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“The key issue that Bud Light tapped to was the fact that they didn’t unrstand their re dience and know enough about them,” Hodson, a gay man, told CNN about the ntroversy that began when the Anhser-Bch beer brand sent fluencer Dylan Mulvaney a n of beer. Gay Water might not have the ep pockets pared to s petors, like Whe Claw, but “even at small sle, pani of many siz are havg succs makg spir-based seltzers and premixed cktails,” Bryan Roth, an analyst for Feel Goods Company and edor of the alhol beverage newsletter, Sightl+, told CNN.

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“There’s lots of space the spir-based seltzer tegory which Gay Water n play, pecially if the brand n offer a cultural or emotnal nnectn that will feel more excg than the prospect of another peapple-flavored vodka seltzer om natnal or ternatnal rporatns,” Roth said. The se ma s way to the US Supreme Court, which dismissed an appeal 2013 over same-sex marriage on jurisdictnal grounds, lg private parti did not have standg to fend California’s voter-approved ballot measure barrg gay and lbian upl om state-sanctned wedlock. 'Authentilly myself'Ray said he had also stggled growg up gay the 1970s and 80s England, which was "tough" said his relig school "dmmed to you, 'you are gog to hell'" Adam returned home to Sdi Arabia, spe beg more than 3, 000 apart and later rtricted by the Covid-19 panmic, they kept touch daily and the romance years ago, Ray proposed on a vio ll and after succsfully applyg for a UK fiancé visa, Adam moved to Manchter December 2022.

Adam said he had been aaid to even wear lours his home untry so the first thg he did when he moved was start to "grow my mullet, got my ears pierced and booked appotments for tattoos" relled how, ntrast, one of his gay iends Sdi had been forced to marry a woman, addg: "It has ed not only his life but the life of his wife.

A married uple (Treat Williams and Sharon Lawrence) v their adult children, cludg gay son Brandon (Jonathan Bent) and his partner (Brad Hardner), to stay wh them the weeks leadg up to Christmas to revis the old fay tradn of transformg their childhood home to "The Christmas Hoe" — a procs that means extensively ratg the home for the Christmas holiday for what uld possibly be the last "The Christmas Hoe" has a sequel, 's not nearly as good as the origal. The film won’t say , but a post-creds punchle about Ken’s handwrg, plete wh hearts and stars surroundg his name, tells what we need to heavily implied nature of Ken’s gayns Toy Story 3 harkens back to Hollywood’s tradnal gay bt iend-type characters.

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In the Hays Co era, explic referenc to homosexualy weren’t allowed, so characters like Van Buren (Frankl Pangborn) 1937’s Easy Livg, Kip (David Wayne) 1949’s Adam’s Rib, or Addison (Gee Sanrs) 1950’s All About Eve stead were imbued wh effemate characteristics, offerg a glimpse outsi of heteronormativy whout explicly beg of the characters were the same—some were tty, others sweet. While there is no way to “drs gay, ” there are several dolls that seem to suggt otherwise, such as:Fashnista Ken #193, who looks very exced to tell you about his new obssn, Troye Sivan;Travel Ken Doll, who has a satchel perfect for bathho and a purple overnight bag that lerally proclaims he’s “extra;”Ken Looks Doll, servg “I’m gonna give you a makeover”-type realns while sportg black pleather pants;This Ken, who wears the least heterosexual double nim I have a feelg the new Barbie movie will put the work to nvce that Ken is a hetero du who lov nothg life more than Barbie herself, the wrg’s already on the wall: Ken is, and always will be, Barbie’s gay bt obssg!

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SiegedSec, a self-scribed group of gay furry hackers, took s skills to state ernments late June, breachg agenci across five stat and releasg a wealth of data.The stat targeted on June 27 were Texas, Nebraska, Pennsylvania, South Dakota, and South Carola. That clip appears The Celluloid Closet, Rob Epste and Jefey Friedman’s documentary based on Vo Rso’s study of homosexualy the movi, along wh untls exampl of how gay characters showed up, per narrator Lily Toml, as “somethg to lgh at, or somethg to py, or even somethg to fear.

