Marv Gaye's Soulful 'The Star-Spangled Banner' At 1983 NBA All-Star Game Is Natnal Healg | HuffPost Sports

Contents:

• FEBARY 13, 1983: THE AFTERNOON MARV GAYE REVOLUTNIZED THE SGG OF THE NATNAL ANTHEM
• 20 YEARS AGO, MARV GAYE TOOK 'NATNAL ANTHEM' TO NEW HEIGHTS
• MARV GAYE’S INIC NBA ALL-STAR GAME NATNAL ANTHEM: ‘HE TURNED THAT THG TO HIS OWN’
• HOW A 1979 BOXG MATCH BEME THE FIGHT OF MARV GAYE’S LIFE
• MARV GAYE'S SOULFUL 'THE STAR-SPANGLED BANNER' AT 1983 NBA ALL-STAR GAME IS NATNAL HEALG
• THE ALL-STAR ANTHEMPJ MCQUA/;PJ MCQUA/FACEBOOKTWTERFACEBOOK MSENGEREMAILPETE CROATTOFEB 15, 2013, 03:00 AM ETFACEBOOKTWTERFACEBOOK MSENGERPTERTEMAILPRTIT WAS EARLY AFTERNOON INGLEWOOD, CALIFORNIA, ABOUT 10 MUT BEFORE THE 12:30 P.M. TELEVISED START OF THE 1983 NBA ALL-STAR GAME, AND AMANDA MAYO WAS A BROOM CLOSET.TWENTY MUT EARLIER, A PANICKED LON ROSEN, THE LAKERS' DIRECTOR OF PROMOTNS, HAD ASKED THE 24-YEAR-OLD TEAM EMPLOYEE TO GET READY. THE PLANNED PREGAME ACT WAS NEARLY TWO HOURS LATE AND, SPE THE VERY HOLLYWOOD CROWD GATHERED AT THE FOM, ROSEN ULDN'T FD ANY SGERS TO FILL . SO THE HER WH PERFECT PCH, THE ACTRS'S DGHTER WHO HAD TALKED HER WAY TO THE TEAM'S ROTATN OF NATNAL ANTHEM SGERS, WOULD HAVE TO PERFORM.THE SMALL SPACE UNR THE FOM'S STAIRS WAS THE PREFERRED WARM-UP SPOT FOR MAYO, WHOSE MOTHER, JA BLAIR, WAS THE STAR OF A STRG OF MILS AND EDI THE 1940S. SHE DIDN'T MD THE LAST-SEND REQUTS. THERE WAS NO TIME TO OBSS OR WORRY, THOUGH SHE DID NTACT HER BROTHER AND LET HIM KNOW WHAT MIGHT BE G. "CALL EVERYBODY," SHE TOLD HIM.SURROUND BY NCRETE WALLS AND WH AN DIENCE OF A MOP AND BROOM, MAYO THOUGHT ABOUT THE MAGNU OF THE SCENE, AND THE EXCEMENT SURROUNDG THE MIL LEGEND SHE WAS ABOUT TO REPLACE. ONE THOUGHT, HOWEVER, LGERED ABOVE THE SPECTACLE."I REALLY WANTED HIM TO SHOW UP THE END," SHE REMEMBERS.HE DID.ROSEN LISTENED TO MARV GAYE'S TAKE ON "THE STAR-SPANGLED BANNER" OM THE SRER'S TABLE AT CENTER URT. HE LOVED WHAT HE HEARD, BUT STILL HAD NCERNS. GAYE'S RENDN WAS A BREAK TRADN, AND JUDGG BY THE ENZIED RPONSE OF 17,505 ATTEN, ROSEN KNEW PLENTY OF PEOPLE MIGHT FD DISRPECTFUL. ONE THG, HOWEVER, WAS IMMEDIATELY CLEAR: NBA MISSNER LARRY O'BRIEN SURE DID.DURG THE FIRST QUARTER, O'BRIEN LET ROSEN HAVE . THE NVERSATN WAS SHORT AND "VERY LORFUL," SAYS ROSEN, WHO CLED TO GO TO SPECIFICS.MARV GAYE HAD BEEN ONE OF ROSEN'S MIL HERO. NOW ROSEN WAS SURE GAYE WAS GOG TO GET HIM FIRED. AT HALFTIME, ROSEN HAD TO CHECK WH LAKERS OWNER JERRY BS. THE WALK TO THE PRIVATE BOX WAS EXCCIATGLY LONG; FELT LIKE HE WAS HEADG TO THE PRCIPAL'S OFFICE."WHAT'S THE MATTER?" BS ASKED.ROSEN TOLD HIM."THAT WAS THE GREATT ANTHEM OF ALL TIME," BS REPLIED. "ARE YOU KIDDG?"IT'S BEEN 30 YEARS SCE MARV GAYE'S GROUNDBREAKG NATNAL ANTHEM, AND AT THIS POT, 'S HARD TO QUTN S IMPACT ON POP CULTURE. GAYE ME BEFORE WHNEY HOTON'S TRIUMPH TAMPA … AND FOR ROSEANNE BARR'S CROTCH-GRABBG EMBARRASSMENT SAN DIEGO. AND HIS RENDN FLUENCED THE NBA, WHOSE "HISTORY WAS BEG VENTED AS WE SPOKE," SAYS GOLN STATE WARRRS PRINT RICK WELTS, WHO WORKED THE LEAGUE OFFICE OM 1982 TO 1999 AND CREATED ALL-STAR WEEKEND. VENERABLE BASKETBALL WRER JACK MCCALLUM SAYS GAYE'S PERFORMANCE SIGNIFIED THE LEAGUE PLANTG S FLAG AS "A CULTURAL LEAR."AT THE TIME, HOWEVER, "YOU DIDN'T HEAR PASSNATE VERSNS OF 'THE STAR-SPANGLED BANNER,' WHICH IS WHY 'S A MISTAKE TO HAVE AT 10,000 BASEBALL GAM," SAYS MIC WRER DAVE MARSH. "IT DILUT THE MEANG THE SONG HAS. IT'S SOMETHG THAT ALONG LIKE THE FIVE O'CLOCK TRA." GAYE'S BGRAPHER AND IEND DAVID RZ SAYS THE PERFORMANCE OFFERED A SOCIAL MENTARY AND REVEALED THE SGER'S SOUL. IT WAS A CHALLENGE TO THE AMERIN JGOISM EMBRACED BY PRINT REAGAN — AND AN SI JOKE: HERE'S A FUNKY, DISTCTIVELY BLACK VERSN THAT'S REPRENTATIVE OF WHAT'S ON THE URT.MARV GAYE'S NATNAL ANTHEMAUD CLIPS URTY OF GAYE'S GUARIST AND MIL DIRECTOR, GORDON BANKS. THE FIRST IS GAYE PRACTICG WH A DIFFERENT BEAT; THE SEND IS THE BEAT ED AT THE ALL-STAR GAME.CLICK HERE FOR D
