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iRsSlw"><a class="RubricLk-gRWSOU fgWnkQ bric__lk" href="/magaze/the-art-world"><span class="RubricName-fVtemz cLxcNi">The Art World</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd NbxED hpJvIc">Frédéric Bazille’s Short Career, Rensired</h1></div><div class="ContentHearAccredatn-lfctVB enhwXT ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ Mtme">An exhibn of his work affords a pot of view on the birth of Imprsnism and on the general dawng of mornist sentiments and sensibili.</div><div class="ContentHearByle-kmPyCa gvUmxJ"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearContributorImage-cvjZXn jKACOU"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearContributorImage-cvjZXn jKACOU rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="66px"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="66px"/><img 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class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHearLeadAsset-hGbumP iWPCcH lead-asset ContentHearLeadAssetWrapper-hfXHEc fTrSlG lead-asset--width-smallle" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb khLUzS"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz fwyPoh"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO KhjZz ContentHearRponsiveAsset-bREgIb khLUzS rponsive-image rponsive-image--expandable"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="Bazill “Summer Scene ” anticipat a seri by Czanne." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE iTuhkZ ptn ContentHearLeadAssetCaptn-hPWmSN kuCzGS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">Bazille’s “Summer Scene (Bathers)” (1869-70) anticipat a seri by Cézanne.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Courty Harvard Art Mms</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" class="ContentHearLeadRailAnchor-jYVcDc djtEof"></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark 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class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">“Frédéric Bazille and the Birth of Imprsnism,” at the Natnal Gallery, Washgton, D.C., is a great show, which surprised me. Bazille was not—or was not yet—a great artist when he died, 1870, at the age of twenty-eight, the Fran-Pssian War. His some seventy-five works the show, notably scen of ordary people outdoor settgs, tantalize like an orchtra tung up for a ncert that is abptly ncelled. A yearngly amb provcial, om Languedoc, Bazille lucked to the big-bang mencement of Parisian mornism, signalled by the stunng novelty of Édouard Ma’s “Déjner sur l’Herbe,” 1863. Bazille was iends wh Mo and Renoir, sharg studs wh them on the Left Bank and Montmartre, and he knew everybody else art worth knowg. You n feel the verve of the happy few a sprightly patg by Bazille, dated 1869-70, which shows him and five of his lleagu socializg a daylight-suffed stud. One of them, Ma, pated the tall figure of Bazille. (At six feet two, Bazille towered his i—and likely enemy gun sights, when, on his first day of bat, he charged, and was shot ad, the lorful uniform of a Zouave.) But to ll him one of the proto-Imprsnists don’t seem que right. Rather, he reflected each of them, by turns, as his real but secure talent veered back and forth, and this way and that, their stronger gravatnal fields.</p><p class="paywall">What mak the show great is the pot of view that affords not only on the birth of Imprsnism but also on the general dawng of mornist sentiments and sensibili. Bazille serv as our stand- throughout a crisply dramatic stallatn, by the Natnal Gallery curator Kimberly A. Jon, which rporat appose patgs by, among others, Corot, Courbet, Ma, Cézanne, Mo, Renoir, Sisley, Fant-Latour, and Morisot. Bazille’s parallels and rpons to those artists amount to a cril x of a moment when the urse of art was feverishly ntted and s future was trackls. All were rebels agast amic nventns and aristocratic propriety, amid sdg social chang. They addrsed a risg bourgeoisie, and s bohemian g, as both subject matter and dience. Official and populist ristance and, often, poverty held the avant-gar together, both mon e and timate petn, workg, most immediately, for regnn by one another. (Bazille ocsnally had patgs accepted for the annual Salon exhibn, but he never managed to sell a work.) Bazille’s emulatn of his forenners and his peers sharpens my appreciatn of them, both for what he had absorbed and for how he fell short.</p><p class="paywall">The difference is proof of geni the se of Mo, who, om the start, was matchls ways that our faiary wh his work mak easy to take for granted. His radil registratn of realy terms of perceived light, rather than of scribed forms, is already apparent a beach scene om 1864. Dbed sgle lors intify ston and wav, achievg an overall realism that plet self your act of lookg. Bazille’s near-py of the work, ma the followg year, clgs to tonal shadgs of the same elements, objectifyg them to ted, static effect. Only termtently was he able to surrenr what he knew to what stck his eye—though he did so betifully, 1867, wh unually relaxed views of an old astal fortrs, the South of France, awash goln sunlight beneath piercgly blue ski.