Rudy Gay expected to draw tert om Warrrs, Lakers, Mavericks, Bulls, Pelins | HoopsHype

Contents:

• THE GAY FIGURE ARTISTS ARE REIMAGG THE MALE GAZE
• NBA RUMORS: JAM HARN TRA TALKS, JOEL EMBIID, PJ TUCKER, RUDY GAY, LAKERS, WARRRS, BUCKS, MORE
• RUDY GAY EXPECTED TO DRAW TERT OM WARRRS, LAKERS, MAVERICKS, BULLS, PELINS

THE GAY FIGURE ARTISTS ARE REIMAGG THE MALE GAZE

AdvertisementSKIP ADVERTISEMENTWorkg largely outsi the gallery system, a group of illtrators is revivg the disciple and refg how queer bodi are reprented MacConnell, “Ernie” 2014, waterlor and pen on paperLAST FALL, IN a ty apartment downtown New York, a 30-year-old gay physique mol named Matthew Williams stood naked agast a whe backdrop ont of the gay artist John MacConnell. Over the next 2, 000 years, pturg the naked male form beme an sential artistic skill, one that reached s apotheosis Wtern culture durg the Italian Renaissance, when homosexual sire was subtly exprsed Donatello’s bronze “David” (cir 1440) and Caravagg’s patg “The Micians” (1597), where the tradnal female me is replaced wh a band of boys, partially robed togas, referencg a Greek and Roman perd which homoeroti was a part of society.

NBA RUMORS: JAM HARN TRA TALKS, JOEL EMBIID, PJ TUCKER, RUDY GAY, LAKERS, WARRRS, BUCKS, MORE

Classics profsor Andrew Lear, 59, who now ns Osr Wil Tours, a pany that offers excursns foced on implicly gay art and history major while some old masters fetishized the male body barely d ways, the ia of an openly queer artist exprsg his sir om a queer perspective was only born the last century. Ined, cricism of works like Cadm’s durg an era which homosexualy was still forbidn phed many of the artists to the unrground, om where they’re still beg unearthed today. (It’s perhaps not cintal that Alan Hollghurst’s latt novel, “The Sparsholt Affair, ” a gay retellg of Bra the 20th century, clus a 1940s-era artist tryg to pursue a classmate at Oxford by drawg his figure.

RUDY GAY EXPECTED TO DRAW TERT OM WARRRS, LAKERS, MAVERICKS, BULLS, PELINS

) Frato, “Tangere” 2016, lored pencil on paper, urty of the artist and Antoe Levi, Paris; Jordan Mejias, “Dare Me, ” 2017, monochromatic waterlor on paper, om the book “Of Art and Men” (Photograph: Hans-Ge Pospischil) © Jordan MejiasIN THE YEARS after Cadm, other gay perspectiv on the male body found their way to visual culture, though they’ve typilly been nsired taboo or hypersexual. And spe the “queer enlightenment” of the 1970s and ’80s, when Robert Mapplethorpe, the photographer Rotimi Fani-Kayo and others brought man-on-man sex to the mm, there rema few celebratory imag of openly gay men Wtern visual art. Williams’s afternoon ssn wh MacConnell, fact, is part of a recent revival of male figure drawg among ntemporary gay artists — cludg Kou Shou, Mart Bedolla and Stephen McDermott — who all specialize stripped-down reprentatns of largely young whe men.

MacConnell and Williams met 2016 at the artist Mark Beard’s drawg salon, which now attracts a rotatg st of about 30 gay artists. The nus “give gay people their history, ” Beard says.

Outled his signature blue pen, ’s a tribute to the sorts of mundane gay moments that are rarely celebrated art or popular culture. Gay figure artists are followg the homoerotic tradn tablished by Mizer, Fland and the artist Tom Bianchi, whose photographic nus have seen a renaissance after he published “Fire Island P, Polaroids 1975-1983” 2013. ” In “On Send Thought” (2016), the ster’s mcular curv suggt early Roman statuary while ializg gayns the tradn of Cadm’s fabulist etchg “Y.

In this, Frato and the other ntemporary gay figure artists share a philosophy, spe their different athetics: They’re all mted to reflectg the mostly unseen terr liv of the men they admire, and to celebratg a diverse set of subjects who, taken together, stand opposn to a nonil history of art that has long ignored an openly gay view of the male body.

“There’s no greater reward than dog for the ltle Black gay boy who has someone to look up to now bee we didn’t have those people to look up to, ” says Phipps, reuntg a movg past experience where a preteen boy lled the duo his hero after seeg them perform.

(Jason Armond / Los Angel Tim) (Jason Armond / Los Angel Tim) Through the Freaky Boiz’s high-energy live performanc and slick raps over stmentals sure to make you dance, they’re rvg their own lane hip-hop and treatg dienc to mic that highlights Black gay joy, datg adventur and wo and empowerg antiexploatn bops tailor-ma for the digal age like “Cash App. ”“They’re tryg to teach kids that beg gay is wrong and that’s phg 50 years backwards om the work of people who started the Pri para like Marsha P. Gay men?