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class="ContentHearContaer-cGKRbE knDxNq"><div class="ContentHearHedAccredatnWrapper-GFiQf cDNVlV"><div data-ttid="ContentHearTleBlockWrapper" class="ContentHearTleBlockWrapper-cjmSKp kjLxCB"><div data-ttid="ContentHearRubric" class="ContentHearRubricBlock-LmpbT hsydfY"><div data-ttid="ContentHearRubricDateBlock" class="ContentHearRubricDateBlock-kAQcZP fTFWxD"><div class="RubricWrapper-dKmCNX eNRqSb bric ContentHearRubricContaer-eTudtt iRsSlw"><a class="RubricLk-gRWSOU fTtYjx bric__lk" href="/culture"><span class="RubricName-fVtemz cLxcNi">Culture</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd bwDymH isouMH">In Tonight’s Historic LGBTQ+ Ballet, Dancer Calv Royal III Fally Se Himself Onstage</h1></div><div class="ContentHearAccredatn-lfctVB eDhhwT ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearByle-kmPyCa emiglw"><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bHLeKI"><p class="ByleWrapper-jWHrLH uMYIE byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd kxuydN gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd hHRAkO haUSoQ eErqIx byle__name-lk button" href="/ntributor/lilah-ramzi">Lilah Ramzi</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2020-11-23T16:16:23-05:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd eNpMLJ jDQNvc">November 23, 2020</time></div></div></div></div><div class="ContentHearLeadAsset-hGbumP cAlrhp lead-asset ContentHearLeadAssetWrapper-hfXHEc bjtV lead-asset--width-small" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb cZenhb"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz gKnDpj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearRponsiveAsset-bREgIb cZenhb rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="Image may nta Human Person Mannequ Head and Hair" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE bViSGz ptn ContentHearLeadAssetCaptn-hPWmSN dWhfyS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd fITBRd iXWezO ptn__text">João Menegsi and Calv Royal III </span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd ftKqkn fNaHcW ptn__cred">Photo: Courty of Matador Content</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" class="ContentHearLeadRailAnchor-jYVcDc djtEof"></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh SFwwF viewport-monor-anchor"><button id="bookmark" aria-label="Save" class="ActnBarButton-dyFOZU dPbgNk bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-stroke" d="M11.7661 16.3228L4.5 20.1695V3.5H19.5V20.1695L12.2339 16.3228L12 16.199L11.7661 16.3228Z" stroke-lep="square"/></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd fcKlBk gkccfO">Save</span></button></div><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh fOiOQm viewport-monor-anchor"><button id="bookmark" aria-label="Save" class="ActnBarButton-dyFOZU gdCxmM bookmark mobile"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-stroke" d="M11.7661 16.3228L4.5 20.1695V3.5H19.5V20.1695L12.2339 16.3228L12 16.199L11.7661 16.3228Z" stroke-lep="square"/></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd fcKlBk gkccfO">Save</span></button></div></div></div><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG eOdfIs"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa dUONRr body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>In ballet, firsts have tend to be few and far between, but not so the last few years. In 2017, the pote shoe maker Gaynor Mn beme the first to offer slippers shas matchg a variety of darker sk ton. In 2019, Misty Copeland and Calv Royal III danced together <em>Harlequa,</em> a performance that marked the first Amerin Ballet Theatre (ABT) piece led by two Black dancers. And tonight, oppose João Menegsi, Royal will make history once aga <em>Touché.</em> It’s ABT’s first all-male pas ux, a balletic love story starrg two men and a monumental step forward the art form. Choreographed by Christopher Rudd, the piece will make s but this eveng, openg ABT’s <a href=">virtual season</a> wh three other world premier by Gemma Bond, Darrell Grand Moultrie, and Pam Tanowz.</p><p>“Chris lled them Adam and Steve,” says Royal of the uple <em>Touché.</em> More than monstratg Rudd’s wng sense of humor (technilly, the characters aren’t named at all), the signatns “allowed to look at the character as separate om ourselv,” Royal tells me. “This work is so timate, ’s easy to blur the l of who you are as a person outsi of the stud and the character that you portray.” As a love story pairg two male dancers, <em>Touché</em> felt real to Royal, who liv wh his boyiend, Jacek Mysski, a pianist for ABT. “It’s been 10 years sce I joed the pany, and I never thought that I would actually be able to portray a character who was so close to my own life, my own story, and my own journey,” he says.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p>“This beg a gay work, I wanted to make sure that everyone the st was also gay. That was first and foremost,” says Rudd. “I wanted to make sure that I was offerg an opportuny for a gay person to fally play a role that rembled the life that they lead.”