</p><le-embed name="feature-flt" attrs="[object Object]" childTyp="gallery" ntentType="llout:feature-flt"><div class="GalleryEmbedWrapper-llMpjF eNSLoK gallery-embed"><hr class="GalleryEmbedHr-dXMdzM fCNcvb gallery-embed__hr"/><span class="GalleryEmbedSwipe-IABKO llRwJY" style="touch-actn:none"><ul style="transform:translate(0px, 0)" class="GalleryEmbedSliList-koIlkn jiZeeK"><li class="GalleryEmbedSliListItem-fKJGAO iJdYaZ"><div class="GallerySliWrapper-yxPsh kubsDs" data-event-boundary="click" data--view="{"pattern":"GallerySli","variatn":"GallerySli.ItemCenterNoCaptn"}" data-event-click="{"pattern":"GallerySli","variatn":"GallerySli.ItemCenterNoCaptn"}" orientatn="landspe" data-ttid="GallerySliWrapper"><figure class="GallerySliFigure-jhDfjI bGQGmP"><div orientatn="landspe" class="GallerySliAssetWrapper-jGbftJ jqUBFt"><div class="GallerySliAssetContaer-hwdsAZ gNfA-dy"><div class="GallerySliAssetContaerInner-BTnef fyLCFI"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset GallerySliRponsiveAsset-bXKMLC lluiXZ GallerySliRponsiveAsset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa GallerySliRponsiveAsset-bXKMLC lluiXZ GallerySliRponsiveAsset rponsive-image"><img alt="“Bazill Stud” or “The Stud on the Rue La Condame” ." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></picture></span></div></div></div></figure></div></li><li class="GalleryEmbedSliListItem-fKJGAO iJdYaZ"><div class="GallerySliWrapper-yxPsh kubsDs" data-event-boundary="click" data--view="{"pattern":"GallerySli","variatn":"GallerySli.ItemCenterNoCaptn"}" data-event-click="{"pattern":"GallerySli","variatn":"GallerySli.ItemCenterNoCaptn"}" orientatn="landspe" data-ttid="GallerySliWrapper"><figure class="GallerySliFigure-jhDfjI bGQGmP"><div orientatn="landspe" class="GallerySliAssetWrapper-jGbftJ jqUBFt"><div class="GallerySliAssetContaer-hwdsAZ gNfA-dy"><div class="GallerySliAssetContaerInner-BTnef fyLCFI"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset GallerySliRponsiveAsset-bXKMLC lluiXZ GallerySliRponsiveAsset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa GallerySliRponsiveAsset-bXKMLC lluiXZ GallerySliRponsiveAsset rponsive-image"><img alt="“The Wtern Ramparts at AiguMort” ." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></picture></span></div></div></div></figure></div></li><li class="GalleryEmbedSliListItem-fKJGAO iJdYaZ"><div class="GallerySliWrapper-yxPsh kubsDs" data-event-boundary="click" data--view="{"pattern":"GallerySli","variatn":"GallerySli.ItemCenterNoCaptn"}" data-event-click="{"pattern":"GallerySli","variatn":"GallerySli.ItemCenterNoCaptn"}" orientatn="landspe" data-ttid="GallerySliWrapper"><figure class="GallerySliFigure-jhDfjI bGQGmP"><div orientatn="landspe" class="GallerySliAssetWrapper-jGbftJ jqUBFt"><div class="GallerySliAssetContaer-hwdsAZ gNfA-dy"><div class="GallerySliAssetContaerInner-BTnef fyLCFI"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset GallerySliRponsiveAsset-bXKMLC lluiXZ GallerySliRponsiveAsset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa GallerySliRponsiveAsset-bXKMLC lluiXZ GallerySliRponsiveAsset rponsive-image"><img alt="“The Improvised Field Hospal” ." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></picture></span></div></div></div></figure></div></li></ul></span><div class="GalleryEmbedControlsStyl-dHFqsy bfpTGb"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ GalleryEmbedControlsCounter-cTFhZe iUEiRd fePcfF iyyCZU"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ GalleryEmbedControlsCounterInx-KxYYM iUEiRd fePcfF">1 </span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ GalleryEmbedControlsCounterCount-hjjCXF iUEiRd bFLrVK">/ 7</span></span><div role="prentatn" class="GalleryEmbedControlsController-bemMMG kAIVAh"><button aria-label="gallery-back" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv dZjwET button button--utily GalleryEmbedControlsButton-dA-dlPo jNwzCb" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label"></span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="ButtonIn-YqaGo iwlhuX button-in in in-chevron" focable="false" viewBox="0 0 32 32" width="32" height="32" xmlns="><tle>Chevron</tle><path d="M19.071 16L12 8.929l1.414-1.414L21.9 16l-8.485 8.485L12 23.071z" fill-le="nonzero"></path></svg></div></button><button aria-label="gallery-forward" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv dZjwET button button--utily GalleryEmbedControlsButton-dA-dlPo dCrXjf" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label"></span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="ButtonIn-YqaGo iwlhuX button-in in in-chevron" focable="false" viewBox="0 0 32 32" width="32" height="32" xmlns="><tle>Chevron</tle><path d="M19.071 16L12 8.929l1.414-1.414L21.9 16l-8.485 8.485L12 23.071z" fill-le="nonzero"></path></svg></div></button></div></div><figptn class="GalleryEmbedCaptnWrapper-eUYjyD cYOJII"><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ GalleryEmbedCred-fLWDcf bVluTY fwTxLZ cLAnWT">Courty Mée d’Orsay</div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ GalleryEmbedCaptnSliBody-ljkTbv jZrgsf eIRSrt">“Bazille’s Stud,” or “The Stud on the Rue La Condame” (1869-1870).