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Vcent Keh of MASCULAR Stud and Oliver Zke of Photomolekuel are pleased to announce the lnch of A Portra Isolatn, a project explorg emotnal and physil space the end of March 2020, as the COVID-19 global panmic grew spe and impact, gay men around the world were asked to subm self portras that reflected their experience of the ronavis lock-down. Livg liv which are often agmented between nventnal work ndns and their private liv leav many gay men whout the tradnal support mechanisms of heterosexuals and this shows through the separated by geography, culture and age, the men the imag all share fears for the future, lonels, job secury, and separatn.

Is a project by The Ltle Black Gallery, curated by -founr Ghisla Pasl, to promote queer and gay now reprents more than 60 photographers om 25 untri - cludg Cha, India, Iran, Poland, Rsia and Turkey where gay rights are reprsed and queer liv unr nstant threat. It is precisely this faceted humany that photographer Stt Pastfield, a gay man himself, sought to pture Gay Ameri, travelg 54, 000 across 50 stat three years to weave a powerful, profoundly human taptry of 140 fathers, brothers, sons, and iends om all walks of life, religns, ethnici, and backgrounds, who happen to be homosexual mal.

MOVG PORTRAS OF GAY FATHERS WH THEIR FAI ACROSS AMERI

Warng: This post ntas var imag of Put as a gay clown, and may therefore be illegal to share Rsia. * gay picture share *

From lawyers to artists to teachers to farmers, his perceptive, eply personal portras pat a layered picture of ntemporary gay (male) life, the first-ever large-sle photographic survey of gay men always tell you to shoot what you love, and that objective led me to this project.

I cid that I would fd and meet a gay man om every state, listen to their stori, and photograph them the hope that I uld turn that material to a book that would change people's opns and te -- the book that I wish had existed when I was a lad. He wr the preface:A year before my father's ath [om lung ncer], I started gog to a regular group-therapy ssn for gay men New York Cy. This year we celebrate our 13th anniversary Voice has a fantastic terview wh Pastfield, which he reflects on the role the Inter played patg a tly dimensnal portra of gay Inter played a big part how I found people.

I thk most outspoken gay men and all facets of the LGBT muny are those people who fed themselv very much by beg gay and they have that issue that they really want to share wh the world. Ten, maybe 20 years ago, I'm not que sure how I would have found the same men bee they're not gog to gay muny centers, most of them. Thoughtful and perspective-shiftg, Gay Ameri reveals the dimensns of humany well past sexualy, a powerful step toward a culture that no longer nflat sexual orientatn wh human inty and a worthy addn to the bt photography books of Stt post also appears on Bra Pickgs, an Atlantic partner se.

IT’S NOW ILLEGAL RSIA TO SHARE AN IMAGE OF PUT AS A GAY CLOWN

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Hannah Wilkson, the gay New Zealand player, is the early hero of the FIFA Women’s World Cup, after srg the lone goal New Zealand’s 1-0 upset w over Norway. We were ntacted today by the founr of the soon to lnch social work for gay men It lead to take a look around the gay male onle social workg space and wre the followg overview of some of the current market lears. From the proudly profsnal to the happily hedonistic, there may be somethg on this list for everyone – or at least everyone who’s a gay man.

Jt as there’s a wi diversy of gay men the world, there may well be ample room for a variety of gay male social workg s – prumg they are able to build sufficient cril mass for moizatn and fancial viabily. I won’t pretend to speak for gay men and I’m sure there are some s I’m missg, but the appear to be the most talked about gay male social workg s onle. BigJock has a long way to go before n pete wh the heavyweights above, but anythg is possible and there are clearly niche approach unrway throughout the gay male social workg market.

100 YEARS OF PHOTOGRAPHS OF GAY MEN LOVE

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Wh men that everythg looks good on, whether straight or gay mols, is easy for OUT to be at the foreont of brgg you the imag, signs and glamour for the gay mol all of . Whether a portra of an LGBT lumary, a snapshot of a historic LGBT spot, a slishow of a Pri Para, or jt artistic shots of the sky, gay pictur are a ccial part of the life and history of LGBT people, and are ccial s documentatn.

