GAY PRIDE MONTH: Based on Penelope Gilliatt's sharp script, the movie holds important place film history, offerg the first posive image of homosexual lead role mastream movie--and the first gay kiss!
Contents:
- HOLLYWOOD FIRST GAY KISS: SCHLGER’S SUNDAY BLOODY SUNDAY, STARRG PETER FCH, GLENDA JACKSON, AND MURRAY HEAD AS THE GUY THEY BOTH LOVE
- SUNDAY, BLOODY SUNDAY (1971): SCHLGER’S ROMANTIC TRIANGLE, GAY MAN (FCH), STRAIGHT WOMAN (JACKSON) AND GAY MAN BOTH LOVE
- 10 GREAT BRISH GAY FILMS
- GAY KISS ‘BLOODY SUNDAY’ BROKE RUL: THE RAER FILE
- ELRGAYS TELL ME ABOUT FILM "SUNDAY, BLOODY SUNDAY"
HOLLYWOOD FIRST GAY KISS: SCHLGER’S SUNDAY BLOODY SUNDAY, STARRG PETER FCH, GLENDA JACKSON, AND MURRAY HEAD AS THE GUY THEY BOTH LOVE
* sunday bloody sunday gay kiss *
Based on Penelope Gilliatt’s sharply observed screenplay, the movie holds an important place film history, offerg the first posive image of a homosexual character (and a Jewish one at that) a lead role a mastream movie. Schlger, the late Jewish, openly gay filmmaker, is better-known for his Osr-wng picture, Midnight Cowboy (1969).
SUNDAY, BLOODY SUNDAY (1971): SCHLGER’S ROMANTIC TRIANGLE, GAY MAN (FCH), STRAIGHT WOMAN (JACKSON) AND GAY MAN BOTH LOVE
John Schlger's multi-award wng Sunday Bloody Sunday, often ced as a landmark film the history of gay cema. * sunday bloody sunday gay kiss *
That movie, starrg Dt Hoffman and Jon Voight, also had gay subtext the relatnship between s two loser-protagonists. Daniel Hirsch (Peter Fch), a gay Jewish doctor his forti, and Alex Gerville (Glenda Jackson), a reer unselor her thirti, are both love wh Bob Elk (Murray Head), a boyish, succsful sculptor who sually divis his time and affectns between them. Hirsch is somethg of a first–a homosexual who is not pathetic, grotque, or pathologil–a man wh self-teem and digny.
10 GREAT BRISH GAY FILMS
From Victim to Weekend, we remember some of the bt Brish gay films. * sunday bloody sunday gay kiss *
In July 1971, when Sunday Bloody Sunday me out, viewers–pecially gay men–uld ga solace om the passnate film. The film reprents a happy nouement for a gay character whose rignatn is not a product of his sexual orientatn. ” The speech has ltle to do wh homosexualy, suggtg that gay relatnships, even fleetg on, are “somethg.
Schlger shows a remarkable gift for brgg together all the elements of moviemakg: The movie has been nsistently ced as one of the first “posive” gay films. Unfortunately, this mature drama never found s dience and s box-office failure was ed by Hollywood as “proof” that gay ntents was not a money-makg proposn.
It would take at least two more s for Hollywood to fally regnizg the artistic–and mercial value–of posive or at least nonjudgmental gay-oriented entertament. Unlike most films at the time, Sunday Bloody Sunday took for granted the protagonists’ sexualy–somethg that gay and lbian activists have been askg for generatns. That kd of rponse revealed once more the latent homophobia that prevailed not only among mastream dienc but also among some crics.
GAY KISS ‘BLOODY SUNDAY’ BROKE RUL: THE RAER FILE
’s Sexual Offenc Act of 1967, which crimalized “homosexual acts private between nsentg adults, ” two landmark Brish films centralizg the experienc of gay male characters celebrate signifint anniversari this year.
ELRGAYS TELL ME ABOUT FILM "SUNDAY, BLOODY SUNDAY"
Part of s director’s valuable n of “social problem” pictur, Victim is a tt, clenched thriller which criqu the then-current law that ma gay men easy targets for blackmail. You and I are both gay male films crics, simultaneoly of highly varied cultural backgrounds and of unnny affy of taste.