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There's a fascatg theory by Mark Dery that suggts that the AI puter HAL 9000 Stanley Kubrick's '2001: A Space Odyssey' is, fact, gay.

Contents:

THE FASCATG THEORY THAT HAL ‘2001: A SPACE ODYSSEY' IS GAY

* is space odyssey gay *

HAL’s sibilant tone and e of fele phras like ‘que hontly, I wouldn’t worry myself about that’ ntas more than a ht of the stereotypic bchy homosexual. 2001 is ltered wh philosophil matn and theoretil symbolism, so may well have been tend that HAL is ed gay, given his soft voice, even if he wasn’t ma to cricise IBM, as others had suggted. Taken together, they provi a panoramic view of a gay man qutng the world which he, y, Clarke was a gay man, or, at the very least, queer.

Obssed wh the Ksey Sle when first me out, Clarke never believed people had strict straight or gay tennci, a belief ma clear a number of his books.

HOW SCI-FI GIANT ARTHUR C. CLARKE PREDICTED AN LGBT-FRIENDLY WORLDSEXUAL SEERTHE THOR OF '2001: A SPACE ODYSSEY' WAS A SAVVY FUTURIST WHO PREDICTED EVERYTHG OM ONLE SHOPPG TO CELLPHONE ADDICTN, BUT HE WAS AT HIS MOST PRCIENT ABOUT SEXUALY.ANDREW BELONSKYUPDATED JAN. 03, 2018 1:38PM EST / PUBLISHED DEC. 09, 2017 12:00AM EST PHOTO ILLTRATN BY SARAH ROGERS/THE DAILY BEASTSIR ARTHUR C. CLARKE IS REMEMBERED FOR HIS REMARKABLE FORIGHT: THE SCI-FI THOR’S WORKS ACCURATELY PREDICTED ONLE SHOPPG, BMETRIC TECHNOLOGY, SMART PHONE ADDICTN, AND EVEN TARGETED ADVERTISG. A 1945 WIRELS WORLD ARTICLE BY CLARKE, WHO TRAED RADAR TECHNOLOGY DURG WORLD WAR II, HELPED MAKE MUNITNS SATELL A REALY. AND PERHAPS MOST FAMOLY, CLARKE, WHOSE CENTENARY OCCURS THIS MONTH, CREATED A WHOLE NEW FEARSOME TROPE WH HAL, THE MURRO ARTIFICIAL TELLIGENCE AT THE HEART OF THE LATE THOR’S MOST FAMO WORK, 2001: A SPACE ODYSSEY.THE ACPLISHMENTS ARE ALL WELL-KNOWN AND WELL-CELEBRATED AMONG CLARKE AFICNADOS AND CRICS. LS DISCSED ARE THE WAYS CLARKE’S WORKS CHALLENGED HETERONORMATIVE SEXUAL MOR, PARTICULARLY THOSE SURROUNDG MEN WHO WENT FOR MEN. BUT REVIEWG SOME OF CLARKE’S MOST NOTABLE WORKS, ONE SE THE THOR SURVEYG THE CHANGG SEXUAL LANDSPE OF A POST-STONEWALL SOCIETY. TAKEN TOGETHER, THEY PROVI A PANORAMIC VIEW OF A GAY MAN QUTNG THE WORLD WHICH HE LIVED.AND, Y, CLARKE WAS A GAY MAN, OR, AT THE VERY LEAST, QUEER. THOUGH HE MARRIED A WOMAN 1953, THEY SEPARATED SIX MONTHS LATER, AND ’S WELL TABLISHED THAT CLARKE’S ROMANTIC EXISTENCE WAS SPENT MOSTLY WH OTHER MEN. OBSSED WH THE KSEY SLE WHEN FIRST ME OUT, CLARKE NEVER BELIEVED PEOPLE HAD STRICT STRAIGHT OR GAY TENNCI, A BELIEF MA CLEAR A NUMBER OF HIS BOOKS. AUTHOR MICHAEL MOORCK WROTE A 2008 GUARDIAN SAY THAT “EVERYONE KNEW [CLARKE] WAS GAY,” EVEN THE ’50S, WELL AFTER CLARKE MOVED TO SRI LANKA, WHERE HE FOUND THE LACK OF SEXUAL POLICG REHG AFTER LIVG UPTIGHT ENGLAND. CLARKE ALSO SPENT 1964-1965 AT NEW YORK’S FAMOLY LIBERTE CHELSEA HOTEL, ROMPG AROUND TOWN WH ALLEN GSBERG AND WILLIAM S. BURROUGHS, TWO OF THE MOST MALE-LOVG MEN OF THE ERA. AND SIRS ALSO KNOW THAT CLARKE AND A MAN NAMED LLIE EKANAYAKE WERE LOVE; CLARKE SCRIBED LLIE AS “THE ONLY PERFECT IEND OF A LIFETIME,” AND THE THOR WAS BURIED ALONGSI HIM WHEN HE DIED 2008.BUT CLARKE WOULD NEVER ADM HIS LOVE OF MEN. NOT ON THE RERD, AT LEAST. ASKED BY A REPORTER ABOUT HIS BEDROOM ACTIVI, CLARKE MPILY