKOUTS OF 2016’S SUNDANCE FILM FTIVAL, FACED SIAR REMARKS, WHICH SENT HIM TO KICKSTARTER FOR HIS DIRECTORIAL BUT ABOUT A CLOSETED MAN A SMALL KOREAN-AMERIN MUNY. “WE ULDN’T EVEN GET THE MONEY TO GO THROUGH PREPRODUCTN,” HE SAYS.AND THOUGH TV GENERALLY HAS A REPUTATN FOR BEG RISKIER AND MORE CREATOR-IENDLY THAN FILM, BABB—WHO HELMED EPISOS OF THE L WORD AND LOOKG, AMONG A LENGTHY LIST OF SHOWS—BELIEV TELEVISN IS ALSO GOG BACKWARDS. “I LOVE TRANSPARENT AND THAT’S A GREAT SHOW WH QUEER CHARACTERS, FOR SURE, BUT THERE SHOULD BE 10 OF THEM NOW,” SHE SAYS.BABB HAS TRIED TO GET THREE DIFFERENT QUEER-ORIENTED SERI OFF THE GROUND OVER THE PAST FIVE YEARS. “I’M GETTG THE TOP MEETGS WH THE HEAD OF SHOWTIME, THE HEAD OF NETFLIX, THE HEAD OF HBO,” SHE SAYS. BUT A GREEN LIGHT REMAS ELIVE. THE CLOST SHE ME WAS WH AN ADAPTATN OF INGRID JUNGERMANN’S WEB SERI F TO 7TH, A CURB YOUR ENTHIASM-STYLE LBIAN EDY THAT “TALKS ABOUT QUEER CULTURE OM THE SI AND MAK FUN OF .” SHOWTIME ORRED A SCRIPT, BUT SHE SAYS THE PROJECT NEVER MOVED FORWARD. THE GENERAL RPONSE, SHE SAYS, WAS, “OH, IF ’S A LBIAN SHOW, IS THERE GONNA BE A LOT OF HOT SEX? IT’S SUCH A NICHE.”MOONLIGHT GROSSED $65 LN WORLDWI ON A $1.5 LN PRODUCTN BUDGET, BUT THE NSENS STILL SEEMS TO BE THAT FANCIERS DON’T SEE AN DIENCE FOR THE FILMS BEYOND THE LGBTQ MUNY. WHEN THEY DON’T SEE AN DIENCE, THEY DON’T SEE A PROF. WHEN ASKED TO SCRIBE THE MOST DIFFICULT STAGE OF FILM VELOPMENT, SACHS DON’T NEED TO MULL HIS ANSWER. “CAPAL,” HE SAYS. “VERY SIMPLY, PALISM MAK THE CREATN OF WORK FOR MARGALIZED MUNI DIFFICULT.”AND PAL IS WHY HOLLYWOOD, SPE THE PRENCE OF LGBTQ EXECUTIV, STILL LARGELY NSIRS THE VISIBILY OF THE CHARACTERS TO BE A RISK. TAKE BETY AND THE BEAST, FOR EXAMPLE. OUT OF S $1.25 BILLN GROSS, $85.8 LN ME OM CHA, $37.5 LN ME OM SOUTH KOREA, AND $14.6 LN ME OM RSIA—TERRORI WH CENSORSHIP LAWS THAT N TARGET LGBTQ NTENT. “THE TRAGEDY IS THAT THIS MOMENT WHERE WE THK WE’RE MAKG PROGRS, WHICH WE HAVE DOMTILLY, THERE IS AN ERASURE UNTRI LIKE, LET’S START WH RSIA,” SACHS EXPLAS. “I ED TO GO TO THE GAY FTIVALS THERE, AND THE LAST TIME I SENT MY FILMS THERE THE FTIVALS HAD BOMB SR TWO OR THREE TIM—AND THAT’S ONE STAGE.”KELLY LLS “A B SANE” WHEN HE’S TOLD BEFORE EVEN SHOOTG A QUEER-LEANG FILM THAT “ WILL FOR SURE NOT SELL THE 40 MARKETS,” BUT HE’S ALSO NOT NVCED HOMOPHOBIA IS THE SOLE TERRENT. HE ALSO C THE “TRAGIC STATE OF THE DIE FILM WORLD”—AND HE’S RIGHT, TO SOME EXTENT. THE MARKET HAS CHANGED SCE THE EARLY 2000S, WHEN STUDS BEGAN PHG THE STORI TO SPECIALTY DIVISNS LIKE FOC FEATUR AND FOX SEARCHLIGHT—AND GIVG THEM SMALLER BUDGETS. “I’M TRYG TO BE REALISTIC STEAD OF JT PLAG THAT ’S HARR TO GET GAY FILMS MA,” KELLY SAYS, “EVEN THOUGH IS, AND EVEN THOUGH ANNOYS ME EVERY DAY.”MOST POPULAROUR FLAG MEANS DEATH SEASON 2: EXCLIVE FIRST LOOKBY SARAH CATHERALLNEW ON NETFLIX: SEPTEMBER 2023'S BT NEW MOVI & SHOWSBY CHRIS MURPHYFLORENCE PUGH SAYS CHRISTOPHER NOLAN “APOLOGIZED” FOR HER SMALL OPPENHEIMER ROLEBY SAVANNAH WALSHADDG TO THE HEADACHE OF FANCG AND DISTRIBUTN IS MARKETG. “THERE IS A WAY FOR PEOPLE TO FD [LGBTQ FILMS] WHO HAVE THE APPETE TO FD , BUT YOU’RE NOT GONNA GET THE MARKETG PH THAT ALL THE STUD MOVI GET BEE ’S SUCH BIG BS NOW,” BABB SAYS. FILMS LIKE MOONLIGHT, THE IMATN GAME, AND CAROL DID GET WI PROMOTN, BUT THEY WERE ALSO AWARDS SEASON NTENRS. FOR SMALLER RELEAS, “Y, YOU N GET DISTRIBUTN ON NETFLIX OR AMAZON OR SUNDANCE SELECTS, IFC, WHATEVER—BUT YOU’RE NOT GONNA GET ANY MARKETG BEHD ,” BABB EXPLAS.AND THAT’S ASSUMG A FILM IS ACTUALLY SCREENED THEATERS—BEE AS AHN LEARNED WH SPA NIGHT, “ONCE YOU GET A DISTRIBUTOR, ’S NOT LIKE YOU’RE GUARANTEED TO PLAY THEATERS. THE THEATERS THEMSELV HAVE TO CHOOSE WHAT THEY WANT TO SCREEN, AND I HAD NO IA THAT’S HOW WORKED.”THE HOME TURF WAR NTU WH THE MPAA. LOVE IS STRANGE REIGNED QUTNS OF HOMOPHOBIA WHEN THE FILM, STARRG JOHN LHGOW AND ALED MOLA, WAS BRAND WH AN R-RATG FOR STRONG LANGUAGE. “THAT FILM ULDN'T BE MORE APPROPRIATE FOR A YOUNG DIENCE,” SACHS SAYS. THE R-RATG FOR 2014’S PRI, THE STORY OF GAY ACTIVISTS TEAMG UP WH STRIKG MERS 1984 WAL, CED A SIAR NTROVERSY, AND HARVEY WESTE VERY PUBLICLY NTTED THE RATG (AND WON) FOR THIS YEAR’S 3 GENERATNS, ABOUT A TRANS TEENAGER.