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jssHut nsumer-marketg-un nsumer-marketg-un--display-hero" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-hero"></div><div class="journey-un"></div></div></div><div class="SpaceHolr-oayp fXtswJ ad-height-hold"></div><ma id="ma-ntent" tabx="-1" class="BasePageMaContent-kFvAuh ewPCZH page__ma-ntent"><article class="article ma-ntent" lang="en-US"><div class="ArticlePageLeBackground-EufvU tFsh"><hear class="ContentHearWrapper-clujbs bhNIJY ntent-hear article__ntent-hear"><div data-ttid="ContentHearContaer" class="ContentHearContaer-cGKRbE knDxNq"><div class="ContentHearHedAccredatnWrapper-GFiQf cDNVlV"><div data-ttid="ContentHearTleBlockWrapper" class="ContentHearTleBlockWrapper-cjmSKp jbzVNV"><div data-ttid="ContentHearRubric" class="ContentHearRubricBlock-LmpbT kkDiIx"><div data-ttid="ContentHearRubricDateBlock" class="ContentHearRubricDateBlock-kAQcZP fTFWxD"><div class="RubricWrapper-dKmCNX dZhWBL bric ContentHearRubricContaer-eTudtt iRsSlw"><a class="RubricLk-gRWSOU fgWnkQ bric__lk" href="/culture/the-ont-row"><span class="RubricName-fVtemz cLxcNi">The Front Row</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd NbxED hpJvIc">“Barbie” Is Brilliant, Betiful, and Fun as Hell</h1></div><div class="ContentHearAccredatn-lfctVB enhwXT ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ Mtme">Greta Gerwig’s giddily stylized visn of a doll g to life mak a ser se for the art of adaptg even the most sanized I.P.</div><div class="ContentHearByle-kmPyCa gvUmxJ"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearContributorImage-cvjZXn jKACOU"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearContributorImage-cvjZXn jKACOU rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="66px"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="66px"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bqbBYQ"><p class="ByleWrapper-jWHrLH ivtvgj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/richard-brody">Richard Brody</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2023-07-21T18:37:32-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">July 21, 2023</time></div></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHearLeadAsset-hGbumP iWPCcH lead-asset ContentHearLeadAssetWrapper-hfXHEc fTrSlG lead-asset--width-smallle" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb khLUzS"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz hpBuno"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO KhjZz ContentHearRponsiveAsset-bREgIb khLUzS rponsive-image rponsive-image--expandable"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="A photo of Margot Robbie as Barbie Greta Gerwigs 2023 film “Barbie.”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE iTuhkZ ptn ContentHearLeadAssetCaptn-hPWmSN kuCzGS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">Gerwig’s movie puts bright cril light the trouble wh Barbie’s pure, blank perfectn.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photograph urty Warner Bros. Pictur</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" class="ContentHearLeadRailAnchor-jYVcDc djtEof"></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kAEsuD viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU cjjxgx bookmark mobile"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">It’s unfortunate that fantasy has glutted the movi and tarnished the genre’s name wh the mercial excs of superhero stori and C.G.I. animatn, bee fantasy is a far more severe tt of directorial art than realism. This is, first off, bee the boundls possibili of the fantastil both allow for and require a filmmaker’s prehensive creativy. But, ccially, fantasy is also a visn of realy—the subjective tth of filmmakers’ ner life, the world as appears their md’s eye. The great directors of fantasy are the on who make explic the nnectn between their fantasy worlds and lived realy, as W Anrson recently did “<a href=">Asteroid Cy</a>,” and as Greta Gerwig has done spectacularly her new film, “Barbie.” Unlike Anrson, who has spent his entire reer on the far si of the imagatn, Gerwig’s prev featur as solo director, “<a href=">Lady Bird</a>” and “<a href=">Ltle Women</a>”—both arntly crafted, both mostly leral—did ltle to forhadow the overwhelmg outburst of ventive energy that mak “Barbie” such a thrillg experience. Though “Lady Bird,” Gerwig’s breakthrough feature, is a fictnalized story of her own adolcence, her fay life, and her home town, “Barbie”—y, a movie about a doll ma unr the aegis of s manufacturer, <a href=">Mattel</a>—is the far more personal film. It’s a film that’s energized throughout by a sense of artistic eedom and unhibed creative passn greater than what Gerwig has brought to even her prev projects ma outsi the ostensible nstrats of stud filmmakg.</p><p class="paywall">The unrlyg subject of “Barbie” is how to play wh Barbie dolls and why. Playg wh Barbi, after all, is the D.I.Y. versn of adaptatn, the enactment private of the kd of ee and wild play that Gerwig (who wrote the script wh her romantic and creative partner, <a href=">Noah Bmbach</a>) enacts the movie. “Barbie” is about the tellectual mand and emotnal urgency of makg preëxistg subjects one’s own, and advot for imagative fily, the radil off-label manipulatn of existg tellectual property. Moreover, prents such acts of reterpretg faiar subjects, as a ccial form of self-analysis, a way to explore one’s own self-image and to nont the prejudic and equi built to prevailg, top-down terpretatns of them. “Barbie,” other words, is a film of the polics of culture and, by extensn, of the need for a creative rebelln to reëstrange the faiar for the sake of social change.</p><p class="paywall">The movie begs wh one of the most gen parodi I’ve seen a while, an orig story of the Barbie doll based on the openg sequence of “<a href=">2001: A Space Odyssey</a>.” A group of girls is strand a barren primordial landspe. A voice-over narratn (by Helen Mirren) explas that, sce the begng of time, they had only baby dolls to play wh, leavg them nothg to image themselv as except mothers. Then me Barbie (Margot Robbie), who, wh her many varieti and guis, offered the girls (who now smash their baby dolls to piec) the chance to image themselv as astronts, doctors, judg, even Print, and th herald a future of equaly and opportuny. It’s the abyss between this promised utopia and the world as we know , between the merchandisg of profsnal femism and the endurance of patriarchal reali, that the movie is set.