In recent shows, ias of gayns are expandg, bg and disappearg all at once.
Contents:
- THE 10 BT GAY MILS OF ALL TIME
- WHAT’S NEXT FOR THE GREAT GAY PLAY? EVERYTHG.
- WHY IS THE THEATER SO MEANGFUL TO GAY PEOPLE?AN INTERVIEW WH JORDAN ROTH.
- OPN: ARE MILS ONLY FOR GAY MEN?
THE 10 BT GAY MILS OF ALL TIME
Gay-themed Broadway mils have e a long way the past fifty years. The on are the bt. * gay and musicals *
AdvertisementSKIP ADVERTISEMENTCric’s NotebookIn recent shows, ias of gayns are expandg, bg and disappearg all at WisemanI don’t know whether was bee my parents were jt generally open-md, or bee they had a specific, kdly yet mortifyg agenda, but one of the first Broadway plays they took me to, June of 1977, was way too gay for fort.
WHAT’S NEXT FOR THE GREAT GAY PLAY? EVERYTHG.
* gay and musicals *
The first phas of the gay play, ccial their moment, which broadly speakg enpassed the send half of the 20th century, are over. Some, like “A Strange Loop” and “Fat Ham, ” dramatize how the experience of racism amplifi that of homophobia, and vice fy expectatns by makg sexual orientatn a distctly sendary ncern among characters who “happen to be” gay or lbian, as “A Case for the Existence of God” and “At the Weddg.
When a (male) love tert enters the picture, and they sg Katy Perry’s “I Kissed a Girl” as a duet, you feel somethg new has happened, as ntroversy melts to a blissful cloud of nonbary bubble is the equalizg, homogenizg fluence of pop culture at work — an fluence that some queer people unrstandably mistst. Jackson’s “A Strange Loop” go further, makg the cross-pollatn of inty the prime source of s nflict, as the ma character nonts both the homophobia of his Black fay and the racism of his queer one. ) Its body, race and orientatn issu are left a kd of stalemate that suggts what might happen if a foundatnal gay play like “The Boys the Band” (which had only one Black character) were multiplied fun hoe mirrors ad fum.
That the Hamlet figure, lled Juicy, is Black and gay, wh an termtent csh on a Laert-like iend, suggts that the queer theme will domate, yet don’t; “Fat Ham” is really a play about Black masculy and, even more broadly, the vlent herance all men mt renounce. ” Beltran portrays a gay Black man hopg to adopt the young girl he’s been Klwich/The New York TimMy other favore queer plays of the past year likewise offer no bands; their gay characters (there are still far too few lbian on) operate as if their gayns were mostly ternal and pletely irrelevant.
WHY IS THE THEATER SO MEANGFUL TO GAY PEOPLE?AN INTERVIEW WH JORDAN ROTH.
Hunter’s heartbreakg “A Case for the Existence of God, ” that turns out to be an illn, as a gay Black man, after fosterg a ltle girl for more than three years, fds his plan to adopt her undone at the last mute. If there are subtle ways which their sexual inti affect their character or behavr, they were too subtle for me; miss a le or two and you may not even know that gayns is a part of their makp at mak sense plays about cris that threaten to oblerate a person entirely: genr, race, orientatn and all. Francis, the closeted llege stunt “Gemi, ” probably did; if he lived through AIDS, I expect he achieved full five-star gay privilege, plete wh marriage, children and Crate & Barrel chee boards.
OPN: ARE MILS ONLY FOR GAY MEN?
) What about the gay characters who, lackg whe sk, almost never appeared on mercial stag those supposed great gay play s? The Tony awards have always been a gay affair, plete wh out hosts like Neil Patrick Harris and wners like David Hy Pierce famoly thankg their partners at the podium. The story revolv around a group of gay iends g together for a iend's birthday party Manhattan, and ends wh stori about long-lost lovers, and one character g out to his wife.