</p><div class="AdWrapper-dQtivb fZrssQ ad ad---ntent"><div class="ad__slot ad__slot---ntent" data-no-id="7op0pd"></div></div><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image"><noscript><img alt="Image may nta Back Human and Person" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE bViSGz ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd fITBRd iXWezO ptn__text">João Menegsi and Calv Royal III </span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd ftKqkn fNaHcW ptn__cred">Photo: Courty of ABT</span></div></figure></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB kNleGZ sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="Contaer-bkChBi byNLHx"></div><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="4l9"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="mtq553"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa dUONRr body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>Born Jamai, Rudd began his dancg reer Miami at the age of ne. He danced for the Alberta Ballet, Carola Ballet, and L Grands Ballets Canadiens Montréal before he mted himself to choreography, and 2015 he found his own dance pany, Ruddur Dance, wh a missn to munite social issu onstage. Last October, ught the attentn of Kev McKenzie, artistic director of Amerin Ballet Theatre, who asked Rudd to create a ballet for ABT’s repertory.</p><div class="Contaer-bkChBi byNLHx"></div><p>“The next day I was watchg dancers take class at Lln Center, onstage at the Koch Theater, and h me that I wanted to e this platform to highlight te gay love,” Rudd says. “I saw the men dance across the stage, and I realized this was actually the perfect place to explore this work.” A year earlier, he had choreographed a male-female pas ux for his own pany, and s “overenthiastic” rponse was all the enuragement he need to create a work that more closely rembled his own love stori.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p>To st <em>Touché</em> wh gay dancers, Rudd turned to Instagram, bg through profil of dancers for evince of their romantic liv. His social media stalkgs lead him to Royal and Menegsi. A member of the rps, the Brazilian-born Menegsi had “the perfect amount of youth as well as ambn,” says Rudd. As for Royal, the cisn practilly ma self.</p><p>It’s been a big year for Royal. Before the panmic, he was gearg up to but as Romeo oppose Misty Copeland’s Juliet; and September, after 10 years wh the pany, Royal beme the send Black male prcipal dance ABT’s history. “It me like a light a very dark and nfg time that we were all tryg to navigate,” he says of the announcement. Strikgly graceful onstage, he liv his private life gently, practicg yoga and pilat and spendg his off-hours reuntg all journals. “I thk I’ve [filled] 50 or so notebooks sce I first moved to New York,” he tells me. And no scriptn of him would be plete whout mentng his physil elegance—his cheekbon are almost as high as his jetés.</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image"><noscript><img alt="Image may nta Dance Human Person Ballet Ballera Dance Pose Leisure Activi Clothg Shoe and Footwear" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE bViSGz ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd fITBRd iXWezO ptn__text">A still om <em>Touché</em></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd ftKqkn fNaHcW ptn__cred">Photo: Courty of Matador Content</span></div></figure></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="57ilk"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div><div data-attr-viewport-monor="" class="RecircMostPopularWrapper-bRuGTi jkTTgR recirc-most-popular-wrapper viewport-monor-anchor"><div class="RecircMostPopularConter-jiViNn ktrplG recirc-most-popular-sparrow-trackg hi-asi-ad" 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Rudd, Bond, Moultrie, and Tanowz were all on hand to teach the dancers the ballets at the center of tonight’s virtual event. “It was so overwhelmg jt to be around people aga such close proximy, and to take class aga,” says Royal. “It was emotnal on so many levels.”</p><p>This format of ballet creatn is novel on all onts. Beyond the settg, Royal explas, was the pace: Whereas the lead-up to a regular season openg, when Royal would be rehearsg for six or so ballets, this time he had jt one. The opportuny allowed him, and Rudd and Menegsi, to get timately acquated wh <em>Touché</em> and mediate on the characters and the dancers’ own relatnships to the piece. Such nsiratns are rarely afford ballet.