</p><p class="paywall">“Barbie” ntas a potent paradox that is fundamental to s effervcent lights. A sgle ame of the film packs such profe and exquise tail—of stume and settgs, gtur and dictn—that ’s impossible to enumerate the plethora of ventns and cisns that brg to life. Wh s eic pace and s grand-sle, wi-rangg spiratns, plays like a live-actn rtoon, and ptur the anythg-is-possible spir of classic Looney Tun better than any other film I’ve seen. Yet s whimsil plot is nstcted wh a dramatic logic that manag to transform phantasmagoril leaps to persuasive nsequenc, wh the rult that the tails of the story seem utterly separable om, and ntuo wh, the rtoly ornamental visual realms that sets to motn.</p><p class="paywall">The drivg nce is that Barbie to life and enters the real world, but Gerwig grounds that transformatn genly by givg Barbie a prr life of her own as a doll. The Barbie played by Robbie, who’s lled Stereotypil Barbie, liv Barbieland along wh all the other Barbi who have been put on the market, whether Astront Barbie or Doctor Barbie or Print Barbie, as well as Barbi of a wi range of ethnici and body typ, all named Barbie, all ridg doll ho, all llg to one another every bright and sunny morng, “Hi, Barbie!,” and offerg intil si-to-si hand-wave greetgs. Stereotypil Barbie drks imagary k poured om a rton to a cup, eats a plastic waffle that pops om a toaster as a perfectly shaped dollop of butter lands atop , and—bee, as the narrator explas, Barbi n be rried and placed anywhere—glis om her balny through the air to behd the wheel of her pk fifti-style Corvette nvertible.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Stereotypil Barbie has a stereotypil suor, the hunky blond Ken (Ryan Goslg)—one of many Barbieland—who urts her wh a droll sexual ignorance to match hers. There’s a strong gay subtext to the movie’s well-iffured and accsorized Kens; one scene, Ken and another Ken (Simu Liu) get to a dispute and threaten each other to “beach you off.” (A nerdy iend of the Kens, lled Allan, played by Michael Cera, is the only non-himbo around.) The narrator mak the distctn—one that prov to be of great narrative signifince—that for Barbie every day is a good day, whereas for Ken a day is good only when Barbie looks at him. Ken tak awkward pas to get Barbie to look, but she’s ntent her Barbie-centric world. In li of a date, she v him to a girls’-night bash at her hoe—the bt party ever, but then, they all are—plete wh a whirlwd-spectacular dance sequence. In the middle of the ftivi, though, Barbie embarrassgly blurts out her own sudn premonn of ath.</p><p class="paywall">Somethg troublg is disturbg the priste perfectn of Barbie’s permalife Barbieland, and she nsults the clost thg to a troubled outst her midst, Weird Barbie (Kate McKnon), to fd out what’s gog on. Weird Barbie has a punk haircut, a malformed body, and somethg like face tattoos—the rult, is said, of a human who played wh her “too hard.” To get to the source of her disturbance, Barbie will have to make passage to the human world and fd her own owner, whose play has perhaps left an emotnal mark jt as Weird Barbie’s has left a physil one. Travellg between Barbieland and the human world volv trans via, among other Mattel-certified vehicl, Barbie’s nvertible, a space rocket, a tanm bicycle, and a Volkswagen mper van. Ken stows away on Barbie’s journey, and the duo eventually lands on the beach —where else?—Los Angel, another land of artific, where Barbie quickly has her illns burst.</p><p class="paywall">In L.A., Barbie enunters such human-world phenomena as tllg, old age, anxiety, and the social dynamics of real-life girls, most notably a young high-school tellectual named Sasha (Ariana Greenblatt), who lls Barbie a “bimbo,” a menace to femism, even a “Fascist.” Barbie fds her way to Mattel headquarters, where the C.E.O. (Will Ferrell) wants to trap and twist-tie her a display box. Instead, Barbie p, but, while she’s on the n, Ken—who’s read up the school library about patriarchy—heads to Barbieland and exports the notn there. When Barbie returns home, she fds transformed to a manosphere, full of Kens slakg gdg agast Barbi and Barbi ntent wh subservience to Kens, and she has to plot to rtore to s ostensible origal form as a femist paradise. Spoiler alert: the Ken-centric patriarchy that Barbie fds at home is both appallg and hilar, wh lots of hors (“man extenrs,” Ken lls them) and arnt guar playg “at” Barbie, pecially of the Matchbox Twenty song “Ph,” which the Kens have adopted as a male anthem.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">The tra that enabl Barbie to fight to take back Barbieland is the very weirdns that she’d sought to cure. It’s the “hard” play of a human owner—the e of Barbie as an avatar of a real person’s emotnal cris—that giv Stereotypil Barbie the perspective to see what’s wrong wh Barbieland, the wil to take actn to reclaim for herself and the other Barbi, and the open-mdns to see that she herself is need of personal change. The unhibed exprsn of Barbie’s human has tght Barbie, above all, the ncept of eedom; and ’s no spoiler to note that the ncept, here, mh wh an existentialist tradn that lks such eedom to the evabily of ath. (In a magnificent meta-touch, Barbie has an enunter wh the creator of Barbie, Ruth Handler, who, real life, died 2002; here, she’s played by Rhea Perlman.)</p><p class="paywall">Far om beg a feature-length mercial for Barbie, Gerwig’s movie puts bright cril light the trouble wh Barbie’s pure, blank perfectn. Instead of projectg their own imperfectns or thoughts onto the doll, girls have been socialized to strive for an impossible doll-like perfectn their own liv. Barbie n be anythg Barbieland—a doctor, a Print, an astront—but only bee Barbieland is a ictnls Brigadoon. There’s no Fox News Barbieland, no polil magogy, no relign, no culture. Any girl who plays wh Barbie and imag that she n do anythg will disver, eventually, that she’s been the victim of a nox fantasy. Playg weird wh Barbie means ascribg the tangled terms of one’s own environment to Barbieland, one’s own nflicts to Barbie. It means turng Barbie human—to a character whom a child n e to give voice to an ner life, the send person, when her first person feels stifled or reprsed.