• MARV {LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:600;MARG-BOTTOM:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:0.875REM;LE-HEIGHT:1.2;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:1.25REM;LE-HEIGHT:1.2;}} A{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:HER;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;} A:HOVER{LOR:#A00000;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. 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HE RERD SONGS BY SMOKEY ROBSON BEFORE BEG HIS OWN PRODUCER ON THE PROTT ALBUM WHAT'S GOG ON (1971). GAYE'S LATER RERDS VELOPED HIS PRODUCTN STYLE AND YIELD SEVERAL HS, CLUDG "LET'S GET IT ON," "SEXUAL HEALG" AND "I HEARD THROUGH THE GRAPEVE." GAYE WAS KILLED 1984 DURG A DOMTIC DISPUTE WH HIS FATHER.EARLY LIFESGER MARV PENTZ GAYE, JR., ALSO KNOWN AS THE "PRCE OF SOUL," WAS BORN WASHGTON, D.C., ON APRIL 2, 1939. GAYE WAS RAISED UNR THE STRICT NTROL OF HIS FATHER, REVEREND MARV GAY SR.—MARV GAYE JR. ADD THE "E" ON THE END OF HIS NAME LATER LIFE—THE MISTER AT A LOL CHURCH, AGAST A BLEAK BACKDROP OF WISPREAD VLENCE HIS NEIGHBORHOOD. THROUGHOUT HIS CHILDHOOD, GAYE OFTEN FOUND PEACE MIC, MASTERG THE PIANO AND DMS AT A YOUNG AGE. UNTIL HIGH SCHOOL, HIS SGG EXPERIENCE WAS LIMED TO CHURCH REVIVALS, BUT SOON HE VELOPED A LOVE FOR R&B AND DOO-WOP THAT WOULD SET THE FOUNDATN FOR HIS REER. IN THE LATE 1950S, GAYE JOED A VOL GROUP LLED THE NEW MOONGLOWS. THE TALENTED SGER HAD A PHENOMENAL RANGE THAT SPANNED THREE VOL STYL AND HE SOON IMPRSED THE GROUP'S FOUNR, HARVEY FUQUA. IT WASN'T LONG BEFORE GAYE AND FUQUA BOTH ME TO THE ATTENTN OF DETRO MIC IMPRAR {-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:#A00000;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;}{LOR:#595959;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}BERRY GORDY JR. AND WERE SIGNED TO GORDY'S LEGENDARY MOTOWN RERDS.MOTOWN RERDSGAYE'S FIRST CERTIFIED H UNR HIS OWN NAME WOULDN'T E UNTIL 1962, BUT HIS EARLY YEARS AT MOTOWN WERE FULL OF BEHD-THE-SCEN SUCCS. HE WAS A SSN DMMER FOR MOTOWN LEGENDS SUCH AS LTLE STEVIE WONR, THE SUPREM, THE MARVELETT AND MARTHA AND THE VANLLAS. SHOWG HIS STRIP AS MOTOWN'S RENAISSANCE MAN, GAYE WENT ON TO BREAK TO THE TOP 40 FOR THE FIRST TIME ON HIS OWN 1962 WH HIS SOLO SGLE "HCH HIKE." THROUGHOUT THE 1960S, GAYE WOULD SHOW HIS IMMENSE RANGE, CHURNG OUT SOLO DANCE HS AND ROMANTIC DUETS WH H-MAKERS LIKE DIANA ROSS AND MARY WELLS. "CAN I GET A WNS" AND "I HEARD THROUGH THE GRAPEVE" WERE SOME OF GAYE'S BIGGT HS OF THE PERD, THE LATTER ACHIEVG S PLACE AS MOTOWN'S BT-SELLG SGLE OF THE 1960S. FOR THREE HIGH-FLYG YEARS, GAYE AND TAMMI TERRELL WOWED THE UNTRY WH THEIR SOARG DUET PERFORMANC OF SONGS LIKE "A'T NO MOUNTA HIGH ENOUGH" AND "IF I COULD BUILD MY WHOLE WORLD AROUND YOU." UNFORTUNATELY, THEIR REIGN AS THE ROYAL COUPLE OF R&B END WHEN TERRELL SUCCUMBED TO A BRA TUMOR 1970. HIS BELOVED PARTNER'S ATH HERED A DARK PERD FOR THE SGER, WHO SWORE NEVER TO PARTNER WH ANOTHER FEMALE VOLIST AND THREATENED TO ABANDON THE STAGE FOR GOOD.POLIL MSAGEIN 1970, SPIRED BY LATG VLENCE AND POLIL UNRT OVER THE VIETNAM WAR, GAYE WROTE THE LANDMARK SONG "WHAT'S GOG ON." DPE CLASH WH MOTOWN OVER THE SONG'S CREATIVE DIRECTN, THE SGLE WAS RELEASED 1971 AND BEME AN STANT SMASH. ITS SUCCS PROMPTED GAYE TO TAKE EVEN MORE RISKS, BOTH MILLY AND POLILLY. WHEN WAS RELEASED THE SPRG OF 1971, THE WHAT'S GOG ON ALBUM SERVED TO OPEN GAYE UP TO NEW DIENC WHILE MATAG HIS MOTOWN FOLLOWG. DEPARTG OM THE TRIED AND TE MOTOWN FORMULA, GAYE WENT OUT ON HIS OWN ARTISTILLY, PAVG THE WAY FOR OTHER MOTOWN ARTISTS LIKE WONR AND MICHAEL JACKSON TO BRANCH OUT LATER YEARS. BEYOND FLUENCG HIS PEERS, THE ALBUM GARNERED WISPREAD CRIL ACCLAIM, WNG THE ROLLG STONE ALBUM OF THE YEAR AWARD.CROSSOVER SUCCSIN 1972, GAYE MOVED TO LOS ANGEL AND SOON MET JANIS HUNTER, WHO WOULD LATER BEE HIS SEND WIFE. INSPIRED PART BY HIS NEWFOUND PENNCE, GAYE RERD ONE OF THE MOST REVERED LOVE ANTHEMS OF ALL TIME, "LET'S GET IT ON." THE SONG BEME HIS SEND NO. 1 BILLBOARD H, CEMENTG HIS CROSSOVER APPEAL ONCE AND FOR ALL. SHORTLY AFTERWARDS, MOTOWN