Do gay men jt want clon of themselv? Lookg at photos of gay upl, a majory of them seem to jt be datg themselv. Will discs this
Contents:
- OP-ED: THE GAY CLON EVERYONE KNOWS
- GAY HISTORY: AFTER STONEWALL CLON, CLOSETS AND COS
- POLIL-ENOMIC NSTCTN OF GAY MALE CLONE INTY
- CLONG FASHN: UNIFORM GAY IMAG MALE APPAREL
- GAY MASS - GAY CLON?
- GAY HISTORY: SEND THE CLON
OP-ED: THE GAY CLON EVERYONE KNOWS
Gay men of the '70s are remembered for hirsute fac and sktight jeans; their brothers of the '90s were partial to bangs and stubble. How will the gay "look" of the 2010s be remembered? * gay clones *
But when one particular look cropped up the post-Stonewall gay scene of the 1970s, was so popular—and so distct—that the guys who sported were dismissed as “clon. )And while the nickname was ially pejorative, the clone perd marked perhaps the first time that gay men prented themselv wh a queer-signalg uniform that was a direct rponse to societal stereotyp.
“The clone was a reactn to thgs you would see movi of gay men beg flty and nelly, ” says John Calendo, a wrer who lived LA and New York Cy throughout the 70s and 80s, and worked as an edor at the clone-cubatg sk mags Blueboy and In Touch for Men. He pots to the gay mstrel stereotyp the 1967 film The Producers, along wh the timid-lookg guys on the illtrated vers of gay pulp books wh nam like All the Sad Young Men.
(Not to mentn the 1964 article Life magaze lled “Homosexualy Ameri, ” which scribed a “sad and often sordid world. ”) “That’s the kd of imagery”—backwards stereotyp that basilly villaized queer people—“that a lot of my generatn who beme the clone people grew up wh the ccible of the 60s, ” Calendo ntu, when the civil rights and gay liberatn movements were expandg ias of equaly and eedom.
GAY HISTORY: AFTER STONEWALL CLON, CLOSETS AND COS
Late June’s (2019) 50th anniversary of the Stonewall Rts is makg this Pri month a particularly reflective one. But like a newly mted AARP member flippg through their high school yearbook, the morn gay rights movement’s “Big five-oh” moment brgs, wh s flood of memori, certa hard qutns—not the least of which is: What posssed… * gay clones *
Drsg like a clone, he says, was a rejectn of those olr gay ’s not so easy to ppot precisely who origated the clone ial, guys who were alive at the time ually brg up Al Parker, an adult film star turned producer and director who worked om the 70s to the early 90s. (Parker would eventually bee an advote for gay rights and safe sex, producg only safe-sex films before he passed away om plitns due to AIDS 1992.
It was like, Oh that’s somethg wh a ltle work I uld atta, and I thk that’s why beme so quickly absorbed to the gay muny. “When I thk back on havg lived through the time, was like gay guys were pg om this stereotype that was jt culted to the culture of sissi and faggots, ” says Woodff.
“The clone look was certaly about a whe gay man’s rponse and engagement wh those archetyp, ” says Ben Barry, the an of the school of fashn at the New School’s Parsons School of Dign, whose rearch foc on fashn’s relatnship to masculy, sexualy, and the body. ”)Prentg as mascule public was physilly safer for gay guys, but the clone stume pulled double duty, Barry says, tweakg tradnal masculy while also signalg to other queer folks.
POLIL-ENOMIC NSTCTN OF GAY MALE CLONE INTY
Social Constctn is an ill-fed approach, lackg specificy and poorly sued for solvg problems of the real world. A ncrete analysis of negative aspects of the Gay Clone Liftyle, wh a particular foc upon the premier gay clone dg, "poppers" (or nre halants), is ntraste … * gay clones *
“There’s this munal thg happeng right now where people are more open that they’re trans and non-bary or bisexual and not jt on the spectm of beg straight, gay, male, female. I've certaly read about Ana Bryant's pie to the face and Barney Frank's youthful(ish) discretns, but what really gets me to a time warp k-hole are the now-disntued personals and advertisements for bars, clubs, and "spas"; you get to see how gay men really prented themselv and what the often-warped standard of bety the issue is om the '60s, the featured guys are smooth, mcled, and whe (diversy wasn't our strong su back then).
CLONG FASHN: UNIFORM GAY IMAG MALE APPAREL
)There is certaly a clone "look" that still permeat gay male culture; specific styl that intify someone as a rd-rryg homosexual, whether that's the tentn or not. Sce I haven't been to a gay bar six months (too much effort), I cid to pese -- our sister se and arber of gayville -- to see what the predomant gay look is the attentn was pulled strongly and swiftly toward "The 30 Sexit Gay Sex Scen Film" (unlike fashn, men never change). One of my favore movi of all time, 2011's Weekend, almost tops the list (sorry) and that movie not only ptured the morn gay male experience a te, betiful, and searg way, also got the "look" jt right.
Ma characters Rsell and Glen are thoughtful and distctive, but physilly they're clon; their refully librated scff and poma-assisted hair is at every gay dive bar om Edburgh to Williamsburg. Looks was to the ' soclogil searchg next took me to the gay bars of our time: iPhone apps. ) beg the Inter, cloth were not a huge mody, so I thought about draggg myself to a gay bar for an up-close look at clone fashn.
GAY MASS - GAY CLON?
Sadly, I jt uldn't stomach the will to shower aga (hyper-cleanls beg a big part of gay clone culture), so I did the next bt thg, more like the most lazy: I Facebook-stalked my gay male iends. I walked to the bathroom and looked at the gay man the mirror. In honor of the realizatn of my samens, I snapped a photo: more than scff, poma, and polos, the selfie will likely be the endurg gay look of the BROVERMAN is a lumnist for The Advote and the edor chief of Out Traveler.
Wil is a tragic figure LGBTQIA+ history, one who was sent to prison for “gross cency, ” meang his homosexualy.
GAY HISTORY: SEND THE CLON
Though the dandy athetic is not synonymo wh homosexualy, Wil’s aristocratic persona and extremely public trial helped to lk gay sexualy wh what the Metropolan Mm of Art lls the “vany, effemacy, and superficialy” of the dandy. This obssn wh clothg and appearance is a gay stereotype that has lived on for well over a century and holds roots whe homosexual reprentatn. Kaiser pots out an important aspect of our associatns wh LGBTQIA+ culture and fashn—”whe, upper-class mal have domated this reprentatn, spe the volvement of a wi range of ethnic and soc-enomic subgroups the gay or queer muny.
Jumpg forward, post-WWII hered a strong right-wg reactn agast gays and lbians. Johnson, a transgenr woman of lor and gay liberatn activist, the gay rights movement also gaed creased momentum.
Two inic queer athetics of the time clu the gay clon and the anti-fashn lbians.