</p><p class="paywall">“Ordary”: pay attentn to the arrival, “Barbie,” of that word, which reverberat like a tung fork through the entire story, nveyg longg for the day when a woman’s life don’t mand heroic stggle agast societal limatns and ntradictory mands. (The movie featur a fervent monologue on the subject, built of faiar talkg pots that are energized by the fast and fur dignatn of the speaker, Sasha’s mother, a Mattel employee played by Ameri Ferrera.) The ia flects Gerwig’s athetic, too, a way that’s ma clear, aga, the ntrast between her filmmakg and that of W Anrson, the current cema’s preëment stylist. Anrson’s films borrow ply om pop culture whout makg films <em>of</em> pop culture; his rigoro visual posns set the actn at a ntemplative distance that keeps one eye on history and the other on the future. Gerwig, by ntrast, is out to nquer the moment, and her visual posns reflect this immediacy. Her imag (wh cematography by Rodrigo Prieto) offer, effect, a mighty sense of style whout a rrpondg sense of form: they teem and overflow, bee they’re meant not to be limed to the screen but to burst out and fill the theatre and take their place the world at large. She don’t borrow pop culture ironilly; she embrac passnately and directly, orr to transform , and thereby to transform viewers’ relatnship to and to renr that relatnship active, cril, non-nostalgic. Her art of reterpretg society’s loomg, shy cultural objects, the tert of progrs, dramatiz the nnectn between playg a child’s doll hoe and on the big screens of the world. ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box ArticlePageSplAdRail-OyjwD jikppc"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="ArticlePageSplAdRailContent-jsltpq iZDmmY spl-ad-rail-ntent"><div class="ArticlePageSplAdRailTop-jUrrVY jzzFg"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="ttjcs"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un 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class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="LkStackWrapper-NFLYw kgtXXB lkstack" data-ttid="LkStack"><div class="SectnTleRoot-dBGvdq kjAxEG LkStackHear-lKjbE hejl lk-stack--headg" data-ttid="SectnTle"><h2 class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SectnTleHed-dKqZet dxqEAa dqtvfu jttyjJ">New Yorker Favor</h2></div><div class="LkStackContent-jyKicS gPhyME"><ul class="LkStackList-gGcjdZ dnMwpz"><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>The killer who <a href="/magaze/1995/06/05/rejectg-ga" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">got to Harvard</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>A thief who <a href="/magaze/2004/05/17/the-silver-thief" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">stole only silver</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>The light of the <a href="/tech/annals-of-technology/the-first-light-of-the-try-atomic-tt" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">world’s first nuclear bomb</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>How Steve Mart <a href="/magaze/2007/10/29/-the-bird-ge" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">learned what’s funny</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>Growg up as the <a href="/magaze/1998/11/16/the-ln-and-me" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">son of the Cowardly Ln</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>Amelia Earhart’s <a href="/magaze/2009/09/14/amelia-earhart-last-flight" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">last flight</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>Fictn by Milan Kunra: “<a href="/magaze/1984/03/19/the-unbearable-lightns-of-beg" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">The Unbearable Lightns of Beg</a>.”</p></div></li></ul><div class="LkStackFooter-KfRyO ebnmps lk-stack--footer"><div><p><a href=">Sign up</a> for our daily newsletter to receive the bt stori om <em>The New Yorker</em>.</p></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/richard-brody"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/richard-brody">Richard Brody</a> began wrg for The New Yorker 1999. He wr about movi his blog, <a href=">The Front Row</a>. He is the thor of <a href=">“Everythg Is Cema: The Workg Life of Jean-Luc Godard</a>.”</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/barbie" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Barbie</span></a><a href="/tag/movi" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Movi</span></a><a href="/tag/greta-gerwig" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Greta Gerwig</span></a><a href="/tag/mattel" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Mattel</span></a><a href="/tag/tellectual-property" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Intellectual Property</span></a></div></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="NewsletterSubscribeFormWrapper" class="NewsletterSubscribeFormWrapper-fCqqkN jKSBhE newsletter-subscribe-form ContentFooterNewsletterForm-hKeYwa liPqcf"><div data-ttid="NewsletterSubscribeFormHedDekWrapper" class="NewsletterSubscribeFormHedDekWrapper-fpMElW eglIBL"><h3 class="NewsletterSubscribeFormDangeroHed-kRwWjt kbxOa-D newsletter-subscribe-form__hed ContentFooterNewsletterForm-hKeYwa liPqcf">Gogs On</h3><div class="NewsletterSubscribeFormDek-kXonvc cKOhTM newsletter-subscribe-form__k">What we’re watchg, listeng to, and dog this week, onle, N.Y.C., and beyond. 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SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">The Weekend Essay</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Why Barbie Mt Be Punished</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Why Barbie Mt Be Punished" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Mothers, dghters, and an in’s existential crisis.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Llie Jamison</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eamwqR" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="“Barbie” Tie-Ins Everywhere? Kenough!" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Sketchpad</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">“Barbie” Tie-Ins Everywhere? Kenough!</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="“Barbie” Tie-Ins Everywhere? Kenough!" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Pk vyl at the to shop, pk sunscreen at the dgstore, and Ken operatg the mammogram mache.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Wendi Aarons</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eamwqR" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Daily Cartoon: Friday, July 28th" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Daily Cartoon</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Daily Cartoon: Friday, July 28th</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Daily Cartoon: Friday, July 28th" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">“It’s jt another day here the U.S., wh more extreme heat and a chance of dictment.”