The performanc are staggerg: Al Paco as the ignom Roy Cohn; Jefey Wright is the sharp-wted gay nurse who tends to him; Mary-Louise Parker as a pill-poppg hoewife wed to a closeted Mormon; Emma Thompson as an imper (and sometim sassy) angel; and Meryl Streep four rol, cludg the ghost of Ethel Rosenberg. It was still nsired a bad reer move for a movie star to play a gay role 2005, and Hollywood’s track rerd was ls than stellar when me to treatg homosexual romanc wh the same pth as heterosexual on (if emed f to tackle such stori at all). A page-to-screen take on Vo Rso’s semal book regardg LGBTQ reprentatn (and misreprentatn) the movi, Rob Epste and Jefey Friedman’s documentary prents the perfect show-and-tell plement to the late scholar’s work — you n lerally see the evolutn of cematic homosexualy as progrs om punchle to social pundry, sikick-and-stock-villa fodr to queers beg the hero of their own stori.

To say that William Friedk’s thriller about a serial killer targetg gay men New York was ntroversial would be puttg dly: Village Voice lumnist Arthur Bell (whose verage of murrs the Wt Village bar scene was a partial spiratn) lled the script “the worst possible nightmare of the most uptight straight”; tablishments that had agreed to operate sudnly whdrew their support; activists dispted filmg at every turn; theaters were picketed; and one massive prott led to a traffic-stoppg s- and arrts.

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) But 40 years after Al Paco’s unrver p first stepped to the Mhaft, this lurid exploatn movie has been reclaimed by gay film crics such as Nathan Lee and Melissa Anrson, noticeably for the way prents the late ’70s leather-bar scene wh an almost véré-like sense of observatn. Mixg herage-drama aspects wh outré postmorn flourish and a heightened sense of homoeroticism, the movie prents the relatnship between the two men as a polil act as much as a romantic one; Edward’s army is refashned as ACT UP-style activists, and the behd-the-scene machatns of Edward’s wife, Isabella (longtime Jarman llaborator Tilda Swton), double as a crique of Bra’s opprsive, historilly strict anti-homosexual laws. Set on the muddy, wdswept moors of Yorkshire, Francis Lee’s but feature follows Johnny (Josh O’Connor), a young gay man leadg a ad-end existence on his fay farm, and Ghehe (Alec Sereanu), a Romanian migrant worker who to help out durg lamb-birthg season.

The HIV vis h the gay muny around the same time that the personal mrr h retail shelv — which is one reason David France’s Osr-nomated film about the formatn of activist anizatn groups ACT UP and TAG (Treat Actn Group) has such a shatterg impact.

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Blendg readgs of his work wh sequenc of geo men tuxedos dancg and cisg each other (or posg naked), the movie specifilly plac Hugh’ verse a homoerotic ntext; the work of fellow gay wrers Jam Baldw, Essex Hemphill, and Robert Bce Nugent also acpany black-and-whe scen of gay clubs, gay celebri (keep an eye out for Bronski Beat sger Jimmy Sommerville as an angel), gay inography, and gay love.

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Terence McNally, who died March om plitns related to COVID-19, adapted his own Tony-wng play for director Joe Mantello, and the film is the perfect remr that McNally was one of the great chroniclers of gay love, gay relatnships, and what meant to fd a chosen fay who would support you through good tim and bad.

A heartbreakgly gentle portra of a young man’s very rough life growg up gay Miami’s impoverished Liberty Cy neighborhood, Barry Jenks’ lyril send film, prented three acts, juxtapos moments of credible tenrns between men wh bursts of sual celty. “Gay-htler die” may now seem like a Sundance cliché, but until G Van Sant’s third feature dropped dienc to the sular world of Portland’s street culture, no one had ma a movie that addrsed the subject wh such a mix of poetry and blunt honty. An experimental doc om the legendary filmmaker Barbara Hammer, this llage of personal ttimoni, gay and lbian ephemera, and a profilette of thor Willa Cather is a roundabout mediatn on, per s creator, “a reprsed and margalized history” of queer life the 20th century.

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And a ltle over an hour, she acplish all that and more — scen of timacy among elrly and biracial same-sex upl will sudnly give way to exploratns of homosexual persecutn Nazi Germany, or one woman’s oral history of tryg to mask her sexual preferenc durg her time the army durg World War II. Pedro Almodóvar’s filmography is filled wh gay characters, gay love, gay sex, and gay sensibili — you n see his punkish late-Seventi shorts, his mpy farc (Women on the Verge of a Nervo Breakdown), his Hchckian thrillers (Matador, Law of Dire), and his melodramas (Bad Edutn, All About My Mother).

