Call Me by Your Name is not a gay movie.

Contents:

• 10 GREAT GAY ROMANCE FILMS
• SOME OF THE GREATT GAY LOVE STORI MOVI
• 'PASSAG' DIRECTOR NOUNC 'DANGERO' NC-17 RATG ON A FILM PICTG A GAY LOVE STORY
• I'M A GAY ARMY OFFICER—QUEER TROOPS MT FIGHT BACK
• VIO RURFAC OF KG VON TELLG POLICE HE'S "GAY" TO RELOTE IN JAIL
• LATVIA BE 7TH NATN TO BE LED BY AN OPENLY GAY HEAD OF STATE
• MRICE AT 30: THE GAY PERD DRAMA THE WORLD WASN'T READY FOR
• BL / GAY (*RATED ORR*)
• WHY DO GAYS KEEP FALLG FOR CALL ME BY YOUR NAME?
• CALL ME BY YOUR NAME REVIEW – GEO GAY LOVE STORY SC AND OVERWHELMS
• GAY AND LOVE AT AN EVANGELIL COLLEGE
• GAY FILM KOREA

10 GREAT GAY ROMANCE FILMS

Anyone terted gay experience or gay films already knows to distst mastream media's efforts to explo and tegorize queerns by promotg gay movi as different, and each so-lled advance as a breakthrough simply bee fally breaks to the media's ual the Hollywood film dtry go through s biggt sexual panic sce the 1920s, reflectg a breakdown heterosexual relatns, gay filmmakers who prevly were swept to the margs by wardly homophobic crics and gatekeepers, have steadily ma the only movi ncerned wh what means to be human among of the twelve superb films transcend Hollywood's nscendg approach to gay self-py disguised as romance. Hollywood studs have begun to shoehorn blk-and-you’ll-miss- gay stori to an endls stream of remak and TV adaptatns, and there is a wi range of di explorg the breadth of queer stori wh ever-expandg joy and nuance. Hollywood rarely exam votn that grows om lt and--sorry to brg the news--neher do most gay, renega gloryhol--plac of ngregatn--have been outdated by hook-up webs, but the ttimony to Foote and Norstadt's humane nnectn (fdg love and pannship) is timels.

SOME OF THE GREATT GAY LOVE STORI MOVI

Related | Artist Creat Glory Hole Sculpture From Headls Grdr ProfileGay Amerin film culture needs the ndor this short to break ee om the nventnaly that nstras mastream gay directors, like G Van Sant and Todd Hayn, who have lost their early radilism.

For margalized groups, tthful reprentatn film is imperative, even lifavg, and today’s stormy polil climate there’s an urgency for straight cisgenr people to see LGBTQ characters portrayed accurately and unapologetilly — and by people who actually know what LGBTQ life is like bee they live we’re a long way om total clivy and gay movi sans stereotyp, the film dtry has ma recent stris centerg LGBTQ+ characters. Courty Everett CollectnMoonlight (2016)Based on the play In Moonlight Black Boys Look Blue by Tarell Alv McCraney, Moonlight buted to high cril praise for cematography, storytellg, and s portrayal of black gay male inty. ” Kenh Anger’s dreamlike film, about a boy who is beaten up by sailors a horrific homophobic attack but whose oral is followed by a moment of bliss when he wak up to a male lover his bed, is a fascatg slice of the avant-gar, ma when Anger was still a teenager.

Forster began wrg his novel, about a man who falls love wh two very different men the early 20th century, the 1910s, although owg to s ntent (male homosexualy was illegal until 1967 England) wasn’t published until 1971, a year after his ath. Derek Jarman brgs his artistic eye to the tragedy and manag to make the tale even queerer, drawg direct parallels between the homophobic persecutn of Edward II and his lover, Gavton, and the anti-gay sentiment whipped up by the tabloids unr the tenure of Margaret Thatcher. Loosely based on Shakpeare's plays, G Van Sant’s 1991 unterculture classic drama My Own Private Idaho is not jt a poetic and btersweet story of two gay street htlers, Mike (River Phoenix) and Stt (Keanu Reev), journeyg om Portland, Oregon, to Idaho, and then to Rome search of Mike's mother.