HOW GAY ARE YOU?

Adam* said was dangero to e out as gay his home untry and feared beg forced to an arranged marriage wh a said he was "so lucky" to wed his soulmate, Ray, Manchter and wish everyone uld marry who they love. There are more than 60 untri wh laws that crimalise same-sex sexual acts acrdg to the Internatnal Lbian, Gay, Bisexual, Trans and Intersex Associatn, cludg Sdi Arabia. 'Authentilly myself'Ray said he had also stggled growg up gay the 1970s and 80s England, which was "tough" said his relig school "dmmed to you, 'you are gog to hell'" Adam returned home to Sdi Arabia, spe beg more than 3, 000 apart and later rtricted by the Covid-19 panmic, they kept touch daily and the romance years ago, Ray proposed on a vio ll and after succsfully applyg for a UK fiancé visa, Adam moved to Manchter December 2022.

Adam said he had been aaid to even wear lours his home untry so the first thg he did when he moved was start to "grow my mullet, got my ears pierced and booked appotments for tattoos" relled how, ntrast, one of his gay iends Sdi had been forced to marry a woman, addg: "It has ed not only his life but the life of his wife. The uple, who live London, said a "really betiful memory" was on the way home when one of their sons shouted out of the black b wdow to Trafalgar Square, "My dads jt got married" and cheered "Yay, gay marriage".

KEV SPACEY FELT ‘PRSURED TO E OUT AS GAY’ AFTER SEXUAL MISNDUCT ALLEGATNS

Last time at the 2019 Women’s World Cup, the Netherlands lay claim to the honor of beg the team wh the most out LGBTQ players, but this year Atralia boasts 10 out players and overtak them for the tle of Gayt Team 2k23. Ireland’s historic entry to the tournament marks another triumph for out midfielr Sead Farrelly, whose natnal team but and 2023 return to the NWSL e more than six years after retirg om soccer the wake of systemic homophobic and sexual abe wh the league, which the Athletic first reported on 2021.

SiegedSec, a self-scribed group of gay furry hackers, took s skills to state ernments late June, breachg agenci across five stat and releasg a wealth of data.The stat targeted on June 27 were Texas, Nebraska, Pennsylvania, South Dakota, and South Carola. "Uwu gay furri pwn you~ We'll be back aga soon to ntue our chaos and stctn!"Some news outlets, such as Them, raised ncerns that the group's actns uld expose random people to harm, not jt the targeted ernments.