LGHED, “WHY, WHAT HAVE YOU HEARD?” HE ONLY ADMTED HIS YEN FOR MEN A FEW TIM: SHEEPISHLY HIS SEMI-TOBGRAPHIL 1963 NOVEL GLI PATH, WHICH THE SEXUALLY EXPERIENCED PROTAGONIST MAK A PASSG REFERENCE TO “A HIGHLY REFED ENUNTER WH THE CLERGYMAN WHO HAD (VERY BRIEFLY) N THE LOL SUT TROOP;” AND OFF-HANDLY 1986, WHEN PLAYBOY JOURNALIST KEN KELLEY ASKED CLARKE WHETHER HE’D HAD BISEXUAL EXPERIENC. CLARKE REPLIED WH A ROUNDG Y: “OF URSE. WHO HASN’T? GOOD GOD! IF ANYONE HAD EVER TOLD ME THAT HE HADN’T, I’D HAVE TOLD HIM HE WAS LYG. BUT THEN, OF URSE, PEOPLE TEND TO ‘FET’ THEIR ENUNTERS.” HE WENT ON, “I DON’T WANT TO GO TO TAIL ABOUT MY OWN LIFE, BUT I JT WANT TO BE NOTED THAT I HAVE A RATHER RELAXED, SYMPATHETIC ATTU ABOUT .” SUCH RETICENCE IS ONLY NATURAL FOR A MAN BORN 1917 AND WHO ME OF AGE DURG THE HEIGHT OF THE PK SRE, WHEN WTERN ERNMENTS BRAND GAY PEOPLE AS CRIMAL SURG, AS SEXUAL CRIMALS. AND ’S EQUALLY LOGIL THAT CLARKE WOULD E FICTN TO EXPLORE SOCIETI THAT HAD EVOLVED PAST SUCH SEXUAL JUDGMENT.    “CLARKE’S WORLDS ARE BASED ON LOGIL TECHNOLOGIL LEAPS AND REAL SOCLOGIL CHANGE, NOT WARP SPEED AND WISHFUL THKG” THAT’S THE PREDOMANT THEME CLARKE’S WORKS: MAN’S POTENTIAL FOR POSIVE PROGRS, OUR ABILY TO TRANSCEND LIMATNS SELF-IMPOSED AND SCIENTIFIC. CLARKE REFERS TO THIS AS MAN’S PLASTICY: “ONE OF THE TERTG THGS ABOUT THE HUMAN RACE IS S CREDIBLE PLASTICY. THE HUMAN RACE N ADAPT TO ALMOST ANY CIRCUMSTANCE.” A WRER OF “HARD SCIENCE FICTN,” CLARKE DON’T CREATE NEW WORLDS. HE BELIEVED TE SCIENCE FICTN WAS “SOMETHG WHICH WE WOULD LIKE TO HAPPEN AND PROBABLY WILL.” CLARKE’S WORLDS ARE BASED ON LOGIL TECHNOLOGIL LEAPS AND REAL SOCLOGIL CHANGE, NOT WARP SPEED AND WISHFUL THKG, AND HE THEREFORE ED HIS WORKS TO PREDICT HOW HUMANKD ULD EVOLVE. YET WHILE CLARKE VIVIDLY SE MANKD MOVG PAST S PENNCE ON OIL, OVERG RELIG STRIFE, AND EVEN TACKLG TERPLAARY SPACE TRAVEL, HE’S LS CERTA ABOUT HOW WE’LL NQUER OUR SEXUAL HANG-UPS.THIS TERT PROGRSIVE SEXUAL MOR IS CLEAR HIS FIRST MERCIAL SUCCS, 1954’S CHILDHOOD’S END. MOST OF THE PLOT IS PROPELLED BY AN ALIEN RACE’S ARRIVAL ON EARTH, BUT CLARKE GO OUT OF HIS WAY TO MENTN THAT SEXUAL ETIQUETTE HAD BEEN “ALTERED RADILLY” BY THE VENTN OF FAST AND CHEAP DNA PATERNY TTS AND BY THE ARRIVAL OF A “PLETELY RELIABLE ORAL NTRACEPTIVE.” COMBED, THE VENTNS “SWEPT AWAY THE LAST REMNANTS OF THE PURAN ABERRATN.” AGA, THIS WAS 1954: JT AS THE PILL WAS FIRST BEG EXPLORED AND YEARS AHEAD OF ACTUAL DNA TTG. PREMONORY AS ALWAYS, CLARKE SAW THE FIRST HTS OF SEXUAL REVOLUTN G TO FOC. AND HE LIKED WHAT HE SAW. AND THOUGH CHILDHOOD’S END MAK NO REFERENCE TO SAME-SEX SEX, THE SUBJECT FELY ARIS APLENTY CLARKE’S FUTURE NOVELS, CLUDG 1972’S RENZVO WH RAMA.CLARKE’S FIRST NOVEL AFTER 2001: A SPACE ODYSSEY AND S FILM ADAPTATN LNCHED HIS REER, RAMA WAS ALSO HIS FIRST POST-STONEWALL NOVEL, AND THE CHANGG CLIMATE IS EVINT: IN RAMA’S FUTURE, 2130, POLYAMORY AND SAME-SEX LOVE ARE STANDARD, TOTALLY ACCEPTED FARE: TWO ASTRONTS, KARL MERCER AND HIS “SEPARABLE PANN” JOE CALVERT, NOT ONLY SHARE A WIFE, BUT THEIR OWN SEXUAL RELATNSHIP, AS WELL: “NO ONE N PREDICT WHERE LIGHTNG WILL STRIKE, AND YEARS AGO MERCER AND CALVERT HAD TABLISHED AN APPARENTLY STABLE LIAISON. THAT WAS MON ENOUGH.” CLARKE SEEMS MORE SANGUE ABOUT SOCIAL CHANGE AFOOT, MORE NFINT PREDICTG A JUDGMENT EE