PHED GAYE TO TOURG TO PALIZE ON HIS MOST RECENT SUCCS; RELUCTANTLY THE SGER-SONGWRER RETURNED TO THE STAGE. THROUGH MOST OF THE MID-1970S, GAYE WAS TOURG, LLABORATG OR PRODUCG. WORKG WH DIANA ROSS AND THE MIRACL, HE PUT OFF RELEASG ANOTHER SOLO ALBUM UNTIL 1976. HE NTUED TOURG AFTER THE RELEASE OF I WANT YOU (1976) AND, AFTER SRG A NO. 1 H 1977 WH THE DANCE SGLE "GOT TO GIVE IT UP," RELEASED HIS LAST ALBUM FOR MOTOWN RERDS (HERE, MY DEAR) 1978. (DES LATER, "GOT TO GIVE IT UP" WOULD BEE THE CENTER OF A BIG NTROVERSY. IN 2013, GAYE'S TATE ASSERTED THAT PRODUCER/SONGWRER PHARRELL WILLIAMS AND SGER/SONGWRER ROB THICKE HAD MTED PYRIGHT GEMENT BY TAKG MAJOR MIL ELEMENTS OM THE DIS TRACK FOR THE MEGA-H "BLURRED L." AFTER A SE WHICH THICKE TTIFIED THAT HE'D HAD LTLE TO DO WH THE WRG OF THE SONG, THE JURY LED FAVOR OF GAYE'S FAY, WHO WERE AWARD $7.3 LN DAMAG AND PROF SHAR. THE JURY ALSO LED THAT NEHER WILLIAMS OR THICKE HAD PURPOSELY MTED GEMENT.) AFTER TWO S AT MOTOWN, GAYE SIGNED WH CBS'S COLUMBIA RERDS 1982 AND BEGAN TO WORK ON HIS LAST ALBUM, MIDNIGHT LOVE. THE LEAD SGLE OM THAT ALBUM, "SEXUAL HEALG," BEME A HUGE EBACK H FOR THE R&B STAR AND EARNED HIM HIS FIRST TWO GRAMMY AWARDS AND AN AMERIN MIC AWARD FOR FAVORE SOUL SGLE.PERSONAL LIFEIN 1975, GAYE'S WIFE ANNA GORDY—BERRY GORDY'S SISTER—FILED FOR DIVORCE, AND TWO YEARS LATER GAYE MARRIED HUNTER, WHO HAD BY THEN GIVEN BIRTH TO THEIR DGHTER, NONA (BORN SEPTEMBER 4, 1974) AND THEIR SON FRANKIE (BORN NOVEMBER 16, 1975). GAYE ALSO HAD AN ADOPTED SON (MARV PENTZ GAYE III) OM HIS PREV MARRIAGE. THE SGER'S MARRIAGE TO HUNTER PROVED SHORT LIVED AND TUMULTUO, ENDG DIVORCE 1981.DEATH AND LEGACYDPE HIS SUCCSFUL EBACK THE EARLY 1980S, GAYE STGGLED BADLY WH THE SUBSTANCE ABE AND BOUTS OF PRSN THAT HAD PLAGUED HIM FOR MOST OF HIS LIFE. AFTER HIS LAST TOUR, HE MOVED TO HIS PARENTS' HOE. THERE HE AND HIS FATHER FELL TO A PATTERN OF VLENT FIGHTS AND QUARRELS THAT RELLED NFLICTS THAT HAD HNTED THE FAY FOR S. ON APRIL 1, 1984, MARV GAYE SR. SHOT AND KILLED HIS SON AFTER A PHYSIL ALTERTN; THE FATHER CLAIMED HE ACTED SELF-FENSE BUT WOULD LATER BE NVICTED OF VOLUNTARY MANSLGHTER. THREE YEARS AFTER HIS ATH, GAYE WAS DUCTED TO THE ROCK AND ROLL HALL OF FAME. CREATG BETIFUL ART OM A TROUBLED LIFE, GAYE AGA AND AGA BROUGHT HIS VISN, RANGE AND ARTISTRY TO THE WORLD STAGE. AT THE END OF HIS REER, HE ADMTED HE NO LONGER MA MIC FOR PLEASURE; STEAD, HE SAID, "I RERD SO THAT I N FEED PEOPLE WHAT THEY NEED, WHAT THEY FEEL. HOPEFULLY, I RERD SO THAT I N HELP SOMEONE OVERE A BAD TIME."{BORR:0;BORR-BOTTOM:TH SOLID BLACK;MARG:1.875REM 0;CLEAR:BOTH;}QUICK {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;MARG:0.9375REM 0 0 0.625REM;PADDG:0 0 0 1.25REM;}@MEDIA(M-WIDTH: 48REM){{MARG:0.9375REM 0;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-STYLE:ALIC;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;} LI{PADDG-BOTTOM:0.625REM;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} LI::MARKER{LOR:#323232;}NAME: MARV GAYEBIRTH YEAR: 1939BIRTH DATE: APRIL 2, 1939BIRTH CY: WASHGTON, D. C.BIRTH COUNTRY: UNED STATGENR: MALEBT KNOWN FOR: MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL THEM.INDTRIPOPASTROLOGIL SIGN: ARIINTERTG FACTSBEFORE MAKG AS A SOLO ARTIST, MARV GAYE PLAYED DMS FOR ARTISTS SUCH AS STEVIE WONR AND THE SUPREM.DEATH YEAR: 1984DEATH DATE: APRIL 1, 1984DEATH STATE: CALIFORNIADEATH CY: LOS ANGELDEATH COUNTRY: UNED STATFACT CHECKWE STRIVE FOR ACCURACY AND YOU SEE SOMETHG THAT DON'T LOOK RIGHT,NTACT !CITATION INFORMATIONARTICLE TLE: MARV GAYE BGRAPHYAUTHOR: EDORSWEBSE NAME: THE WEBSEURL: ACCS DATE: PUBLISHER: A&E; TELEVISN NETWORKSLAST UPDATED: APRIL 19, 2021ORIGAL PUBLISHED DATE: APRIL 2, 2014QUOTES
• MARV GAYE'S ALL-STAR GAME NATNAL ANTHEM PERFORMANCE: LOOKG BACK AT THE FG MOMENT OM 1983
• MARV GAYE’S NATNAL ANTHEM
• FLASHBACK: MARV GAYE REIMAG ‘THE STAR-SPANGLED BANNER’ 1983
• MARV GAYE SPIC UP “THE STAR-SPANGLED BANNER” AT NBA ALL-STAR GAME, ON THIS DAY IN 1983 [WATCH]
• MARV GAYE SGS THE U.S. NATNAL ANTHEM