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class="sibar__AuthorsWrapper-sc-135rg5d-1 cOMElx post-byle__thors-wrapper"><div class="sibar__Avatars-sc-135rg5d-3 cYVCSw post-byle__grouped-avatars"><div class="flt__Element-sc-8r6934-0 Eajbf post-byle__left irvg__agment irvg__agment--flt"><a class="flt__LkWrapper-sc-iyf4mi-0 hcvtma irvg__lk irvg__lk--flt" aria-hidn="te" href=" rel="" target="" tabx="-1"><figure class="flt__FigureWrapper-sc-1lmy-0 fjaYGN post-byle__avatar irvg__post-featured-image irvg__post-featured-image--flt"><span style="paddg-bottom:100%" class="flt__ImageWrapper-sc-1lmy-1 hnRmkg"><img alt="" height="1200" loadg="lazy" src=" srcSet=" 1378w, 257w, 768w, 878w, 1317w, 1080w, 41w, 564w, 615w, 65w, 145w, 290w, 579w, 1158w, 193w, 386w, 772w, 171w, 343w, 686w, 1372w, 514w, 1029w, 1366w" siz="100px" width="1029" class="flt__ImageTag-sc-1lmy-2 jDWYqd"/></span></figure></a></div></div><div class="sibar__AuthorNam-sc-135rg5d-2 cqTYOK post-byle__thor-nam"><span class="flt__AuthorWrapper-sc-3fiqtm-2 cAJsvb post-byle__thor"><a class="flt__LkWrapper-sc-iyf4mi-0 hcvtma post-byle__thor-lk irvg__lk irvg__lk--flt" href=" rel="" target=""><span class="flt__TextWrapper-sc-hmou3q-0 nVGhA irvg__text irvg__text--flt">Jake Wtich</span></a></span></div></div></div><div class="timtamp__TextWrapper-sc-1uu26yx-0 fBbNtW article-meta__post-timtamp le-mon__post-timtamp le-mon__post-timtamp--timtamp"><div class="post-date">8:00 AM CDT on Apr 14, 2023</div> </div></div><div class="flt__ContaerWrapper-sc-1k8y94x-0 bTqzht article-featured-image irvg__ntaer irvg__ntaer--flt" id="sgle_media"><figure class="article__FigureWrapper-sc-7s8aer-0 enkhzk irvg__post-featured-image irvg__post-featured-image--article"><span style="paddg-bottom:56.25%" class="article__ImageWrapper-sc-7s8aer-1 cLpHBB"><img alt="" height="675" loadg="lazy" src=" srcSet=" 1920w, 300w, 768w, 1024w, 1536w, 1080w, 85w, 564w, 615w, 135w, 600w, 1200w, 1366w" siz="(max-width: 350px) 350px, (max-width: 1058px) 768px, (max-width: 1700px) 1080px, 2400px" width="1200" class="article__ImageTag-sc-7s8aer-2 ehmVhs"/></span><div class="article__ImageMeta-sc-7s8aer-3 eBXNjs"><figptn class="article__ImageCaptn-sc-7s8aer-4 hrwttr">Photographer and art llector Patric McCoy pos ont of his exhibn, "Take My Picture," at Wrightwood 659.</figptn><span class="article__ImageCred-sc-7s8aer-5 ieDIYX">Jake Wtich/Block Club Chigo</span></div></figure></div></div><div class="flt__ContaerWrapper-sc-1k8y94x-0 bTqzht article-ntent-ntaer irvg__ntaer irvg__ntaer--flt"><div class="ntentWidth__ContaerWrapper-sc-1p9n6rf-0 gnvRpv irvg__ntaer irvg__ntaer--ntentWidth"><div class="flt__CredibilyInditorsWrapper-sc-18725oc-0 iUZmNj le-mon__credibily-ditors le-mon__credibily-ditors--flt"><ul class="credibily-ditors__list"><li class="credibily-ditors__list-em"><span class="flt__TextWrapper-sc-hmou3q-0 nVGhA credibily-ditors__tle irvg__text irvg__text--flt">Credibily:</span></li><li class="credibily-ditors__list-em"><div class="flt__PopoverWrapper-sc-19b13eh-0 aA-dxY le-mon__popover 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This clus directly terviewg sourc and rearch / analysis of primary source documents.<button class="popover__close" type="button" aria-haspopup="dialog" aria-expand="false" aria-label="Close" role="button" tabx="0">×<span class="screenrearOnly">close</span></button></div><button type="button" class="popover__trigger" aria-haspopup="dialog" aria-expand="false" role="button" tabx="0"><svg fill="none" viewBox="0 0 18 12" height="1em" width="1em" xmlns=" class=""><g clip-path="url(#ditor-origal-reportg_svg__clip0)"><path fill-le="evenodd" clip-le="evenodd" d="M8.524 1.632c3.228 0 6.068 3.26 6.968 4.409-.9 1.152-3.74 4.411-6.968 4.411-3.228 0-6.07-3.26-6.97-4.41.9-1.15 3.74-4.409 6.97-4.409v-.001zm0 10.368c4.082 0 7.383-4.022 8.295-5.256a1.203 1.203 0 000-1.406C15.907 4.108 12.607.085 