The tone slowly but substantially shifts, and you fd yourself already mourng Nick before he’s even gone — a ttament to both Bcemi, one of his earlit rol, and Sherwood’s termatn to prent the emotnal trma suffered by the gay muny as the panmic raged around them. The key movie of what would bee known as the “New Queer Cema” (see also Tom Kal’s Swoon and Gregg Araki’s The Livg End), Todd Hayn’ triptych giv the story of a child who murrs an aber and mysterly disappears (“Hero”), a Fifti-style monster movie about a scientist who turns to a hio creature after drkg a “sexualy” potn (“Horror”), and a bold adaptatn of Jean Ge’s love-among-nvicts tale The Miracle of the Rose (“Homo”).

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And like his fellow gay filmmakers who’d artistilly e of age a world of AIDS-related afflictn and activism, Hayn’ style of storytellg was nontatnal, somewhat nfsnal, and unabashedly queer, whether he was flirtg wh genre parodi, borrowg TV tabloid sensatnalism, or phg the envelope regardg pictns of same-sex eroticism. Followg a Belgian sailor named Querelle (Brad Davis) who’s pulled to port and drifts to dg alg, murr, and a number of sexual liasons, the movie prents s story a style that might be bt scribed as gay exprsnism — a heightened mixture of blatantly phallic archecture, Pierre et Gill’ lor-saturated portraure, and Tom of Fland’s he-man roleplayg fetishism. A massive, Osr-nomated crossover h, Tomas Gutierrez Alea and Juan Carlos Tabío’s film prented a softer, more tolerant treatment of homosexualy by the Cuban ernment (Diego and David share a platonic hug at the end) that was seen as progrs by some and a savvy public-relatns move by others.

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Long before G Van Sant’s bpic would share Milk’s story wh the general public, there was Rob Epste’s Osr-wng documentary on the man who beme known as the Mayor of Castro Street, which retrac Milk’s story as he moved om New York to the Bay Area, beme volved neighborhood polics and the gay-rights movement, and eventually found himself a posn to affect policymakg on a granr sle. Riggs keeps thgs personal but purposefully wins his lens on the subject as well, brgg other queer black voic, highlightg gay dancers and poets of lor, submtg evince that pop culture has tradnally emasculated black men, and openg up about homophobia among the larger Ain Amerin muny. Wrer-director Andrew Haigh’s timate drama has been lled “the gay Before Sunrise, ” a parison that’s both a pliment — like Lklater’s movie, revolv around the power of nversatn and enjoyg the extend pleasure of someone’s pany — and an oversight that don’t que do jtice to the movie’s strengths.

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Documentarians Nancy Adair, Andrew Brown, and Rob Epste’s oral history of gay life giv close to two dozen men and women a chance to tell their stori — and lets the participants share their personal perspectiv on everythg om g of age to g out, om love to heartbreak, om -parentg wh their partners to fg their own paths. Culled om a longlist of hundreds, movi nsired for the list promently feature gay, lbian, trans, or queer characters; ncern self centrally wh LGBTQ+ them; prent s LGBTQ+ characters a fair and realistic light; and/or be seen as a touchpot the evolutn of queer cema.

And we regnize that some of the films the list will re-igne healthy bat that have been fixtur of discsn around LGBTQ+ films — straight actors playg gay characters, cis actors playg trans characters, and the historil domance of whe male perspectiv.

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For our most recent update to the list, we’ve add mastream edi Fire Island and Bros, thriller Knock at the Cab (featurg two pairs of hbands whose vatn is terpted by the potential apolypse), Disney feature Strange World (wh the stud’s first openly gay lead character), Blue Jean (a Brish drama set durg the Thatcher premiership), the extremely well-reviewed Girl Picture), France’s magil realist The Five Devils, and Cann 2023 buts Monster and Strange Way of Life. ) - 12 m driveRtrants801 Bourbon Bar - 1 m walkMango Rtrant & Island Cuise - 2 m walkRams Head Southernmost - 2 m walkOld Town Tavern Key Wt - 2 m walkMoondog Cafe & Bakery - 3 m walkAbout this propertyNew Orleans Hoe - Gay Men Adult RortLoted 3. Also known asNew Orleans Hoe Gay Men Adult Rort Key WtNew Orleans Hoe Gay Men Adult RortNew Orleans Gay Men Adult Key WtNew Orleans Gay Men AdultNew Orleans Hoe Gay Men Adult Key WtNew Orleans Hoe Gay Men AdultOrleans Hoe Gay Men AdultNew Orleans Hoe - Gay Men Adult Rort Key WtNew Orleans Hoe - Gay Men Adult Rort GuthoeNew Orleans Hoe - Gay Men Adult Rort Guthoe Key WtFrequently asked qutnsDo New Orleans Hoe - Gay Men Adult Rort offer ee ncellatn for a full refund?