'PASSAG' DIRECTOR NOUNC 'DANGERO' NC-17 RATG ON A FILM PICTG A GAY LOVE STORY

Happy Together follows the story of a gay uple who attempt to navigate life a foreign place, enunterg the difficulti of feelg alienated a muny that do not remble home (somethg many gay men, pecially Asia, may relate to). This Hong Kong romantic drama directed by the great Wong Kar-wai, who also received the Bt Director award at the 1997 Cann Film Ftival, is a fe wner as tak a novel approach terms of gay films, utilizg the director's signature romantic, woozy style.

While the film ially off as sgularly foced on the cursy and excement of disverg a romantic relatnship, go on to display the btal realy that gay men have had to face a society that is adamant nyg them their right to love. Wily regnized as South Korea’s first openly gay K-pop artist, the sger and actor Go Tae-seob, who the stage name Holland, starred a BL drama last year and believ that the growg visibily of BL books, TV seri and movi is a posive step.

I'M A GAY ARMY OFFICER—QUEER TROOPS MT FIGHT BACK

I was one of few soldiers who joed the service before graduatg high school, but the admistratn at the time, which I believe was homophobic, chose to act as if I never existed bee of my queer hate that I experienced growg up on Long Island was my first enunter wh how others would treat me as a queer soldier. ”Xavier Bettel Prime Mister of Luxembourg (2013-prent)Luxembourg Prime Mister Xavier Bettel at a news nference Belgra, Serbia, on July Vojovic / APBettel was first elected prime mister of Luxembourg 2013, and 2018 he beme the first openly gay prime mister the world to be re-elected for a send marriage beme legal Luxembourg 2015, and the same year Bettel beme the first servg European Unn lear to marry a same-sex partner, the BBC recently cricized a Hungarian law that bans school tnal materials and TV shows for people unr 18 that are emed to promote LGBTQ ntent, Rters reported.

“Hopefully this will blow over three or four days, and then I won’t be known as the gay mister, ” she told The Associated Prs at the Varadkar Prime Mister of Ireland (2017-20, 2022-prent)Irish Prime Mister Leo Varadkar Bssels on June 30. Image source, Tham Valley PoliceImage ptn, Peter Farquhar and Ann Moore-Mart were both sgle and vulnerableBoth Peter Farquhar and Ann Moore-Mart were relig, sgle and whout Farquhar retired as Stowe School's head of English 2004 and was ved to be a gut lecturer at the Universy of Buckgham, where he met stunt the urt se, the jury heard how Mr Farquhar had a wi circle of iends but he was lonely and, as a gay man, he stggled wh his sexualy, regardg as patible wh his Anglin fah. Many of their greatt films evoke a sense of unspoken sire, of any persuasn, simmerg beneath a placid surface of m – a reprsn wh which many a gay person, unable always to eely articulate their romantic self, has been able to empathise.

Mrice, a sense, was the duo’s cematic g-out: the story of a young man growg to his homosexualy polely hostile English society, ’s a film that exquisely queers the stiff-upper-lip emotns so central to the Merchant Ivory ’s a slight aloofns to Mrice that is part of s bety.

VIO RURFAC OF KG VON TELLG POLICE HE'S "GAY" TO RELOTE IN JAIL

The film only breath when he fally do, first via a tratg romantic affair wh fellow stunt and social climber Clive Durham (Grant, perfectly his floppy charm years before Four Weddgs and a Funeral) – but ’s heartbreak that giv the film s red-blood there, as a send romantic chapter wh gamekeeper Alec Scudr (Rupert Grav, pletg perhaps the prettit posh-boy triangle screen history) begs, Mrice gas both emotnal sweep and timate psychologil tail: a tame entry may be the LGBT non, but few films have exprsed que so sweetly and nakedly the challeng of simply beg a gay man, partnered or otherwise – how difficult n be to n wh human is not emotnally universal terra, and was a rare subject for prtige herage cema to take on: the film’s rpectful but dispassnate receptn 1987, not an era rich wh queer art the mastream, is no surprise retrospect. Cocintally, hs screens aga the same year that Ivory is baskg the glory of a very different LGBT triumph: now 88, he’s a -wrer on Lu Guadagno’s queer g-of-age rhapsody Call Me By Your Name, a Sundance sensatn that realis the first sh of gay love wh all the woozy sensual excs that Mrice, te to s perd, chews. The cise promis seven days of sunshe, love and eedom - but on board are also their personal stori, their doubts and productn, box office & pany Vios1More like thisReview Gog on a gay cise now seems like an abysmal ia.