</p><p>Before Rudd tght his choreography, he spent a week wh his two dancers, listeng and learng om them. “We would spend full days workg on character velopment,” Royal says, “stg and talkg about our journeys as dancers; as openly gay men the ballet world, and what that experience was like; what our g out experienc were like; how we sort of navigated the challeng; and when we felt like we fally embraced ourselv, who we are, and what we stand for.” </p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image"><noscript><img alt="Image may nta Human Person Dance Ballet Dance Pose Leisure Activi and Acrobatic" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE bViSGz ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd fITBRd iXWezO ptn__text">A still om <em>Touché</em></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd ftKqkn fNaHcW ptn__cred">Photo: Courty of Matador Content</span></div></figure></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="3t05w7"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" 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The Inic Supers Open Up About Their Fabulo Then—and Now</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY kLWdHC summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH epKWKp byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd kxuydN gnILss byle__preamble">By </span>Sally Sger</span></span></p></div></div></div></div></div></div></li><li><div class="AdWrapper-dQtivb fZrssQ RecircMostPopularSummaryItem-jQxxiw fkGtfq ad ad--asi"><div class="ad__slot ad__slot--asi" data-no-id="j4hc1k"></div></div></li></ul><div class="RecircMostPopularFooter-enPjgs laPXdt"></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="5ghln"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa dUONRr body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>At jt ls than 30 mut long, <em>Touché</em> follows the journey of two young men whose worlds crash to each other. Like a butterfly’s metamorphosis, Rudd’s piece spans the stag of a gay man’s journey to self-acceptance—om piercg uncertaty to unfortable enunters to peace wh one's own’s sk. I ask Royal if he found a specific moment of the dance the most impactful. He rponds: “There’s an -between moment whout any dancg. It’s between the first and send movement, [when] my character first disvers that he’s not alone this, and that there’s this other person who has been on this whole other journey. It’s this silent and still moment where we’re sheddg our layers, the baggage that we once had, and we are standg face-to-face, not sure what the future holds. But there’s this feelg of hope and what thgs uld be. And that moment, for me, jt says all.”</p><p>Whout givg too much of the piece away, there’s a kiss—the first ABT-missned kiss between two men. And to treat this productn as Hollywood and Broadway might, an timacy director, Sarah Lozoff, was brought on board.</p><p>“I always requted munitn wh my artists, but the culture of dance tells lerally to keep our mouths shut. It is an art form which language is not required, so dancers are traed to not speak,” says Rudd. “[Sarah and I] vised a plan to e timacy directn to start makg cultural shifts dance, pecially when the works are ntroversial and go eply to a subject matter that the artists themselv had to al wh life.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p>For Lozoff, timacy directn is not jt about creasg the believabily of kissg or simulated sex scene between characters. “It’s also about takg re of artists to make sure that they know they have agency, that their voic matter,” she says.</p><p>As Royal tells me, he feels seen and heard, and he’s aware of the signifince of all. Of beg partnered wh another man, he says, “I‘ve always hoped for this, [but] I didn’t thk that would happen so soon.”</p><p>It’s happeng tonight. Rudd says he’ll be watchg like “a ndidate for office watchg the numbers e .... I did all I uld to make worthwhile and valid and as meangful as I uld. Now the voters have to vote and the people have to accept .” As for Royal, he says he’s “exced to see the fal product, but I know that the experience alone was so fulfillg for me. Watchg the ballet is jt the cherry on top.”</p><p>Watch <em>Touché</em> tonight, as part of ABT Today: The Future Starts Now, produced by Matador Content on ABT's <a href=">YouTube page</a>. </p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="9z8d9n"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow 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OverlaySummaryItemHed-cljMtD iUEiRd dMyiUD cRpZRn">In <em>Passag</em>, Adèle Exarchopoulos Brgs the Heat</div></div></div><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl OverlaySummaryItemByl-bogcUE fjwtNK"><p class="ByleWrapper-jWHrLH epKWKp byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd kxuydN gnILss byle__preamble">By </span>Elaa Patton</span></span></p></div></div></a></li><li class="RecircListTextOverlayItem-dLTGJZ cMRTNH"><a class="OverlaySummaryItemWrapper-jydJgB ljApWB summary-em-trackg__image-lk" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" href="><span class="SpanWrapper-umhxW kGxnNB rponsive-asset OverlaySummaryItemRponsiveAsset-gAMhYK cOqLsu"><picture class="RponsiveImagePicture-cWuUZO dUOtEa OverlaySummaryItemRponsiveAsset-gAMhYK cOqLsu rponsive-image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jgsWEn"><div class="aspect-rat--overlay-ntaer"><noscript><source media="(max-width: 767px)" srcSet="" siz="100vw"/><source media="(m-width: 768px)" srcSet="" siz="100vw"/><img alt="In New Motherhood, Ballet Was a Life Raft" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></div></div></picture></span><div