</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Dan Misa</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eamwqR" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Why the Bt Boxers Don’t Draw the Biggt Crowds" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">The Sportg Scene</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Why the Bt Boxers Don’t Draw the Biggt Crowds</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Why the Bt Boxers Don’t Draw the Biggt Crowds" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Viewers flock to novelty match volvg fluencers and retired greats. The sport’s most skilled fighters make a smaller splash.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Kelefa Sanneh</span></span></p></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectnGridSummaryItem-WColm eamwqR ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-no-id="nl5a7"></div></div></div><div class="SummaryCollectnGridToActnWrapper-gnReGN eGayfk"></div></div></div></div></div></div><div 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is space odyssey gay

11 Jun 2023 16:30, Entertament News. The fascatg theory that HAL '2001: A Space Odyssey' is gay - There's a fascatg theory by Mark Der...

Contents:

THE FASCATG THEORY THAT HAL ‘2001: A SPACE ODYSSEY' IS GAY

There's a fascatg theory by Mark Dery that suggts that the AI puter HAL 9000 Stanley Kubrick's '2001: A Space Odyssey' is, fact, gay. * is space odyssey gay *

HAL’s sibilant tone and e of fele phras like ‘que hontly, I wouldn’t worry myself about that’ ntas more than a ht of the stereotypic bchy homosexual. 2001 is ltered wh philosophil matn and theoretil symbolism, so may well have been tend that HAL is ed gay, given his soft voice, even if he wasn’t ma to cricise IBM, as others had suggted. Taken together, they provi a panoramic view of a gay man qutng the world which he, y, Clarke was a gay man, or, at the very least, queer.

Obssed wh the Ksey Sle when first me out, Clarke never believed people had strict straight or gay tennci, a belief ma clear a number of his books.

HOW SCI-FI GIANT ARTHUR C. CLARKE PREDICTED AN LGBT-FRIENDLY WORLDSEXUAL SEERTHE THOR OF '2001: A SPACE ODYSSEY' WAS A SAVVY FUTURIST WHO PREDICTED EVERYTHG OM ONLE SHOPPG TO CELLPHONE ADDICTN, BUT HE WAS AT HIS MOST PRCIENT ABOUT SEXUALY.ANDREW BELONSKYUPDATED JAN. 03, 2018 1:38PM EST / PUBLISHED DEC. 09, 2017 12:00AM EST PHOTO ILLTRATN BY SARAH ROGERS/THE DAILY BEASTSIR ARTHUR C. CLARKE IS REMEMBERED FOR HIS REMARKABLE FORIGHT: THE SCI-FI THOR’S WORKS ACCURATELY PREDICTED ONLE SHOPPG, BMETRIC TECHNOLOGY, SMART PHONE ADDICTN, AND EVEN TARGETED ADVERTISG. A 1945 WIRELS WORLD ARTICLE BY CLARKE, WHO TRAED RADAR TECHNOLOGY DURG WORLD WAR II, HELPED MAKE MUNITNS SATELL A REALY. AND PERHAPS MOST FAMOLY, CLARKE, WHOSE CENTENARY OCCURS THIS MONTH, CREATED A WHOLE NEW FEARSOME TROPE WH HAL, THE MURRO ARTIFICIAL TELLIGENCE AT THE HEART OF THE LATE THOR’S MOST FAMO WORK, 2001: A SPACE ODYSSEY.THE ACPLISHMENTS ARE ALL WELL-KNOWN AND WELL-CELEBRATED AMONG CLARKE AFICNADOS AND CRICS. LS DISCSED ARE THE WAYS CLARKE’S WORKS CHALLENGED HETERONORMATIVE SEXUAL MOR, PARTICULARLY THOSE SURROUNDG MEN WHO WENT FOR MEN. BUT REVIEWG SOME OF CLARKE’S MOST NOTABLE WORKS, ONE SE THE THOR SURVEYG THE CHANGG SEXUAL LANDSPE OF A POST-STONEWALL SOCIETY. TAKEN TOGETHER, THEY PROVI A PANORAMIC VIEW OF A GAY MAN QUTNG THE WORLD WHICH HE LIVED.AND, Y, CLARKE WAS A GAY MAN, OR, AT THE VERY LEAST, QUEER. THOUGH HE MARRIED A WOMAN 1953, THEY SEPARATED SIX MONTHS LATER, AND ’S WELL TABLISHED THAT CLARKE’S ROMANTIC EXISTENCE WAS SPENT MOSTLY WH OTHER MEN. OBSSED WH THE KSEY SLE WHEN FIRST ME OUT, CLARKE NEVER BELIEVED PEOPLE HAD STRICT STRAIGHT OR GAY TENNCI, A BELIEF MA CLEAR A NUMBER OF HIS BOOKS. AUTHOR MICHAEL MOORCK WROTE A 2008 GUARDIAN SAY THAT “EVERYONE KNEW [CLARKE] WAS GAY,” EVEN THE ’50S, WELL AFTER CLARKE MOVED TO SRI LANKA, WHERE HE FOUND THE LACK OF SEXUAL POLICG REHG AFTER LIVG UPTIGHT ENGLAND. CLARKE ALSO SPENT 1964-1965 AT NEW YORK’S FAMOLY LIBERTE CHELSEA HOTEL, ROMPG AROUND TOWN WH ALLEN GSBERG AND WILLIAM S. BURROUGHS, TWO OF THE MOST MALE-LOVG MEN OF THE ERA. AND SIRS ALSO KNOW THAT CLARKE AND A MAN NAMED LLIE EKANAYAKE WERE LOVE; CLARKE SCRIBED LLIE AS “THE ONLY PERFECT IEND OF A LIFETIME,” AND THE THOR WAS BURIED ALONGSI HIM WHEN HE DIED 2008.BUT CLARKE WOULD NEVER ADM HIS LOVE OF MEN. NOT ON THE RERD, AT LEAST. ASKED BY A REPORTER ABOUT HIS BEDROOM ACTIVI, CLARKE MPILY LGHED, “WHY, WHAT HAVE YOU HEARD?” HE ONLY ADMTED HIS YEN FOR MEN A FEW TIM: SHEEPISHLY HIS SEMI-TOBGRAPHIL 1963 NOVEL GLI PATH, WHICH THE SEXUALLY EXPERIENCED PROTAGONIST MAK A PASSG REFERENCE TO “A HIGHLY REFED ENUNTER WH THE CLERGYMAN WHO HAD (VERY BRIEFLY) N THE LOL SUT TROOP;” AND OFF-HANDLY 1986, WHEN PLAYBOY JOURNALIST KEN KELLEY ASKED CLARKE WHETHER HE’D HAD BISEXUAL EXPERIENC. CLARKE REPLIED WH A ROUNDG Y: “OF URSE. WHO HASN’T? GOOD GOD! IF ANYONE HAD EVER TOLD ME THAT HE HADN’T, I’D HAVE TOLD HIM HE WAS LYG. BUT THEN, OF URSE, PEOPLE TEND TO ‘FET’ THEIR ENUNTERS.” HE WENT ON, “I DON’T WANT TO GO TO TAIL ABOUT MY OWN LIFE, BUT I JT WANT TO BE NOTED THAT I HAVE A RATHER RELAXED, SYMPATHETIC ATTU ABOUT .” SUCH RETICENCE IS ONLY NATURAL FOR A MAN BORN 1917 AND WHO ME OF AGE DURG THE HEIGHT OF THE PK SRE, WHEN WTERN ERNMENTS BRAND GAY PEOPLE AS CRIMAL SURG, AS SEXUAL CRIMALS. AND ’S EQUALLY LOGIL THAT CLARKE WOULD E FICTN TO EXPLORE SOCIETI THAT HAD EVOLVED PAST SUCH SEXUAL JUDGMENT.    “CLARKE’S WORLDS ARE BASED ON LOGIL TECHNOLOGIL LEAPS AND REAL SOCLOGIL CHANGE, NOT WARP SPEED AND WISHFUL THKG” THAT’S THE PREDOMANT THEME CLARKE’S WORKS: MAN’S POTENTIAL FOR POSIVE PROGRS, OUR ABILY TO TRANSCEND LIMATNS SELF-IMPOSED AND SCIENTIFIC. CLARKE REFERS TO THIS AS MAN’S PLASTICY: “ONE OF THE TERTG THGS ABOUT THE HUMAN RACE IS S CREDIBLE PLASTICY. THE HUMAN RACE N ADAPT TO ALMOST ANY CIRCUMSTANCE.” A WRER OF “HARD SCIENCE FICTN,” CLARKE DON’T CREATE NEW WORLDS. HE BELIEVED TE SCIENCE FICTN WAS “SOMETHG WHICH WE WOULD LIKE TO HAPPEN AND PROBABLY WILL.” CLARKE’S WORLDS ARE BASED ON LOGIL TECHNOLOGIL LEAPS AND REAL SOCLOGIL CHANGE, NOT WARP SPEED AND WISHFUL THKG, AND HE THEREFORE ED HIS WORKS TO PREDICT HOW HUMANKD ULD EVOLVE. YET WHILE CLARKE VIVIDLY SE MANKD MOVG PAST S PENNCE ON OIL, OVERG RELIG STRIFE, AND EVEN TACKLG TERPLAARY SPACE TRAVEL, HE’S LS CERTA ABOUT HOW WE’LL NQUER OUR SEXUAL HANG-UPS.THIS TERT PROGRSIVE SEXUAL MOR IS CLEAR HIS FIRST MERCIAL SUCCS, 1954’S CHILDHOOD’S END. MOST OF THE PLOT IS PROPELLED BY AN ALIEN RACE’S ARRIVAL ON EARTH, BUT CLARKE GO OUT OF HIS WAY TO MENTN THAT SEXUAL ETIQUETTE HAD BEEN “ALTERED RADILLY” BY THE VENTN OF FAST AND CHEAP DNA PATERNY TTS AND BY THE ARRIVAL OF A “PLETELY RELIABLE ORAL NTRACEPTIVE.” COMBED, THE VENTNS “SWEPT AWAY THE LAST REMNANTS OF THE PURAN ABERRATN.” AGA, THIS WAS 1954: JT AS THE PILL WAS FIRST BEG EXPLORED AND YEARS AHEAD OF ACTUAL DNA TTG. PREMONORY AS ALWAYS, CLARKE SAW THE FIRST HTS OF SEXUAL REVOLUTN G TO FOC. AND HE LIKED WHAT HE SAW. AND THOUGH CHILDHOOD’S END MAK NO REFERENCE TO SAME-SEX SEX, THE SUBJECT FELY ARIS APLENTY CLARKE’S FUTURE NOVELS, CLUDG 1972’S RENZVO WH RAMA.CLARKE’S FIRST NOVEL AFTER 2001: A SPACE ODYSSEY AND S FILM ADAPTATN LNCHED HIS REER, RAMA WAS ALSO HIS FIRST POST-STONEWALL NOVEL, AND THE CHANGG CLIMATE IS EVINT: IN RAMA’S FUTURE, 2130, POLYAMORY AND SAME-SEX LOVE ARE STANDARD, TOTALLY ACCEPTED FARE: TWO ASTRONTS, KARL MERCER AND HIS “SEPARABLE PANN” JOE CALVERT, NOT ONLY SHARE A WIFE, BUT THEIR OWN SEXUAL RELATNSHIP, AS WELL: “NO ONE N PREDICT WHERE LIGHTNG WILL STRIKE, AND YEARS AGO MERCER AND CALVERT HAD TABLISHED AN APPARENTLY STABLE LIAISON. THAT WAS MON ENOUGH.” CLARKE SEEMS MORE SANGUE ABOUT SOCIAL CHANGE AFOOT, MORE NFINT PREDICTG A JUDGMENT EE FUTURE. THAT OPTIMISM, HOWEVER, MT HAVE BEEN SHORT-LIVED, BEE THERE’S FAR LS NONCHALANCE ABOUT SAME-SEX LOVE CLARKE’S NEXT NOVEL, IMPERIAL EARTH.PUBLISHED 1976, JT AFTER MARGARET THATCHER TOOK THE HELM OF BRA’S CONSERVATIVE PARTY, THIS NOVEL POSS A FUTURE THAT IS ED MORE PROGRSIVE THAN OUR PRENT—20TH-CENTURY MONOGAMY IS LIKENED TO “SEXUAL POSSSIVENS”—BUT OLD-SCHOOL SHAMG OVER SAME-SEX LOVE REMAS FULL EFFECT, AS SEEN THE RELATNSHIP BETWEEN HOMOSEXUALLY-CLED PROTAGONIST DUNN MACKENZIE AND HIS MORE QUTNG BUT FLEXIBLE ENEMY, KARL HELMERS. SCNS OF TWO PROMENT FAI, THE MEN FOOLED AROUND THEIR TEENS AND TO THEIR TWENTI. DUNN SCRIB THEIR ENUNTERS: “[KARL’S] LOVEMAKG OFTEN LACKED TENRNS AND NSIRATN;” AND THE SEXUAL TENSN FOLLOWED THEM TO ADULTHOOD, AS WHEN KARL MA DUNN STAY BED WH HIM WHILE HE HAD SEX WH A WOMAN (“THEY ENJOYED HAVG ME THERE, JT TO TEASE ME. OR AT LEAST KARL DID.”)ALTHOUGH DUNN IS ALL- ON THIS LTY AFFAIR, KARL IS LS NFINT: HE HAS A BREAKDOWN SOON AFTER THAT “THREOME” AND RETURNS OM AN ASYLUM A BROKEN MAN. (“HE WAS AS BETIFUL AS EVER—PERHAPS EVEN MORE SO … AND HE ULD STILL BE IENDLY … BUT REAL MUNITN WAS MISSG.”). THE MEN KEEP STRAIGHT AND NARROW OM THEN ON, DUNN LARGE PART BEE OF HIS OVERBEARG GRANDFATHER’S MORALISTIC PEP TALK: IF DUNN SUCCEEDS BS, “NO ONE WILL CRICIZE ANY OF YOUR OTHER ACTIVI, PUBLIC OR PRIVATE.” DUNN DON’T BELIEVE “POLARIZED” SEXUALY, HE’S FORCED TO THE CLOSET JT THE SAME. CLARKE WAS OBVLY STILL UNSURE WHETHER SOCIETY WOULD EVER EVOLVE TO THE FUTURE FOR WHICH HE LONGED, AND KARL’S BREAKDOWN IS THE THOR’S WAY OF ILLTRATG HOW TOP-DOWN SEXUAL LIMATNS TAKE THEIR TOLL.CLARKE’S VIEW OF SEXUAL ACCEPTANCE WAS SOMEWHAT ROSIER E 1982, THE YEAR HE PUBLISHED 2010, THE SEQUEL TO 2001 THAT FEATUR SOVIET LOVERS WALTER CURNOW, A BISEXUAL BEAR, AND A YOUNG, VOTED TWK, MAXIM BRAJLOVSKY. INIALLY THIS RELATNSHIP IS ONLY ALLUD TO, BUT ’S MA PERFECTLY CLEAR WHEN AMERIN ASTRONT HEYWOOD FLOYD RAIS HIS BY-BODY NCERNS: “THERE’S A PERSONAL MATTER I’D LIKE TO RAISE,” FLOYD SAYS. “TO BE BLUNT, YOUR BEHAVR WH MAX.” UNPERTURBED, CURNOW REPLI, “ A SOFT YET IMPLABLE VOICE: ‘I WAS UNR THE DISTCT IMPRSN THAT HE WAS MORE THAN EIGHTEEN.’” THERE’S NO ROOM FOR BATE HERE. THE AMERIN SHOULD TAKE HIS MORALISM AND SHOVE . AND HE DO—AND DO HIM SOME GOOD: LATER, HEYWOOD WONRS WHY HE QUTNED WALTER THE FIRST PLACE: “FLOYD SOMETIM EFULLY SPECTED [THAT] WAS NO MORE THAN THE SECRET ENVY THAT NORMAL HOMO OR HETEROSEXUALS FEEL, IF PLETELY HONT WH THEMSELV, TOWARD CHEERFULLY WELL-ADJTED POLYMORPHS.” BUT FLOYD EVENTUALLY EVOLV PAST HIS OWN ISSU: IN 2061, THE 1987 THREEQUEL WHICH HE LIV NEXT TO GEE AND JERRY, THE TWO OLD QUEENS ARE SCRIBED AS THE ASTRONT’S “OLST AND CLOST IENDS.” AND, AS 2010, FLOYD ADMIR THIS UNPLITED MALE-ON-MALE LOVE: “[FLOYD] OFTEN ENVIED THE LONG-TERM STABILY OF THEIR RELATNSHIP, APPARENTLY QUE UNAFFECTED BY THE ‘NEPHEWS’ OM EARTH OR MOON WHO VISED THEM OM TIME TO TIME.”CLARKE IS CLEARLY MENTG ON MANY GAY UPL’ LACK OF SEXUAL POSSSIVENS. (SOME REARS EVEN BELIEVE 2001 SUPER-PUTER HAL WENT PSYCHO BEE WAS JEALO OF SPACEMAN-TURNED-STARMAN DAVE BOWMAN AND FELLOW ASTRONT FRANK POOLE’S BURGEONG LOVE, A THEORY SOMEWHAT BOLSTERED BY THE FACT THAT HAL AND BOWMAN LATER FE TO ONE BEG, AS WELL AS BY POOLE’S MEMORY OF HIMSELF AND BOWMAN TALKG ABOUT THEIR LACK OF SEX DRIVE SPACE, A SOMEWHAT ODD THG FOR TWO “STRAIGHT” MEN TO BE MISSG WHILE SPACE TOGETHER, JT THE TWO OF THEM.)ELSEWHERE, GEE LATER SAYS THAT A FEMALE WRER’S WORK IS “TOO FEMIST.” IT’S UNCLEAR IF CLARKE IS PERPETUATG THE MYTH THAT GAY MEN ARE ANTI-FEMIST, OR POKG FUN AT . BUT HE IS FELY CHALLENGG SOCIAL NORMS ABOUT GAY MEN WHEN GEE OFFERS A LANY OF GAY WARRRS HISTORY: “WE DID KNOW ABOUT HADRIAN AND ALEXANR … RICHARD THE LN HEART AND SALAD … JULI CAAR—THOUGH HE WAS EVERYTHG … AND FRERICK THE GREAT.” CLARKE REVISED THIS TOPIC AGA A SATIRIL LATE ’90S SAY, “THE GAY WARLORDS,” WHICH HE SCRIB CAAR’S “AMBISEXTERONS.”THE THOR’S PERSONAL FEELGS ON—OR HOP FOR—HUMAN SEXUALY ARE PERHAPS MOST CLEAR HIS 1986 NOVEL THE SONGS OF DISTANT EARTH. HIS SEXIT WORK—ALMOST EVERY CHARACTER IS BED-HOPPG WH ANOTHER, OR HOPG TO—SONGS LAYS THIS SOCIETY’S FEELG OUT THE OPEN WH THIS EXCHANGE BETWEEN TWO MEN AT A HOSPAL: LITENANT HORTON EXPLAS TO HIS ROOMMATE, LOREN LORENSON, THAT HE WAS JURED DURG A SURFG EXPEDN WH A GROUP OF “HAIRY HUNKS” KNOWN FOR THEIR HOMO-SOCIAL WAYS. LOREN IS SURPRISED BY THE REVELATN: “I’D HAVE SWORN YOU WERE NETY PERCENT HETERO.” HORTON REPLI, “NETY-TWO, ACRDG TO MY PROFILE, BUT I LIKE TO CHECK MY LIBRATN OM TIME TO TIME.” THIS PROMPTS LOREN TO RELL THAT “HE HAD HEARD THAT HUNDRED PERCENTERS WERE SO RARE THAT THEY WERE CLASSED AS PATHOLOGIL.” CLARKE’S OLD TERT KSEY’S WORK REMAED UNABATED. HIS ONLY HOPE WAS THE RT OF HUMANY WOULD SEE THGS AS HE DID.CLARKE DIED 2008, THE SAME YEAR NSERVATIV ED PROPOSN 8 TO BEAT BACK MARRIAGE EQUALY CALIFORNIA. HE NEVER LIVED TO SEE THE SUPREME COURT LE FAVOR OF LOVE. NOR DID HE SEE THE SAME WAVE OF PROGRS SWEEP ENGLAND, ATRALIA, BRAZIL, FRANCE, AND SO MANY OTHER LANDS. TODAY, ALMOST A AFTER CLARKE’S ATH, LNS OF PEOPLE LIVE A WORLD WHICH MARRIAGE EQUALY IS A REALY, WHICH TRANSGENR PEOPLE ARE CREASGLY ACCEPTED AND WHICH HETERONORMATIVE NOTNS OF LOVE AND SEXUALY ARE STEADILY ERODG, EVEN THOUGH THIS BRAVE NEW WORLD OF ACCEPTANCE REMAS TENUO, AT BT.THE WORLD OF TODAY IS STILL A FAR CRY OM THE MULTIPLE FUTUR CLARKE IMAGED. BUT IF HE WERE HERE TODAY, HE WOULD NO DOUBT TELL TO KEEP UP THE FIGHT, BEE, A FEW UTTERLY IMPOSSIBLE DREAMS ASI, LIKE FANTASTIL SPACE ELEVATORS, CLARKE BELIEVED THE FUTUR HIS WORKS SCRIBED WERE ATTAABLE. HE WAS, HE SAID 1970, A FUNDAMENTAL OPTIMIST: “I BELIEVE THAT THE FUTURE IS NOT PRETERMED, THAT TO SOME EXTENT WE N TERME OUR OWN STY. BY THKG ABOUT THE FUTURE AND S POSSIBILY, WE DO HAVE A CHANCE OF AVERTG THE MORE DISASTRO ONE.” ANDREW BELONSKY