FEBARY 13, 1983: THE AFTERNOON MARV GAYE REVOLUTNIZED THE SGG OF THE NATNAL ANTHEM

It was 20 years ago, at the 1983 NBA All-Star Game, that Marv Gaye stole the show wh his sgular rendn of "The Star-Spangled Banner. — Arron Oberholser (@ArronOberholser) Febary 12, 2023Sgers such as Cher, Beyoncé, Mariah Carey, and Marv Gaye have prevly opened the show wh their versns of the natnal anthem.

20 YEARS AGO, MARV GAYE TOOK 'NATNAL ANTHEM' TO NEW HEIGHTS

So much so, was nsired a big ask when then-Suns owner Jerry Colangelo went to CBS Sports print Bob Wsler 1975 requtg two mut at the top of the work’s upg broadst of the All-Star Game Phoenix so crooner Andy Williams uld sg “By The Time I Get to Phoenix” wh Henry Manci’s was to this vanilla void that stepped Marv Pentz Gay Jr., on Feb.

MARV GAYE’S INIC NBA ALL-STAR GAME NATNAL ANTHEM: ‘HE TURNED THAT THG TO HIS OWN’

Addg an E to his surname, Marv Gaye beme one of Motown’s biggt stars durg nearly two s wh the label, a mil leviathan whose semal 1971 album “What’s Gog On” was voted, almost 50 years later, as the greatt album of all time by Rollg Stone.

HOW A 1979 BOXG MATCH BEME THE FIGHT OF MARV GAYE’S LIFE

But Gaye’s voice — stirrg, sultry and fiant all at once — had bee vox ’s reer was a paeon to survivg life’s tribulatns and perseverg.

”Seemgly at the last mute, Gaye arrived, walkg down the center aisle of the Fom, drsed to the n, wh a ssette tape his hand. It was the dm track that had been laid down Saturday by Gaye and his longtime llaborator, guarist Gordon Banks, at Gaye’s sister’s hoe L. But if Hoton’s adaptatn f neatly to the jgoistic narrative of a natn at war, Gaye’s versn spoke to a different kd of patrtism, one which Black Amerins were, still, wag for the untry to do what said was gog to do.

MARV GAYE'S SOULFUL 'THE STAR-SPANGLED BANNER' AT 1983 NBA ALL-STAR GAME IS NATNAL HEALG

”In a 1987 Showtime special about his life and reer — premierg three years after Gaye was shot and killed 1984 by his father, Marv Gay Sr., followg an argument at his parents’ Los Angel home — Gaye said, “I felt that sgg wh that kd of mic the background gave me an spiratn.

All-Star Game, they say, ‘That’s the Marv Gaye natnal anthem game, '” Thomas like the anthem were still sacrosanct.