class="OverlaySummaryItemContent-ddGOWz fHZSgO"><div class="RubricWrapper-dKmCNX dUsdoD bric bric--wh-bg BaseWrap-sc-gjQpdd BaseText-ewhhUZ OverlaySummaryItemRubric-bFqsqT iUEiRd cxwGKM cvqxGA"><span class="RubricName-fVtemz cLxcNi">Wellns</span></div><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp"><div class="ClampContent-hilPkr jVhSBH"><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ OverlaySummaryItemHed-cljMtD iUEiRd dMyiUD cRpZRn">In New Motherhood, Ballet Was a Life Raft</div></div></div><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl OverlaySummaryItemByl-bogcUE fjwtNK"><p class="ByleWrapper-jWHrLH epKWKp byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd kxuydN gnILss byle__preamble">By </span>Mra Brannigan</span></span></p></div></div></a></li><div class="AdWrapper-dQtivb fZrssQ ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-no-id="qgwoq"></div></div><li class="RecircListTextOverlayItem-dLTGJZ cMRTNH"><a class="OverlaySummaryItemWrapper-jydJgB ljApWB summary-em-trackg__image-lk" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" href="><span class="SpanWrapper-umhxW kGxnNB rponsive-asset OverlaySummaryItemRponsiveAsset-gAMhYK cOqLsu"><picture class="RponsiveImagePicture-cWuUZO dUOtEa OverlaySummaryItemRponsiveAsset-gAMhYK cOqLsu rponsive-image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jgsWEn"><div class="aspect-rat--overlay-ntaer"><noscript><source media="(max-width: 767px)" srcSet="" siz="100vw"/><source media="(m-width: 768px)" srcSet="" siz="100vw"/><img alt="Red, Whe & Royal Blue, and the Lser-Known LGBTQ+ History of the Brish Royal Fay" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></div></div></picture></span><div class="OverlaySummaryItemContent-ddGOWz fHZSgO"><div class="RubricWrapper-dKmCNX dUsdoD bric bric--wh-bg BaseWrap-sc-gjQpdd BaseText-ewhhUZ OverlaySummaryItemRubric-bFqsqT iUEiRd cxwGKM cvqxGA"><span class="RubricName-fVtemz cLxcNi">Royals</span></div><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp"><div class="ClampContent-hilPkr jVhSBH"><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ OverlaySummaryItemHed-cljMtD iUEiRd dMyiUD cRpZRn"><em>Red, Whe & Royal Blue,</em> and the Lser-Known LGBTQ+ History of the Brish Royal Fay</div></div></div><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl OverlaySummaryItemByl-bogcUE fjwtNK"><p class="ByleWrapper-jWHrLH epKWKp byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd kxuydN gnILss byle__preamble">By </span>Elise Taylor</span></span></p></div></div></a></li><li class="RecircListTextOverlayItem-dLTGJZ cMRTNH"><a class="OverlaySummaryItemWrapper-jydJgB ljApWB summary-em-trackg__image-lk" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" href="><span class="SpanWrapper-umhxW kGxnNB rponsive-asset OverlaySummaryItemRponsiveAsset-gAMhYK cOqLsu"><picture class="RponsiveImagePicture-cWuUZO dUOtEa OverlaySummaryItemRponsiveAsset-gAMhYK cOqLsu rponsive-image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jgsWEn"><div class="aspect-rat--overlay-ntaer"><noscript><source media="(max-width: 767px)" srcSet="" siz="100vw"/><source media="(m-width: 768px)" srcSet="" siz="100vw"/><img alt="Taylor Rsell and Paapa Essi on Starrg Lucy Prebble’s War Cry of a Play, The Effect" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></div></div></picture></span><div class="OverlaySummaryItemContent-ddGOWz fHZSgO"><div class="RubricWrapper-dKmCNX dUsdoD bric bric--wh-bg BaseWrap-sc-gjQpdd BaseText-ewhhUZ OverlaySummaryItemRubric-bFqsqT iUEiRd cxwGKM cvqxGA"><span class="RubricName-fVtemz cLxcNi">Arts</span></div><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp"><div class="ClampContent-hilPkr jVhSBH"><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ OverlaySummaryItemHed-cljMtD iUEiRd dMyiUD cRpZRn">Taylor Rsell and Paapa Essi on Starrg Lucy Prebble’s War Cry of a Play, <em>The Effect</em></div></div></div><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl OverlaySummaryItemByl-bogcUE fjwtNK"><p class="ByleWrapper-jWHrLH epKWKp byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd kxuydN gnILss byle__preamble">By </span>Kate Lloyd</span></span></p></div></div></a></li><li class="RecircListTextOverlayItem-dLTGJZ cMRTNH"><a class="OverlaySummaryItemWrapper-jydJgB ljApWB summary-em-trackg__image-lk" data-ponent-type="recirc-river" data-recirc-id="em-image-5" data-recirc-pattern="summary-em" href="><span class="SpanWrapper-umhxW kGxnNB rponsive-asset OverlaySummaryItemRponsiveAsset-gAMhYK cOqLsu"><picture class="RponsiveImagePicture-cWuUZO dUOtEa OverlaySummaryItemRponsiveAsset-gAMhYK cOqLsu rponsive-image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jgsWEn"><div class="aspect-rat--overlay-ntaer"><noscript><source media="(max-width: 767px)" srcSet="" siz="100vw"/><source media="(m-width: 768px)" srcSet="" siz="100vw"/><img alt="At the Barn Foundatn, a Spirual Convergence of Stone Sculpture and Dance" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></div></div></picture></span><div class="OverlaySummaryItemContent-ddGOWz fHZSgO"><div class="RubricWrapper-dKmCNX dUsdoD bric