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DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bqbBYQ"><p class="ByleWrapper-jWHrLH ivtvgj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/richard-brody">Richard Brody</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2018-07-16T16:09:54-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">July 16, 2018</time></div></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHearLeadAsset-hGbumP iWPCcH lead-asset ContentHearLeadAssetWrapper-hfXHEc fTrSlG 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kuCzGS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">Amande Gay’s documentary “Ouvrir la Voix” nonts a polil and historil paradox: the illn of lor bldns that’s central to the French natnal self-image.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photograph by Enri Bartolucci / Bras Fer Productn</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" class="ContentHearLeadRailAnchor-jYVcDc djtEof"></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span 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23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">Not long after <a href=">France beat Croatia</a> the fal match of the <a href=">2018 World Cup</a>, on Sunday, the French soclogist Edgar Mor, who is nety-seven, tweeted that the victory of the team—which is predomantly nonwhe—is an ocsn to celebrate the “one and multicultural” France. “Let’s enjoy the toxitg moments of aterny which won’t last long,” he wrote. Mor’s not jt a soclogist; he’s also the -director, wh Jean Rouch, of one of the ccial films the history of cema, “Chronicle of a Summer,” om 1960, the project <a href=">for which Mor ed a term</a> that proved even more fluential than the movie self: <em>céma véré</em>. That movie, a documentary ma Paris durg the Algerian War, is centered on the psychologil effect of lonialism, racism, anti-Semism, and the legacy of the Nazi Occupatn of France. But Mor’s tweet about France’s soccer-stoked aterny remd me of a more recent film that addrs the untry’s stggle toward acknowledgg s multiculturalism through a visn of sorory: Amande Gay’s documentary “Ouvrir la Voix.” (The tle, which means “openg the voice,” is also a homonym for <em>ouvrir la voie</em>, “openg the path.”) It me out France last October but hasn’t yet been released here, and serv to be seen.</p><p class="paywall">“Ouvrir la Voix” is as radilly ank style as substance: nearly all of s two-hour nng time is filled wh terviews, done extreme closp, wh twenty-four black French women whose remarks Gay aniz thematilly to sixteen chapters. Some were born France, some migrated to France; some are Mlim, some are Christian, one is Jewish; they are of diverse sexual orientatn as well. Though the movie is maly closps, provis, s brief span, the sense of a distant journey that rang far through an unseen France and eply to the liv of people who live there, albe the margs of official culture. The film is not an encyclopedic history or a thumbnail overview of France’s current-day social nflicts; ’s a film of experience and of reflectn, and s first-person narrativ and anecdot are matched by vigoro and cisive discsns of ias, observatns of a diagnostic and analytil bent.</p><p class="paywall">In “Ouvrir la Voix,” some women discs the sual racism that flected their liv sce childhood, both personal and official—schoolyard tnts, school admistrators’ difference and even ntempt, meang advertisements, the tsive attentn of police—and alsos the plethora of stereotyp and clichés about black people that black people France have themselv ternalized. Many of the participants speak of their stggl agast polil and practil equi as a movement of “Aofemism,” bee their experience of femism as black women proved different om—and was risted by—the whe women who domate mastream French femist movements.</p><p class="paywall">Above all, the movie nonts a polil and historil paradox that exerts s distortg force French laws and mor: the illn of lor bldns that’s central to the French natnal self-image. For stance, France keeps no official statistics on the subject of race or relign, orr not to enshre the ncepts law. One speaker says that she ed to agree wh the ia, but then realized that the lack of statistics ma large-sle discrimatn very difficult to prove—France n rely on statistil analys regardg genr but not about race. Jt this month, <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">France’s Natnal Assembly voted unanimoly</a> to elimate the word “race” om the Constutn, orr to validate the legal affirmatn of race as a blogil ncept (there is only one “human race”).</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">But the problem, as several women “Ouvrir la Voix” say, is that, even if the term is scientifilly valid, ’s experientially and socially accurate. As one woman says, “The word ‘race’ has to be spoken, bee exists, ’s materialized our liv, our bodi, our perceptns of our bodi, our relatns wh people, so I thk ’s hypocrisy to ban om the Constutn . . . Race is tly a realy.” Another adds, “The word ‘race’ scrib a social realy”; yet another says, “We don’t name thgs bee that way we don’t have to stggle wh them . . . Sayg that race don’t exist France means not wantg to tackle racial problems.” The word “race,” one participant adds, is a ccial tool “to discs our opprsn clearly and ncretely.”</p><p class="paywall">Another word that looms large the film is <em>muntarisme</em>, a bugbear of French polics across the polil spectm. There’s <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">no exact English translatn</a>; refers to a group or muny’s self-intified distctn om French society at large, and, pendg on ntext, n mean “clannishns,” “self-segregatn,” or “separatist.” The avoidance of <em>muntarisme</em> is why <a href=">France don’t keep statistics on race or relign</a>; ’s why the prumptn of lor-bld tegratn a perfectly merocratic French society is upheld as an ial and embodied law. It’s the term ed to cry the very notn of polil anizatn by mory groups French society.