Author Michael Moorck wrote a 2008 Guardian say that “everyone knew [Clarke] was gay, ” even the ’50s, well after Clarke moved to Sri Lanka, where he found the lack of sexual policg rehg after livg uptight England. ” Such reticence is only natural for a man born 1917 and who me of age durg the height of the Pk Sre, when wtern ernments brand gay people as crimal surg, as sexual crimals.

THE FASCATG THEORY THAT HAL '2001: A SPACE ODYSSEY' IS GAY

Published 1976, jt after Margaret Thatcher took the helm of Bra’s Conservative Party, this novel poss a future that is ed more progrsive than our prent—20th-century monogamy is likened to “sexual posssivens”—but old-school shamg over same-sex love remas full effect, as seen the relatnship between homosexually-cled protagonist Dunn Mackenzie and his more qutng but flexible enemy, Karl Helmers. And he do—and do him some good: Later, Heywood wonrs why he qutned Walter the first place: “Floyd sometim efully spected [that] was no more than the secret envy that normal homo or heterosexuals feel, if pletely hont wh themselv, toward cheerfully well-adjted polymorphs.

*BEAR-MAGAZINE.COM* IS SPACE ODYSSEY GAY

Copy lk to rtoon</tle><g clip-path="url(#clip0_3732_178637)"><path fill-le="evenodd" clip-le="evenodd" d="M16.3488 10.5017C16.2107 10.7357 16.2926 11.035 16.5318 11.17C16.7709 11.3052 17.0767 11.225 17.2148 10.991L18.4648 8.87225C19.5694 7.00002 18.9139 4.60601 17.0007 3.52508C15.0875 2.44415 12.6412 3.08562 11.5366 4.95785L9.53657 8.34782C8.432 10.22 9.08751 12.6141 11.0007 13.6949C11.1888 13.8012 11.382 13.8908 11.5785 13.9642C11.7819 14.0403 12.0058 13.9485 12.1147 13.764C12.2794 13.4849 12.1103 13.1276 11.8083 12.9992C11.7041 12.9549 11.6014 12.9044 11.5007 12.8475C10.0658 12.0368 9.57417 10.2413 10.4026 8.83712L12.4026 5.44715C13.2311 4.04298 15.0658 3.56187 16.5007 4.37257C17.9356 5.18327 18.4272 6.97878 17.5988 8.38295L16.3488 10.5017ZM7.6526 13.4983C7.79067 13.2643 7.70873 12.965 7.46959 12.8299C7.23044 12.6948 6.92464 12.775 6.78657 13.009L5.53657 15.1278C4.432 17 5.0875 19.394 7.00068 20.475C8.91385 21.5558 11.3602 20.9144 12.4648 19.0422L14.4648 15.6521C15.5694 13.78 14.9139 11.3859 13.0007 10.305C12.8127 10.1988 12.6195 10.1091 12.4229 10.0357C12.2195 9.95975 11.9956 10.0515 11.8867 10.236C11.7221 10.5151 11.8911 10.8724 12.1932 11.0008C12.2973 11.0451 12.4 11.0956 12.5007 11.1525C13.9356 11.9632 14.4272 13.7587 13.5988 15.1628L11.5988 18.5529C10.7704 19.957 8.93555 20.4382 7.50068 19.6274C6.0658 18.8167 5.57417 17.0212 6.4026 15.6171L7.6526 13.4983Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178637"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178637"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button><div class="AlertWrapper-gvFATk MdjE RponsiveCartoonLkAlertPopup-BPAXn kdMXRM shoppg-alert" role="dialog"><div aria-hidn="te" role="prentatn" class="AlertArrow-daOgye AlLda alert-arrow"></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ AlertMsage-jgAjgo bVCFRm ifgabc cxFROy alert-msage"><p aria-hidn="te">Lk pied</p></div></div></div><button aria-label="Shop" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Shop</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-rt" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Shop</tle><g clip-path="url(#clip0_3732_178638)"><path fill-le="evenodd" clip-le="evenodd" d="M4 3H2V4H4.23828L6.99617 15.2631C7.11483 15.6982 7.50998 16 7.96094 16H18.0365C18.4875 16 18.8826 15.6982 19.0013 15.2631L20.9648 7.26312C21.1383 6.62698 20.6594 6 20 6H10V7H20L18.0365 15H7.96094L5.03652 3H4.58055H4ZM10.0365 19C10.0365 19.5523 9.58881 20 9.03652 20C8.48424 20 8.03652 19.5523 8.03652 19C8.03652 18.4477 8.48424 18 9.03652 18C9.58881 18 10.0365 18.4477 10.0365 19ZM11.0365 19C11.0365 20.1046 10.1411 21 9.03652 21C7.93195 21 7.03652 20.1046 7.03652 19C7.03652 17.8954 7.93195 17 9.03652 17C10.1411 17 11.0365 17.8954 11.0365 19ZM18.0365 19C18.0365 19.5523 17.5888 20 17.0365 20C16.4842 20 16.0365 19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">For the fal sectn of the film, “Juper and Beyond the Infe,” Ordway, the film’s scientific nsultant, read up on a doctoral this on psychelics advised by Timothy Leary. Theology stunts had taken psilocyb, then attend a service at Boston Universy’s Marsh Chapel to see if they’d be h wh relig revelatns. They dutifully reported their fdgs: most of the participants had ed touched God. Such wi-rangg rearch was characteristic of Clarke and Kubrick’s approach, although the two men, both self-profsed squar, might have saved time had they been willg to try hallucogens themselv.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">The Juper scen—filled wh what Michael Benson scrib as “abstract, nonreprentatnal, space-time astonishments”—were the product of years of trial and error spent adaptg existg equipment and technologi, such as the “sl-sn” photography that fally ma the famo Star Gate sequence possible. Typilly ed for panoramic shots of cysp, the technique, the hands of Kubrick’s special-effects team, was modified to produce a psychelic sh of lor and light. Ridg Dave’s pod is like travellg through a birth nal which someone has thrown a rave. Like the films of the late neteenth century, “2001” manifted s vented worlds by first ventg the methods need to nstct them.</p><p class="paywall">Yet some of the most strikg effects the film are s simplt. In a movie about extraterrtrial life, Kubrick faced a ccial prediment: what would the aliens look like? Cold War-era sci-fi offered a dispirg menu of extraterrtrial avatars: supersonic birds, sly monsters, gelato blobs. In their earlit meetgs New York, Clarke and Kubrick, along wh Christiane, sketched drafts and nsulted the Surrealist patgs of Max Ernst. For a time, Christiane was mollg clay aliens her stud. The gargoyle-like creatur were rejected, and “end up dotted around the garn,” acrdg to Kubrick’s dghter Kathara. Alberto Giaetti’s sculptur of thned and elongated humans, remblg shadows at sundown, were briefly an spiratn. In the end, Kubrick cid that “you nnot image the unimagable” and, after tryg more ornate signs, settled on the monolh. Its eerily ntral and silent appearance at the crossroads of human evolutn evok the same wonr for members of the dience as do for characters the film. Kubrick realized that, if he was gog to make a film about human fear and awe, the viewer had to feel those emotns as well.