FUTURE. THAT OPTIMISM, HOWEVER, MT HAVE BEEN SHORT-LIVED, BEE THERE’S FAR LS NONCHALANCE ABOUT SAME-SEX LOVE CLARKE’S NEXT NOVEL, IMPERIAL EARTH.PUBLISHED 1976, JT AFTER MARGARET THATCHER TOOK THE HELM OF BRA’S CONSERVATIVE PARTY, THIS NOVEL POSS A FUTURE THAT IS ED MORE PROGRSIVE THAN OUR PRENT—20TH-CENTURY MONOGAMY IS LIKENED TO “SEXUAL POSSSIVENS”—BUT OLD-SCHOOL SHAMG OVER SAME-SEX LOVE REMAS FULL EFFECT, AS SEEN THE RELATNSHIP BETWEEN HOMOSEXUALLY-CLED PROTAGONIST DUNN MACKENZIE AND HIS MORE QUTNG BUT FLEXIBLE ENEMY, KARL HELMERS. SCNS OF TWO PROMENT FAI, THE MEN FOOLED AROUND THEIR TEENS AND TO THEIR TWENTI. DUNN SCRIB THEIR ENUNTERS: “[KARL’S] LOVEMAKG OFTEN LACKED TENRNS AND NSIRATN;” AND THE SEXUAL TENSN FOLLOWED THEM TO ADULTHOOD, AS WHEN KARL MA DUNN STAY BED WH HIM WHILE HE HAD SEX WH A WOMAN (“THEY ENJOYED HAVG ME THERE, JT TO TEASE ME. OR AT LEAST KARL DID.”)ALTHOUGH DUNN IS ALL- ON THIS LTY AFFAIR, KARL IS LS NFINT: HE HAS A BREAKDOWN SOON AFTER THAT “THREOME” AND RETURNS OM AN ASYLUM A BROKEN MAN. (“HE WAS AS BETIFUL AS EVER—PERHAPS EVEN MORE SO … AND HE ULD STILL BE IENDLY … BUT REAL MUNITN WAS MISSG.”). THE MEN KEEP STRAIGHT AND NARROW OM THEN ON, DUNN LARGE PART BEE OF HIS OVERBEARG GRANDFATHER’S MORALISTIC PEP TALK: IF DUNN SUCCEEDS BS, “NO ONE WILL CRICIZE ANY OF YOUR OTHER ACTIVI, PUBLIC OR PRIVATE.” DUNN DON’T BELIEVE “POLARIZED” SEXUALY, HE’S FORCED TO THE CLOSET JT THE SAME. CLARKE WAS OBVLY STILL UNSURE WHETHER SOCIETY WOULD EVER EVOLVE TO THE FUTURE FOR WHICH HE LONGED, AND KARL’S BREAKDOWN IS THE THOR’S WAY OF ILLTRATG HOW TOP-DOWN SEXUAL LIMATNS TAKE THEIR TOLL.CLARKE’S VIEW OF SEXUAL ACCEPTANCE WAS SOMEWHAT ROSIER E 1982, THE YEAR HE PUBLISHED 2010, THE SEQUEL TO 2001 THAT FEATUR SOVIET LOVERS WALTER CURNOW, A BISEXUAL BEAR, AND A YOUNG, VOTED TWK, MAXIM BRAJLOVSKY. INIALLY THIS RELATNSHIP IS ONLY ALLUD TO, BUT ’S MA PERFECTLY CLEAR WHEN AMERIN ASTRONT HEYWOOD FLOYD RAIS HIS BY-BODY NCERNS: “THERE’S A PERSONAL MATTER I’D LIKE TO RAISE,” FLOYD SAYS. “TO BE BLUNT, YOUR BEHAVR WH MAX.” UNPERTURBED, CURNOW REPLI, “ A SOFT YET IMPLABLE VOICE: ‘I WAS UNR THE DISTCT IMPRSN THAT HE WAS MORE THAN EIGHTEEN.’” THERE’S NO ROOM FOR BATE HERE. THE AMERIN SHOULD TAKE HIS MORALISM AND SHOVE . AND HE DO—AND DO HIM SOME GOOD: LATER, HEYWOOD WONRS WHY HE QUTNED WALTER THE FIRST PLACE: “FLOYD SOMETIM EFULLY SPECTED [THAT] WAS NO MORE THAN THE SECRET ENVY THAT NORMAL HOMO OR HETEROSEXUALS FEEL, IF PLETELY HONT WH THEMSELV, TOWARD CHEERFULLY WELL-ADJTED POLYMORPHS.” BUT FLOYD EVENTUALLY EVOLV PAST HIS OWN ISSU: IN 2061, THE 1987 THREEQUEL WHICH HE LIV NEXT TO GEE AND JERRY, THE TWO OLD QUEENS ARE SCRIBED AS THE ASTRONT’S “OLST AND CLOST IENDS.” AND, AS 2010, FLOYD ADMIR THIS UNPLITED MALE-ON-MALE LOVE: “[FLOYD] OFTEN ENVIED THE LONG-TERM STABILY OF THEIR RELATNSHIP, APPARENTLY QUE UNAFFECTED BY THE ‘NEPHEWS’ OM EARTH OR MOON WHO VISED THEM OM TIME TO TIME.”CLARKE IS CLEARLY MENTG ON MANY GAY UPL’ LACK OF SEXUAL POSSSIVENS. (SOME REARS EVEN BELIEVE 2001 SUPER-PUTER HAL WENT PSYCHO BEE WAS JEALO OF SPACEMAN-TURNED-STARMAN DAVE BOWMAN AND FELLOW ASTRONT FRANK POOLE’S BURGEONG LOVE, A THEORY SOMEWHAT BOLSTERED BY THE FACT THAT HAL AND BOWMAN LATER FE TO ONE BEG, AS WELL AS BY POOLE’S MEMORY OF HIMSELF AND BOWMAN TALKG ABOUT THEIR LACK OF SEX DRIVE