Here’s Why Mar Dedivanovic Is An Inspiratn To Gay Makp Artist

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Kim Kardashian's makp artist and llaborator Mar Dedivanovic, known as Makp by Mar, publicly me out as gay while acceptg the Artistic Achievement Award at the Amerin Influencer Awards. In his speech, he talked about the fear and stigma faced by many LGBTQIA+ people and that kept him the closet.

Contents:

PATRICK STARRR: REAL NAME, BLOGGER, GAY, MAKP ARTIST, AGE, HBAND, NET WORTH!

"Cheers to beg out and gay and happy and livg your bt life!

"Later on, David shared his experience of beg a gay Latx makp artist. All my iends were at 13 and 14 g out, and my mom was the hoe that people would n to, sayg 'My mom jt kicked me out bee I told her I was gay.

Y, I am openly gay, but I happen to be someone who don’t wear lipstick, lash and eyhadow, though I love and support my fellow MUAs who do so. Growg up Philalphia, beg a Black man was hard, but beg a Black, gay man was even harr. Nigel Shelby and Muhlaysia Booker serve to be here this month celebratg wh , as well as the many gay and trans inti that we’ve lost this year.

HERE’S WHY MAR DEDIVANOVIC IS AN INSPIRATN TO GAY MAKP ARTIST

Khakhar me out as gay to the public this exhibn, which was praised for s art that moved away om symbolic and abstract imagery towards ntemporary and personal subjects.

)Khakhar\’s often openly homosexual them his art were startlg, as LGBTQIA rights and inty and exprsn had barely gathered any mastream notice this era. The advent of social media and the natural habat provis for Gen Z has also led to more young artists fdg a voice for their queerns and their talent alcg on buzzg avenu like list out some of the Indian LGBTQIA artists, both emergg and tablished, whose work we Canadian photographer based London, Sunil Gupta, has ma an inic reer out of \”makg work rpondg to the jtic suffered by gay men across the globe, himself clud\”.

Gay World India 2016, Anwh Sahoo has sce rved a name for himself as an artist, blogger, wrer, mol, actor and a TEDx speaker.

ARE ALL MALE MAKP ARTISTS GAY?

However, was later realized that the image was meant to troduce his new makp vios, the theme of which was bridal Patrick Starrr Gay? While his current relatnship stat is unknown, but is very obv that Patrick Starr is gay and very proud of his sexualy.

At 12 years old, I knew I was gay, but I didn’t know how to nvey what I was gog through. But, he said, the time leadg up to the ceremony, he didn't feel that happs or bright light — until the very moment he actually stood on the stage and publicly me out as gay. "Right now, I stand here for the first time my life a proud, 37-year-old gay man, " Dedivanovic said a powerful speech, which he posted on Instagram wh the ptn, "Fally ee.

ASIA SENTELSUBSCRIBESIGN {"@NTEXT":","@TYPE":"NEWSARTICLE","URL":","MAENTYOFPAGE":","HEADLE":" A GAY INDIAN ARTIST SHAK UP LONDON\U2019S TATE GALLERY ","SCRIPTN":"JUNE IS UALLY THE MONTH WHEN LONDON CTNS OF MORN INDIAN ART H THE HEADL WH DRAMATIC LN-POUND SAL, BUT THIS YEAR THEY HAVE BEEN UNREMARKABLE AND HAVE BEEN OVERSHADOWED BY THE OPENG AT LONDON\U2019S TATE MORN GALLERY OF A FASCATG RETROSPECTIVE EXHIBN, LLED YOU CAN\U2019T PLEASE ALL, OF FIGURATIVE WORKS BY BHUPEN KHAKHAR, A PROVOTIVE INDIAN ARTIST WHO DIED 2003.","IMAGE":[{"@TYPE":"IMAGEOBJECT","URL":"}],"DATEPUBLISHED":"2016-06-22T02:08:20+00:00","DATEMODIFIED":"2016-06-22T02:08:20+00:00","ISACCSIBLEFORFREE":TE,"THOR":[{"@TYPE":"PERSON","NAME":"ASIA SENTEL","URL":","SCRIPTN":"INPENNT NEWS AND ANALYSIS ABOUT ASIA'S POLICS, ENOMICS, CULTURE AND MORE","INTIFIER":"ER:5757855","SAMEAS":["],"IMAGE":{"@TYPE":"IMAGEOBJECT","NTENTURL":","THUMBNAILURL":"}}],"PUBLISHER":{"@TYPE":"ORGANIZATN","NAME":"ASIA SENTEL","URL":","SCRIPTN":"INPENNT NEWS AND ANALYSIS ABOUT ASIA'S POLICS, ENOMICS, CULTURE AND MORE","TERACTNSTATISTIC":{"@TYPE":"INTERACTNCOUNTER","NAME":"SUBSCRIBERS","TERACTNTYPE":","ERINTERACTNCOUNT":10000},"INTIFIER":"PUB:23934","LOGO":{"@TYPE":"IMAGEOBJECT","URL":","NTENTURL":","THUMBNAILURL":"},"IMAGE":{"@TYPE":"IMAGEOBJECT","URL":","NTENTURL":","THUMBNAILURL":"},"SAMEAS":["]}}SHARE THIS POST A GAY INDIAN ARTIST SHAK UP LONDON’S TATE GALLERY COPY LKFACEBOOKEMAILNOTOTHER A GAY INDIAN ARTIST SHAK UP LONDON’S TATE GALLERY