</p><p class="paywall">And then there is <em class="small">HAL</em>, the rogue puter whose affectls red eye reflects back what se while, behd , his md whirrs wh dark and secret signs. I.B.M. nsulted on the plans for <em class="small">HAL,</em> but the ia to e the pany’s logo fell through after Kubrick scribed him a letter as “a psychotic puter.” Any discsn of Kubrick’s scientific prcience has to clu <em class="small">HAL</em>, whose suave, slightly effemate voice suggts a bised heart beatg unr his circury. In the past fifty years, our talkg mach have ntued to evolve, but none of them have bee as thentilly malic as <em class="small">HAL</em>. My grandfather’s early-eighti Chrysler, borrowg the voice om Speak & Spell, would tone, “A door is ajar,” whenever you got . It sound like a logil fallacy, but seemed pleasantly futuristic nohels. Soon voice-mand technology reached the public, herg our current era of unreliable puter terlocutors given to unforced errors: half-il, half-piful simpletons, whose fate life is to be tnted by eleven-year-olds. Dpe the reports of cklg Amazon Alexas, there has, so far, been fairly ltle to worry about where our talkg vic are ncerned. The unbearable pathos of <em class="small">HAL</em>’s disnnectn scene, one of the most mournful ath scen ever filmed, suggts that when we do end up wh humanlike puters, we’re gog to have some wild ethil dilemmas on our hands. <em class="small">HAL</em> is a child, around ne years old, as he tells Dave at the moment he sens he’s fished. He’s prec, dulged, needy, and vulnerable; more human than his human overseers, wh their stilted, near robotic livery. The dyg <em class="small">HAL</em>, sgg “Daisy,” the tune his teacher tght him, is a sentimental trope out of Victorian fictn, more Ltle Nell than ltle green man.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p class="paywall">As Benson’s book suggts, a way the release of “2001” was s least important tone. Clarke and Kubrick had been wrtlg for years wh qutns of what the film was, and meant. The enigmas were merely hand off om creators to viewers. The cric Alexanr Walker lled “2001” “the first mastream film that required an act of ntuo ference” om s dienc. On set, the legns of specialists and nsultants workg on the mutiae took orrs om Kubrick, whose nceptn of the whole remaed nstant flux. The film’s narrative trajectory poted exorably toward a big endg, even a revelatn, but Kubrick kept changg his md about what that endg would be—and nobody who saw the film knew que what to make of the one he fally chose. The film took for granted a broad cultural tolerance, if not an appete, for enigma, as well as the time and clatn for parsg terpretive mysteri. If the first wave of dienc was baffled, might have been bee “2001” had not yet created the taste required to be appreciated. Like “Ulyss,” or “The Waste Land,” or untls other difficult, ambiguo mornist landmarks, “2001” fed s own ntext. You didn’t solve by watchg a send time, but you did settle to s mysteri.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="sbtpq"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">Later dienc had another advantage. “2001” tablished the phenomenon of the Kubrick film: much mored, long layed, always a ltle disappotg. Casts and crews were held hostage as they whstood Kubrick’s fe futzg, and dienc were held eager spense by P.R. mpaigns that often oversold the films’ mercial appeal. Downstream would be midnight showgs, monographs, dorm rooms, and weed, but first there was the letdown. The reason given for the films’ failur suggted the terms of their remptn: Kubrick was pable of not makg Kubrick films.</p><p class="paywall">“2001” tablished the athetic and thematic palette that he ed all his subsequent films. The spacns of s too perfectly nstcted sets, the subjugatn of story and theme to abstract posnal balance, the precisn choreography, even—pecially— scen of vlence and chaos, the entire repertoire of lors, angl, fonts, and textur: the were nstants films as wildly different as “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Barry Lyndon</a>” (1975) and “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">The Shg</a>” (1980), “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Full Metal Jacket</a>” (1987) and “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Ey Wi Shut</a>” (1999). So was the languoro edg of “2001,” which, when paired wh abpt temporal leaps, ma eons seem short and moments seem endls, and s brilliant ployment of mic to anize, and often ironize, actn and character. The elements were prent some form Kubrick’s earlier films, particularly “Dr. Strangelove,” but was all perfected “2001.” Bee he occupied genr one at a time, each radilly different om the last, you uld ntrol for what was nsistently Kubrickian about everythg he did. The films are signed to advance his distct filmic vobulary new ntexts and environments: a shuttered rort hotel, a spac Manhattan apartment, Vietnam. Insi the disparate but meticuloly nstcted worlds, Kubrick’s slightly malic telligence termed the out of every apparently ee choice his protagonists ma.</p><p class="paywall">Though Kubrick bged on pulp sci-fi as a child, and later listened to rad broadsts about the paranormal, “2001” has ltle mon wh the rky-dk nventns of movie science fictn. Its dazzlg showmanship harkened back to olr cematic experienc. Film scholars sometim discs the earlit silent films as exampl of “the cema of attractn,” movi meant to showse the medium self. The films were, sence, exhibs: simple scen om ordary life—a tra arrivg, a dog vortg. Their only import was that they had been ptured by a mera that uld, magilly, rerd movement time. This “movg photography” was what prompted Maxim Gorky, who saw the Lumière brothers’ films at a Rsian fair 1896, to bemoan the “kgdom of shadows”—a mass of people, animals, and vehicl—shg “straight at you,” approachg the edge of the screen, then vanishg “somewhere beyond .”</p><p class="paywall">“2001” is at s bt when evok the “somewhere beyond.” For me, the most astoundg moment of the film is a d tribute to filmmakg self. In “The Dawn of Man,” when a fierce leopard sudnly fac , s ey reflect the light om the projectn system that Kubrick’s team had vented to create the illn of a vast primordial sert. Kubrick loved the effect, and left . The tails lger the md partly bee they remd that a brilliant artist, tent on masterg science and njurg science fictn, neverthels knew when to leave his poetry alone.