</div></figptn><hr class="GalleryEmbedHr-dXMdzM fCNcvb gallery-embed__hr"/></div></le-embed><p class="paywall">Late the show, the very overthkg to which Bazille was prone pots to possibili for a distctive style—more classilly stctured than outright Imprsnist—and to a psychologil charge that may have ightened him: homoeroticism. His last year provis the grist for a novella that uld wre self, given this potential explanatn for why Bazille, vergg on creative matury, volunteered for war—g his bt iend, the mician and athete Edmond Maître, to tell him that he was “stark ravg mad.” On the eve of battle, Bazille exprsed nfince, to a fellow-soldier, that he would survive, bee “I have too many thgs to do life.” Did his plan clu first provg himself acceptably mascule?</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Bazille was born Montpellier 1841, to a tight-kn Prottant clan. His father was an agronomist and a vtner, and his mother me om a landowng and merchant fay. He moved to Paris 1862. His father sternly expected him to bee a doctor, and Bazille miserably mataed medil studi until, 1864, he flunked his exams and dropped out, for which Cl Mo ngratulated him. Bazille’s father, while rigned to his son’s choice of a reer art, kept him on a short fancial leash. But that didn’t prevent Bazille’s artist iends om emg him a rich kid. (If he had had ee e of his fortune, he might have played a dual role, as artist and patron, like his younger ntemporary Gtave Caillebotte.)</p><p class="paywall">Mo, scrapg by wh a mistrs who beme his wife, and their child, repeatedly dunned him for support. That, add to Mo’s dntg abili and his bossy personaly, plaly stung Bazille, who uld retaliate only passive-aggrsively. The most lightful patg the show is Bazille’s “The Improvised Field Hospal” (1865), of Mo recuperatg bed om a leg jury curred that summer. Bazille, wh his medil trag, took charge of the suatn. He propped up the redned limb on fold blankets and hung a ceramic pot above , perhaps to serve as a unterweight. Th immobilized, Mo gaz out sullenly. Everythg the picture, om a bravura swirl of bedcloth to fast notatns of arabque-patterned wallpaper, bpeaks exultant self-satisfactn. For once, Bazille had his gt enemy right where he wanted him.</p><p class="paywall">Bazille pated some female nus—his pleas to his father for money regularly ced the expense of mols—but tamely, even when they held sensual pos. When clothed, his women display facial exprsns the dispassnate key that had been set for a generatn of artists by Ma’s “Olympia,” but whout any trace of his mol Victore Mrent’s smolrg challenge. Bazille’s shyns turns posively surreal the large “The Fay Gatherg” (1867-68), which shows him and ten of his relativ posed on a terrace, wh a ral landspe behd them. The subjects are all fancy cloth and studied attu. None of them seem particularly alive, much ls lively. I surmise that what was like to be someone bis himself bewilred Bazille. Even beg himself may have nstuted a problem. No direct evince of his love life exists, but a letter home, 1867, he allus vaguely to a romantic disappotment that has turned him agast the prospect of marriage. Add up the quali of Bazille’s sgulary—provcial, Prottant, only putatively wealthy, perhaps gay—and you have a lonely man, whom ’s almost impossible not to take a tenr rootg tert.</p><p class="paywall">Bazille’s most fascatg patg is full of promise precisely the awkwardns of s origaly, no longer beholn to any specific fluence: “Summer Scene (Bathers)” (1869-70), which he worked on durg the next to the last of his annual summer sojourns at the fay home. Eight young men gather a bosky riverbank scene; six wear swimmg tnks, one is half-drsed, another begs to undrs. Two of the men tnks wrtle, as another, loungg, looks on. The half-drsed man helps a swimmer out of the water, while another stays . Bazille obvly found the negotiatn of pth and ontaly taxg, renrg three-dimensnal forms mimally shad passag of bold lor. (One tail of forhorteng, of the swimmer’s arms extend jt below the surface of the water, fails spectacularly.) But there’s an tensy to the scene, which, bis anticipatg the subject and the format of the great Bathers seri that Cézanne began some years later, dit a g onens of athetic visn and personal tth that was not to be. What would we make of some of Bazille’s now nonil iends had they, too, died young? You n wonr about that at this exhilaratg show, while ggg the loss, to them and to , of the arnt Bazille. ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box ArticlePageSplAdRail-OyjwD jikppc"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="ArticlePageSplAdRailContent-jsltpq iZDmmY spl-ad-rail-ntent"><div class="ArticlePageSplAdRailTop-jUrrVY jzzFg"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="onm6qu"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div><div class="ArticlePageSplAdRailMiddle-tiRvu hiZeZX spl-ad-rail-middle"></div><div class="ArticlePageSplAdRailBottom-dBKMGQ jmCMsn spl-ad-rail-bottom"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="ot9lni"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><footer class="ContentFooterMagazeDisclaimer-gzKAqo iZIuUU" data-ttid="MagazeDisclaimerWrapper">Published the prt edn of the <a href="/magaze/2017/04/17" data-reactroot="">April 17, 2017</a>, issue, wh the headle “Send Imprsns.”</footer></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/peter-schjeldahl"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/peter-schjeldahl">Peter Schjeldahl</a> was The New Yorker’s longtime art cric until his ath, 2022, at the age of eighty. 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SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">The Art World</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href="/magaze/2011/02/28/game-change" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Game Change</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2011/02/28/game-change" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Game Change" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Cézanne, rd players, and the birth of mornism.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Peter Schjeldahl</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eamwqR" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2007/07/30/patg-by-numbers" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Patg by Numbers" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Books</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href="/magaze/2007/07/30/patg-by-numbers" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Patg by Numbers</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2007/07/30/patg-by-numbers" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Patg by Numbers" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Gtave Courbet and the makg of a master.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Peter Schjeldahl</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eamwqR" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Novelist Whose Inventns Went Too Far" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Life and Letters</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Novelist Whose Inventns Went Too Far</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Novelist Whose Inventns Went Too Far" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">After the Ao-Cuban wrer H. G. Carrillo died, his hband learned that almost everythg the wrer had shared about his life was ma up—cludg his Cuban inty.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>D. T. Max</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eamwqR" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Upper Wt Si Cult That Hid Pla Sight" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Unr Review</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Upper Wt Si Cult That Hid Pla Sight</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Upper Wt Si Cult That Hid Pla Sight" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">In the sixti and seventi, the Sullivanian Instute had a wng sal pch for young New Yorkers: parti, sex, low rent, and affordable therapy.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Jsi Wter</span></span></p></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectnGridSummaryItem-WColm eamwqR ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-no-id="8waha"></div></div></div><div class="SummaryCollectnGridToActnWrapper-gnReGN eGayfk"></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="TaboolaWrapper-hMVdpE iYfBhy"><div class="TaboolaWidgetWrapper-egPIjc hkSrgt TaboolaWidget-eUSdED hQCCRa" data-ttid="TaboolaWidgetWrapper"><div class="TaboolaWidgetContent-iBEQTO eXroXG TABOOLA" id="taboola-below-article-thumbnails---f" data-ttid="TaboolaWidgetContent"></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="AdWrapper-dQtivb fZrssQ ad ad--footer should-hold-space"><div class="ad__slot ad__slot--footer" data-no-id="ipc48d"></div></div></div></div></div></ma><div class="BasePageMaFooterFiller-hTlZph jSriYf page__ma-footer-filler"></div><div class="RowWrapper-UmqTg HEhan"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un 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frederic gay