In a recent vio of Ankh Bahuguna's Everyone serv to be accepted where Deep featured, he, along wh other fluencers, talked about how we need to stop makg statement like 'Not all men who do makp are gay' as stems om the notn that this needs validatn bee is also done by cisgenred heterosexual men.

*BEAR-MAGAZINE.COM* GAY MAKEUP ARTIST IN INDIA

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class="available-ntent"><div dir="to" class="body markup"><p></p><p></p><p>June is ually the month when London ctns of morn Indian art h the headl wh dramatic ln-pound sal, but this year they have been unremarkable and have been overshadowed by the openg at London’s Tate Morn gallery of a fascatg retrospective exhibn, lled You Can’t Please All, of figurative works by Bhupen Khakhar, a provotive Indian artist who died 2003.</p><p></p><p>Khakhar is ls well known than nam such as V.S.Gaon, Tyeb Mehta, , , and Amra Sher-Gil who domate the ctns, but he is regard highly by other Indian artists for his inic, pneerg narrative patgs. He tells stori wh humor pictg ordary middle class life the late 20th century, pecially his Gujarati home cy of Baroda – but not always so ordary bee Khakhar was gay a untry where homosexualy was (and still is) illegal, and male nu figur appear equently his works.</p><p></p><p>“In the late 1960s, he was the first Indian artist to be tradnal art, Indian popular culture, and Wtern pop art,” says a foreword to the exhibn’s talog. He “turned the cultural tablishment on s head” wh portras of hairdrsers and tailors, and wh “sad, angry affectnate pictur” of middle-class life.</p><p></p><p></p><a class="image-lk image2" target="_blank" href=" data-ponent-name="Image2ToDOM"><div class="image2-set"><picture><source type="image/webp" srcset=" 424w, 848w, 1272w, 1456w" siz="100vw" /><img src=" data-attrs="{"src":" kharkhar 062116-1","tle":null,"type":null,"href":null,"belowTheFold":te,"topImage":false,"ternalRedirect":null}" class="sizg-normal" alt="elltt kharkhar 062116-1" tle="elltt kharkhar 062116-1" srcset=" 424w, 848w, 1272w, 1456w" siz="100vw" loadg="lazy" /></picture><div></div></div></a><p><em>Man Leavg (Gog Abroad) 1970, Courty Tap Collectn, pyright Estate of Bhupen Khakhar</em></p><p></p><p></p><p>In the 1980s, he was urageoly the first homosexual Indian artist to e out. The exhibn graphilly illtrat that perd as well as his later problems wh taracts his ey, which led to a blurry bshwork (maskg some suggtive same-sex scen), and then to his stggle wh prostate ncer om 1998.</p><p></p><p>Some of the most appealg however are early quirky studi such as Man Leavg (Gog Abroad) (above) pated 1970, and others pictg a watchmaker and a tiger chasg and mountg a stag (both below) and strike pickets at a factory gate. Khakhar’s spiratn is said to have e om a wi range of sourc varyg om pre-Renaissance paters to the India’s lonial Company style, and om post-Imprsnists like Henri Rose to Wt Bengal’s 19th century Kalighat style.</p><p></p><p></p><a class="image-lk image2" target="_blank" href=" data-ponent-name="Image2ToDOM"><div class="image2-set"><picture><source type="image/webp" srcset=" 424w, 848w, 1272w, 1456w" siz="100vw" /><img src=" data-attrs="{"src":" kharkhar 062116-2","tle":null,"type":null,"href":null,"belowTheFold":te,"topImage":false,"ternalRedirect":null}" class="sizg-normal" alt="elltt kharkhar 062116-2" tle="elltt kharkhar 062116-2" srcset=" 424w, 848w, 1272w, 1456w" siz="100vw" loadg="lazy" /></picture><div></div></div></a><p><em>Tiger and Stag 1970 Estate of Bhupen Khakhar/NGMA, New Delhi, pyright Estate of Bhupen Khakhar</em></p><p></p><p></p><p>His works have appeared a few earlier exhibns ternatnally, cludg one at the origal Tate Gallery 1982 along wh five other Indian paters cludg Rabdranath Tagore and Jami Roy, and at the Tate Morn along wh others 2001. Such shows help to boost sal, as has happened for example wh Gaon after a notable exhibn New York’s Gugggenheim Mm 2014.