THE ALL-STAR ANTHEMPJ MCQUA/;PJ MCQUA/FACEBOOKTWTERFACEBOOK MSENGEREMAILPETE CROATTOFEB 15, 2013, 03:00 AM ETFACEBOOKTWTERFACEBOOK MSENGERPTERTEMAILPRTIT WAS EARLY AFTERNOON INGLEWOOD, CALIFORNIA, ABOUT 10 MUT BEFORE THE 12:30 P.M. TELEVISED START OF THE 1983 NBA ALL-STAR GAME, AND AMANDA MAYO WAS A BROOM CLOSET.TWENTY MUT EARLIER, A PANICKED LON ROSEN, THE LAKERS' DIRECTOR OF PROMOTNS, HAD ASKED THE 24-YEAR-OLD TEAM EMPLOYEE TO GET READY. THE PLANNED PREGAME ACT WAS NEARLY TWO HOURS LATE AND, SPE THE VERY HOLLYWOOD CROWD GATHERED AT THE FOM, ROSEN ULDN'T FD ANY SGERS TO FILL . SO THE HER WH PERFECT PCH, THE ACTRS'S DGHTER WHO HAD TALKED HER WAY TO THE TEAM'S ROTATN OF NATNAL ANTHEM SGERS, WOULD HAVE TO PERFORM.THE SMALL SPACE UNR THE FOM'S STAIRS WAS THE PREFERRED WARM-UP SPOT FOR MAYO, WHOSE MOTHER, JA BLAIR, WAS THE STAR OF A STRG OF MILS AND EDI THE 1940S. SHE DIDN'T MD THE LAST-SEND REQUTS. THERE WAS NO TIME TO OBSS OR WORRY, THOUGH SHE DID NTACT HER BROTHER AND LET HIM KNOW WHAT MIGHT BE G. "CALL EVERYBODY," SHE TOLD HIM.SURROUND BY NCRETE WALLS AND WH AN DIENCE OF A MOP AND BROOM, MAYO THOUGHT ABOUT THE MAGNU OF THE SCENE, AND THE EXCEMENT SURROUNDG THE MIL LEGEND SHE WAS ABOUT TO REPLACE. ONE THOUGHT, HOWEVER, LGERED ABOVE THE SPECTACLE."I REALLY WANTED HIM TO SHOW UP THE END," SHE REMEMBERS.HE DID.ROSEN LISTENED TO MARV GAYE'S TAKE ON "THE STAR-SPANGLED BANNER" OM THE SRER'S TABLE AT CENTER URT. HE LOVED WHAT HE HEARD, BUT STILL HAD NCERNS. GAYE'S RENDN WAS A BREAK TRADN, AND JUDGG BY THE ENZIED RPONSE OF 17,505 ATTEN, ROSEN KNEW PLENTY OF PEOPLE MIGHT FD DISRPECTFUL. ONE THG, HOWEVER, WAS IMMEDIATELY CLEAR: NBA MISSNER LARRY O'BRIEN SURE DID.DURG THE FIRST QUARTER, O'BRIEN LET ROSEN HAVE . THE NVERSATN WAS SHORT AND "VERY LORFUL," SAYS ROSEN, WHO CLED TO GO TO SPECIFICS.MARV GAYE HAD BEEN ONE OF ROSEN'S MIL HERO. NOW ROSEN WAS SURE GAYE WAS GOG TO GET HIM FIRED. AT HALFTIME, ROSEN HAD TO CHECK WH LAKERS OWNER JERRY BS. THE WALK TO THE PRIVATE BOX WAS EXCCIATGLY LONG; FELT LIKE HE WAS HEADG TO THE PRCIPAL'S OFFICE."WHAT'S THE MATTER?" BS ASKED.ROSEN TOLD HIM."THAT WAS THE GREATT ANTHEM OF ALL TIME," BS REPLIED. "ARE YOU KIDDG?"IT'S BEEN 30 YEARS SCE MARV GAYE'S GROUNDBREAKG NATNAL ANTHEM, AND AT THIS POT, 'S HARD TO QUTN S IMPACT ON POP CULTURE. GAYE ME BEFORE WHNEY HOTON'S TRIUMPH TAMPA … AND FOR ROSEANNE BARR'S CROTCH-GRABBG EMBARRASSMENT SAN DIEGO. AND HIS RENDN FLUENCED THE NBA, WHOSE "HISTORY WAS BEG VENTED AS WE SPOKE," SAYS GOLN STATE WARRRS PRINT RICK WELTS, WHO WORKED THE LEAGUE OFFICE OM 1982 TO 1999 AND CREATED ALL-STAR WEEKEND. VENERABLE BASKETBALL WRER JACK MCCALLUM SAYS GAYE'S PERFORMANCE SIGNIFIED THE LEAGUE PLANTG S FLAG AS "A CULTURAL LEAR."AT THE TIME, HOWEVER, "YOU DIDN'T HEAR PASSNATE VERSNS OF 'THE STAR-SPANGLED BANNER,' WHICH IS WHY 'S A MISTAKE TO HAVE AT 10,000 BASEBALL GAM," SAYS MIC WRER DAVE MARSH. "IT DILUT THE MEANG THE SONG HAS. IT'S SOMETHG THAT ALONG LIKE THE FIVE O'CLOCK TRA." GAYE'S BGRAPHER AND IEND DAVID RZ SAYS THE PERFORMANCE OFFERED A SOCIAL MENTARY AND REVEALED THE SGER'S SOUL. IT WAS A CHALLENGE TO THE AMERIN JGOISM EMBRACED BY PRINT REAGAN — AND AN SI JOKE: HERE'S A FUNKY, DISTCTIVELY BLACK VERSN THAT'S REPRENTATIVE OF WHAT'S ON THE URT.MARV GAYE'S NATNAL ANTHEMAUD CLIPS URTY OF GAYE'S GUARIST AND MIL DIRECTOR, GORDON BANKS. THE FIRST IS GAYE PRACTICG WH A DIFFERENT BEAT; THE SEND IS THE BEAT ED AT THE ALL-STAR GAME.CLICK HERE FOR D

Gaye had sung the anthem before sportg events many tim, but wh more of the tradnal October 1968, Gaye sang the anthem Detro before Game 4 of the World Seri between the Tigers and Cardals.

When Gaye sang the anthem at the World Seri, he sang straight, at the requt of the Tigers’ legendary play-by-play man, Ernie Harwell, who was charge of pickg anthem sgers durg the Seri. ”Years later, Gaye knew the signifince of the urt where he stood, the magnu of the players led up behd him and the timacy of the the end of the first le — which Gaye shortened to “Say, n you see, ” omtg the openg “Oh” — the crowd began gaspg and squealg.

