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1985, the rerd honed a style known ‘80s gay clubs as Hi-NRG, an electronic variant on ‘70s dis featurg clatterg percsn, octave-skippg bassl, uptempo BPMs, and sexually charged lyrics.

Back then, genr-benrs like Boy Gee and Annie Lennox as well as out gay men like Bronski Beat’s Jimmy Somerville and Frankie Go to Hollywood’s Holly Johnson and Pl Rutherford led U.

Then married to his wife and stylist Lynne Corlett, Burns was neverthels unmistakably queer: The vio to 1987’s “I’ll Save You All My Kiss” amplified the mp aspects of every DoA clip to such an extreme that MTV allegedly banned : Thuggish yet baby-faced young men sle a playground fence to get a closer look at Burns a burlque leather, metal, and Spanx outf remarkably siar to the one which Cher would domate MTV two years later wh her own homoerotic vio for “If I Could Turn Back Time. That beme obv durg Dead or Alive’s Sophistited-era set at The Sat, New York’s legendary gay dis. He was the Hi-NRG diva who broke the mold even as was beg st; the New Waver who brought blatantly gay Gothic drama to clubland and the U.