LATVIA BE 7TH NATN TO BE LED BY AN OPENLY GAY HEAD OF STATE

André Aciman’s Call Me by Your Name has twice been hailed as a morn gay classic: 2007, when the novel, about an unlikely summer romance between two young men Italy, h bookstor, and this month, as the languoro film adaptatn hs theaters.

MRICE AT 30: THE GAY PERD DRAMA THE WORLD WASN'T READY FOR

Still, the fact remas that gay men adore this story about two young scholars, El (Timothée Chalamet) and Oliver (Armie Hammer), who embrace unr the roof of El’s tellectual-bohemian fay for a handful of weeks. The book was penned by a straight thor who says that he has never had a gay relatnship his life, and tells the story of two apparently heteroflexible but largely hetero-leang men who seem to experiment wh same-sex sex only furtively their liv. Over the past few weeks, media verage of the film adaptatn has palized on this fascatn wh ambiguo straight men by other means, featurg terviews where the straight lead actors scribe their total fort wh pantomimg gay love on set.

And really, on some level, the story is not so much homoerotic as is toerotic— tells the story of two boys wh nearly intil tellects and terts who fall love wh mirror imag of themselv and then ll out their own nam durg sex.

BL / GAY (*RATED ORR*)

That clip appears The Celluloid Closet, Rob Epste and Jefey Friedman’s documentary based on Vo Rso’s study of homosexualy the movi, along wh untls exampl of how gay characters showed up, per narrator Lily Toml, as “somethg to lgh at, or somethg to py, or even somethg to fear.

Some have been documents of a moment or era of gay history, some have been ed as rrectiv to s of negative clichés, and others have simply celebrated the fact that the movi n be queer, they’re here, get ed to . It is nowhere near a prehensive ndown of every great movie to feature out-and-proud hero and villas, or a queer sensibily, or even jt visible (and/or risible) exampl of gay life cema; we uld have easily ma this list twice as long.

WHY DO GAYS KEEP FALLG FOR CALL ME BY YOUR NAME?

The performanc are staggerg: Al Paco as the ignom Roy Cohn; Jefey Wright is the sharp-wted gay nurse who tends to him; Mary-Louise Parker as a pill-poppg hoewife wed to a closeted Mormon; Emma Thompson as an imper (and sometim sassy) angel; and Meryl Streep four rol, cludg the ghost of Ethel Rosenberg. Yet the film remas one of the first ank big-stud treatments of uncloseted gay and bisexual men, as follows eight iends (and one htler) who’ve gathered a New York Cy apartment to celebrate a birthday party. It was still nsired a bad reer move for a movie star to play a gay role 2005, and Hollywood’s track rerd was ls than stellar when me to treatg homosexual romanc wh the same pth as heterosexual on (if emed f to tackle such stori at all).

A page-to-screen take on Vo Rso’s semal book regardg LGBTQ reprentatn (and misreprentatn) the movi, Rob Epste and Jefey Friedman’s documentary prents the perfect show-and-tell plement to the late scholar’s work — you n lerally see the evolutn of cematic homosexualy as progrs om punchle to social pundry, sikick-and-stock-villa fodr to queers beg the hero of their own stori. To say that William Friedk’s thriller about a serial killer targetg gay men New York was ntroversial would be puttg dly: Village Voice lumnist Arthur Bell (whose verage of murrs the Wt Village bar scene was a partial spiratn) lled the script “the worst possible nightmare of the most uptight straight”; tablishments that had agreed to operate sudnly whdrew their support; activists dispted filmg at every turn; theaters were picketed; and one massive prott led to a traffic-stoppg s- and arrts.

) But 40 years after Al Paco’s unrver p first stepped to the Mhaft, this lurid exploatn movie has been reclaimed by gay film crics such as Nathan Lee and Melissa Anrson, noticeably for the way prents the late ’70s leather-bar scene wh an almost véré-like sense of observatn. Mixg herage-drama aspects wh outré postmorn flourish and a heightened sense of homoeroticism, the movie prents the relatnship between the two men as a polil act as much as a romantic one; Edward’s army is refashned as ACT UP-style activists, and the behd-the-scene machatns of Edward’s wife, Isabella (longtime Jarman llaborator Tilda Swton), double as a crique of Bra’s opprsive, historilly strict anti-homosexual laws.

CALL ME BY YOUR NAME REVIEW – GEO GAY LOVE STORY SC AND OVERWHELMS

Set on the muddy, wdswept moors of Yorkshire, Francis Lee’s but feature follows Johnny (Josh O’Connor), a young gay man leadg a ad-end existence on his fay farm, and Ghehe (Alec Sereanu), a Romanian migrant worker who to help out durg lamb-birthg season.

