DigBar is a rapper who started his reer makg gay raps and remix unr the artist name DigBarGayRaps. His most popular song, a gay rap imatg the flows of the 1980s, gaed
Contents:
- GAY-TRAP MIC
- GAY-TRAP MIC
- ‘I’M HERE TO CHANGE PEOPLE’S MDS’: REMEMBERG KEV FRET, GAY TRAPERO
- THE 50 BT GAY SONGS TO CELEBRATE PRI ALL YEAR LONG
- DEATH OF GAY TRAP STAR KEV FRET HIGHLIGHTS CRISIS PUERTO RI
GAY-TRAP MIC
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About DigBarDigBar is a rapper who started his reer makg gay raps and remix unr the artist name DigBarGayRaps. His most popular song, a gay rap imatg the flows of the 1980s, gaed some tractn on the ter due to short viral vios.
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When asked how he visualized himself durg a rad terview last April, Kev Fret — Lat trap’s most unapologetilly, and perhaps first openly gay artist — njured a hippodrome: “Once you let hors ee om their stabl, ” said Fret, “It’s difficult to tch them. Lambastg homophobia the urbano market was a recurrg missn for Fret: The Puerto Rin artist was driven by a clear visn of shatterg the reggaeton and trap molds by fyg tradnal genr rol and speakg to gay sexualy wh no rtrat.
Still, homophobia reared s ugly head last fall, after Fret beme a subject a ntroversial track by Puerto Rin trapero Anuel AA.
‘I’M HERE TO CHANGE PEOPLE’S MDS’: REMEMBERG KEV FRET, GAY TRAPERO
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In addn to the song’s gratuo misogyny, not to mentn mockery of Puerto Rins who lost their hom to Hurrine María, “Intoble” clud homophobic slurs and suated a sexual relatnship between Cosculluela, a rival artist, and Fret.
Earlier June, however, Fret experienced what he scribed as a homophobic attack at a ndo Miami, where he was livg at the time. The YouTube channel for the urbano se Rapetón taloged the cint g posts om Fret’s Instagram: Potg to bis on his face and body, he said he was stck by someone angry that his butt was exposed while tanng by a pool — sentially, Fret claimed, he was attacked for beg gay.
Bee of his relig upbrgg, Fret often said, for him, beg gay was a choice.
THE 50 BT GAY SONGS TO CELEBRATE PRI ALL YEAR LONG
After the January murr of gay Lat trap sger Kev Fret, iends and fay rell him as an cendiary yet val prence urbano mic * gay trap music *
While the urbano dtry certaly has not set asi machismo and homophobia entirely, Fret ma a signifint nt for progrs. Reflectg on Fret’s impact, DJ Candy Boy adms he uldn’t image a gay urbano artist beg embraced anytime but now. Everythg opened up, the acceptance of someone gay.
In recent years, we’ve seen micians talk openly about their gay inty and same-sex relatnships. Fans may openly embrace a gay Elton John, Melissa Etheridge or Ricky Mart now, but over the past 50 years or more ’s been a stggle for most queer artists to live their liv openly and whout shame and persecutn. His theatril scream-sgg, macho stage prence, and all-around badassery (bt showsed on inic rerds like 1980’s Brish Steel and 1982’s Screamg for Vengeance) prompted many fans to ll him “Metal God:” a tradnally mascule trope Halford boldly upend Febary 1998, when he me out as gay an MTV News terview.
DEATH OF GAY TRAP STAR KEV FRET HIGHLIGHTS CRISIS PUERTO RI
As the earlit show of queer solidary om a proment metal mician, Halford’s admissn proved val rhapg the public perceptn of heavy metal, repostg an earspltg, heteronormative boys’ club as a safe space where headbangers of all typ uld be themselv, sheltered the flailg arms of not jt a benevolent (and openly gay) God, but the scene wr large. ” The fact that he did all while beg pletely open about his sexualy – llg himself “rock’s tt fairy” – is astoundg and, for a brief, shg moment 1974, Jobriath beme the most visible gay man popular mic.