SPACE, A SOMEWHAT ODD THG FOR TWO “STRAIGHT” MEN TO BE MISSG WHILE SPACE TOGETHER, JT THE TWO OF THEM.)ELSEWHERE, GEE LATER SAYS THAT A FEMALE WRER’S WORK IS “TOO FEMIST.” IT’S UNCLEAR IF CLARKE IS PERPETUATG THE MYTH THAT GAY MEN ARE ANTI-FEMIST, OR POKG FUN AT . BUT HE IS FELY CHALLENGG SOCIAL NORMS ABOUT GAY MEN WHEN GEE OFFERS A LANY OF GAY WARRRS HISTORY: “WE DID KNOW ABOUT HADRIAN AND ALEXANR … RICHARD THE LN HEART AND SALAD … JULI CAAR—THOUGH HE WAS EVERYTHG … AND FRERICK THE GREAT.” CLARKE REVISED THIS TOPIC AGA A SATIRIL LATE ’90S SAY, “THE GAY WARLORDS,” WHICH HE SCRIB CAAR’S “AMBISEXTERONS.”THE THOR’S PERSONAL FEELGS ON—OR HOP FOR—HUMAN SEXUALY ARE PERHAPS MOST CLEAR HIS 1986 NOVEL THE SONGS OF DISTANT EARTH. HIS SEXIT WORK—ALMOST EVERY CHARACTER IS BED-HOPPG WH ANOTHER, OR HOPG TO—SONGS LAYS THIS SOCIETY’S FEELG OUT THE OPEN WH THIS EXCHANGE BETWEEN TWO MEN AT A HOSPAL: LITENANT HORTON EXPLAS TO HIS ROOMMATE, LOREN LORENSON, THAT HE WAS JURED DURG A SURFG EXPEDN WH A GROUP OF “HAIRY HUNKS” KNOWN FOR THEIR HOMO-SOCIAL WAYS. LOREN IS SURPRISED BY THE REVELATN: “I’D HAVE SWORN YOU WERE NETY PERCENT HETERO.” HORTON REPLI, “NETY-TWO, ACRDG TO MY PROFILE, BUT I LIKE TO CHECK MY LIBRATN OM TIME TO TIME.” THIS PROMPTS LOREN TO RELL THAT “HE HAD HEARD THAT HUNDRED PERCENTERS WERE SO RARE THAT THEY WERE CLASSED AS PATHOLOGIL.” CLARKE’S OLD TERT KSEY’S WORK REMAED UNABATED. HIS ONLY HOPE WAS THE RT OF HUMANY WOULD SEE THGS AS HE DID.CLARKE DIED 2008, THE SAME YEAR NSERVATIV ED PROPOSN 8 TO BEAT BACK MARRIAGE EQUALY CALIFORNIA. HE NEVER LIVED TO SEE THE SUPREME COURT LE FAVOR OF LOVE. NOR DID HE SEE THE SAME WAVE OF PROGRS SWEEP ENGLAND, ATRALIA, BRAZIL, FRANCE, AND SO MANY OTHER LANDS. TODAY, ALMOST A AFTER CLARKE’S ATH, LNS OF PEOPLE LIVE A WORLD WHICH MARRIAGE EQUALY IS A REALY, WHICH TRANSGENR PEOPLE ARE CREASGLY ACCEPTED AND WHICH HETERONORMATIVE NOTNS OF LOVE AND SEXUALY ARE STEADILY ERODG, EVEN THOUGH THIS BRAVE NEW WORLD OF ACCEPTANCE REMAS TENUO, AT BT.THE WORLD OF TODAY IS STILL A FAR CRY OM THE MULTIPLE FUTUR CLARKE IMAGED. BUT IF HE WERE HERE TODAY, HE WOULD NO DOUBT TELL TO KEEP UP THE FIGHT, BEE, A FEW UTTERLY IMPOSSIBLE DREAMS ASI, LIKE FANTASTIL SPACE ELEVATORS, CLARKE BELIEVED THE FUTUR HIS WORKS SCRIBED WERE ATTAABLE. HE WAS, HE SAID 1970, A FUNDAMENTAL OPTIMIST: “I BELIEVE THAT THE FUTURE IS NOT PRETERMED, THAT TO SOME EXTENT WE N TERME OUR OWN STY. BY THKG ABOUT THE FUTURE AND S POSSIBILY, WE DO HAVE A CHANCE OF AVERTG THE MORE DISASTRO ONE.” ANDREW BELONSKY

Author Michael Moorck wrote a 2008 Guardian say that “everyone knew [Clarke] was gay, ” even the ’50s, well after Clarke moved to Sri Lanka, where he found the lack of sexual policg rehg after livg uptight England. ” Such reticence is only natural for a man born 1917 and who me of age durg the height of the Pk Sre, when wtern ernments brand gay people as crimal surg, as sexual crimals. Published 1976, jt after Margaret Thatcher took the helm of Bra’s Conservative Party, this novel poss a future that is ed more progrsive than our prent—20th-century monogamy is likened to “sexual posssivens”—but old-school shamg over same-sex love remas full effect, as seen the relatnship between homosexually-cled protagonist Dunn Mackenzie and his more qutng but flexible enemy, Karl Helmers.