</p><p class="paywall">The term <em>muntarisme</em> is nnected wh the French notn of <em>laïcé</em>, “seculary,” and ’s also why France passed, the early two-thoands, strgent laws banng nspicuo relig symbols om ernment facili—a law that, whout sayg so, targeted the headsrv of Mlim women and kept them out of schools. (One woman “Ouvrir la Voix” discs the discrimatn that she faced, as a Mlim, om whe French femists; one of the film’s few ventur to on-lotn reportg volv a public meetg anized by a group ristg discrimatn agast Mlim women the school system.) Yet what many women emphasize the film is that <em>muntarisme</em>, far om beg a self-discrimatg tra of ethnic mori, is the prevailg and unchallenged mo of life for France’s whe people, whose efforts at wispread self-segregatn are what pass for French life at large. As one woman says, “They don’t see themselv as whe”—and therefore n’t be bothered to see black people as black.</p><p class="paywall">The unrlyg nnectn between the women’s observatns is the very ia of visibily. The fear of French thory French immigrants to keep a low public profile, to avoid speakg out or anizg polilly, and the hibns have been passed down to the younger generatns, as many of the film’s participants say. It’s signifint that several of the film’s participants are performg artists, and most of the film’s forays beyond the closp terviews volve stage performanc and rehearsals. Black French men were <a href=">on the world stage durg the World Cup</a>, as they have been every four years for several s; black French women aren’t on that stage—and, for that matter, they haven’t been nspicuo on the French cematic scene, eher. One actrs terviewed acknowledg that the range of rol for black women is narrow and stereotypil; “I feel like I n’t refe rol that I’m offered, bee I eher change jobs or direct my own films,” she says. That is exactly what Gay has done wh “Ouvrir la Voix.” It is both a val film self and a virtual k for the spiratn of other filmmakers; ’s an openg of voic and of paths.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box ArticlePageSplAdRail-OyjwD jikppc"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="ArticlePageSplAdRailContent-jsltpq iZDmmY spl-ad-rail-ntent"><div class="ArticlePageSplAdRailTop-jUrrVY jzzFg"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="z8nxso"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div><div class="ArticlePageSplAdRailMiddle-tiRvu hiZeZX spl-ad-rail-middle"></div><div class="ArticlePageSplAdRailBottom-dBKMGQ jmCMsn spl-ad-rail-bottom"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="gvotkf"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/richard-brody"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/richard-brody">Richard Brody</a> began wrg for The New Yorker 1999. 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He is the thor of <a href=">“Everythg Is Cema: The Workg Life of Jean-Luc Godard</a>.”</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/ance" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">France</span></a><a href="/tag/amande-gay" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Amande Gay</span></a><a href="/tag/documentari" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Documentari</span></a><a href="/tag/race" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Race</span></a><a href="/tag/black-women" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Black Women</span></a><a href="/tag/immigrants" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Immigrants</span></a><a href="/tag/multiculturalism" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Multiculturalism</span></a></div></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="NewsletterSubscribeFormWrapper" class="NewsletterSubscribeFormWrapper-fCqqkN jKSBhE newsletter-subscribe-form ContentFooterNewsletterForm-hKeYwa liPqcf"><div data-ttid="NewsletterSubscribeFormHedDekWrapper" class="NewsletterSubscribeFormHedDekWrapper-fpMElW eglIBL"><h3 class="NewsletterSubscribeFormDangeroHed-kRwWjt kbxOa-D newsletter-subscribe-form__hed ContentFooterNewsletterForm-hKeYwa liPqcf">Gogs On</h3><div class="NewsletterSubscribeFormDek-kXonvc cKOhTM newsletter-subscribe-form__k">What we’re watchg, listeng to, and dog this week, onle, N.Y.C., and beyond. 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cLxcNi">Vio</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The New York Public Library’s Collectn of Weird Objects</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 720w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 480w" siz="100vw"/><img alt="The New York Public Library’s Collectn of Weird Objects" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k summary-em__k--isCneVio">A lock of Walt Whman’s hair, Jack Kerouac’s boots, and Virgia Woolf’s ne are jt a few of the ems of lerary paraphernalia available at the New York Public Library's Berg Collectn—if you have an appotment.</div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm kdEfwY" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="French Pasta Is French Pastry at Liberte" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Tabl for Two</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">French Pasta Is French Pastry at Liberte</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="French Pasta Is French Pastry at Liberte" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Butter and eggs are the secret to several dish at the new Wt Village bistro, cludg Gnocchi Parisienne, Sllops & Seaweed, and cholate mose.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL 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Contents:

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La réalisatrice et trice Amande Gay relate dans “Une poupée en cholat” (La Déuverte), sa naissance so X d’une mère maroe et d’un père martiquais asi que son adoptn par s parents blancs. Dans son rnier sai tobgraphique, "Une poupée en cholat" (La Déuverte, 2021), Amande Gay revient, à l'ai son expérience personnelle, sur le sujet l'adoptn ternatnale pour en crser l enjx et l'historique.

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A l'ocsn la sortie son film documentaire "Une histoire à soi", la réalisatrice Amande Gay revient micro d'Arnd Laporte sur l étap marquant son parurs personnel et l spiratns qui animent sa démarche cématographique.

AMANDE GAY T L'VéE D'AFFAIR CULTURELL

AUDIO • 1/5 : Amande Gay : "L’enfance t ce moment où l’on t très démuni face x adult". enfanc t une série éde proposée par France Culture. Éutez gratuement en ligne ce podst et parurez tout notre talogue. * amandine gay radio france *

Amande Gay, réalisatrice, édienne, soclogue et ante ao-fémiste y répond micro d'Arnd Laporte. Augt Trapenard receva la édienne Sandre Kiberla, l'écrivae Marie NDiaye, l'actrice, chantse et mannequ Ophélie Wter, la documentariste Amande Gay et la cheffe d'orchtre et mettse en scène Sarah Koné.

Après son premier documentaire Ouvrir la voix sorti en 2017, nsidéré me le premier film ançais aofémiste, la réalisatrice Amande Gay donne la parole à cq personn adopté par s fal ançais dans Une histoire à soi.

Amande Gay sera l'vée du.

L HISTOIR D’AMANDE GAY

Learn more on Meet French Femist Amande Gay, Hband Fay And Net Worth * amandine gay radio france *

Amande Gay. ArchivExtra du film Ouvrir la voix réalisé par Amande Gay, 2017. Extra du film Une histoire à soi réalisé par Amande Gay, 2021.

Car pour Amande Gay, le problème t là: être Noire dans la France d’jourd’hui, c’t enre et toujours ne pas être détentr/détentrice son propre réc. Diplômée Scienc Po Lyon en Communitn, puis du Conservatoire d’Art dramatique du 16ème arrondissement Paris, Amande Gay t une ante qui tape du pog sur la table: la race, l’homophobie, la négrophobie et le patriart sont s ncepts qu’elle a dans le llimatr.

ÉPISO 1/5 : AMANDE GAY : "L’ENFANCE T CE MOMENT Où L’ON T TRèS DéMUNI FACE X ADULT"

Amande Gay Reclaims the Narrative "Speak Up"" name="scriptn * amandine gay radio france *

Ouvrir la voix ESM à Amande Gay, c’t sans doute apprendre que la diaspora cette tellectuelle ançaise, désormais stallée Canada, c’t celle s adoptés.

AMANDE GAY

Richard Brody reviews the documentary “Ouvrir la Voix,” by Amande Gay, which addrs France’s stggle toward acknowledgg s multiculturalism through closp terviews wh twenty-four black French women. * amandine gay radio france *

L choix miux d'Amande Gay:- Sister Rosetta, Tharpe Up above my head, I hear mic the air- Aretha Frankl, One step Ahead. Amande Gay is a famo French personaly. Amande Gay is a femist, filmmaker, rearcher, and Actrs om France.

Amande Gay is a filmmaker, ao femist activist, and amic who juggl productn wh study. Amande Gay is a filmmaker, ao femist activist, and scholar. Amande Gay is a well-known advote for Aofemism, tersectnaly, and adoptn.

Amande Gay Hband And Fay. Amande Gay was born France on October 16, 1984, to a Morocn mother and an unknown Father.

MEET FRENCH FEMIST AMANDE GAY, HBAND FAY AND NET WORTH

Amande Gay, director. Speak Out/Make Their Way. Origal Tle: Ouvrir la voix. 2017. 122 ms. French (wh English subtl). Bras Fer Productns. France. - Marthe Djilo Kamga, director. Vibrancy of Silence. 2017. 90 ms. French (wh English subtl). L Intés du Baobab. Belgium. No price reported. - Volume 61 Issue 2 * amandine gay radio france *

Amande Gay Net Worth. Amande Gay’s worth is not yet available to the public.