8.524.085 4.44.084 1.14 4.108.227 5.34a1.204 1.204 0 000 1.408C1.14 7.978 4.44 12 8.524 12zm.043-8.194c1.153 0 2.088.983 2.088 2.194 0 1.212-.935 2.194-2.088 2.194-1.152 0-2.088-.983-2.088-2.194 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class="articleContent__Wrapper-sc-1rqfqf-0 bDtujo le-mon__article-ntent pi-ntent le-mon__gutenberg-ntent le-mon__gutenberg-ntent--articleContent" id="pi"><p>LINCOLN PARK — Wrightwood 659 kicked off s new season Friday wh exhibs showsg photographs of Black, gay Chigoans the ’80s; a cyberpunk, imagary world where past and future lli; and imag by a Banglashi photographer.</p><p>The art gallery, which was nverted om a four-story apartment buildg at 659 W. Wrightwood Ave., will showse s sprg/summer exhibns through July 15.</p><p>Alphawood Exhibns at Wrightwood 659 is prentg the galleri. Tickets, which grant accs to all three exhibns, st $15 and n be <a rel="noreferrer noopener" target="_blank" href=">bought on Wrightwood 659’s webse</a>.</p><p>This season’s exhibns:</p><ul><li>“Patric McCoy: Take My Picture,” which featur 50 photos of Black, gay men the ’80s taken by the South Si native.</li><li>“Kongkee: Warrg Stat Cyberpunk,” a lumo exhibn bg ancient poetry, morn anime and electronic art.</li><li>“Shahidul Alam: Sged But Not Burnt,” which featur photographs spanng four s of the renowned photojournalist, teacher, wrer and activist’s reer.</li></ul><p><strong>Read more about each exhibn:</strong></p><figure class="wp-block-image size-large"><img siz="(max-width: 987px) 100vw, 987px" srcSet=" 987w, 300w, 768w, 65w, 564w, 615w, 103w, 228w, 457w, 913w, 600w, 270w, 541w" class="wp-image-633893" alt="" src=" height="730" width="987" loadg="lazy" dg="async"/><span class="image-cred"><strong>Cred: </strong> Provid/Patric McCoy</span><figptn class="wp-element-ptn">South Si native Patric McCoy’s photography of Black gay men the ’80s is on display “Take My Picture.”</figptn></figure><h2>‘Take My Picture’</h2><p>The imag “Take My Picture” me to be om a promise by McCoy, a Woodlawn native, to teach himself photography by rryg his first 35-limeter mera everywhere and never nyg people’s requts for a photo.</p><p>An avid cyclist, McCoy would bike 12 to and om work each day wh his mera around his neck. People would stop him and half-jokgly ask for him to take their picture, and he’d always oblige, he said.</p><p>On McCoy’s way home om work, he’d stop as his father’s hoe, which had a darkroom the basement that McCoy would e to velop the photos, he said. The next day, he’d return them to his subjects, and the cycle ntued.</p><p>McCoy’s photos were a h at the Rialto Tap, a now-funct gay bar the South Loop that attracted all kds of men, om Downtown profsnals to drag queens, gangsters and unhoed people, he said. </p><p>“Once people the Rialto saw I was always gog to take their picture and, a day or so, I’d be able to give to them, they jt went wild,” McCoy said. “I beme the photographer for the place.”</p><p>McCoy’s gallery shows those imag, ptured durg a ccial 10-year perd the ’80s before any of his subjects were aware of the tragedy to e wh the HIV/AIDS epimic.</p><p>“I got kd of teary-eyed seeg the photos the exhibn,” McCoy said durg a preview Thursday. “Some of the people have gone, and they were close to me. And to see most of them go at a young age and regnize today they didn’t have to. If the work had been done to al wh HIV and AIDS 10+ years earlier, they would be alive.”</p><p>McCoy talked about his subjects by their nam, sharg memori and their backstori.</p><p>One of “the Youngbloods,” for example, would pivot om a “straight as an arrow, mascule-prentg” man to a “total drama queen” the send he entered the bar, McCoy said.</p><p>Or the Rialto worker who had spent s jail and worked as the bar’s bouncer when he got out, McCoy said.</p><p>“So many stori,” McCoy said.