Fd Freric Gay's ? ntact rmatn, ? phone numbers, ? home addrs, age, background check, whe pag, work history, social media profil, plac of employment, photos and vios, arrt rerds, publitns, rum and CV, related nam and bs rerds

Contents:

WAS CHOP GAY? THE AWKWARD QUTN ONE OF THE EU’S WORST UNTRI FOR LGBTQ RIGHTS

Vis Freri GAY profile and read the full bgraphy, watch vios and read all the latt news. Click here for more. * frederic gay *

“Was Chop gay? Do that mean he was gay?

“The Wt is exced that Chop was gay, ” a lumnist for the Gazeta Wyborcza summarized, notg that the mor has long been a source of speculatn. The untry’s populist ernment equently harshly homophobic rhetoric, wh s Prime Mister plag of a “homosexual agenda” threateng the homeland.

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But experts agree that the suggtn that Chop had homosexual relatnships would not be weled much of Poland. “He is a symbol of Poland, but you’ve got a ernment now which is absolutely anti-gay – and were he to be gay, God knows what they would make of , ” Cholmonley said.

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Harris lays out the se Hanl was a homosexual. Ptr Ilyich TchaikovskyWhile historians Rsia nied for centuri that Tchaikovsky was gay, Eastern voic recent years have e around to the notn the tenrns the poser's mic me om gay sir.

Even Rsian Print Vladimir Put, famo for enforcg antigay laws, today acknowledg Tchaikovsky's leangs.

Jean-Baptiste LullyThe liberte Lully was a poser, mician, and famed dancer the urt of France's Kg Louis XIV, where his gay sexualy was an open secret. At one pot, he had a well-known affair wh royal mic page B, acrdg to Gee Haggerty's Encyclopedia of Gay Histori and Cultur, but the boy was imprisoned when the poser fell out of favor wh the kg. Freric ChopThe legendary 19th-century Polish poser wrote love letters to Tyt Wojciechowski that revealed his persuasn, acrdg to historian Michel Lariviere, and there is evince he had male lovers before that as well, cludg the openly and famoly gay Marquis Cte.

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Frédéric Gay. Actor: Diane Lanster. Frédéric Gay is known for Diane Lanster (1983)." data-id="ma * frederic gay *

Franz SchubertWhile Schubert as a young man was fely known as a womanizer, he likely was bisexual, later livg many years wh gay poet Johann Mayrhofer. Francis Jean Marcel PoulencAn out poser early-20th-century France, Poulenc created mic opposg the homophobic Nazis durg the 1940s, acrdg to Daisy Falurt's L Six. And acrdg to bgrapher Howard Pollack, he was also nfint his homosexualy om an early age, even though he showed ltle clatn to e out publicly.

Historians today wily believe that he was gay. He also was half of classil mic's greatt gay power uple. "You are a homosexual and may never change, " she wrote.

While not known for tolerance himself, Thomson was arrted 1942 durg a raid on a gay borllo near the Brooklyn Navy Yard, acrdg to bgrapher Anthony Tommasi. He was also out, hangg New York's gay cultural circl, at one pot sharg a brownstone wh other famed gay artists, Brten and W. FAQ: Learn more about our top rult for Freric GayWhat is Freric Gay's addrs?

GLOBAL GAY

A panoramic view of gay rights, gay life, and the gay experience around the Global Gay, Frédéric Martel viss more than fifty untri and docum... * frederic gay *

Freric Gay's addrs is 13021 1St St, Hollywood, FL is Freric Gay's phone number? Freric Gay's phone number is (321) old is Freric Gay?

Freric Gay's is 47 years Freric Gay married? We have marriage rerds for 3 people named Freric is Freric Gay's date of birth?

Freric Gay was born on Freric Gay have a crimal rerd? You n fd arrt rerds for Freric Gay our background checks if they to fd a person whout their last name? Create acuntENFully supportedEnglish (Uned Stat)Partially supportedFrançais (Canada)Français (France)Dtsch (Dtschland)हिंदी (भारत)Italiano (Italia)Português (Brasil)Español (España)Español (Méxi)Use appBgraphyIMDbProActorIMDbProStarmeterSee rankFrédéric Gay is known for Diane Lanster (1983).

GLOBAL GAY

Classil mic wouldn't be what is today whout the great gay matros. * frederic gay *

Keep track of how much of Frédéric Gay’s work you have seen.

They are likely to also nta homoerotic text:«Deart Tyt! » (5/15/1830)Milogy has long found difficult to al wh the homosexualy of great classil micians. » (9/4/1830)Homosexualy as a Polil IssueWh Chop the issue is load wh a polil dimensn today: For the Catholic leang natnal nservative lg Law and Jtice Party (PiS) Chop’s love for Tyt Woyciechowski is likely to be most unwele.

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Global Gay.

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