And he do—and do him some good: Later, Heywood wonrs why he qutned Walter the first place: “Floyd sometim efully spected [that] was no more than the secret envy that normal homo or heterosexuals feel, if pletely hont wh themselv, toward cheerfully well-adjted polymorphs. ”Clarke is clearly mentg on many gay upl’ lack of sexual posssivens. ” It’s unclear if Clarke is perpetuatg the myth that gay men are anti-femist, or pokg fun at .

THE FASCATG THEORY THAT HAL '2001: A SPACE ODYSSEY' IS GAY

But he is fely challengg social norms about gay men when Gee offers a lany of gay warrrs history: “We did know about Hadrian and Alexanr … Richard the Ln Heart and Salad … Juli Caar—though he was everythg … and Frerick the Great.

” Clarke revised this topic aga a satiril late ’90s say, “The Gay Warlords, ” which he scrib Caar’s “ambisexterons.

His sexit work—almost every character is bed-hoppg wh another, or hopg to—Songs lays this society’s feelg out the open wh this exchange between two men at a hospal: Litenant Horton explas to his roommate, Loren Lorenson, that he was jured durg a surfg expedn wh a group of “hairy hunks” known for their homo-social ways. Clarke, worried that Kubrick might reject further llaboratn wh him bee he was gay, one day mtered the nerve to nont the issue head on.

*BEAR-MAGAZINE.COM* IS SPACE ODYSSEY GAY

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jssHut nsumer-marketg-un nsumer-marketg-un--display-hero" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-hero"></div><div class="journey-un"></div></div></div><div class="SpaceHolr-oayp fXtswJ ad-height-hold"></div><ma id="ma-ntent" tabx="-1" class="BasePageMaContent-kFvAuh ewPCZH page__ma-ntent"><article class="article ma-ntent" lang="en-US"><div class="ArticlePageLeBackground-EufvU tFsh"><hear class="ContentHearWrapper-clujbs bhNIJY ntent-hear article__ntent-hear"><div data-ttid="ContentHearContaer" class="ContentHearContaer-cGKRbE knDxNq"><div class="ContentHearHedAccredatnWrapper-GFiQf cDNVlV"><div data-ttid="ContentHearTleBlockWrapper" class="ContentHearTleBlockWrapper-cjmSKp jbzVNV"><div data-ttid="ContentHearRubric" class="ContentHearRubricBlock-LmpbT kkDiIx"><div data-ttid="ContentHearRubricDateBlock" class="ContentHearRubricDateBlock-kAQcZP fTFWxD"><div class="RubricWrapper-dKmCNX dZhWBL bric ContentHearRubricContaer-eTudtt iRsSlw"><a class="RubricLk-gRWSOU fgWnkQ bric__lk" href="/culture/the-ont-row"><span class="RubricName-fVtemz cLxcNi">The Front Row</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd NbxED hpJvIc">“Barbie” Is Brilliant, Betiful, and Fun as Hell</h1></div><div class="ContentHearAccredatn-lfctVB enhwXT ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ Mtme">Greta Gerwig’s giddily stylized visn of a doll g to life mak a ser se for the art of adaptg even the most sanized I.P.</div><div class="ContentHearByle-kmPyCa gvUmxJ"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearContributorImage-cvjZXn jKACOU"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearContributorImage-cvjZXn jKACOU rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="66px"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="66px"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bqbBYQ"><p class="ByleWrapper-jWHrLH ivtvgj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/richard-brody">Richard Brody</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2023-07-21T18:37:32-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">July 21, 2023</time></div></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHearLeadAsset-hGbumP iWPCcH lead-asset ContentHearLeadAssetWrapper-hfXHEc fTrSlG lead-asset--width-smallle" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb khLUzS"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz hpBuno"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO KhjZz ContentHearRponsiveAsset-bREgIb khLUzS rponsive-image rponsive-image--expandable"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="A photo of Margot Robbie as Barbie Greta Gerwigs 2023 film “Barbie.”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE iTuhkZ ptn ContentHearLeadAssetCaptn-hPWmSN kuCzGS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">Gerwig’s movie puts bright cril light the trouble wh Barbie’s pure, blank perfectn.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photograph urty Warner Bros. Pictur</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" class="ContentHearLeadRailAnchor-jYVcDc djtEof"></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kAEsuD viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU cjjxgx bookmark mobile"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">It’s unfortunate that fantasy has glutted the movi and tarnished the genre’s name wh the mercial excs of superhero stori and C.G.I. animatn, bee fantasy is a far more severe tt of directorial art than realism. This is, first off, bee the boundls possibili of the fantastil both allow for and require a filmmaker’s prehensive creativy. But, ccially, fantasy is also a visn of realy—the subjective tth of filmmakers’ ner life, the world as appears their md’s eye. The great directors of fantasy are the on who make explic the nnectn between their fantasy worlds and lived realy, as W Anrson recently did “<a href=">Asteroid Cy</a>,” and as Greta Gerwig has done spectacularly her new film, “Barbie.” Unlike Anrson, who has spent his entire reer on the far si of the imagatn, Gerwig’s prev featur as solo director, “<a href=">Lady Bird</a>” and “<a href=">Ltle Women</a>”—both arntly crafted, both mostly leral—did ltle to forhadow the overwhelmg outburst of ventive energy that mak “Barbie” such a thrillg experience. Though “Lady Bird,” Gerwig’s breakthrough feature, is a fictnalized story of her own adolcence, her fay life, and her home town, “Barbie”—y, a movie about a doll ma unr the aegis of s manufacturer, <a href=">Mattel</a>—is the far more personal film. It’s a film that’s energized throughout by a sense of artistic eedom and unhibed creative passn greater than what Gerwig has brought to even her prev projects ma outsi the ostensible nstrats of stud filmmakg.