“I’D FD IENDS OF ME WH 15-YEAR-OLD KIDS NOT TAKG THEM TO THE MOVIE [BEE] THEY ASSUMED THE NTENT WOULD SOMEHOW BE DISPTIVE TO THEIR CHILDREN BEE OF THE R-RATG,” SACHS RELLS OF HIS EXPERIENCE, “WHICH WAS JT KD OF TRAGIC ON SOME LEVEL.” THE DIRECTOR OBJECTS TO THE WAY THE RATGS BOARD OPERAT: “LERALLY, THE MEMBERS OF THE MPAA HAD TO BE MARRIED PEOPLE TO REPRENT A KD OF FAY VALUE,” HE SAYS, REFERRG TO A POT MA KIRBY DICK’S 2006 DOCUMENTARY ABOUT THE MPAA, THIS FILM IS NOT YET RATED. “THIS IS DISGTG.”MOST POPULAROUR FLAG MEANS DEATH SEASON 2: EXCLIVE FIRST LOOKBY SARAH CATHERALLNEW ON NETFLIX: SEPTEMBER 2023'S BT NEW MOVI & SHOWSBY CHRIS MURPHYFLORENCE PUGH SAYS CHRISTOPHER NOLAN “APOLOGIZED” FOR HER SMALL OPPENHEIMER ROLEBY SAVANNAH WALSHIT’S STILL POSSIBLE TO FD SUPPORT FOR QUEER STORI THE DTRY. AHN, FOR ONE, POTS TO MARC HU, AN OPENLY GAY EXECUTIVE AT STRAND RELEASG WHO ADVOTED FOR HIS FILM. BUT IF NOT FOR SACHS’S “ALTERNATE UNIVERSE” OF DIVIDUALS HE ULD RELY UPON OUTSI THE TRADNAL FILMMAKG SPHERE, HE WOULD NOT HAVE BEEN ABLE TO MAKE LOVE IS STRANGE. IN FACT, ALL OF THE DIRECTORS FOUND HOPE BY BUILDG THEIR OWN WORLDS AND FDG THEIR OWN DIENC. AHN, FREELAND, AND HTMAN WERE SUPPORTED THROUGH FELLOWSHIP PROGRAMS LIKE THE SUNDANCE LABS AND CEREACH, WHILE KELLY FED HIS OWN PATH WH THE BLSG OF G VAN SANT, WH WHOM HE WORKED ON 2008’S MILK. HE’S TEAMG UP WH JAM FRAN ONCE MORE FOR A BPIC OF J.T. LEROY.AS A MEMBER OF QUEER ART, A NON-PROF SUPPORTG LGBTQ VOIC FILM, VISUAL ARTS, PERFORMANCE, AND LERATURE, SACHS IS TRYG TO CREATE THIS SORT OF UNIVERSE ON A SYSTEMATIC LEVEL. “I THK WHAT IS IMPORTANT—AND IS STILL POSSIBLE—IS THAT ARTISTS TAKE RISKS, AND THOSE RISKS ARE BOTH PERSONAL AND FANCIAL. AND TO BE BRAVE ENOUGH TO TAKE RISKS IS WHAT HAS CREATED A HISTORY OF QUEER CEMA,” HE SAYS.“I DON’T THK ’S GOG TO BE THE MASTREAM THAT’S GOG TO DO THE WORK,” AHN NOT OF LGBTQ REPRENTATN. “I THK ’S MORE A GRASSROOTS-Y THG, AND JT HAS TO KEEP BUILDG AND BUILDG.” WHEN TO SEEG REAL CHANGE MASTREAM HOLLYWOOD, HE PREDICTS, “I THK THERE HAS TO BE A UPLE MORE MOONLIGHTS.”13 DAZZLG ACTORS WHO MA THEIR MOVIE DEBUTS 20161 / 13CHEVRONCHEVRONCOURTY OF A24.ANYA TAYLOR-JOY, THE WCHWH ONLY AN UNCREDED APPEARANCE VAMPIRE AMY ON HER LIST OF FILM APPEARANC, ANYA TAYLOR-JOY MA AN ENTRANCG MAJOR BUT THE SPELLBDG HORROR FILM THE WCH.NICK ROMANO
- IT'S TIME TO CELEBRATE THE FILM GENI THAT BROUGHT US DANIEL CRAIG'S PENISSTRAND RELEASG—THE GAYT, BALLSIT FILM DISTRIBUTOR THAT EVER WAS—IS TURNG 30. WHERE WOULD WE BE WHOUT ?{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}MOVIBY LAWRENCE FERBERNOVEMBER 23, 2019/10:31 {HEIGHT:HER;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;POSN:RELATIVE;-WEBK-FLEX-WRAP:WRAP;-MS-FLEX-WRAP:WRAP;FLEX-WRAP:WRAP;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;-WEBK-TRANSFORM-ORIG:CENTER;-MS-TRANSFORM-ORIG:CENTER;TRANSFORM-ORIG:CENTER;} IMG{HEIGHT:100%;WIDTH:100%;OBJECT-F:VER;}{HEIGHT:976PX;WIDTH:650PX;}STRAND RELEASG"LOVE IS THE DEVIL."BY LAWRENCE FERBERNOVEMBER 23, 2019 / 10:31 AM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"IT'S TIME TO CELEBRATE THE FILM GENI THAT BROUGHT US DANIEL CRAIG'S PENIS","THUMBNAILURL":","DATEPUBLISHED":"2019-11-23T15:31:46.000+0000","DATEMODIFIED":"2019-11-23T15:31:46.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","URL":","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"LOGO TV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"LOGO TV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT"}},"CREATOR":"LAWRENCE FERBER","ARTICLESECTN":"MOVI"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IT ALL STARTED WH A FILIPO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IN 1989, MARC HU WAS WORKG PART TIME AT SAN FRANCIS MOVIE THEATER THE STRAND WHEN HE LLED QUEER FILIPO DIRECTOR LO BROCKA TO ASK IF THEY ULD SCREEN MACHO DANCER, HIS SNDALO DRAMA ABOUT A YOUNG GAY MAN WORKG AT A GO-GO BAR FULL OF MALE PROSTUT. EAGER TO SHOW UNCUT THE U.S.— WAS HEAVILY CENSORED THE PHILIPP, MOSTLY DUE TO THE PICTN OF RPT THORI—BROCKA AGREED. HU WENT ON TO BOOK THE FILM MORE THAN 40 ADDNAL CI, AND MACHO DANCER EVENTUALLY BEME PART OF MOMA’S PERMANENT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SO BEGAN STRAND RELEASG, THE BOUTIQUE ARTHOE DISTRIBUTN PANY HU FOUND WH JON GERRANS (THEY PREVLY WORKED TOGETHER AT THE NOW-FUNCT VTRON PICTUR), WHICH CELEBRAT S 30TH ANNIVERSARY THIS YEAR. HAVG RELEASED—AND A FEW S HELPED PRODUCE—OVER 500 TL, STRAND HAS TRODUCED DIENC TO SOME OF QUEER CEMA’S MOST DARG, TRAILBLAZG TERNATNAL FILMMAKERS, CLUDG GREGG ARAKI (THE DOOM GENERATN), IRA SACHS (THE DELTA), FRANçOIS OZON (CRIMAL LOVERS), TOM KAL (SWOON), APICHATPONG WEERASETHAKUL (UNCLE BOONMEE WHO CAN RELL HIS PAST LIV), TODD VEROW (FRISK), EYTAN FOX (THE BUBBLE), RANDY BARBATO AND FENTON BAILEY (PARTY MONSTER), BCE LABCE (HTLER WHE), AND TERENCE DAVI (THE NEON BIBLE), WHILE S RECENT TL CLU THE 2018 HTLER DRAMA SVAGE/WILD AND ITALIAN LBIAN DRAMA MOM+MOM, WHICH WAS JT RELEASED ON DVD/VOD.STRAND RELEASG"THE LIVG END."{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE LIVG END (1992).