</p><p>McCoy never stcted his subjects on how to pose, givg the imag a more ndid feel and givg the people agency over how they were portrayed, he said.</p><p>“I wanted them to jt be themselv,” McCoy said. “In that, I hope people take away the bety of Black men. In our natural state, we are very betiful people.”</p><p>Wrightwood 659 will host an eveng wh McCoy 5:30-8:30 p.m. May 4. Tickets are $40 and <a rel="noreferrer noopener" target="_blank" href=">available on the gallery’s webse</a>.</p><figure class="wp-block-image size-large"><img siz="(max-width: 1024px) 100vw, 1024px" srcSet=" 2560w, 300w, 768w, 1024w, 1536w, 2048w, 1080w, 68w, 564w, 615w, 107w, 238w, 476w, 952w, 1903w, 600w, 1200w, 282w, 1128w, 1366w" class="wp-image-633895" alt="" src=" height="726" width="1024" loadg="lazy" dg="async"/><span class="image-cred"><strong>Cred: </strong> Provid/Kongkee and Pengu Lab</span><figptn class="wp-element-ptn">“The Sger” is part of Kongkee’s exhibn, “Warrg Stat Cyberpunk.”</figptn></figure><h2>‘Warrg Stat Cyberpunk’</h2><p>In “Warrg Stat Cyberpunk,” Che artist and animatn director Kong Khong-chang, known as Kongkee, tells the story of legendary poet Qu Yuan, who lived durg the Warrg Stat Perd when rival Che stat battled for terrorial advantage and domance.</p><p>Kongkee’s exhibn imag what would happen if Yuan’s soul journeyed om the ancient Chu Kgdom to a retro-futuristic Asia where he’s reborn as an android. The product is a psychelic cyperpunk story told through multi-screen vios, wall projectns, neon stallatns, graphic art, narrative texts and ancient Che objects.</p><p>“Qu Yuan’s poetry has a psychelic, wanrg qualy that I tried to reflect my art, but I also wanted him to reflect the disorientatn, as well as the hope, of our era,” Kongkee said.</p><p>Visors will learn about Yuan, who was one of ancient Cha’s most revered poets and who is believed to have been a tsted adviser of Kg Huai of Chu until the poet was banished.</p><figure class="wp-block-image size-large"><img siz="(max-width: 1024px) 100vw, 1024px" srcSet=" 5184w, 300w, 768w, 1024w, 1536w, 2048w, 1080w, 72w, 564w, 615w, 114w, 254w, 507w, 1013w, 2025w, 600w, 1200w, 1366w" class="wp-image-633901" alt="" src=" height="683" width="1024" loadg="lazy" dg="async"/><span class="image-cred"><strong>Cred: </strong> Jake Wtich/Block Club Chigo</span><figptn class="wp-element-ptn">People n get a look to artist Kongkee’s creative procs “Warrg Stat Cyberpunk.”</figptn></figure><p>Yuan drowned himself the Miluo River, but Che people <a rel="noreferrer noopener" target="_blank" href=">celebrate him yearly durg the Dragon Boat Ftivals</a>, which started as a search for his body.</p><p>Kongkee his art to rurrect the poet’s soul by transformg him to an android who stggl wh memori of his past life. Android Yuan ponrs the dualy of ath and immortaly, the body and the soul and what means to be human or mache.</p><p>“Like the Greek philosopher Heracl said, ‘No man ever steps the same river twice, for ’s not the same river and he’s not the same man,'” Kongkee said. “I asked myself what happens when a soul emerg after 2,000 years om unrwater. Do seek out somethg new? Do return to faiar plac?”</p><p>Android Yuan’s journey se the poet bee a pop in, rencile wh the rernated Kg Huai of Chu and nont the ghost of Emperor Q Shi Huang, whose nqut of Yuan’s homeland led to his ath.</p><p>Kongkee “brilliantly draws ancient artworks to his own dazzlg visn, revealg how the past hnts the prent and helpg image what a vibrant stra of ‘Asian Futurism’ n look and feel like — one full of energy, mic and lor that creatively entw the enigma of the past wh utn toward cuttg-edge technologi,” said Abby Chen, who anized the exhibn as senr associate curator of ntemporary art at the Asian Art Mm of San Francis.</p><p>Kongkee will give an exhibn tour 12:30-1:30 p.m. Saturday. Tickets st $15 and are <a rel="noreferrer noopener" target="_blank" href=">available on Wrightwood 659’s webse</a>.