</p><p class="paywall">The unrlyg subject of “Barbie” is how to play wh Barbie dolls and why. Playg wh Barbi, after all, is the D.I.Y. versn of adaptatn, the enactment private of the kd of ee and wild play that Gerwig (who wrote the script wh her romantic and creative partner, <a href=">Noah Bmbach</a>) enacts the movie. “Barbie” is about the tellectual mand and emotnal urgency of makg preëxistg subjects one’s own, and advot for imagative fily, the radil off-label manipulatn of existg tellectual property. Moreover, prents such acts of reterpretg faiar subjects, as a ccial form of self-analysis, a way to explore one’s own self-image and to nont the prejudic and equi built to prevailg, top-down terpretatns of them. “Barbie,” other words, is a film of the polics of culture and, by extensn, of the need for a creative rebelln to reëstrange the faiar for the sake of social change.</p><p class="paywall">The movie begs wh one of the most gen parodi I’ve seen a while, an orig story of the Barbie doll based on the openg sequence of “<a href=">2001: A Space Odyssey</a>.” A group of girls is strand a barren primordial landspe. A voice-over narratn (by Helen Mirren) explas that, sce the begng of time, they had only baby dolls to play wh, leavg them nothg to image themselv as except mothers. Then me Barbie (Margot Robbie), who, wh her many varieti and guis, offered the girls (who now smash their baby dolls to piec) the chance to image themselv as astronts, doctors, judg, even Print, and th herald a future of equaly and opportuny. It’s the abyss between this promised utopia and the world as we know , between the merchandisg of profsnal femism and the endurance of patriarchal reali, that the movie is set.</p><p class="paywall">“Barbie” ntas a potent paradox that is fundamental to s effervcent lights. A sgle ame of the film packs such profe and exquise tail—of stume and settgs, gtur and dictn—that ’s impossible to enumerate the plethora of ventns and cisns that brg to life. Wh s eic pace and s grand-sle, wi-rangg spiratns, plays like a live-actn rtoon, and ptur the anythg-is-possible spir of classic Looney Tun better than any other film I’ve seen. Yet s whimsil plot is nstcted wh a dramatic logic that manag to transform phantasmagoril leaps to persuasive nsequenc, wh the rult that the tails of the story seem utterly separable om, and ntuo wh, the rtoly ornamental visual realms that sets to motn.</p><p class="paywall">The drivg nce is that Barbie to life and enters the real world, but Gerwig grounds that transformatn genly by givg Barbie a prr life of her own as a doll. The Barbie played by Robbie, who’s lled Stereotypil Barbie, liv Barbieland along wh all the other Barbi who have been put on the market, whether Astront Barbie or Doctor Barbie or Print Barbie, as well as Barbi of a wi range of ethnici and body typ, all named Barbie, all ridg doll ho, all llg to one another every bright and sunny morng, “Hi, Barbie!,” and offerg intil si-to-si hand-wave greetgs. Stereotypil Barbie drks imagary k poured om a rton to a cup, eats a plastic waffle that pops om a toaster as a perfectly shaped dollop of butter lands atop , and—bee, as the narrator explas, Barbi n be rried and placed anywhere—glis om her balny through the air to behd the wheel of her pk fifti-style Corvette nvertible.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Stereotypil Barbie has a stereotypil suor, the hunky blond Ken (Ryan Goslg)—one of many Barbieland—who urts her wh a droll sexual ignorance to match hers. There’s a strong gay subtext to the movie’s well-iffured and accsorized Kens; one scene, Ken and another Ken (Simu Liu) get to a dispute and threaten each other to “beach you off.” (A nerdy iend of the Kens, lled Allan, played by Michael Cera, is the only non-himbo around.) The narrator mak the distctn—one that prov to be of great narrative signifince—that for Barbie every day is a good day, whereas for Ken a day is good only when Barbie looks at him. Ken tak awkward pas to get Barbie to look, but she’s ntent her Barbie-centric world. In li of a date, she v him to a girls’-night bash at her hoe—the bt party ever, but then, they all are—plete wh a whirlwd-spectacular dance sequence. In the middle of the ftivi, though, Barbie embarrassgly blurts out her own sudn premonn of ath.</p><p class="paywall">Somethg troublg is disturbg the priste perfectn of Barbie’s permalife Barbieland, and she nsults the clost thg to a troubled outst her midst, Weird Barbie (Kate McKnon), to fd out what’s gog on. Weird Barbie has a punk haircut, a malformed body, and somethg like face tattoos—the rult, is said, of a human who played wh her “too hard.” To get to the source of her disturbance, Barbie will have to make passage to the human world and fd her own owner, whose play has perhaps left an emotnal mark jt as Weird Barbie’s has left a physil one. Travellg between Barbieland and the human world volv trans via, among other Mattel-certified vehicl, Barbie’s nvertible, a space rocket, a tanm bicycle, and a Volkswagen mper van. Ken stows away on Barbie’s journey, and the duo eventually lands on the beach —where else?