{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}TO MEMORATE THIS ANNIVERSARY, A GROUP OF FILMMAKERS—CLUDG JOHN WATERS, THE FAREWELL’S LULU WANG, AND CDY SHERMAN—HAVE CREATED MORE THAN 30 SHORT FILMS FOR 30/30 VISN: 3 DES OF STRAND RELEASG, WHICH WILL SCREEN NOVEMBER 25 AT NYC’S MOMA, DECEMBER 5 AT SAN FRANCIS’S MOMA, AND DECEMBER 13 AT L.A.’S HAMMER {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HU RECENTLY SAT DOWN WH NEWNOWNEXT TO DISCS SOME OF HIS FAVORE STRAND RELEAS—CLUDG THE ONE WHICH A YOUNG DANIEL CRAIG GOT PLETELY {BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:75%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE LIVG END (1992){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A PAIR OF ENRAGED HIV-POSIVE MEN (MIKE DYTRI, CRAIG GILMORE) WH HIGH LIBIDOS AND LOAD FIREARMS GO ON A RAMPAGE GREGG ARAKI’S DAC, NTROVERSIAL {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MARC HU: “I GUS YOU ULD SAY THE LIVG END IS THE ONE THAT PUT ON THE MAP. IT WAS ALSO ONE OF THE FEW PRODUCTN LLABORATNS WE DID. GREGG DID A LOT TO TRODUCE JON AND ME TO THE SUNDANCE INSTUTE, AND THE FIRST FOUR OR FIVE YEARS OF OUR PANY WE WERE BASED OUT OF SUNDANCE’S OFFIC. THE LIVG END WAS ONE OF THE TOUCHSTON OF THE NEW QUEER CEMA MOVEMENT, WHICH WAS ED AT THE 1992 SUNDANCE FILM FTIVAL BY [SCHOLAR] B. RUBY RICH, AND WAS A REALLY IMPORTANT FILM ALG WH THE AIDS CRISIS. IT HAD A SENSE OF URGENCY, AND FED THE ENERGY AND TASTE OF THE PANY.”{BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:75%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WILD REEDS (1994){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A HIGH SCHOOL STUNT (GAëL MOREL) OF AGE, AND TO GRIPS WH HIS SEXUALY, 1962 {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HU: “ANDRé TéCHé’S BT FILM. IT TALKS ABOUT IENDSHIPS, RELATNSHIPS, HOW PLEX THEY N BE AT THAT AGE, AND G OUT—ALL SUCH A BETIFUL WAY. IT’S REALLY NUANCED, AND THE PERFORMANC ARE SO NATURAL. GAëL, ELODIE BOUCHEZ, STéPHANE RI—THAT TR IS SPECTACULAR. ELODIE LATER ME TO AMERI AND APPEARED AMERIN DIE MOVI, AND GAëL’S REER AS A FILMMAKER TOOK OFF: HIS EARLY FILMS, LIKE FULL SPEED, WERE REMISCENT OF TéCHé’S WORK, AND HE ST STéPHANE A FEW OF THEM.”{BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:56.49999999999999%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}STRANGER BY THE LAKE (2013){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AT A REMOTE LAKE WHERE GAY MEN CISE AND SUNBATHE NU, A 30-SOMETHG MAN (PIERRE DELADONCHAMPS) BE FIXATED ON A MTACHED, MURRO HUNK (CHRISTOPHE PAOU). A SEXUALLY EXPLIC, HCHCKIAN, SUBTLY IC SLOW-BURN THRILLER.STRAND RELEASG"STRANGER BY THE LAKE."{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}STRANGER BY THE LAKE (2013).{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HU: “IT WAS SHOT WH VERY FEW ROURC, BUT DON’T FEEL LOW-BUDGET. IT’S TENSE—THE WHOLE MOVIE HAS YOU ON THE EDGE OF YOUR SEAT—AND AS A THRILLER ’S OUTSTANDG AND SO PRECISE. I LOVE THE FACT ’S VERY EXPLIC YET DON’T EVER FEEL EXPLOATIVE. WE WEREN’T ABLE TO GET ON SOME DIGAL PLATFORMS, BUT YOU KNOW WHO HAD THE URAGE TO PUT UP BEE OF S CRIL ACLAS? NETFLIX! THAT MAY HAVE BEEN A DIFFERENT TIME FOR THE PANY, BUT THEY RRIED THAT MOVIE WHOUT ANY HATN.”{BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:56.49999999999999%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}LOVE IS THE DEVIL (1998){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}DANIEL CRAIG PLAYS A THIEF WHO BE THE LOVER OF ACIDIC IRISH PATER FRANCIS BAN (DEREK JABI)—AND GETS TOTALLY NAKED A NOW-FAMO BATHTUB SCENE— U.K. FILMMAKER JOHN MAYBURY’S ARTFUL, UNNVENTNAL {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HU: “DANIEL CRAIG ME TO PROMOTE THE FILM, AND HE WAS LOVELY, A GENTLEMAN. HE WAS VERY ENGAGED AND HAD NO QUALMS ABOUT PROMOTG THAT MOVIE AT ALL. WE DID MAKE AN AGGRSIVE BUY FOR . I REMEMBER WE BOUGHT AT A PRIVATE SCREENG BEFORE WENT TO CANN AS AN OFFICIAL SELECTN. THAT WAS AMAZG.”{BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:75%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}STONEWALL (1995){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A YOUNG GAY MAN (FRERICK WELLER) NEW TO NYC FALLS WH A TAKE-NO-SH DRAG QUEEN (GUILLERMO DíAZ) AND A CROWD OF GAY RIGHTS ACTIVISTS, LEADG TO THE 1969 STONEWALL RTS BRISH DIRECTOR NIGEL FCH'S ADAPTATN OF MART DUBERMAN’S BOOK. FCH DIED OM AIDS-RELATED PLITNS DURG THE FILM’S {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HU: “IT WAS SO SAD. NIGEL PASSED AWAY BY THE TIME DISTRIBUTN HAPPENED, SO I ALT WH [WRER] RIKKI BEADLE-BLAIR, AND I HAVE A VERY CLOSE RELATNSHIP WH [PRODUCER] CHRISTE VACHON. I REMEMBER MY MOM MAKG GUILLERMO DNER DURG THE SAN FRANCIS TOUR. THIS STONEWALL IS FELY BETTER THAN THE ONE ROLAND EMMERICH DID.”{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FRISK (1995){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HU PRODUCED DIRECTOR TODD VEROW’S ADAPTATN OF DENNIS COOPER’S 1991 NOVEL, WHICH A POSSIBLE SERIAL KILLER RELAYS HIS MASOCHISTIC SEXUAL ADVENTUR AND HORRIFIC CRIM—OR ARE THEY FANTASI?