Lotn: 32 Chakran Buildg, Ari Soi 4, Samsen Nai, Phaya Thai, Bangkok 10400, ThailandOpen: Monday–Thursday om 3 pm to 12 am, Friday–Sunday om 2 pm to 12 amPhone: +66 (0)2 279 1359G Bangkok is an after-hours gay dance club on Silom Soi 2, about 450 metr wt of the Silom MRT Statn. Daddy and the Mcle Amy (1991)The erotic gay drawgs of Too Laaksonen, better known as Tom of Fland, are one of the Sndavian pensula’s most famo queer exports, and this documentary, the only film to feature the man himself, is a handy entry to his work and reer. Gay Hotels Blackpool, Chaps is the largt and one of the bt Hotels for men only and perfect for Gay holidays and Gay weekends, Chaps Hotel Blackpools Premier Gay Hotel is tly one of the most popular hotels Blackpool and has been 'the place to stay for gay holidays' for many years.

But as wh so much of Hchck, ’s hard to say that this is an outright homophobic visn, pecially when the script has the souciance of Osr Wil: “Before this day is out I fear we’ll hear that terribly old-fashned but que exprsive term ‘foul play, ’” Sanrs says, all while munchg on a chicken leg. It may appear quat now, when we have TV seri like Hulu’s Love, Victor (about a Latx teen explorg sexual fluidy) or Netflix’s Bondg (about sex work and alternative sexualy), but the great gay panic set off by Ellen DeGener g out on her s 1997 was a bombshell that didn’t necsarily nvce the works that they’d open the gat to LGBTQ experienc.

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Dpe the fact that lns of Amerins wnsed two men raise a happy and healthy dghter om the fort of their livg room sofas, took a fan mpaign to lobby Disney-owned ABC to fally allow Mchell (gay actor Jse Tyler Fergon) and Cameron (straight actor Eric Stontreet) to kiss ( fally happened 2010).

From the Roy Cohn-flected Army-McCarthy heargs — which was the first time many people heard the word “homosexual” uttered on TV — through the “don’t ask, don’t tell” Neti, that clud The Goln Girls and Digng Women, to our current glter-and-glam era of RuPl’s Drag Race and almost-anythg-go pansexualy. It was Cher-lovg Jack (Sean Hay) and alholic, right-wg sociale Karen (Megan Mullally) as much as Will (Eric McCormack) and Grace (Debra Msg) that enared Amerins to the sassy s, wh l like: “Commandment number one the gay bible: Thou shalt not vet my ex’s ass. Adapted om gay director Jt Simien’s breakout film of the same name, about black llege stunts g to terms wh a “post-racial Ameri, ” the seri explor them of race, genr, and sexualy by skewerg jt about everyone for hypocrisy and double standards.

In the send season, he manag to evolve beyond simple trop and is given space to explore his queer inty, cludg havg his heart broken by Silv (a self-scribed “Mexin Italian gay vers top otter pup”), fdg a boyiend (of sorts), and even beg rejected by another black man bee of his sk lor — provg that, spe all the talk of “muny, ” ’s never easy to fe lastg bonds. The bt of the volv Otis’ gay bt iend Eric (Ncuti Gatwa), which is ls a tradnal g-out story (everyone already seems to know when the show begs) than about Eric beg more fortable how he feels about himself and how he prents himself to the world. But there are a lot of other smart stori on LGBTQ subjects, om the technil (a gay virg learns the logistics of anal douchg) to the emotnal (former bt iends don’t work as a uple after both e out) — so many, fact, that ’s a b easier to five when one of the seri’ queer storyl (volvg a homophobic bully) don’t really work.

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‘Barbie’: Ken Has Never Been Barbie’s Boyiend. He’s Her Gay BFF. .

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