bric--wh-bg BaseWrap-sc-gjQpdd BaseText-ewhhUZ OverlaySummaryItemRubric-bFqsqT iUEiRd cxwGKM cvqxGA"><span class="RubricName-fVtemz cLxcNi">Arts</span></div><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp"><div class="ClampContent-hilPkr jVhSBH"><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ OverlaySummaryItemHed-cljMtD iUEiRd dMyiUD cRpZRn">At the Barn Foundatn, a Spirual Convergence of Stone Sculpture and Dance</div></div></div><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl OverlaySummaryItemByl-bogcUE fjwtNK"><p class="ByleWrapper-jWHrLH epKWKp byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd kxuydN gnILss byle__preamble">By </span>Robert Sullivan</span></span></p></div></div></a></li><li class="RecircListTextOverlayItem-dLTGJZ cMRTNH"><a class="OverlaySummaryItemWrapper-jydJgB ljApWB summary-em-trackg__image-lk" data-ponent-type="recirc-river" data-recirc-id="em-image-6" data-recirc-pattern="summary-em" href="><span class="SpanWrapper-umhxW kGxnNB rponsive-asset OverlaySummaryItemRponsiveAsset-gAMhYK cOqLsu"><picture class="RponsiveImagePicture-cWuUZO dUOtEa OverlaySummaryItemRponsiveAsset-gAMhYK cOqLsu rponsive-image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jgsWEn"><div class="aspect-rat--overlay-ntaer"><noscript><source media="(max-width: 767px)" srcSet="" siz="100vw"/><source media="(m-width: 768px)" srcSet="" siz="100vw"/><img alt="“Rh” Is Troye Sivan at His Gayt, Sweatit, and Most Intimate. He Tells Vogue All About His New Sgle and Upg Album" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></div></div></picture></span><div class="OverlaySummaryItemContent-ddGOWz fHZSgO"><div class="RubricWrapper-dKmCNX dUsdoD bric bric--wh-bg BaseWrap-sc-gjQpdd BaseText-ewhhUZ OverlaySummaryItemRubric-bFqsqT iUEiRd cxwGKM cvqxGA"><span class="RubricName-fVtemz cLxcNi">Mic</span></div><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp"><div class="ClampContent-hilPkr jVhSBH"><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ OverlaySummaryItemHed-cljMtD iUEiRd dMyiUD cRpZRn">“Rh” Is Troye Sivan at His Gayt, Sweatit, and Most Intimate. He Tells <em>Vogue</em> All About His New Sgle and Upg Album</div></div></div><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl OverlaySummaryItemByl-bogcUE fjwtNK"><p class="ByleWrapper-jWHrLH epKWKp byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd kxuydN gnILss byle__preamble">By </span>José Crial-Unzueta</span></span></p></div></div></a></li></ul></div></asi></div></div><div class="RowWrapper-UmqTg HEhan"><div class="TaboolaWrapper-hMVdpE iYfBhy"><div class="TaboolaWidgetWrapper-egPIjc hkSrgt TaboolaWidget-eUSdED hQCCRa" data-ttid="TaboolaWidgetWrapper"><div class="TaboolaWidgetContent-iBEQTO eXroXG TABOOLA" id="taboola-below-article-thumbnails" data-ttid="TaboolaWidgetContent"></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="AdWrapper-dQtivb fZrssQ ad ad--footer should-hold-space"><div class="ad__slot ad__slot--footer" data-no-id="7q6f29"></div></div></div></div></div></ma><div class="BasePageMaFooterFiller-hTlZph jSriYf page__ma-footer-filler"></div><div class="RowWrapper-UmqTg HEhan"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--cm-footer" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--cm-footer"></div><div class="journey-un"></div></div></div><div class="RowWrapper-UmqTg HEhan BasePageSeFooterRow-kpEBGH jqlJed"><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 BasePageSeFooterRowGrid-iBGjXL zQNeb"><div class="GridItem-buujkM kHPPIF grid--em"><footer class="SeFooterWrapper-bXjkRY iHkUiJ se-footer--wh-store"><div class="SeFooterGridNoMargs-jSrXSj kdlxBX" data-ttid="SeFooterGridNoMargs"><div class="SeFooterBrandInfo-cdoqKy cdkwFG"><div class="SeFooterLogo-eYlNHY eigdAF se-footer__logo"><a href="/"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SeFooterLogoRponsiveAsset-ckjzWk kubVDn se-footer__rponsive-image"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SeFooterLogoRponsiveAsset-ckjzWk kubVDn se-footer__rponsive-image rponsive-image"><img alt="Vogue" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="/verso/static/vogue/assets//" srcSet="" siz="100vw"/></picture></span></a></div><div data-ttid="SeFooterAbout" class="SeFooterAbout-lflfWa kMDHNr"><div class="SeFooterAboutText-XXKBX blTbmF">The latt fashn news, bety verage, celebry style, fashn week updat, culture reviews, and vios on </div></div><div class="SocialInsWrapper-hKMEXV hwdgCG social-ins social-ins--footer SeFooterSocialIns-cLAKVY pJQob"><ul data-ttid="socialInslist" class="SocialInsList-cHVTIA gBoIvv social-ins__list"><li class="SocialInsListItem-mbhR gQILrJ social-ins__list-em social-ins__list-em--facebook social-ins__list-em--footer"><a aria-label="Follow on Facebook" class="external-lk SocialInExternalLk-huuzOU faldEO social-ins__lk social-ins__lk--facebook" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><div class="SocialInContaer-huXzUC pMzVC social-ins__in-ntaer"><svg class="SocialInNetworkInComponent-cZaKGz dlOAhZ in in-facebook" focable="false" viewBox="0 0 32 32" width="32" height="32" fill="none" xmlns="><tle>Facebook