— A STRG OF LETTERS. THE FILM, WHICH -STARRED PARKER POSEY, LEFT DIENC AT SAN FRANCIS’S FRAMELE FILM FTIVAL FUR BEE OF S DARK {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HU: “I HAD GONE OUT AND OPTNED THE BOOK OM DENNIS COOPER, AND WAS AN EXPERIENCE DOG A NO-BUDGET FILM LIKE THAT. WE HAD THE BIG PREMIERE AT CLOSG NIGHT OF FRAMELE, ON PRI WEEKEND, WHERE I ALSO GOT A LIFETIME ACHIEVEMENT AWARD, AND WAS MET WH SUCH A BAD REACTN. PEOPLE WERE OUTRAGED AND UPSET, AND I GET . THEY ME A FTIVE MOOD EXPECTG A MARTI, AND AS BILLY WILR SAID, I GAVE THEM A SHOT OF VEGAR. IT WAS FELY NOT A GREAT IA TO PROGRAM RIGHT AFTER THE PRI PARA!”{BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:75%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}OFFICE KILLER (1997){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}PHOTOGRAPHER CDY SHERMAN DIPPED A TOE TO FEATURE FILMMAKG WH THIS SATIRE ABOUT A HOMICIDAL MAGAZE EMPLOYEE (CAROL KANE), WHICH ME TO LIFE WH AN AVENGERS-LIKE TEAM OF SUPERSTAR DIE FILMMAKERS, CLUDG SCREENWRERS TODD HAYN AND TOM KAL AND PRODUCER CHRISTE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HU: “WE END UP GETTG TWO TL THAT ORIGALLY WERE OM THE WESTES BEE OF DISPUT WH THE PRODUCERS AND FILMMAKERS. THE NEON BIBLE—THAT WAS ORIGALLY A MIRAMAX TLE—AND OFFICE KILLER. IT WAS A REALLY FUN PROJECT. IT’S A REALLY SMART ART-HORROR FILM, WH GREAT PERFORMANC OM MOLLY RGWALD AND CAROL KANE, AND AFFORD ME THE OPPORTUNY TO WORK WH CDY, WHO I’M A HUGE FAN OF AND KEEP TOUCH WH TODAY.”{BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:75%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}OF TIME AND THE CY (2008){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BT KNOWN FOR HIS TOBGRAPHIL WORKS, TERENCE DAVI CRAFTED A POETIC DOCUMENTARY ABOUT HIS HOMETOWN OF LIVERPOOL, A PLACE HE RELLS WH PA AND WARMTH ( IS WHERE HE FIRST STGGLED WH HIS SEXUALY).{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HU: “IT’S A PERSONAL DIARY MOVIE. IT WAS A TOUGH SELL, BUT NOT TO THE DIENCE THAT LOV TERENCE DAVI. IT’S VERY MUCH HIM, AND HE HAS SO MANY FANS. IT MAY HAVE BEEN SMALL, BUT PLAYS VERY WELL TO PEOPLE WHO WANTED TO KNOW MORE ABOUT HIS LIFE. I FELY WOULD LIKE TO SEE HIM DO ANOTHER MEMOIR PIECE.”{BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:75%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SLIPSTREAM (2007){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ANTHONY HOPKS WROTE, DIRECTED, STARRED , AND POSED THE MIC FOR THIS TRIPPY, SATIRE-TGED TALE OF A SCREENWRER WHO MAY BE HABG HIS OWN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HU: “ANTHONY WAS FUN. I TRAVELED ACROSS THE UNTRY WH HIM, AND HE WAS REALLY LOVELY. THERE WAS A FUNNY MOMENT WHEN WE WERE AT MOMA AND THEY BROUGHT OUT LAMB TARTARE ON CRISPS. HE POLELY CLED.”{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MA IMAGE: THE LIVG {BOX-SIZG:BORR-BOX;CLEAR:BOTH;}{BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS
- THE 10 GAYT STRAIGHT MOVI
INTERNATNAL GAY CEMA: 33 LGBTQ MOVI TO SEE OM AROUND THE WORLD
From Fassbr to Pasoli and Sciamma, here are some of the bt gay movi om the global arthoe. * strand releasing gay movies *
As a “B Squad” of gay athlet tri to overe experience and ph past rivalri to sre an elive w, a secret affair simmers among them. “A poignant lo-fi drama about a gay London gby team.
Skilfully directed by one-man movie stud Matt Carter, this gay-themed Brish gby movie is packed wh big drama, sparky edy and powerfully emotnal romance.
EVEN A POST-MOONLIGHT WORLD, IT’S NEARLY IMPOSSIBLE TO GET A GAY MOVIE MAAS PRI MONTH DRAWS TO A CLOSE, SIX LGBTQ DIRECTORS REFLECT ON THE TRIALS AND TRIBULATNS OF GETTG THEIR WORK THROUGH THE SYSTEM.BY NICK ROMANOJUNE 27, 2017CLOCKWISE OM LEFT, JT KELLY'S I AM MICHAEL, 2015, ELIZA HTMAN'S BEACH RATS, 2017, ANDREW AHN'S SPA NIGHT, 2016, JAMIE BABB'S BUT I’M A CHEERLEAR, 2000, IRA SACHS' LOVE IS STRANGE, 2014, SYDNEY FREELAND'S DNKTOWN’S FT, 2014.CLOCKWISE OM LEFT, OM EVERETT COLLECTN, URTY OF SUNDANCE FILM FTIVAL, OM STRAND RELEASG/EVERETT COLLECTN, OM LNS GATE/EVERETT COLLECTN, OM SONY PICTUR/EVERETT COLLECTN, OM TOY GUN FILMS.SAVE THIS STORYSAVESAVE THIS STORYSAVEHOLLYWOOD IS HAVG AN “EXCLIVELY GAY MOMENT”—A PHRASE ADVERTENTLY ED BY DIRECTOR BILL CONDON THIS WTER AND OVERBLOWN BY MEDIA ATTENTN. RECENT FILMS LIKE BETY AND THE BEAST AND POWER RANGERS HAVE “BROKEN GROUND” OR “MA HISTORY”—ACRDG TO THE HEADL, ANYWAY—AS MAJOR HOLLYWOOD RELEAS FEATURG OPENLY QUEER CHARACTERS. UNFORTUNATELY, THEIR “G OUT” SCEN HAVE MOSTLY BEEN LOST TRANSLATN.