</p><p></p><p><span>Both Christie’s and Safonart ctn ho have managed to clu Khakars their sal over the past month. A small 24" x 24" overtly gay oil on nvas, At New Jersey (below), </span><a href=" rel>went at Christie’s</a><span> for £134,500 ($197,715) cludg buyers’ premium, which was more than double the $87,500 that fetched at </span><a href=" rel>Christie’s 2014</a><span> .</span></p><p></p><p>There have been qutns about whether the patgs – done between 13 and 50 years ago – f the Tate Morn’s ultra ntemporary image. Nada Raza, the exhibn’s -curator wh Chris Dern (till recently the gallery’s director), pots out that the Tate Morn shows art om 1900, and argu that the fn of mornism needs to be expand when is applied outsi the US and Europe bee the experience of morn life, and artistic and cultural rpons, n be vastly different. Artists elsewhere rist and change the forms and l of morn art to reflect their own experienc, often relatn to lonial or imperial powers – and that is what Khakhar did.</p><p></p><p><span>Some UK crics do not agree. Both </span><a href=" rel>The Guardian and </a><span>s associated </span><a href=" rel>Sunday newspaper, The Observer</a><span>, have slammed Khakhar and his patgs at the Tate as “credibily unimprsive,” a “waste of space,” “uneven, garlo, puzzlg, opaque” and, havg “no fluency or touch wh the bsh, he mov the pat around wh labor difficulty.” Those rather mdls reviews have been rightly </span><a href=" rel>cricized by art curator and cric, Geeta Kapur</a><span> along wh others cludg Salman Rhdie, for whom Khakhar illtrated two books.</span></p><p></p><p>But The Observer do maybe strike a chord when says that the exhibn fails “to give sufficient ntext for viewers who have no knowledge of India the 1960s and 70s”. There are the ual notic on the theme of each room and dividual works, and a neat pocket-size pamphlet that everyone is given, but more explanatn uld help visors meet then challenge of unrstandg and appreciatg what they are viewg, as I disvered when talkg to Nada Raza. There is a splendid hard-backed talogue wh very rmative says, but that do not ter for everyone.</p><p></p><p></p><a class="image-lk image2" target="_blank" href=" data-ponent-name="Image2ToDOM"><div class="image2-set"><picture><source type="image/webp" srcset=" 424w, 848w, 1272w, 1456w" siz="100vw" /><img src=" data-attrs="{"src":" kharkhar 062116-3","tle":null,"type":null,"href":null,"belowTheFold":te,"topImage":false,"ternalRedirect":null}" class="sizg-normal" alt="elltt kharkhar 062116-3" tle="elltt kharkhar 062116-3" srcset=" 424w, 848w, 1272w, 1456w" siz="100vw" loadg="lazy" /></picture><div></div></div></a><p><em>You Can’t Please All 1981, Tate, pyright Bhupen Khakhar</em></p><p></p><p></p><p>Perhaps the most important work the exhibn is You Can’t Please All (right), which giv the exhibn s tle. This 5ft9 x 5ft9 oil on nvas illtrat how Khakhar was “both voyr and participant” bee the artist has said that he is the naked man leang on the balny and was terpreted as markg his g out.