MARV {LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:600;MARG-BOTTOM:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:0.875REM;LE-HEIGHT:1.2;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:1.25REM;LE-HEIGHT:1.2;}} A{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:HER;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;} A:HOVER{LOR:#A00000;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL {LOR:#323232;MARG-BOTTOM:0.625REM;PADDG-RIGHT:0.3125REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;} SPAN{FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;LE-HEIGHT:1.6;}{FONT-STYLE:NORMAL;PADDG-RIGHT:0.3125REM;LOR:#323232;FONT-FAY:RALAS,GEIA,TIM,SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1.3;FONT-WEIGHT:BOLD;TEXT-TRANSFORM:PALIZE;}{DISPLAY:LE-BLOCK;TEXT-TRANSFORM:UPPERSE;MARG-LEFT:0.625REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}UPDATED: APR 19, {DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;}{MARG-BOTTOM:0.9375REM;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 64REM){{MAX-WIDTH:LC(100VW - (1REM * 2));MARG-LEFT:1REM;MARG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(-1 * 1REM);}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MARG-LEFT:TO;MARG-RIGHT:TO;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC((100VW - (LC(20.625REM * 2 - 1REM) - 2 * 1REM)) / -2);}}@MEDIA(M-WIDTH: 61.25REM) AND (MAX-WIDTH: 90REM){{MAX-WIDTH:LC(20.625REM * 2 - 1REM);MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / 2);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / -2) - 1REM);}}@MEDIA(M-WIDTH: 90REM){{MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 2);MAX-WIDTH:LC(20.625REM * 2 - 1REM);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 + 1REM)) / -2) - LC(2 * 1REM));}[DATA-HAS-SPONSOR] {MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);MARG-RIGHT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);}}{JTIFY-SELF:CENTER;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 48REM){{MARG-LEFT:-50VW;MARG-RIGHT:-50VW;WIDTH:100VW;LEFT:50%;RIGHT:50%;}}{HEIGHT:TO;}@MEDIA(MAX-WIDTH: 48REM){{MARG:TO LC(50% - 50VW);}}@MEDIA(M-WIDTH: 48REM){{MARG:TO;}}{POSN:RELATIVE;HEIGHT:TO;}{POSN:RELATIVE;--POSN:ABSOLUTE;HEIGHT:TO;} IMG{MAX-WIDTH:100%;HEIGHT:TO;} A{POSN:ABSOLUTE;}{POSN:RELATIVE;WIDTH:100%;HEIGHT:100%;OBJECT-F:VER;VERTIL-ALIGN:TOP;}{BACKGROUND:#C92228;BOTTOM:0;PADDG:.5REM;RIGHT:0;}@MEDIA(M-WIDTH: 64REM){{PADDG:0.39REM;}}{DISPLAY:BLOCK;HEIGHT:1REM;WIDTH:1REM;}@MEDIA(M-WIDTH: 64REM){{WIDTH:1.063REM;HEIGHT:1.063REM;}}{LE-HEIGHT:1;MARG-TOP:0.3125REM;}@MEDIA(MAX-WIDTH: 73.75REM){{PADDG-LEFT:0.9375REM;}}@MEDIA(M-WIDTH: 64REM){{PADDG-LEFT:0;}}{LOR:#595959;PADDG-RIGHT:0.3125REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}PHOTO: NBCU PHOTO BANK/GETTY {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;PADDG-LEFT:0REM;PADDG-RIGHT:0REM;POSN:RELATIVE;}@MEDIA(M-WIDTH: 48REM){{PADDG-LEFT:3.5REM;PADDG-RIGHT:3.5REM;}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MAX-WIDTH:45.25REM;MARG-LEFT:TO;MARG-RIGHT:TO;}}@MEDIA(M-WIDTH: 61.25REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 73.75REM) AND (MAX-WIDTH: 100REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 90REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}} EM{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-STYLE:ALIC;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}{CLEAR:BOTH;NTENT:" ";DISPLAY:BLOCK;FONT-SIZE:0.7REM;LE-HEIGHT:1.5REM;HEIGHT:0REM;VISIBILY:HIDN;}{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;} EM{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-STYLE:ALIC;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}(1939-1984){LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:800;LETTER-SPACG:0.02EM;MARG-BOTTOM:0.625REM;MARG-TOP:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:1.875REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 64REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;}WHO WAS MARV GAYE?MARV GAYE SANG HIS FATHER'S CHURCH AND THE MOONGLOWS BEFORE SIGNG WH MOTOWN. HE RERD SONGS BY SMOKEY ROBSON BEFORE BEG HIS OWN PRODUCER ON THE PROTT ALBUM WHAT'S GOG ON (1971). GAYE'S LATER RERDS VELOPED HIS PRODUCTN STYLE AND YIELD SEVERAL HS, CLUDG "LET'S GET IT ON," "SEXUAL HEALG" AND "I HEARD THROUGH THE GRAPEVE." GAYE WAS KILLED 1984 DURG A DOMTIC DISPUTE WH HIS FATHER.EARLY LIFESGER MARV PENTZ GAYE, JR., ALSO KNOWN AS THE "PRCE OF SOUL," WAS BORN WASHGTON, D.C., ON APRIL 2, 1939. GAYE WAS RAISED UNR THE STRICT NTROL OF HIS FATHER, REVEREND MARV GAY SR.—MARV GAYE JR. ADD THE "E" ON THE END OF HIS NAME LATER LIFE—THE MISTER AT A LOL CHURCH, AGAST A BLEAK BACKDROP OF WISPREAD VLENCE HIS NEIGHBORHOOD. THROUGHOUT HIS CHILDHOOD, GAYE OFTEN FOUND PEACE MIC, MASTERG THE PIANO AND DMS AT A YOUNG AGE. UNTIL HIGH SCHOOL, HIS SGG EXPERIENCE WAS LIMED TO CHURCH REVIVALS, BUT SOON HE VELOPED A LOVE FOR R&B AND DOO-WOP THAT WOULD SET THE FOUNDATN FOR HIS REER. IN THE LATE 1950S, GAYE JOED A VOL GROUP LLED THE NEW MOONGLOWS. THE TALENTED SGER HAD A PHENOMENAL RANGE THAT SPANNED THREE VOL STYL AND HE SOON IMPRSED THE GROUP'S FOUNR, HARVEY FUQUA. IT WASN'T LONG BEFORE GAYE AND FUQUA BOTH ME TO THE ATTENTN OF DETRO MIC IMPRAR {-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:#A00000;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;}{LOR:#595959;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}BERRY GORDY JR. AND WERE SIGNED TO GORDY'S LEGENDARY MOTOWN RERDS.MOTOWN RERDSGAYE'S FIRST CERTIFIED H UNR HIS OWN NAME WOULDN'T E UNTIL 1962, BUT HIS EARLY YEARS AT MOTOWN WERE FULL OF BEHD-THE-SCEN SUCCS. HE WAS A SSN DMMER FOR MOTOWN LEGENDS SUCH AS LTLE STEVIE WONR, THE SUPREM, THE MARVELETT