The Gayt Imag om Michelangelo's Most Famo Patg

Contents:

• THE GAYT IMAG OM MICHELANGELO'S MOST FAMO PATG
• THE GAY FIGURE ARTISTS ARE REIMAGG THE MALE GAZE
• GAY KUNST PATGS
• GAY WATER — CYNIL, PAT-BY-NUMBERS VIRTUE-SURFG START-UP? OR BEVERAGE INDTRY UNIRN WH GIFT OF GAY RIGHTS?
• THE 5 BEST MOSW GAY CLUBS & BARSSEE ALL THGS TO DOGAY CLUBS & BARS MOSW

THE GAYT IMAG OM MICHELANGELO'S MOST FAMO PATG

The first terpretatn of the Ganyme tale is born om the homosexual relatns that were acknowledged some ancient Greek stat. The relatnships were not what we would today ll homosexual.

Even as they emphasised the Christian msage of this scene, homosexual artists of the Renaissance were not bld to the more obv meang of the Ganyme myth. Some patrons may have requted a versn of the Ganyme myth as an exprsn of their homosexual sir. In poetry, plays, and even mon parlance, Ganyme me to stand for both paedophilic and homosexual tast.

THE GAY FIGURE ARTISTS ARE REIMAGG THE MALE GAZE

Homosexualy the morn sense was only named and acknowledged the late neteenth century. While many homosexual men had to rema gey about their love, there were some outspoken artists who were relatively open about their sir. Today his works, cludg a patg of Ganyme before he is rried off, are some of the few ma by a homosexual artist that explore the psychology of gay men.

Dpe the ubiquy of Ganyme wtern art, his populary fell away the late neteenth century favour of another symbol for homosexual love. It may be that openly displayg a work of Ganyme, wh all of s illic homosexual unrton, would too openly 'out' a llector as a Ganyme himself. For homosexual Grand Tourists, Anto proved irristible.

In one of the most famo portras of Wckelmann, the great art historian and homosexual n be seen proudly examg an engravg of a statue of Anto. By the late neteenth century, Anto had e to replace Ganyme as the in of choice for gay art llectors.

GAY KUNST PATGS

Yet the stori of the two gay ins ntued to speak to gay men. It is no wonr the stori of Anto and Ganyme spoke strongly to gay men tim when their love was illegal.

In the 'Gay Corner' of the Congrsnal Cemetery Washgton, you will fd the name of Anto scribed on an obelisk unr the shady branch of a cherry tree.

An Italian art historian claims some of the imag picted Michelangelo's "Last Judgment"—the on the wall of the Siste Chapel—were spired by acts the artist wnsed homosexual bathho. ) Lazzari go on to say that Michelangelo drew spiratn om his fellow gays and the mcular prostut who regularly worked the lossal work, which took the Renaissance master four years to pat and grac the Siste Chapel Vatin Cy, is a pictn of judgment day, wh the virtuo beg lled to heaven and sners beg dragged to hell. Nope, nothg gay happeng here.

GAY WATER — CYNIL, PAT-BY-NUMBERS VIRTUE-SURFG START-UP? OR BEVERAGE INDTRY UNIRN WH GIFT OF GAY RIGHTS?

AdvertisementSKIP ADVERTISEMENTWorkg largely outsi the gallery system, a group of illtrators is revivg the disciple and refg how queer bodi are reprented MacConnell, “Ernie” 2014, waterlor and pen on paperLAST FALL, IN a ty apartment downtown New York, a 30-year-old gay physique mol named Matthew Williams stood naked agast a whe backdrop ont of the gay artist John MacConnell. Over the next 2, 000 years, pturg the naked male form beme an sential artistic skill, one that reached s apotheosis Wtern culture durg the Italian Renaissance, when homosexual sire was subtly exprsed Donatello’s bronze “David” (cir 1440) and Caravagg’s patg “The Micians” (1597), where the tradnal female me is replaced wh a band of boys, partially robed togas, referencg a Greek and Roman perd which homoeroti was a part of society.

Classics profsor Andrew Lear, 59, who now ns Osr Wil Tours, a pany that offers excursns foced on implicly gay art and history major while some old masters fetishized the male body barely d ways, the ia of an openly queer artist exprsg his sir om a queer perspective was only born the last century.

THE 5 BEST MOSW GAY CLUBS & BARSSEE ALL THGS TO DOGAY CLUBS & BARS MOSW

Ined, cricism of works like Cadm’s durg an era which homosexualy was still forbidn phed many of the artists to the unrground, om where they’re still beg unearthed today.

(It’s perhaps not cintal that Alan Hollghurst’s latt novel, “The Sparsholt Affair, ” a gay retellg of Bra the 20th century, clus a 1940s-era artist tryg to pursue a classmate at Oxford by drawg his figure. ) Frato, “Tangere” 2016, lored pencil on paper, urty of the artist and Antoe Levi, Paris; Jordan Mejias, “Dare Me, ” 2017, monochromatic waterlor on paper, om the book “Of Art and Men” (Photograph: Hans-Ge Pospischil) © Jordan MejiasIN THE YEARS after Cadm, other gay perspectiv on the male body found their way to visual culture, though they’ve typilly been nsired taboo or hypersexual.

And spe the “queer enlightenment” of the 1970s and ’80s, when Robert Mapplethorpe, the photographer Rotimi Fani-Kayo and others brought man-on-man sex to the mm, there rema few celebratory imag of openly gay men Wtern visual art. Williams’s afternoon ssn wh MacConnell, fact, is part of a recent revival of male figure drawg among ntemporary gay artists — cludg Kou Shou, Mart Bedolla and Stephen McDermott — who all specialize stripped-down reprentatns of largely young whe men.