</p><figure class="wp-block-image size-large"><img siz="(max-width: 891px) 100vw, 891px" srcSet=" 891w, 300w, 768w, 72w, 564w, 615w, 114w, 254w, 508w, 600w" class="wp-image-633894" alt="" src=" height="593" width="891" loadg="lazy" dg="async"/><span class="image-cred"><strong>Cred: </strong> Provid/Shahidul Alam</span><figptn class="wp-element-ptn">Photojournalist Shahidul Alam’s work n be viewed “Sged But Not Burnt.”</figptn></figure><h2>‘Sged But Not Burnt’</h2><p>Wrightwood 659 is hostg Alam’s work aga for a look at his four- photojournalism reer wh more than 80 imag g om his extensive archive Dhaka, Banglash.</p><p>Alam is a self-tght photographer who started by documentg street protts Banglesh the early ’80s. Sce then, he’s ed the art form as a tool to rist polil rptn and document the stggle for mocracy.</p><p>“Sged But Not Burnt” featur a mix of portras, landsp, and scen of daily life, strife and ristance the “Majory World,” a term Alam ed to scribe “velopg untri” the Global South. </p><p>The exhibn is anized to sectns that rrpond wh pivotal moments Alam’s life.</p><p>The first gallery featur “Motijheel Hartal,” a photograph om Nov. 10, 1987, that picts the day activist Noor Noor Hossa and hundreds of prottors were killed durg Lt. Gen. Hsa Muhammad Ershad’s regime.</p><p>Alam has spent nearly 50 years documentg Banglashi people’s rilience and stggle for eedom. Throughout the exhibn, visors will see the cyclil rise and dismantlg of tocratic regim, the dangero effects of loose labor regulatns, civil rights ab, extreme class differenc and nflicts stigated by the state.</p><p>The tle om Alam’s practice as a journalist, tryg to get as close to the story while matag safety.</p><p>“As journalists, we are always phg, tryg to get to the edge,” Alam said. “Sometim gets dangero, but is a fe balancg act bee tryg to be safe, you n the risk of beg effective. In tryg to be effective, you n the risk of gettg burnt.</p><p>“It’s about fdg the balance between where you’re sged but not burnt.”</p><p>Alam has spent his life mpaigng for social jtice and often challenged the global domance of whe, Wtern media. He found <a rel="noreferrer noopener" target="_blank" href=">Majory World</a>, an agency that works wh photographers om Asia, Ai, Lat Ameri and the Middle East to create equal opportuni for photographers om unrreprented groups.</p><p>A different selectn of Alam’s work was <a rel="noreferrer noopener" target="_blank" href=">featured at Wrightwood 659 durg the gallery’s wter exhibn</a>, which reflected on his time beg imprisoned for 107 days and tortured after cricizg his ernment. He is out on bail and fac up to 14 years of imprisonment if nvicted, he said.</p><p>“Throughout his nearly 50 years of documentg social jtice, Shahidul Alam brgs alive issu too often unreported,” said Ina Puri, curator of the exhibn. “The lens of the photographer remas foced on the unr-reprented and never wavers, creatg searg visual imag that will lger forever one’s nscns.”</p><p>Alam will give a lecture on his work 6-7:30 p.m. Tuday at the South Asia Instute, 1925 S. Michigan Ave. Tickets st $10 and are available on <a rel="noreferrer noopener" target="_blank" href=">Wrightwood 659’s webse</a>.</p><p class="pi__hi-for-payg"><em><a rel="noreferrer noopener" target="_blank" href=">Subscribe to Block Club Chigo</a>, an pennt, 501(c)(3), journalist-n newsroom. Every dime we make funds reportg om Chigo’s neighborhoods.</em></p><p class="pi__hi-for-payg"><em>Click <a rel="noreferrer noopener" target="_blank" href=">here</a> to support Block Club wh a <a rel="noreferrer noopener" target="_blank" href=">tax-ductible donatn.</a></em> </p><p class="pi__show-for-payg"><em>Thanks for subscribg to Block Club Chigo, an pennt, 501(c)(3), journalist-n newsroom. 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