AND MARTHA AND THE VANLLAS. SHOWG HIS STRIP AS MOTOWN'S RENAISSANCE MAN, GAYE WENT ON TO BREAK TO THE TOP 40 FOR THE FIRST TIME ON HIS OWN 1962 WH HIS SOLO SGLE "HCH HIKE." THROUGHOUT THE 1960S, GAYE WOULD SHOW HIS IMMENSE RANGE, CHURNG OUT SOLO DANCE HS AND ROMANTIC DUETS WH H-MAKERS LIKE DIANA ROSS AND MARY WELLS. "CAN I GET A WNS" AND "I HEARD THROUGH THE GRAPEVE" WERE SOME OF GAYE'S BIGGT HS OF THE PERD, THE LATTER ACHIEVG S PLACE AS MOTOWN'S BT-SELLG SGLE OF THE 1960S. FOR THREE HIGH-FLYG YEARS, GAYE AND TAMMI TERRELL WOWED THE UNTRY WH THEIR SOARG DUET PERFORMANC OF SONGS LIKE "A'T NO MOUNTA HIGH ENOUGH" AND "IF I COULD BUILD MY WHOLE WORLD AROUND YOU." UNFORTUNATELY, THEIR REIGN AS THE ROYAL COUPLE OF R&B END WHEN TERRELL SUCCUMBED TO A BRA TUMOR 1970. HIS BELOVED PARTNER'S ATH HERED A DARK PERD FOR THE SGER, WHO SWORE NEVER TO PARTNER WH ANOTHER FEMALE VOLIST AND THREATENED TO ABANDON THE STAGE FOR GOOD.POLIL MSAGEIN 1970, SPIRED BY LATG VLENCE AND POLIL UNRT OVER THE VIETNAM WAR, GAYE WROTE THE LANDMARK SONG "WHAT'S GOG ON." DPE CLASH WH MOTOWN OVER THE SONG'S CREATIVE DIRECTN, THE SGLE WAS RELEASED 1971 AND BEME AN STANT SMASH. ITS SUCCS PROMPTED GAYE TO TAKE EVEN MORE RISKS, BOTH MILLY AND POLILLY. WHEN WAS RELEASED THE SPRG OF 1971, THE WHAT'S GOG ON ALBUM SERVED TO OPEN GAYE UP TO NEW DIENC WHILE MATAG HIS MOTOWN FOLLOWG. DEPARTG OM THE TRIED AND TE MOTOWN FORMULA, GAYE WENT OUT ON HIS OWN ARTISTILLY, PAVG THE WAY FOR OTHER MOTOWN ARTISTS LIKE WONR AND MICHAEL JACKSON TO BRANCH OUT LATER YEARS. BEYOND FLUENCG HIS PEERS, THE ALBUM GARNERED WISPREAD CRIL ACCLAIM, WNG THE ROLLG STONE ALBUM OF THE YEAR AWARD.CROSSOVER SUCCSIN 1972, GAYE MOVED TO LOS ANGEL AND SOON MET JANIS HUNTER, WHO WOULD LATER BEE HIS SEND WIFE. INSPIRED PART BY HIS NEWFOUND PENNCE, GAYE RERD ONE OF THE MOST REVERED LOVE ANTHEMS OF ALL TIME, "LET'S GET IT ON." THE SONG BEME HIS SEND NO. 1 BILLBOARD H, CEMENTG HIS CROSSOVER APPEAL ONCE AND FOR ALL. SHORTLY AFTERWARDS, MOTOWN PHED GAYE TO TOURG TO PALIZE ON HIS MOST RECENT SUCCS; RELUCTANTLY THE SGER-SONGWRER RETURNED TO THE STAGE. THROUGH MOST OF THE MID-1970S, GAYE WAS TOURG, LLABORATG OR PRODUCG. WORKG WH DIANA ROSS AND THE MIRACL, HE PUT OFF RELEASG ANOTHER SOLO ALBUM UNTIL 1976. HE NTUED TOURG AFTER THE RELEASE OF I WANT YOU (1976) AND, AFTER SRG A NO. 1 H 1977 WH THE DANCE SGLE "GOT TO GIVE IT UP," RELEASED HIS LAST ALBUM FOR MOTOWN RERDS (HERE, MY DEAR) 1978. (DES LATER, "GOT TO GIVE IT UP" WOULD BEE THE CENTER OF A BIG NTROVERSY. IN 2013, GAYE'S TATE ASSERTED THAT PRODUCER/SONGWRER PHARRELL WILLIAMS AND SGER/SONGWRER ROB THICKE HAD MTED PYRIGHT GEMENT BY TAKG MAJOR MIL ELEMENTS OM THE DIS TRACK FOR THE MEGA-H "BLURRED L." AFTER A SE WHICH THICKE TTIFIED THAT HE'D HAD LTLE TO DO WH THE WRG OF THE SONG, THE JURY LED FAVOR OF GAYE'S FAY, WHO WERE AWARD $7.3 LN DAMAG AND PROF SHAR. THE JURY ALSO LED THAT NEHER WILLIAMS OR THICKE HAD PURPOSELY MTED GEMENT.) AFTER TWO S AT MOTOWN, GAYE SIGNED WH CBS'S COLUMBIA RERDS 1982 AND BEGAN TO WORK ON HIS LAST ALBUM, MIDNIGHT LOVE. THE LEAD SGLE OM THAT ALBUM, "SEXUAL HEALG," BEME A HUGE EBACK H FOR THE R&B STAR AND EARNED HIM HIS FIRST TWO GRAMMY AWARDS AND AN AMERIN MIC AWARD FOR FAVORE SOUL SGLE.PERSONAL LIFEIN 1975, GAYE'S WIFE ANNA GORDY—BERRY GORDY'S SISTER—FILED FOR DIVORCE, AND TWO YEARS LATER GAYE MARRIED HUNTER, WHO HAD BY THEN GIVEN BIRTH TO THEIR DGHTER, NONA (BORN SEPTEMBER 4, 1974) AND THEIR SON FRANKIE (BORN NOVEMBER 16, 1975). GAYE ALSO HAD AN ADOPTED SON (MARV PENTZ GAYE III) OM HIS PREV MARRIAGE. THE SGER'S MARRIAGE TO HUNTER PROVED SHORT LIVED AND TUMULTUO, ENDG DIVORCE 1981.DEATH AND LEGACYDPE HIS SUCCSFUL EBACK THE EARLY 1980S, GAYE STGGLED BADLY WH THE SUBSTANCE ABE AND BOUTS OF PRSN THAT HAD PLAGUED HIM FOR MOST OF HIS LIFE. AFTER HIS LAST TOUR, HE MOVED TO HIS PARENTS' HOE. THERE HE AND HIS FATHER FELL TO A PATTERN OF VLENT FIGHTS AND QUARRELS THAT RELLED NFLICTS THAT HAD HNTED THE FAY FOR S. ON APRIL 1, 1984, MARV GAYE SR. SHOT AND KILLED HIS SON AFTER A PHYSIL ALTERTN; THE FATHER CLAIMED HE ACTED SELF-FENSE BUT WOULD LATER BE NVICTED OF VOLUNTARY MANSLGHTER. THREE YEARS AFTER HIS ATH, GAYE WAS DUCTED TO THE ROCK AND ROLL HALL OF FAME. CREATG BETIFUL ART OM A TROUBLED LIFE, GAYE AGA AND AGA BROUGHT HIS VISN, RANGE AND ARTISTRY TO THE WORLD STAGE. AT THE END OF HIS REER, HE ADMTED HE NO LONGER MA MIC FOR PLEASURE; STEAD, HE SAID, "I RERD SO THAT I N FEED PEOPLE WHAT THEY NEED, WHAT THEY FEEL. HOPEFULLY, I RERD SO THAT I N HELP SOMEONE OVERE A BAD TIME."{BORR:0;BORR-BOTTOM:TH SOLID BLACK;MARG:1.875REM 0;CLEAR:BOTH;}QUICK {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;MARG:0.9375REM 0 0 0.625REM;PADDG:0 0 0 1.25REM;}@MEDIA(M-WIDTH: 48REM){{MARG:0.9375REM 0;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-STYLE:ALIC;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;} LI{PADDG-BOTTOM:0.625REM;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} LI::MARKER{LOR:#323232;}NAME: MARV GAYEBIRTH YEAR: 1939BIRTH DATE: APRIL 2, 1939BIRTH CY: WASHGTON, D. C.BIRTH COUNTRY: UNED STATGENR: MALEBT KNOWN FOR: MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL THEM.INDTRIPOPASTROLOGIL SIGN: ARIINTERTG FACTSBEFORE MAKG AS A SOLO ARTIST, MARV GAYE PLAYED DMS FOR ARTISTS SUCH AS STEVIE WONR AND THE SUPREM.DEATH YEAR: 1984DEATH DATE: APRIL 1, 1984DEATH STATE: CALIFORNIADEATH CY: LOS ANGELDEATH COUNTRY: UNED STATFACT CHECKWE STRIVE FOR ACCURACY AND YOU SEE SOMETHG THAT DON'T LOOK RIGHT,NTACT !CITATION INFORMATIONARTICLE TLE: MARV GAYE BGRAPHYAUTHOR: EDORSWEBSE NAME: THE WEBSEURL: ACCS DATE: PUBLISHER: A&E; TELEVISN NETWORKSLAST UPDATED: APRIL 19, 2021ORIGAL PUBLISHED DATE: APRIL 2, 2014QUOTES