The film Speak Up (Ouvrir la voix French) by French filmmaker, scholar, and aofemist Amande Gay, will be shown at the IU Cema on Febary 21.

To this effect, filmmaker Amande Gay’s work — her films, wrg, activism, and rearch — aims to center whens and lonize the md. Traed soclogy, both France and Canada, Gay holds the cril tools to put nversatn different approach and methodologi to the analysis of the tersectn of race, genr, sexualy, and has had her own experience wh beg silenced. ” In the absence of fair reprentatn, Gay cid to create her own characters and took up wrg.

AMANDE GAY RECLAIMS THE NARRATIVE "SPEAK UP"

Amande GAY is a Montreal-based Aofemist filmmaker, activist, and journalist. Followg her graduatn om the Instute of Polil Science Lyon wh a masters munitn, Amande GAY joed the Conservatory of Dramatic Art Paris 16 and began performg theatre, film and televisn. Sce 2012, Amande has been workg as a * amandine gay radio france *

Eventually, Gay seized the mera and started workg on the documentary Speak Up 2013, supported by producer, edor, and sound engeer Enri rry on the project, Amande first met wh forty-five women, nductg prelimary terviews before selectg the twenty-four women we see on screen. That’s bee Gay wants you to s wh the women.

AMANDE GAY, DIRECTOR. SPEAK OUT/MAKE THEIR WAY. ORIGAL TLE: OUVRIR LA VOIX. 2017. 122 MS. FRENCH (WH ENGLISH SUBTL). BRAS FER PRODUCTNS. FRANCE. - MARTHE DJILO KAMGA, DIRECTOR. VIBRANCY OF SILENCE. 2017. 90 MS. FRENCH (WH ENGLISH SUBTL). L INTéS DU BAOBAB. BELGIUM. NO PRICE REPORTED.

* amandine gay radio france *

Gay has also paved the way for wir exploratns of Aopean inti France and Belgium. As a unterreactn, Gay ma sure to clu exprsns of spirualy and relign to also amplify femist Mlim voic. From her own experience as a wrer who has also prefaced the French translatns of bell hooks’ books, Gay knows the importance of a practice based re.

« UNE HISTOIRE à SOI » D’AMANDE GAY, CHANGER LE RéC L’ADOPTN

Filmmaker, activist, and journalist Amande Gay speaks as part of the A.P.E.X. event seri on January 30, 2019 at Southern Utah Universy." name="scriptn" property="og:scriptn * amandine gay radio france *

A meticulo artist, Amande Gay is also a rearcher who has voted her amic work to the nsequenc of lonial history, and more recently to ternatnal adoptn and race. This rearch has culmated her latt documentary, A Story of One’s Own, which Gay met wh French adopte, often racialized, who were born untri abroad.

As a transracial adoptee herself, Gay has published a book at the crossroads of tobgraphy and say, ak to the genre of toethnography, lled Une Poupée en cholat (which has yet to be translated to English) Center of Excellence of the French Embassy at Indiana Universy is proud to -host the vis of Amande Gay and Enri Bartolucci Febary 20-24, 2022. Filmmaker Amande Gay and producer Enri Bartolucci are schled to be prent for a nversatn morated by Dr. Elena Febary 23, Amande Gay will also be givg a lecture entled “Practicg Intersectnaly and Beg Actively Antiracist: Workg towards equaly and social jtice is a dirty job — are you still up for ?

AMANDE GAY

But Mor’s tweet about France’s soccer-stoked aterny remd me of a more recent film that addrs the untry’s stggle toward acknowledgg s multiculturalism through a visn of sorory: Amande Gay’s documentary “Ouvrir la Voix. ” (The tle, which means “openg the voice, ” is also a homonym for ouvrir la voie, “openg the path.

“Ouvrir la Voix” is as radilly ank style as substance: nearly all of s two-hour nng time is filled wh terviews, done extreme closp, wh twenty-four black French women whose remarks Gay aniz thematilly to sixteen chapters. That is exactly what Gay has done wh “Ouvrir la Voix. Amande GAY is a Montreal-based Aofemist filmmaker, activist, and journalist.

AMANDE GAY

Followg her graduatn om the Instute of Polil Science Lyon wh a masters munitn, Amande GAY joed the Conservatory of Dramatic Art Paris 16 and began performg theatre, film and televisn.

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Amande Gay, director. Speak Out/Make Their Way. Origal Tle: Ouvrir la voix. 2017. 122 ms. French (wh English subtl). Bras Fer Productns. France. - Marthe Djilo Kamga, director. Vibrancy of Silence. 2017. 90 ms. French (wh English subtl). L Intés du Baobab. Belgium. No price reported. | Ain Studi Review | Cambridge Core .

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