The HIV vis h the gay muny around the same time that the personal mrr h retail shelv — which is one reason David France’s Osr-nomated film about the formatn of activist anizatn groups ACT UP and TAG (Treat Actn Group) has such a shatterg impact. Told bs and piec over 10 years — and chartg how Pl and Erik tersect and fall apart and tersect aga over time — this romantic drama is startlgly clear-eyed about the stggl of s gay characters to accept themselv as well as their partners. Blendg readgs of his work wh sequenc of geo men tuxedos dancg and cisg each other (or posg naked), the movie specifilly plac Hugh’ verse a homoerotic ntext; the work of fellow gay wrers Jam Baldw, Essex Hemphill, and Robert Bce Nugent also acpany black-and-whe scen of gay clubs, gay celebri (keep an eye out for Bronski Beat sger Jimmy Sommerville as an angel), gay inography, and gay love.

GAY AND LOVE AT AN EVANGELIL COLLEGE

Terence McNally, who died March om plitns related to COVID-19, adapted his own Tony-wng play for director Joe Mantello, and the film is the perfect remr that McNally was one of the great chroniclers of gay love, gay relatnships, and what meant to fd a chosen fay who would support you through good tim and bad. And even though director Leonte Sagan and the film’s -wrer Christa Wsloe toned down some of the more-erotic overton om Wsloe’s play, was still explicly a story about homosexualy that honored the characters’ mutual attractn. A heartbreakgly gentle portra of a young man’s very rough life growg up gay Miami’s impoverished Liberty Cy neighborhood, Barry Jenks’ lyril send film, prented three acts, juxtapos moments of credible tenrns between men wh bursts of sual celty.

“Gay-htler die” may now seem like a Sundance cliché, but until G Van Sant’s third feature dropped dienc to the sular world of Portland’s street culture, no one had ma a movie that addrsed the subject wh such a mix of poetry and blunt honty. An experimental doc om the legendary filmmaker Barbara Hammer, this llage of personal ttimoni, gay and lbian ephemera, and a profilette of thor Willa Cather is a roundabout mediatn on, per s creator, “a reprsed and margalized history” of queer life the 20th century. And a ltle over an hour, she acplish all that and more — scen of timacy among elrly and biracial same-sex upl will sudnly give way to exploratns of homosexual persecutn Nazi Germany, or one woman’s oral history of tryg to mask her sexual preferenc durg her time the army durg World War II.

GAY FILM KOREA

Pedro Almodóvar’s filmography is filled wh gay characters, gay love, gay sex, and gay sensibili — you n see his punkish late-Seventi shorts, his mpy farc (Women on the Verge of a Nervo Breakdown), his Hchckian thrillers (Matador, Law of Dire), and his melodramas (Bad Edutn, All About My Mother). The Spanish filmmaker’s latt work, however, don’t jt revolve around an agg, gay movie director (Anton Banras) reflectg on his life — ’s a highly tobgraphil look at s creator’s own relatnship wh cema, sire, and his inty as a queer artist. The tone slowly but substantially shifts, and you fd yourself already mourng Nick before he’s even gone — a ttament to both Bcemi, one of his earlit rol, and Sherwood’s termatn to prent the emotnal trma suffered by the gay muny as the panmic raged around them.

The key movie of what would bee known as the “New Queer Cema” (see also Tom Kal’s Swoon and Gregg Araki’s The Livg End), Todd Hayn’ triptych giv the story of a child who murrs an aber and mysterly disappears (“Hero”), a Fifti-style monster movie about a scientist who turns to a hio creature after drkg a “sexualy” potn (“Horror”), and a bold adaptatn of Jean Ge’s love-among-nvicts tale The Miracle of the Rose (“Homo”). And like his fellow gay filmmakers who’d artistilly e of age a world of AIDS-related afflictn and activism, Hayn’ style of storytellg was nontatnal, somewhat nfsnal, and unabashedly queer, whether he was flirtg wh genre parodi, borrowg TV tabloid sensatnalism, or phg the envelope regardg pictns of same-sex eroticism. ” Yet also serv as a ttament that y, Virgia, unrground gay culture was alive and well and credibly fabulo long before Stonewall served as a flashpot for liberatn, and a wonrful troductn to the pre-RuPl, pre-TV-h-show art of drag.