Rosen thought he was gog to be fired, after O’Brien, as Rosen relled, “tore me a new (one)” when Gaye was fished. Fortunately for Rosen, his immediate boss, the late Jerry Bs, the Lakers’ owner, loved Gaye’s rendn, so his job was time, what Bs regnized, what the players knew stantly, beme clearer to the mass. What happened that one night Inglewood beme the watershed moment Gaye’s performance not only legimized the A-list worths of the NBA All-Star Game and the league self, but opened the door for future artists to exprs the diversy of the U.

MARV GAYE'S ALL-STAR GAME NATNAL ANTHEM PERFORMANCE: LOOKG BACK AT THE FG MOMENT OM 1983

And Price’s rner, amid the televisn meras and cigar smoke, sat Price’s manager, Marv Gaye, feelg like his whole life was on the le. Gaye often spoke boxg metaphors, and 1979 — the wake of a stly divorce om his first wife, tranged om his send, gripped by e addictn, and badly bt to the IRS — the image of the pummeled prizefighter beme particularly potent to him.

Highly petive and seemgly lnal about his abili — never md that the whole thg was meant to be a lark — Gaye was tent on actually boxg Ali.

But if his own limatns as a boxer were now clear, Gaye had at least found a way to stay the rg, or near : He’d bee the Hawk’s manager.

MARV GAYE’S NATNAL ANTHEM

Gaye’s partnership wh Price led to three victori, before Gaye sred Price that Vegas tle shot agast Leonard, boxg’s baby-face sensatn. Though much has been wrten about Gaye’s downward spiral the late Seventi and early Eighti, about the rurgence of his reer the wake of “Sexual Healg, ” and his 1984 murr at the hands of his own father at the fay’s home, ltle has been wrten about this event.

It’s a story that illtrat so much about Gaye — his fears, his misplaced ias of masculy, his charms, his abily to pull profundy out of pa, his celty, and his lns.

FLASHBACK: MARV GAYE REIMAG ‘THE STAR-SPANGLED BANNER’ 1983

Gaye once said that when he managed fighters, when he really put his heart to them, was as if were he himself the rg. C., Gaye was huiated by his father’s double life, feelgs that led to a lifelong stggle wh his own masculy; he even add the “e” to his last name hop of dispellg mors about his sexualy. Gaye’s relatnship wh Gordy was further plited when he, 24 at the time, married Gordy’s glamoro olr sister Anna, 41.

Gaye was one of Motown’s most reliable hmakers throughout the Sixti, but wh 1971’s What’s Gog On, he beme somethg more: an ner-cy bard and soul mic’s social nscience. One night, he hopped on a CB rad to announce to strangers on the highway they were stuck traffic wh none other than Marv Gaye. Acrdg to Divid Soul, Gaye claimed Jan was the flh-and-blood maniftatn of a recurrg dream, which he watched as a young woman tnted him as she had sex wh other men.

Penrgrass, steppg out om the shadow of Philly soul group Harold Melv and the Blue Not, strapped himself to the rocket that was the dis-soul craze of the late Seventi and experienced massive succs jt as Gaye’s reer was takg a downturn.

MARV GAYE SPIC UP “THE STAR-SPANGLED BANNER” AT NBA ALL-STAR GAME, ON THIS DAY IN 1983 [WATCH]

That Penrgrass had opened for Gaye and clearly looked up to him ma his succs and his betrayal all the more paful for Marv. Whether was his Herculean nsumptn of e, his toxic romanc, or his bad bs algs, Gaye knew how to urt tastrophe. It grazed the Top 20 of the R&B chart before recedg to the shadows, but tells a lot about what was gog on wh Gaye at the time.

Gaye reflects on the pa trsic to egotism and the lims of self-meditg: “Turn the fear to energy, ’e the toot and the smoke won’t fulfill the need. ” Wh “Ego Trippg Out, ” Gaye set out to make a mercial rerd, somethg that would reigne his stagnant reer, but stead, he wound up makg somethg much more gut-wrenchg, reflective, and profound. Around that same time, acrdg to After the Dance, a ke-fueled Gaye vised Jan and their two children at her mother’s home Hermosa Beach, California.

MARV GAYE SGS THE U.S. NATNAL ANTHEM

The fay cid to take a walk on the beach, and as the kids ran ahead and played, Gaye and Jan began to fight over his sire to divorce and her sistence that they first iron out the fancial tails.