youtube gay dancers

The stereotypil profsnal male dancer is a gay man. However, ltle if any systematic rearch has vtigated the validy of this stereotype, much ls the reasons why male sexual orientatn would be associated wh tert dance. We terviewed 136 profsnal dancers about the preval …

Contents:

‘AMERIN BANDSTAND’ KEPT SECRET THAT TEEN STARS WERE GAY

Fd the perfect gay men dancg dance floor nightclub stock photo, image, vector, illtratn or 360 image. Available for both RF and RM licensg. * youtube gay dancers *

What they didn’t know was that Arlene and several of the other female dancers, and most of the handsome teen boys, were gay. But back the “Bandstand” days, Smh was one of the show’s secretly gay dancers. Ray Smh was one of the show’s secretly gay Chevrtt.

And while Smh knew he was gay, he was “shocked” to learn that “most of the guys on ‘Bandstand, ’ so many of them, were gay, ” he told The Post. Clark was “termed” to keep the homosexualy of popular “Bandstand” regulars a secret, Smh said.

Sullivan and the other dancers often ngregated Rtenhoe Square, the historic epicenter of what is known as the Cy of Brotherly Love’s “Gayborhood. ” There even was chatter and fear that Clark, who died at 82 2012, sent members of his productn staff to spy on them and report back the nam of the spected gay regulars. “In other parts of the untry, if you were a gay kid growg up, you were probably the only one town who was gay, ” Sullivan said.

GAY MEN DANCG DANCE FLOOR NIGHTCLUB STOCK PHOTOS AND IMAG

But was not easy on the mean streets of Philalphia to be a “Bandstand” regular spected of beg gay. The bashg of “Bandstand” regulars, gay and straight, happened all the time, Sullivan and Smh reveal.

But he vividly rells that one of his fellow gay dancers “was thrown onto the El tracks” outsi the stud, and another popular regular who was gay and often danced wh Sullivan “was dangled over an elevator shaft. “The parents of one kid on the show found out that he was gay... In tradnal Ottoman practice, the termology of “gay” and “straight” was largely absence om disurse, as explaed by scholar Serkan Görkemli.

HOW A GROUP OF GAY MALE BALLET DANCERS IS RETHKG MASCULY

There, zenn equently perform (whout a sexual element) for straight-intified male dienc says filmmaker Mehmet Bay, whose 2012 feature Zenne Dancer explor the iendship between an Istanbul zenne dancer, a German photographer, and a gay “bear” om the nservative Urfa provce. Back when Bay and his llaborator Caner Alper started rearchg zenne 2006, they saw as a “vanishg culture” – found only ral areas and a few unrground gay clubs Istanbul.