“I WATCHED ALIEN: COVENANT AND THERE’S A GAY UPLE , AND I HAD NO IA,” SPA NIGHT DIRECTOR ANDREW AHN TELLS VANY FAIR, LGHG. “AND I LOOK FOR GAY SH ALL THE TIME. I N’T BELIEVE I MISSED .”GLAAD’S FIFTH ANNUAL HOLLYWOOD REPORT RD NFIRMS THAT THE GAY MUNY IS STILL DRAMATILLY UNRREPRENTED MASTREAM MOVI: JT 23 OF THE 125 FILMS RELEASED BY STUDS 2016 FEATURED LGBTQ CHARACTERS, AND 10 OF THE 23 GAVE THEM LS THAN A MUTE OF SCREEN TIME. THE DIE REALM HAS BEE OUR PRIMARY SOURCE FOR MORE DIVERSY ON SCREEN. IT’S WHAT MA POSSIBLE FOR MOONLIGHT—A FILM ABOUT A QUEER PERSON OF LOR—TO W BT PICTURE AT THE OSRS. YET THAT SPACE WH S OWN PLITNS, AS MOONLIGHT DIRECTOR BARRY JENKS HAS DISCSED AT LENGTH.FOR SOMEONE LIKE LOVE IS STRANGE DIRECTOR IRA SACHS, WHO’S BEEN THE BS FOR MORE THAN 25 YEARS, N FEEL “NEXT TO IMPOSSIBLE” TO MAKE LGBTQ FILMS. “I’M ENURAGED BY ANYONE WHO MANAG TO MAKE A FILM WH LGBTQ NTENT THAT FURTHERS THE VISIBILY,” HE SAYS OF MOVI LIKE MOONLIGHT AND THIS YEAR’S CALL ME BY YOUR NAME, WHICH IS ALREADY GENERATG AWARDS BUZZ. “I NEED THE VISIBILY AS MUCH AS ANYONE WHO’S STARTG OR BEGNG, AND AS MUCH AS THE DIENCE. IT’S A REMR THAT ’S NOT IMPOSSIBLE, THAT I’M WRONG TO SOME EXTENT.”JAMIE BABB, WHO PUT HERSELF ON THE MAP 1999 WH BUT I’M A CHEERLEAR, THOUGHT THE DTRY WOULD CHANGE WHEN BROKEBACK MOUNTA ME OUT 2005—BUT SHE TOO STILL NS TO THE SAME ROADBLOCKS THAT PERSISTED THE 90S. “IT’S SAD THAT THE HOLLYWOOD RPORATE MACHE, WHICH IS VERY MUCH QUEER AS FAR GLBT WORKG THE DTRY . . . ARE STILL TIMIDATED BY THE BOTTOM LE AND WORRIED THAT PEOPLE DON’T WANT TO WATCH QUEER STORI WHEN THAT LSON HAS BEEN, I THOUGHT, LEARNED TIME AND TIME AGA.”LGBT MOVI ARE STILL TOO OFTEN PIGEONHOLED AS “NICHE” ENTERTAMENT. JT KELLY HAD A “HEO REALIZATN” TO THAT EFFECT DURG THE FIRST FANCG MEETGS FOR HIS 2015 FILM I AM MICHAEL, STARRG JAM FRAN AS A GAY MAN WHO BE AN ANTI-GAY CHRISTIAN PASTOR. COMPANI WOULD SAY, “WE JT DID A GAY FILM LAST YEAR AND DIDN’T DO WELL.” HE RELLS THKG, “WOULD SOMEONE SAY WE DID A STRAIGHT FILM LAST YEAR AND DIDN’T DO WELL?”ELIZA HTMAN, APPROACHG THE GENRE AS A HETEROSEXUAL FILMMAKER, WAS UGHT OFF GUARD WH THE REACTN TO HER 2017 SUNDANCE SELECTN BEACH RATS. SHE EXPLORED “ADOLCENT FEMALE OBSSNS” WH HER FEATURE BUT, IT FELT LIKE LOVE—BUT WHEN SHE TOOK A MORE MASCULE APPROACH TO THE SAME NCEPT, WAS DISMISSED BY STG DIRECTORS AS THE ONE “WH ALL THE GAY SEX.”“IT WAS A LTLE NCERNG THAT THAT WAS WHAT PEOPLE WERE REACTG TO,” SHE SAYS, “BEE I THOUGHT THE FILM HAD A LOT MORE PTH THAN THAT. BUT I THK PEOPLE ARE A LOT MORE PROTECTIVE OF YOUNG TALENT, AND I THK THAT THERE ARE STILL STIGMAS AROUND WHAT KD OF ROL PEOPLE SHOULD AND SHOULDN’T PLAY.” BRISH ACTOR HARRIS DICKSON, WHO STARS BEACH RATS, HAD TO ASK HIS REPRENTATN TO BACK DOWN WHEN THEY “PHED BACK VERY HARD AGAST THE NUDY AND THE NTENT” OF THE STORY. HTMAN UNRSTANDS THEIR RPONSE TO SOME EXTENT—’S “THEIR JOB [TO] PROTECT THEIR CLIENTS”—BUT SHE ALSO BELIEV “THERE’S STILL A LOT OF TABOOS AROUND MALE NUDY AND MALE SEXUALY THAT EXIST FILM.”AS A TRANS NATIVE AMERIN WOMAN, SYDNEY FREELAND WAS TOLD THAT HER 2014 FEATURE DNKTOWN’S FT WAS A “NICHE OF A NICHE.” SHE LOOSELY BASED THE NCEPT ON HER OWN EXPERIENCE LIVG ON A NAVAJO RERVATN NEW MEXI, BUT MANY FANCIERS CLAIMED “THERE ISN’T A MARKET FOR THIS, PEOPLE DON’T WANT TO SEE THIS, PEOPLE AREN’T TERTED THIS, AND SO ON AND SO FORTH.” AHN, ONE OF THE MOST LD BREAKOUTS OF 2016’S SUNDANCE FILM FTIVAL, FACED SIAR REMARKS, WHICH SENT HIM TO KICKSTARTER FOR HIS DIRECTORIAL BUT ABOUT A CLOSETED MAN A SMALL KOREAN-AMERIN MUNY. “WE ULDN’T EVEN GET THE MONEY TO GO THROUGH PREPRODUCTN,” HE SAYS.AND THOUGH TV GENERALLY HAS A REPUTATN FOR BEG RISKIER AND MORE CREATOR-IENDLY THAN FILM, BABB—WHO HELMED EPISOS OF THE L WORD AND LOOKG, AMONG A LENGTHY LIST OF SHOWS—BELIEV TELEVISN IS ALSO GOG BACKWARDS. “I LOVE TRANSPARENT AND THAT’S A GREAT SHOW WH QUEER CHARACTERS, FOR SURE, BUT THERE SHOULD BE 10 OF THEM NOW,” SHE SAYS.BABB HAS TRIED TO GET THREE DIFFERENT QUEER-ORIENTED SERI OFF THE GROUND OVER THE PAST FIVE YEARS. “I’M GETTG THE TOP MEETGS WH THE HEAD OF SHOWTIME, THE HEAD OF NETFLIX, THE HEAD OF HBO,” SHE SAYS. BUT A GREEN LIGHT REMAS ELIVE. THE CLOST SHE ME WAS WH AN ADAPTATN OF INGRID JUNGERMANN’S WEB SERI F TO 7TH, A CURB YOUR ENTHIASM-STYLE LBIAN EDY THAT “TALKS ABOUT QUEER CULTURE OM THE SI AND MAK FUN OF .” SHOWTIME ORRED A SCRIPT, BUT SHE SAYS THE PROJECT NEVER MOVED FORWARD. THE GENERAL RPONSE, SHE SAYS, WAS, “OH, IF ’S A LBIAN SHOW, IS THERE GONNA BE A LOT OF HOT SEX? IT’S SUCH A NICHE.”MOONLIGHT GROSSED $65 LN WORLDWI ON A $1.5 LN PRODUCTN BUDGET, BUT THE NSENS STILL SEEMS TO BE THAT FANCIERS DON’T SEE AN DIENCE FOR THE FILMS BEYOND THE LGBTQ MUNY. WHEN THEY DON’T SEE AN DIENCE, THEY DON’T SEE A PROF. WHEN ASKED TO SCRIBE THE MOST DIFFICULT STAGE OF FILM VELOPMENT, SACHS DON’T NEED TO MULL HIS ANSWER. “CAPAL,” HE SAYS. “VERY SIMPLY, PALISM MAK THE CREATN OF WORK FOR MARGALIZED MUNI DIFFICULT.”AND PAL IS WHY HOLLYWOOD, SPE THE PRENCE OF LGBTQ EXECUTIV, STILL LARGELY NSIRS THE VISIBILY OF THE CHARACTERS TO BE A RISK. TAKE BETY AND THE BEAST, FOR EXAMPLE. OUT OF S $1.25 BILLN GROSS, $85.8 LN ME OM CHA, $37.5 LN ME OM SOUTH KOREA, AND $14.6 LN ME OM RSIA—TERRORI WH CENSORSHIP LAWS THAT N TARGET LGBTQ NTENT. “THE TRAGEDY IS THAT THIS MOMENT WHERE WE THK WE’RE MAKG PROGRS, WHICH