</p><p></p><p><span>He is watchg a street scene based on an adaptatn of </span><a href=" rel>an Aop’s fable</a><span> about a man, his son and a donkey – the man mounts and dismounts om the donkey, tryg to please passers-by who make ments, but eventually the donkey di.</span></p><p></p><p></p><a class="image-lk image2" target="_blank" href=" data-ponent-name="Image2ToDOM"><div class="image2-set"><picture><source type="image/webp" srcset=" 424w, 848w, 1272w, 1456w" siz="100vw" /><img src=" data-attrs="{"src":" kharkhar 062116-4","tle":null,"type":null,"href":null,"belowTheFold":te,"topImage":false,"ternalRedirect":null}" class="sizg-normal" alt="elltt kharkhar 062116-4" tle="elltt kharkhar 062116-4" srcset=" 424w, 848w, 1272w, 1456w" siz="100vw" loadg="lazy" /></picture><div></div></div></a><p><em>Janata Watch Repairg 1972 Vivan Sundaram and Geeta Kapur, pyright Estate of Bhupen Khakhar</em></p><p></p><p></p><p>Khakhar was born Mumbai 1934 and qualified as an acuntant, which Nada Raza says pleased his mother who hoped he would climb the heights of the cy’s bs districts.</p><p></p><p>Instead, though ntug to work as an acuntant, he went to Baroda to study patg 1962 where he was tght and fluenced by artists such as Gulam Mohammed Sheikh and K.G. Subramanian.</p><p></p><p>In 1976 he me to the UK (via the then USSR and Yugoslavia), and aga 1979 as an artist rince at the Bath Amy of Art. He found Bra alienatg bee of the liv of workg class people, and lists “total distst for foreigners” as an Englishman’s quali not that are displayed at the Tate. Wrg about wter, he says: “You are not allowed to se durg this season, which lasts for 10 months of the year. If you are sensible, then try to look as gmpy as possible. English people appreciate sulk.”</p><p></p><p>The exhibn is sponsored by Dtsche Bank which will be takg to Germany later. The Natnal Gallery of Morn Art Delhi also has a current exhibn of the Khakhar works that has s llectn – cludg this pated chair, which neatly illtrat the range of the artist’s work, and humor.</p><p></p><p><span>** Visg the Tate Morn also enabl one to look at the </span><a href=" rel>stylish Swch Hoe extensn</a><span> (risg on the right behd the end of the old power statn the picture below) that was opened last week. This is a signifint ntributn to London archecture bee of the way, after plans for the external claddg were changed om glass to specially signed brickwork, the stcture blends wh the gallery’s origal brick power statn and ntrasts wh nearby glass-clad buildgs.</span></p><p></p><p><em><strong>John Elltt</strong><span> is Asia Sentel’s New Delhi rrponnt. 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fill-le="evenodd" clip-le="evenodd" d="M8.44161 7.4C7.86632 7.4 7.39995 7.86637 7.39995 8.44167V22.1081C7.39995 22.6834 7.86631 23.1498 8.4416 23.1498L22.1083 23.15C22.6836 23.15 23.1499 22.6836 23.1499 22.1083V8.44167C23.1499 7.86637 22.6836 7.4 22.1083 7.4H8.44161ZM10.3999 9.65C9.84766 9.65 9.39995 10.0977 9.39995 10.65C9.39995 11.2023 9.84766 11.65 10.3999 11.65H18.3999C18.9522 11.65 19.3999 11.2023 19.3999 10.65C19.3999 10.0977 18.9522 9.65 18.3999 9.65H10.3999ZM10.3999 14.15C9.84766 14.15 9.39995 14.5977 9.39995 15.15C9.39995 15.7023 9.84766 16.15 10.3999 16.15H15.3999C15.9522 16.15 16.3999 15.7023 16.3999 15.15C16.3999 14.5977 15.9522 14.15 15.3999 14.15H10.3999Z" stroke="none"></path></g></svg></div><div class="pencraft ontend-pencraft-Box-module__ret--VfQY8 ontend-pencraft-Text-module__size-14--Ume6q ontend-pencraft-Text-module__le-height-20--p0dP8 ontend-pencraft-Text-module__weight-normal--s54Wf ontend-pencraft-Text-module__font-text--QmNJR 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