</p><p class="paywall">The terpretive muni nvened by “2001” may persist pockets of the culture, but I doubt whether many young people will aga ntend wh s bts to Jung, John Cage, and Joseph Campbell. In the era of the meme, we’re more likely to fd the afterlife of “2001” agments and glimps than theori and explitns. The film hangs on as a staple of YouTube vio says and mashups; remas high on lists of both the greatt films ever ma and the most borg. On Giphy, you n fd many inic imag om “2001” loopg endlsly sends-long crements—a jarrg prsn that uldn’t be more at odds wh the languid eterny Kubrick sought to pture. The very fact that you n view “2001,” along wh almost every film ever shot, on a palm-size vice is a future that Kubrick and Clarke may have predicted, but surely wouldn’t have wanted for their own larger-than-life movie. The film abounds ltle screens, tablets, and picturephon; 2011, Samsung fought an junctn om Apple over alleged patent vlatns by cg the technology “2001” as a precsor for s signs. Moon landgs and astront celebri now feel like a thg of the past. Space lost out. Those screens were the future. ♦</p><p class="paywall">An earlier versn of this story suggted that a sgle monolh appears at different tim the film.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="q1cwzl"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><footer class="ContentFooterMagazeDisclaimer-gzKAqo iZIuUU" data-ttid="MagazeDisclaimerWrapper">Published the prt edn of the <a href="/magaze/2018/04/23" data-reactroot="">April 23, 2018</a>, issue, wh the headle “Anybody There?.”</footer></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/dan-chiasson"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/dan-chiasson">Dan Chiasson</a>, a ntributor to The New Yorker sce 2007, teach English at Wellley College. His most recent book of poems is “<a href=">The Math Campers</a>.”</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="NewsletterSubscribeFormWrapper" class="NewsletterSubscribeFormWrapper-fCqqkN jKSBhE newsletter-subscribe-form ContentFooterNewsletterForm-hKeYwa liPqcf"><div data-ttid="NewsletterSubscribeFormHedDekWrapper" class="NewsletterSubscribeFormHedDekWrapper-fpMElW eglIBL"><h3 class="NewsletterSubscribeFormDangeroHed-kRwWjt kbxOa-D newsletter-subscribe-form__hed ContentFooterNewsletterForm-hKeYwa liPqcf">Weekly</h3><div class="NewsletterSubscribeFormDek-kXonvc cKOhTM newsletter-subscribe-form__k">Your gui to the latt magaze and our biggt stori of the week, pl highlights om podsts, humor, and more.</div></div><div data-ttid="NewsletterSubscribeFormInputsWrapper" class="NewsletterSubscribeFormInputsWrapper-keARJE hVWbzr"><form class="form-wh-validatn NewsletterSubscribeFormValidatn-iCYa-Dt dweEln" id="newsletter" name="newsletter" novalidate="" method="POST"><span class="TextFieldWrapper-Pzdqp hNhevp text-field" data-ttid="TextFieldWrapper__email"><label class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TextFieldLabel-klrYvg iUEiRd stdEm fvoOvz text-field__label text-field__label--sgle-le" for="newsletter-text-field-email" data-ttid="TextFieldLabel__email"><div class="TextFieldLabelText-cvvxBl eeDYTb">E-mail addrs</div><div class="TextFieldInputContaer-jcMPhb oFrOs"><put type="email" aria-scribedby="privacy-text" aria-valid="false" id="newsletter-text-field-email" required="" name="email" placeholr="E-mail addrs" class="BaseInput-fAzTdK TextFieldControlInput-eFUxkf eGzzTT laFPCK text-field__ntrol text-field__ntrol--put" data-ttid="TextFieldInput__email"/></div></label><button class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv dwpimO button button--utily TextFieldButton-csBrgY edxbrw" data-event-click="{"element":"Button"}" data-ttid="Button" type="subm"><span class="ButtonLabel-cjAuJN hzwRuG button__label">Sign up</span></button></span><div id="privacy-text" tabx="-1" class="NewsletterSubscribeFormDisclaimer-bTVtiV bsgLJZ"><span><p>By signg up, you agree to our <a href=" rel="nofollow noopener noreferrer" target="_blank">User Agreement</a> and <a href=" rel="nofollow noopener noreferrer" target="_blank">Privacy Policy & Cookie Statement</a>. 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summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/1966/11/12/how-about-a-ltle-game" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="How About a Ltle Game?" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Profil</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href="/magaze/1966/11/12/how-about-a-ltle-game" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">How About a Ltle Game?</div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Jeremy Bernste</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm dqlGhv" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/1969/08/09/ego-chamber" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Out of the Ego Chamber" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Profil</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href="/magaze/1969/08/09/ego-chamber" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Out of the Ego Chamber</div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Jeremy Bernste</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--evio summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm dqlGhv" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 720w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 480w" siz="100vw"/><img alt="Highlights om Mark Zuckerberg’s Congrsnal Heargs" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Vio</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Highlights om Mark Zuckerberg’s Congrsnal Heargs</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 720w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 480w" siz="100vw"/><img alt="Highlights om Mark Zuckerberg’s Congrsnal Heargs" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k summary-em__k--isCneVio">In his first-ever appearance before lawmakers, the Facebook founr answered qutns about data privacy, fake news, hate speech, and Rsian terference the 2016 Printial electn.</div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm dqlGhv" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Iphigenia Fort Hills" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">A Reporter at Large</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Iphigenia Fort Hills</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Iphigenia Fort Hills" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Anatomy of a murr trial.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Ja Mallm</span></span></p></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectnGridSummaryItem-WColm dqlGhv ad ad--read-more"><div class="ad__slot ad__slot--read-more" 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