WE HAVE DOMTILLY, THERE IS AN ERASURE UNTRI LIKE, LET’S START WH RSIA,” SACHS EXPLAS. “I ED TO GO TO THE GAY FTIVALS THERE, AND THE LAST TIME I SENT MY FILMS THERE THE FTIVALS HAD BOMB SR TWO OR THREE TIM—AND THAT’S ONE STAGE.”KELLY LLS “A B SANE” WHEN HE’S TOLD BEFORE EVEN SHOOTG A QUEER-LEANG FILM THAT “ WILL FOR SURE NOT SELL THE 40 MARKETS,” BUT HE’S ALSO NOT NVCED HOMOPHOBIA IS THE SOLE TERRENT. HE ALSO C THE “TRAGIC STATE OF THE DIE FILM WORLD”—AND HE’S RIGHT, TO SOME EXTENT. THE MARKET HAS CHANGED SCE THE EARLY 2000S, WHEN STUDS BEGAN PHG THE STORI TO SPECIALTY DIVISNS LIKE FOC FEATUR AND FOX SEARCHLIGHT—AND GIVG THEM SMALLER BUDGETS. “I’M TRYG TO BE REALISTIC STEAD OF JT PLAG THAT ’S HARR TO GET GAY FILMS MA,” KELLY SAYS, “EVEN THOUGH IS, AND EVEN THOUGH ANNOYS ME EVERY DAY.”MOST POPULAROUR FLAG MEANS DEATH SEASON 2: EXCLIVE FIRST LOOKBY SARAH CATHERALLNEW ON NETFLIX: SEPTEMBER 2023'S BT NEW MOVI & SHOWSBY CHRIS MURPHYFLORENCE PUGH SAYS CHRISTOPHER NOLAN “APOLOGIZED” FOR HER SMALL OPPENHEIMER ROLEBY SAVANNAH WALSHADDG TO THE HEADACHE OF FANCG AND DISTRIBUTN IS MARKETG. “THERE IS A WAY FOR PEOPLE TO FD [LGBTQ FILMS] WHO HAVE THE APPETE TO FD , BUT YOU’RE NOT GONNA GET THE MARKETG PH THAT ALL THE STUD MOVI GET BEE ’S SUCH BIG BS NOW,” BABB SAYS. FILMS LIKE MOONLIGHT, THE IMATN GAME, AND CAROL DID GET WI PROMOTN, BUT THEY WERE ALSO AWARDS SEASON NTENRS. FOR SMALLER RELEAS, “Y, YOU N GET DISTRIBUTN ON NETFLIX OR AMAZON OR SUNDANCE SELECTS, IFC, WHATEVER—BUT YOU’RE NOT GONNA GET ANY MARKETG BEHD ,” BABB EXPLAS.AND THAT’S ASSUMG A FILM IS ACTUALLY SCREENED THEATERS—BEE AS AHN LEARNED WH SPA NIGHT, “ONCE YOU GET A DISTRIBUTOR, ’S NOT LIKE YOU’RE GUARANTEED TO PLAY THEATERS. THE THEATERS THEMSELV HAVE TO CHOOSE WHAT THEY WANT TO SCREEN, AND I HAD NO IA THAT’S HOW WORKED.”THE HOME TURF WAR NTU WH THE MPAA. LOVE IS STRANGE REIGNED QUTNS OF HOMOPHOBIA WHEN THE FILM, STARRG JOHN LHGOW AND ALED MOLA, WAS BRAND WH AN R-RATG FOR STRONG LANGUAGE. “THAT FILM ULDN'T BE MORE APPROPRIATE FOR A YOUNG DIENCE,” SACHS SAYS. THE R-RATG FOR 2014’S PRI, THE STORY OF GAY ACTIVISTS TEAMG UP WH STRIKG MERS 1984 WAL, CED A SIAR NTROVERSY, AND HARVEY WESTE VERY PUBLICLY NTTED THE RATG (AND WON) FOR THIS YEAR’S 3 GENERATNS, ABOUT A TRANS TEENAGER.“I’D FD IENDS OF ME WH 15-YEAR-OLD KIDS NOT TAKG THEM TO THE MOVIE [BEE] THEY ASSUMED THE NTENT WOULD SOMEHOW BE DISPTIVE TO THEIR CHILDREN BEE OF THE R-RATG,” SACHS RELLS OF HIS EXPERIENCE, “WHICH WAS JT KD OF TRAGIC ON SOME LEVEL.” THE DIRECTOR OBJECTS TO THE WAY THE RATGS BOARD OPERAT: “LERALLY, THE MEMBERS OF THE MPAA HAD TO BE MARRIED PEOPLE TO REPRENT A KD OF FAY VALUE,” HE SAYS, REFERRG TO A POT MA KIRBY DICK’S 2006 DOCUMENTARY ABOUT THE MPAA, THIS FILM IS NOT YET RATED. “THIS IS DISGTG.”MOST POPULAROUR FLAG MEANS DEATH SEASON 2: EXCLIVE FIRST LOOKBY SARAH CATHERALLNEW ON NETFLIX: SEPTEMBER 2023'S BT NEW MOVI & SHOWSBY CHRIS MURPHYFLORENCE PUGH SAYS CHRISTOPHER NOLAN “APOLOGIZED” FOR HER SMALL OPPENHEIMER ROLEBY SAVANNAH WALSHIT’S STILL POSSIBLE TO FD SUPPORT FOR QUEER STORI THE DTRY. AHN, FOR ONE, POTS TO MARC HU, AN OPENLY GAY EXECUTIVE AT STRAND RELEASG WHO ADVOTED FOR HIS FILM. BUT IF NOT FOR SACHS’S “ALTERNATE UNIVERSE” OF DIVIDUALS HE ULD RELY UPON OUTSI THE TRADNAL FILMMAKG SPHERE, HE WOULD NOT HAVE BEEN ABLE TO MAKE LOVE IS STRANGE. IN FACT, ALL OF THE DIRECTORS FOUND HOPE BY BUILDG THEIR OWN WORLDS AND FDG THEIR OWN DIENC. AHN, FREELAND, AND HTMAN WERE SUPPORTED THROUGH FELLOWSHIP PROGRAMS LIKE THE SUNDANCE LABS AND CEREACH, WHILE KELLY FED HIS OWN PATH WH THE BLSG OF G VAN SANT, WH WHOM HE WORKED ON 2008’S MILK. HE’S TEAMG UP WH JAM FRAN ONCE MORE FOR A BPIC OF J.T. LEROY.AS A MEMBER OF QUEER ART, A NON-PROF SUPPORTG LGBTQ VOIC FILM, VISUAL ARTS, PERFORMANCE, AND LERATURE, SACHS IS TRYG TO CREATE THIS SORT OF UNIVERSE ON A SYSTEMATIC LEVEL. “I THK WHAT IS IMPORTANT—AND IS STILL POSSIBLE—IS THAT ARTISTS TAKE RISKS, AND THOSE RISKS ARE BOTH PERSONAL AND FANCIAL. AND TO BE BRAVE ENOUGH TO TAKE RISKS IS WHAT HAS CREATED A HISTORY OF QUEER CEMA,” HE SAYS.“I DON’T THK ’S GOG TO BE THE MASTREAM THAT’S GOG TO DO THE WORK,” AHN NOT OF LGBTQ REPRENTATN. “I THK ’S MORE A GRASSROOTS-Y THG, AND JT HAS TO KEEP BUILDG AND BUILDG.” WHEN TO SEEG REAL CHANGE MASTREAM HOLLYWOOD, HE PREDICTS, “I THK THERE HAS TO BE A UPLE MORE MOONLIGHTS.”13 DAZZLG ACTORS WHO MA THEIR MOVIE DEBUTS 20161 / 13CHEVRONCHEVRONCOURTY OF A24.ANYA TAYLOR-JOY, THE WCHWH ONLY AN UNCREDED APPEARANCE VAMPIRE AMY ON HER LIST OF FILM APPEARANC, ANYA TAYLOR-JOY MA AN ENTRANCG MAJOR BUT THE SPELLBDG HORROR FILM THE WCH.NICK ROMANO
The Doom Generatn Bisexual, Comg Soon, Crime, Drama, English, Erotic, Gay, In Theaters, LGBT, Romance, USA. Peter Von Kant Comedy, Drama, France, French, Gay, Germany, LGBT. Will-o’-the-Wisp Comedy, Comg Soon, Gay, LGBT, Mil, Portugal, Portugue, Romance.