—Los Angel, another land of artific, where Barbie quickly has her illns burst.</p><p class="paywall">In L.A., Barbie enunters such human-world phenomena as tllg, old age, anxiety, and the social dynamics of real-life girls, most notably a young high-school tellectual named Sasha (Ariana Greenblatt), who lls Barbie a “bimbo,” a menace to femism, even a “Fascist.” Barbie fds her way to Mattel headquarters, where the C.E.O. (Will Ferrell) wants to trap and twist-tie her a display box. Instead, Barbie p, but, while she’s on the n, Ken—who’s read up the school library about patriarchy—heads to Barbieland and exports the notn there. When Barbie returns home, she fds transformed to a manosphere, full of Kens slakg gdg agast Barbi and Barbi ntent wh subservience to Kens, and she has to plot to rtore to s ostensible origal form as a femist paradise. Spoiler alert: the Ken-centric patriarchy that Barbie fds at home is both appallg and hilar, wh lots of hors (“man extenrs,” Ken lls them) and arnt guar playg “at” Barbie, pecially of the Matchbox Twenty song “Ph,” which the Kens have adopted as a male anthem.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">The tra that enabl Barbie to fight to take back Barbieland is the very weirdns that she’d sought to cure. It’s the “hard” play of a human owner—the e of Barbie as an avatar of a real person’s emotnal cris—that giv Stereotypil Barbie the perspective to see what’s wrong wh Barbieland, the wil to take actn to reclaim for herself and the other Barbi, and the open-mdns to see that she herself is need of personal change. The unhibed exprsn of Barbie’s human has tght Barbie, above all, the ncept of eedom; and ’s no spoiler to note that the ncept, here, mh wh an existentialist tradn that lks such eedom to the evabily of ath. (In a magnificent meta-touch, Barbie has an enunter wh the creator of Barbie, Ruth Handler, who, real life, died 2002; here, she’s played by Rhea Perlman.)</p><p class="paywall">Far om beg a feature-length mercial for Barbie, Gerwig’s movie puts bright cril light the trouble wh Barbie’s pure, blank perfectn. Instead of projectg their own imperfectns or thoughts onto the doll, girls have been socialized to strive for an impossible doll-like perfectn their own liv. Barbie n be anythg Barbieland—a doctor, a Print, an astront—but only bee Barbieland is a ictnls Brigadoon. There’s no Fox News Barbieland, no polil magogy, no relign, no culture. Any girl who plays wh Barbie and imag that she n do anythg will disver, eventually, that she’s been the victim of a nox fantasy. Playg weird wh Barbie means ascribg the tangled terms of one’s own environment to Barbieland, one’s own nflicts to Barbie. It means turng Barbie human—to a character whom a child n e to give voice to an ner life, the send person, when her first person feels stifled or reprsed.</p><p class="paywall">“Ordary”: pay attentn to the arrival, “Barbie,” of that word, which reverberat like a tung fork through the entire story, nveyg longg for the day when a woman’s life don’t mand heroic stggle agast societal limatns and ntradictory mands. (The movie featur a fervent monologue on the subject, built of faiar talkg pots that are energized by the fast and fur dignatn of the speaker, Sasha’s mother, a Mattel employee played by Ameri Ferrera.) The ia flects Gerwig’s athetic, too, a way that’s ma clear, aga, the ntrast between her filmmakg and that of W Anrson, the current cema’s preëment stylist. Anrson’s films borrow ply om pop culture whout makg films <em>of</em> pop culture; his rigoro visual posns set the actn at a ntemplative distance that keeps one eye on history and the other on the future. Gerwig, by ntrast, is out to nquer the moment, and her visual posns reflect this immediacy. Her imag (wh cematography by Rodrigo Prieto) offer, effect, a mighty sense of style whout a rrpondg sense of form: they teem and overflow, bee they’re meant not to be limed to the screen but to burst out and fill the theatre and take their place the world at large. She don’t borrow pop culture ironilly; she embrac passnately and directly, orr to transform , and thereby to transform viewers’ relatnship to and to renr that relatnship active, cril, non-nostalgic. Her art of reterpretg society’s loomg, shy cultural objects, the tert of progrs, dramatiz the nnectn between playg a child’s doll hoe and on the big screens of the world. ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box ArticlePageSplAdRail-OyjwD jikppc"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="ArticlePageSplAdRailContent-jsltpq iZDmmY spl-ad-rail-ntent"><div class="ArticlePageSplAdRailTop-jUrrVY jzzFg"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="ttjcs"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un 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class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="LkStackWrapper-NFLYw kgtXXB lkstack" data-ttid="LkStack"><div class="SectnTleRoot-dBGvdq kjAxEG LkStackHear-lKjbE hejl lk-stack--headg" data-ttid="SectnTle"><h2 class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SectnTleHed-dKqZet dxqEAa dqtvfu jttyjJ">New Yorker Favor</h2></div><div class="LkStackContent-jyKicS gPhyME"><ul class="LkStackList-gGcjdZ dnMwpz"><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>The killer who <a href="/magaze/1995/06/05/rejectg-ga" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">got to Harvard</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>A thief who <a href="/magaze/2004/05/17/the-silver-thief" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">stole only silver</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>The light of the <a href="/tech/annals-of-technology/the-first-light-of-the-try-atomic-tt" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">world’s first nuclear bomb</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>How Steve Mart <a href="/magaze/2007/10/29/-the-bird-ge" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">learned what’s funny</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>Growg up as the <a href="/magaze/1998/11/16/the-ln-and-me" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">son of the Cowardly Ln</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>Amelia Earhart’s <a href="/magaze/2009/09/14/amelia-earhart-last-flight" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">last flight</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>Fictn by Milan Kunra: “<a href="/magaze/1984/03/19/the-unbearable-lightns-of-beg" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">The Unbearable Lightns of Beg</a>.”</p></div></li></ul><div class="LkStackFooter-KfRyO ebnmps lk-stack--footer"><div><p><a href=">Sign up</a> for our daily newsletter to receive the bt stori om <em>The New Yorker</em>.</p></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/richard-brody"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/richard-brody">Richard Brody</a> began wrg for The New Yorker 1999. He wr about movi his blog, <a href=">The Front Row</a>. He is the thor of <a href=">“Everythg Is Cema: The Workg Life of Jean-Luc Godard</a>.”</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/barbie" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Barbie</span></a><a href="/tag/movi" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Movi</span></a><a href="/tag/greta-gerwig" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Greta Gerwig</span></a><a href="/tag/mattel" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Mattel</span></a><a href="/tag/tellectual-property" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Intellectual Property</span></a></div></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="NewsletterSubscribeFormWrapper" class="NewsletterSubscribeFormWrapper-fCqqkN jKSBhE newsletter-subscribe-form ContentFooterNewsletterForm-hKeYwa liPqcf"><div data-ttid="NewsletterSubscribeFormHedDekWrapper" class="NewsletterSubscribeFormHedDekWrapper-fpMElW eglIBL"><h3 class="NewsletterSubscribeFormDangeroHed-kRwWjt kbxOa-D newsletter-subscribe-form__hed ContentFooterNewsletterForm-hKeYwa liPqcf">Gogs On</h3><div class="NewsletterSubscribeFormDek-kXonvc cKOhTM newsletter-subscribe-form__k">What we’re watchg, listeng to, and dog this week, onle, N.Y.C., and beyond. 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rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="“Barbie” Tie-Ins Everywhere? Kenough!" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Sketchpad</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">“Barbie” Tie-Ins Everywhere? Kenough!</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="“Barbie” Tie-Ins Everywhere? Kenough!" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Pk vyl at the to shop, pk sunscreen at the dgstore, and Ken operatg the mammogram mache.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Wendi Aarons</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eamwqR" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Daily Cartoon: Friday, July 28th" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Daily Cartoon</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Daily Cartoon: Friday, July 28th</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Daily Cartoon: Friday, July 28th" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">“It’s jt another day here the U.S., wh more extreme heat and a chance of dictment.”</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Dan Misa</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eamwqR" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Why the Bt Boxers Don’t Draw the Biggt Crowds" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">The Sportg Scene</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Why the Bt Boxers Don’t Draw the Biggt Crowds</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Why the Bt Boxers Don’t Draw the Biggt Crowds" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Viewers flock to novelty match volvg fluencers and retired greats. The sport’s most skilled fighters make a smaller splash.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Kelefa Sanneh</span></span></p></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectnGridSummaryItem-WColm eamwqR ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-no-id="nl5a7"></div></div></div><div class="SummaryCollectnGridToActnWrapper-gnReGN eGayfk"></div></div></div></div></div></div><div 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