THE SECRET GAY LIV OF THE "AMERIN BANDSTAND" DANCERS"THOSE BOYS WHO WERE 14 AND 15 AND 16 WERE SLEEPG WH EACH OTHER.”{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}TVBY ADAM SALANDRAMARCH 14, 2017/3:20 {HEIGHT:HER;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;POSN:RELATIVE;-WEBK-FLEX-WRAP:WRAP;-MS-FLEX-WRAP:WRAP;FLEX-WRAP:WRAP;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;-WEBK-TRANSFORM-ORIG:CENTER;-MS-TRANSFORM-ORIG:CENTER;TRANSFORM-ORIG:CENTER;} IMG{HEIGHT:100%;WIDTH:100%;OBJECT-F:VER;}{HEIGHT:574PX;WIDTH:1020PX;} ABC PHOTO ARCHIV/ABC VIA GETTY IMAGBY ADAM SALANDRAMARCH 14, 2017 / 3:20 PM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"THE SECRET GAY LIV OF THE \"AMERIN BANDSTAND\" DANCERS","THUMBNAILURL":","DATEPUBLISHED":"2017-03-14T19:20:10.000+0000","DATEMODIFIED":"2017-03-14T19:20:10.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","URL":","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"LOGO TV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"LOGO TV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT"}},"CREATOR":"ADAM SALANDRA","ARTICLESECTN":"TV"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE YOUNG DANCERS ON AMERIN BANDSTAND WERE THE REALY STARS OF THE 1950S AND '60S—KIDS NATNWI SHED HOME TO WATCH THEIR EVERY MOVE AND CHATTER ABOUT THEIR RELATNSHIPS AND {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BUT JT LIKE A LOT OF TODAY'S SHOWMANC ARE NCTED, MANY OF THE BANDSTAND BOPPERS WERE HARBORG A BIG SECRET: THEY WERE GAY.GETTY {BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}“I KNEW I WAS DIFFERENT EARLY ON, BUT BEG WH ALL THE [BANDSTAND] IENDS, I ME TO TERMS WH MY FEELGS," BANDSTAND STAR ARLENE SULLIVAN WR HER MEMOIR, BANDSTAND DIARI. "I KISSED A GIRL, AND I LIKED !”{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BANDSTAND BUTED PHILALPHIA 1950 AND TOOK ON S FAIAR FORMAT TWO YEARS LATER. IN ADDN TO APPEARANC BY BIG POP STARS OF THE DAY, SULLIVAN'S ON-SCREEN ROMANCE WH KENNY ROSSI WAS A HUGE DRAW FOR THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ROSSI WAS STRAIGHT—BUT SULLIVAN, MANY OF HER FEMALE -STARS, AND MOST OF THE YOUNG MALE DANCERS WERE {BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SULLIVAN, 74, WROTE DIARI WH RAY SMH, ANOTHER DANCER WHO WAS CLOSETED DURG HIS BANDSTAND {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}“THE ONE THG THAT REALLY SHOCKED ME WAS THAT THOSE BOYS WHO WERE 14 AND 15 AND 16 WERE SLEEPG WH EACH OTHER," SMH TOLD THE NEW YORK {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AT THE TIME, BEG OPEN ABOUT THEIR SEXUALY WOULD HAVE MEANT THE END FOR THE YOUNG PERFORMERS WH STARS THEIR EY. SULLIVAN SAYS BANDSTAND HOST DICK CLARK KNEW MOST OF THE ST WAS GAY, BUT WAS TERMED TO KEEP UNR WRAPS FOR THE SAKE OF THE SHOW.GETTY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THERE WERE EVEN ALLEGATNS THAT CLARK NDUCTED WCH HUNTS, SENDG PRODUCTN STAFF TO RTENHOE SQUARE, AT THE CENTER OF PHILALPHIA'S GAYBORHOOD, TO SEE IF ANY OF THE YOUNG STARS WERE THERE. BUT OVERALL, THEIR MEET-UPS REMAED A {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}“IN OTHER PARTS OF THE UNTRY, IF YOU WERE A GAY KID GROWG UP, YOU WERE PROBABLY THE ONLY ONE TOWN WHO WAS GAY,” SULLIVAN SAYS. “BUT... WE WERE LIKE A LTLE FAY TOGETHER, AND WE ALL HAD SOMETHG MON, AND WE ALL STUCK TOGETHER, AND THAT MA EASIER FOR .”MICHAEL OCHS ARCHIV/GETTY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}DPE THAT SENSE OF MUNY, THE SHOW'S STARS—GAY AND STRAIGHT ALIKE—WERE TARGETED PHILALPHIA, AND EVEN PHYSILLY ATTACKED SOME S, JT FOR BEG {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}“WHEN I ED TO WALK DOWN THE STREETS OF PHILALPHIA AND BE REGNIZED, I’D BE LLED A ‘BANDSTAND F*GGOT,’” DANCER FRANK BRANCC TOLD THE NATNAL ENQUIRER {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ONCE WHEN SULLIVAN AND ROSSI VISED ANOTHER SHOW REGULAR NORTH PHILALPHIA, "WE WERE LEAVG HER APARTMENT AND WERE HEAD TO THE EL, AND I HEARD R DOORS SLAMMG, AND I LOOKED BACK, AND ALL THE GUYS WERE G UP THE STEPS, AND THEY STARTED BEATG UP ON KENNY,” SHE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}“I WAS TRYG TO H THEM OVER THEIR HEADS WH MY POCKETBOOK, BUT THEY JT WOULDN’T GIVE UP. FALLY, WE GOT AWAY AND JUMPED OVER THE TURNSTILE. THEY WERE HURTG HIM. IT WAS HORRIBLE.”MICHAEL OCHS ARCHIV/GETTY IMAGLOS ANGELES - APRIL 1960: HOST OF THE TELEVISN SHOW 'AMERIN BANDSTAND' DICK CLARK APPEARS A SCENE WH MICHAEL CALLAN OM THE MOVIE 'BEE THEY'RE YOUNG' WHICH WAS RELEASED APRIL 1960. (PHOTO BY MICHAEL OCHS ARCHIV/GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ANOTHER TIME, A DANCER WAS THROWN ONTO THE SUBWAY TRACKS. ONE YOUNG PERFORMER WAS DANGLED DOWN AN ELEVATOR {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BUT FOR THE GAY KIDS, THE ABE AT HOME WAS WORSE: WHEN ONE DANCER'S PARENTS LEARNED HE WAS GAY, SHE TOLD THE POST, "THEY PUT A DRKG CUP ONT OF HIM AND SAID, ‘THIS IS YOUR CUP, AND YOU’RE THE ONLY ONE WHO WILL E THIS CUP.’" ANOTHER WAS THROWN OUT OF THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THANKFULLY WE'VE E A LONG WAY SCE THOSE SAD DAYS. AND WHILE MORE OPENLY GAY PERFORMERS ARE FORTABLE TAKG THE STAGE THE DAYS, 'S GOOD TO KNOW WE'VE ALWAYS BEEN THERE—EVEN IF {BOX-SIZG:BORR-BOX;CLEAR:BOTH;}{BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS

Even among Istanbul's sizable gay muny, for whom zenne dancg might have particular ronance, “people would rather watch drag shows or go-go boys.

But the past half-, zenne dancg Istanbul has gone mastream: bolstered by the media attentn paid to Bay and Alper's film as well as the succs of gay crossover clubs like Chanta: which ter their zenne shows to a largely heterosexual, female clientele.

When he was 15 or 16, a iend enuraged him to start dancg publicly, but the only work he uld fd was a seedy gay nightclub Istanbul's Aksaray district. Like many gay Turkish men, Segah found a gree of eedom Istanbul – wh s active, out gay muny – that do not necsarily exist outsi the cy. While the Turkish ernment do not crimalize homosexualy – nor do provi LGBT dividuals wh any formal protectn om discrimatn – cultural attus toward homosexualy are largely negative; acrdg to a 2011 poll nducted as part of the World Valu Survey, a full 84 percent of Turks intified gays and lbians among their least sirable neighbors.

DICK CLARK’S SECRET: ‘BANDSTAND’ DANCERS WERE HAVG A GAY OLD TIME

And although Istanbul particular has beg creasgly welg to gays – Istanbul's annual Gay Pri para is the largt any majory-Mlim untry -- the risg thread of Islamism the Turkish ernment is slowg progrs for LGBT rights. In 2013, Turkey’s prime mister at the time, Recep Tayyip Erdogan, cricizg the adoptn of a Turko-Dutch boy by a Dutch lbian uple, publicly lled homosexualy a “sexual preference, which is ntrary to the culture of Islam. The Turkish ary's approach to homosexualy reflects this cultural ambivalence.

Out gay men are nsired exempt om mandatory ary service on the grounds of mental illns. In practice, they are often forced to provi gradg pornographic imag of themselv or be subject to a rectal examatn to “prove” their homosexualy. “They realize [that I'm gay]”, he says but 's not somethg they ever openly talk about.

*BEAR-MAGAZINE.COM* YOUTUBE GAY DANCERS

Gay men dancg dance floor nightclub hi-r stock photography and imag - Alamy .

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