Followg a dnken enunter, two equally attached men om a sh strapped and divid gay gby club unwtgly sleepwalk to an adultero affair but mt nceal their growg feelgs or risk stroyg the club they love. Its ntroversial and highly ld but theatril release—Macho Dancer (1988) by Filipo director Lo Brocka—foced on gay prostutn Manila’s red-light district. Gay, alienated Los Angel teens have a hard time as their parents kick them out of their hom, they don’t have money, their lovers cheat, and they are harassed by gay-bashers.
IT'S TIME TO CELEBRATE THE FILM GENI THAT BROUGHT US DANIEL CRAIG'S PENISSTRAND RELEASG—THE GAYT, BALLSIT FILM DISTRIBUTOR THAT EVER WAS—IS TURNG 30. WHERE WOULD WE BE WHOUT ?{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}MOVIBY LAWRENCE FERBERNOVEMBER 23, 2019/10:31 {HEIGHT:HER;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;POSN:RELATIVE;-WEBK-FLEX-WRAP:WRAP;-MS-FLEX-WRAP:WRAP;FLEX-WRAP:WRAP;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;-WEBK-TRANSFORM-ORIG:CENTER;-MS-TRANSFORM-ORIG:CENTER;TRANSFORM-ORIG:CENTER;} IMG{HEIGHT:100%;WIDTH:100%;OBJECT-F:VER;}{HEIGHT:976PX;WIDTH:650PX;}STRAND RELEASG"LOVE IS THE DEVIL."BY LAWRENCE FERBERNOVEMBER 23, 2019 / 10:31 AM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"IT'S TIME TO CELEBRATE THE FILM GENI THAT BROUGHT US DANIEL CRAIG'S PENIS","THUMBNAILURL":","DATEPUBLISHED":"2019-11-23T15:31:46.000+0000","DATEMODIFIED":"2019-11-23T15:31:46.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","URL":","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"LOGO TV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"LOGO TV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT"}},"CREATOR":"LAWRENCE FERBER","ARTICLESECTN":"MOVI"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IT ALL STARTED WH A FILIPO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IN 1989, MARC HU WAS WORKG PART TIME AT SAN FRANCIS MOVIE THEATER THE STRAND WHEN HE LLED QUEER FILIPO DIRECTOR LO BROCKA TO ASK IF THEY ULD SCREEN MACHO DANCER, HIS SNDALO DRAMA ABOUT A YOUNG GAY MAN WORKG AT A GO-GO BAR FULL OF MALE PROSTUT. EAGER TO SHOW UNCUT THE U.S.— WAS HEAVILY CENSORED THE PHILIPP, MOSTLY DUE TO THE PICTN OF RPT THORI—BROCKA AGREED. HU WENT ON TO BOOK THE FILM MORE THAN 40 ADDNAL CI, AND MACHO DANCER EVENTUALLY BEME PART OF MOMA’S PERMANENT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SO BEGAN STRAND RELEASG, THE BOUTIQUE ARTHOE DISTRIBUTN PANY HU FOUND WH JON GERRANS (THEY PREVLY WORKED TOGETHER AT THE NOW-FUNCT VTRON PICTUR), WHICH CELEBRAT S 30TH ANNIVERSARY THIS YEAR. HAVG RELEASED—AND A FEW S HELPED PRODUCE—OVER 500 TL, STRAND HAS TRODUCED DIENC TO SOME OF QUEER CEMA’S MOST DARG, TRAILBLAZG TERNATNAL FILMMAKERS, CLUDG GREGG ARAKI (THE DOOM GENERATN), IRA SACHS (THE DELTA), FRANçOIS OZON (CRIMAL LOVERS), TOM KAL (SWOON), APICHATPONG WEERASETHAKUL (UNCLE BOONMEE WHO CAN RELL HIS PAST LIV), TODD VEROW (FRISK), EYTAN FOX (THE BUBBLE), RANDY BARBATO AND FENTON BAILEY (PARTY MONSTER), BCE LABCE (HTLER WHE), AND TERENCE DAVI (THE NEON BIBLE), WHILE S RECENT TL CLU THE 2018 HTLER DRAMA SVAGE/WILD AND ITALIAN LBIAN DRAMA MOM+MOM, WHICH WAS JT RELEASED ON DVD/VOD.STRAND RELEASG"THE LIVG END."{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE LIVG END (1992).{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}TO MEMORATE THIS ANNIVERSARY, A GROUP OF FILMMAKERS—CLUDG JOHN WATERS, THE FAREWELL’S LULU WANG, AND CDY SHERMAN—HAVE CREATED MORE THAN 30 SHORT FILMS FOR 30/30 VISN: 3 DES OF STRAND RELEASG, WHICH WILL SCREEN NOVEMBER 25 AT NYC’S MOMA, DECEMBER 5 AT SAN FRANCIS’S MOMA, AND DECEMBER 13 AT L.A.’S HAMMER {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HU RECENTLY SAT DOWN WH NEWNOWNEXT TO DISCS SOME OF HIS FAVORE STRAND RELEAS—CLUDG THE ONE WHICH A YOUNG DANIEL CRAIG GOT PLETELY {BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:75%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE LIVG END (1992){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A PAIR OF ENRAGED HIV-POSIVE MEN (MIKE DYTRI, CRAIG GILMORE) WH HIGH LIBIDOS AND LOAD FIREARMS GO ON A RAMPAGE GREGG ARAKI’S DAC, NTROVERSIAL {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MARC HU: “I GUS YOU ULD SAY THE LIVG END IS THE ONE THAT PUT ON THE MAP. IT WAS ALSO ONE OF THE FEW PRODUCTN LLABORATNS WE DID. GREGG DID A LOT TO TRODUCE JON AND ME TO THE SUNDANCE INSTUTE, AND THE FIRST FOUR OR FIVE YEARS OF OUR PANY WE WERE BASED OUT OF SUNDANCE’S OFFIC. THE LIVG END WAS ONE OF THE TOUCHSTON OF THE NEW QUEER CEMA MOVEMENT, WHICH WAS ED AT THE 1992 SUNDANCE FILM FTIVAL BY [SCHOLAR] B. RUBY RICH, AND WAS A REALLY IMPORTANT FILM ALG WH THE AIDS CRISIS. IT HAD A SENSE OF URGENCY, AND FED THE ENERGY AND TASTE OF THE PANY.”{BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:75%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WILD REEDS (1994){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A HIGH SCHOOL STUNT (GAëL MOREL) OF AGE, AND TO GRIPS WH HIS SEXUALY, 1962 {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HU: “ANDRé TéCHé’S BT FILM. IT TALKS ABOUT IENDSHIPS, RELATNSHIPS, HOW PLEX THEY N BE AT THAT AGE, AND G OUT—ALL SUCH A BETIFUL WAY. IT’S REALLY NUANCED, AND THE PERFORMANC ARE SO NATURAL. GAëL, ELODIE BOUCHEZ, STéPHANE RI—THAT TR IS SPECTACULAR. ELODIE LATER ME TO AMERI AND APPEARED AMERIN DIE MOVI, AND GAëL’S REER AS A FILMMAKER TOOK OFF: HIS EARLY FILMS, LIKE FULL SPEED, WERE REMISCENT OF TéCHé’S WORK, AND HE ST STéPHANE A FEW OF THEM.”{BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:56.49999999999999%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}STRANGER BY THE LAKE (2013){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AT A REMOTE LAKE WHERE GAY MEN CISE AND SUNBATHE NU, A 30-SOMETHG MAN (PIERRE DELADONCHAMPS) BE FIXATED ON A MTACHED, MURRO HUNK (CHRISTOPHE PAOU). A SEXUALLY EXPLIC, HCHCKIAN, SUBTLY IC SLOW-BURN THRILLER.STRAND RELEASG"STRANGER BY THE LAKE."{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}STRANGER BY THE LAKE (2013).{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HU: “IT WAS SHOT WH VERY FEW ROURC, BUT DON’T FEEL LOW-BUDGET. IT’S TENSE—THE WHOLE MOVIE HAS YOU ON THE EDGE OF YOUR SEAT—AND AS A THRILLER ’S OUTSTANDG AND SO PRECISE. I LOVE THE FACT ’S VERY EXPLIC YET DON’T EVER FEEL EXPLOATIVE. WE WEREN’T ABLE TO GET ON SOME DIGAL PLATFORMS, BUT YOU KNOW WHO HAD THE URAGE TO PUT UP BEE OF S CRIL ACLAS? NETFLIX! THAT MAY HAVE BEEN A DIFFERENT TIME FOR THE PANY, BUT THEY RRIED THAT MOVIE WHOUT ANY HATN.”{BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:56.49999999999999%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}LOVE IS THE DEVIL (1998){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}DANIEL CRAIG PLAYS A THIEF WHO BE THE LOVER OF ACIDIC IRISH PATER FRANCIS BAN (DEREK JABI)—AND GETS TOTALLY NAKED A NOW-FAMO BATHTUB SCENE— U.K. FILMMAKER JOHN MAYBURY’S ARTFUL, UNNVENTNAL {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HU: “DANIEL CRAIG ME TO PROMOTE THE FILM, AND HE WAS LOVELY, A GENTLEMAN. HE WAS VERY ENGAGED AND HAD NO QUALMS ABOUT PROMOTG THAT MOVIE AT ALL. WE DID MAKE AN AGGRSIVE BUY FOR . I REMEMBER WE BOUGHT AT A PRIVATE SCREENG BEFORE WENT TO CANN AS AN OFFICIAL SELECTN. THAT WAS AMAZG.”{BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:75%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}STONEWALL (1995){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A YOUNG GAY MAN (FRERICK WELLER) NEW TO NYC FALLS WH A TAKE-NO-SH DRAG QUEEN (GUILLERMO DíAZ) AND A CROWD OF GAY RIGHTS ACTIVISTS, LEADG TO THE 1969 STONEWALL RTS BRISH DIRECTOR NIGEL FCH'S ADAPTATN OF MART DUBERMAN’S BOOK. FCH DIED OM AIDS-RELATED PLITNS DURG THE FILM’S {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HU: “IT WAS SO SAD. NIGEL PASSED AWAY BY THE TIME DISTRIBUTN HAPPENED, SO I ALT WH [WRER] RIKKI BEADLE-BLAIR, AND I HAVE A VERY CLOSE RELATNSHIP WH [PRODUCER] CHRISTE VACHON. I REMEMBER MY MOM MAKG GUILLERMO DNER DURG THE SAN FRANCIS TOUR. THIS STONEWALL IS FELY BETTER THAN THE ONE ROLAND EMMERICH DID.”{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FRISK (1995){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HU PRODUCED DIRECTOR TODD VEROW’S ADAPTATN OF DENNIS COOPER’S 1991 NOVEL, WHICH A POSSIBLE SERIAL KILLER RELAYS HIS MASOCHISTIC SEXUAL ADVENTUR AND HORRIFIC CRIM—OR ARE THEY FANTASI?— A STRG OF LETTERS. THE FILM, WHICH -STARRED PARKER POSEY, LEFT DIENC AT SAN FRANCIS’S FRAMELE FILM FTIVAL FUR BEE OF S DARK {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HU: “I HAD GONE OUT AND OPTNED THE BOOK OM DENNIS COOPER, AND WAS AN EXPERIENCE DOG A NO-BUDGET FILM LIKE THAT. WE HAD THE BIG PREMIERE AT CLOSG NIGHT OF FRAMELE, ON PRI WEEKEND, WHERE I ALSO GOT A LIFETIME ACHIEVEMENT AWARD, AND WAS MET WH SUCH A BAD REACTN. PEOPLE WERE OUTRAGED AND UPSET, AND I GET . THEY ME A FTIVE MOOD EXPECTG A MARTI, AND AS BILLY WILR SAID, I GAVE THEM A SHOT OF VEGAR. IT WAS FELY NOT A GREAT IA TO PROGRAM RIGHT AFTER THE PRI PARA!”{BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:75%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}OFFICE KILLER (1997){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}PHOTOGRAPHER CDY SHERMAN DIPPED A TOE TO FEATURE FILMMAKG WH THIS SATIRE ABOUT A HOMICIDAL MAGAZE EMPLOYEE (CAROL KANE), WHICH ME TO LIFE WH AN AVENGERS-LIKE TEAM OF SUPERSTAR DIE FILMMAKERS, CLUDG SCREENWRERS TODD HAYN AND TOM KAL AND PRODUCER CHRISTE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HU: “WE END UP GETTG TWO TL THAT ORIGALLY WERE OM THE WESTES BEE OF DISPUT WH THE PRODUCERS AND FILMMAKERS. THE NEON BIBLE—THAT WAS ORIGALLY A MIRAMAX TLE—AND OFFICE KILLER. IT WAS A REALLY FUN PROJECT. IT’S A REALLY SMART ART-HORROR FILM, WH GREAT PERFORMANC OM MOLLY RGWALD AND CAROL KANE, AND AFFORD ME THE OPPORTUNY TO WORK WH CDY, WHO I’M A HUGE FAN OF AND KEEP TOUCH WH TODAY.”{BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:75%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}OF TIME AND THE CY (2008){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BT KNOWN FOR HIS TOBGRAPHIL WORKS, TERENCE DAVI CRAFTED A POETIC DOCUMENTARY ABOUT HIS HOMETOWN OF LIVERPOOL, A PLACE HE RELLS WH PA AND WARMTH ( IS WHERE HE FIRST STGGLED WH HIS SEXUALY).{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HU: “IT’S A PERSONAL DIARY MOVIE. IT WAS A TOUGH SELL, BUT NOT TO THE DIENCE THAT LOV TERENCE DAVI. IT’S VERY MUCH HIM, AND HE HAS SO MANY FANS. IT MAY HAVE BEEN SMALL, BUT PLAYS VERY WELL TO PEOPLE WHO WANTED TO KNOW MORE ABOUT HIS LIFE. I FELY WOULD LIKE TO SEE HIM DO ANOTHER MEMOIR PIECE.”{BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:75%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SLIPSTREAM (2007){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ANTHONY HOPKS WROTE, DIRECTED, STARRED , AND POSED THE MIC FOR THIS TRIPPY, SATIRE-TGED TALE OF A SCREENWRER WHO MAY BE HABG HIS OWN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HU: “ANTHONY WAS FUN. I TRAVELED ACROSS THE UNTRY WH HIM, AND HE WAS REALLY LOVELY. THERE WAS A FUNNY MOMENT WHEN WE WERE AT MOMA AND THEY BROUGHT OUT LAMB TARTARE ON CRISPS. HE POLELY CLED.”{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MA IMAGE: THE LIVG {BOX-SIZG:BORR-BOX;CLEAR:BOTH;}{BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS
Compilatn of four short films, "Mt Be the Mic", "Nunz's Send Co", "Alkali, Iowa", and "The Dadshuttle", of gay tert. A cute, openly gay lat boy's hormon go to overdrive when his hunky Angel arriv for an extend stay.
The two explore the young and sometim dangero gay scene the cy's Lat neighborhood, wh surprisg out.
Each of the three short films this llectn prents a young gay man at the thrhold of adulthood.
THE 10 GAYT STRAIGHT MOVI
In the urse of the summer, he realiz and embrac that he's gay. He has to figure out, wh some help om Anne, a hometown iend, how to build a social life as a young gay man the cy.