Gay Comix History wh Andy Mangels | SYFY WIRE

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Belas is an Amerin artist famo for his gay ics, the tradn of Tom of Fland. He has self-published his sexually explic stori, that maly foc on black gay sex life, his own erotic ze Belas. One of his ma characters is the nstctn worker Boo. A book...

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ABOUT THE CENTERSCE 1983 THE CENTER HAS BEEN SUPPORTG, FOSTERG AND CELEBRATG THE LGBT MUNY OF NEW YORK CY. FD MORE RMATN ON AND OUR WORK ABOUT THE CENTER. VIS ABOUT THE CENTEROUR MISSNCYBER CENTERCENTER HISTORYRACE EQUYMEDIA CENTERLEARSHIP & STAFFEMPLOYMENT OPPORTUNICORPORATE PARTNERSHIPSANNUAL REPORTS & FANCIAL INFORMATNCONTACT USHOURS & LOTNSEMAPSUPPORT THE CENTER

Andy Mangels was the third and fal edor for Gay Comix, and he ma some amazg chang as well as documentg s history. * gay comix box *

Web-Weaver – the very first gay, male Spir-Man – was troduced to fans back early July through Steve Foxe,. Marvel has jt buted their very first gay Spir-Man named Web-Weaver — a fashn signer that isn’t aaid to take.

This week, we return to the archiv for another examatn of the historilly important Gay Comix.

Here’s somethg that’ll have homophobic ic fans othg at the mouth but the rt of jumpg for joy: Superman.

GAY COMIX HISTORY WH ANDY MANGELS

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Japane ics, or manga, are replete wh same-sex pairgs – but are they actually as gay as wtern rears might.

In s 18-year n om 1980 to 1998, Gay Comix went through two publishers and three edors, and each brought their own flavor to the seri. The fal edor, Andy Mangels, met wh to discs the progrsn of Gay Comix and how changed over the years. When discsg the history of queer ics, perhaps one of the most important thg to note is that beg openly gay 1980 was a potentially reer-endg move, particularly the cis male-domated world of ics.

At the same time, gay magaz were begng to n queer-centric ic strips. The momentum around gay ic creators ntued to build, and by 1980, the need for an anthology was apparent. Gay Comix was strongly nnected to that rebell legacy of Wimmen's Comix, but tablishg self as s own dividual anthology wh a wholly different purpose.

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Bear World Magaze Comics Corner – The Historic Importance of ‘Gay Comix’, Part 4 Entertament - Gay Comix * gay comix box *

In the words of edor Andy Mangels, "Gay Comix was not a llective. Bee of urse all gays and lbians know each other!

Mangels ntued, "They sent a letter out that said if you are… at that pot, was gay or lbian, there was no LGBTQ. "Origally Gay Comix was schled whenever an issue was done. On a recent panel about Gay Comix, Triptow noted that he was of ill health and more than ready to leave by the time he eded his fal issue.

I n sell when people are murred, limbs are torn off… but I n't sell this bee there's an ad for gay characters. "First, he lled me, and he said, 'So I did this on fah… but I never read Gay Comix, is this a porn book? The name Gay Comix was changed to Gay Comics to brg to the mastream.

GAY COMIX » 14 ISSU

Gay Comix (later spelled Gay Comics) is an unrground ics seri published om 1980–1998. Created by Howard Cse, Gay Comix featured the work of primarily gay and lbian rtoonists. Much of the early ntent was tobgraphil, but more diverse them were explored later edns. Autobgraphil them clu fallg love, g out, reprsn, and… * gay comix box *

To all great thgs an end, though, and by 1998, Gay Comix saw the publitn of s fal issue. It is not exaggerative to say that Gay Comix changed ics history, not jt for queer people and not jt ics.

It's easy to feel like there was nothg happeng the terim, but fact, Gay Comix was happeng all along.

The first five issu were published by Kchen SkNumberg ntu to Gay Comics #15. Belas is an Amerin artist famo for his gay ics, the tradn of Tom of Fland.

COMICS CORNER – THE HISTORIC IMPORTANCE OF ‘GAY COMIX’, PART 4

He has self-published his sexually explic stori, that maly foc on black gay sex life, his own erotic ze Belas. No wonr, then, that the then-latt issue of Gay Comix, the semal unrground ic that provid a voice and outlet for LGBTQ+ creators and rears alike, was perhaps the darkt yet, wh a plethora of stori rooted fears of social ostracisatn, nmnatn, and isolatn. This is the latt a seri of retrospectiv lookg at the pivotal unrground publitn Gay Comix.

Gay Comix #4, 1984 (Art by Vghn. If there’s a unifyg theme to Gay Comix #4, ’s The Closet – that notor metaphor for the shame and imprisonment queer people often feel, and om which we rive the term “g out”. While the growg visibily of openly gay people, particularly major ci, was makg -roads the wir public nscns, fosterg acceptance by showg the sential humany of the muny, queer people were also beg met by a wave of hatred and nmnatn, largely by those g the still-largely unknown vis to attack that same muny.

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After all, was only a year earlier, September 1982, when the Amerin Center for Disease Control had adopted the term AIDS to refer to the disease, havg prevly ed GRID – Gay Related Immune Deficiency.

To be out of The Closet meant to be intifiable as gay; to be intifiable as gay meant to be make a target of yourself to those who feared the so-lled “gay plague”. Instead, Cse is mostly vociferoly cryg the Evangelil bigots who ed the crisis of a disease that n be sexually transmted to lambast the entire gay muny. In one particularly savage panel, Cse imag how the self-profsed savurs of souls would act if the illns were transmted by Bibl, askg if the lik of prits would “reevaluate [their] whole liftyle” as gay men were beg asked to.

Cse turns the tabl on those attackg the gay muny over AIDS back 1983 (© Howard Cse, as published Gay Comix #4). Coupl discs forced monogamy or enter to ntractual negotiatns of what’s permissible before gog on dat, while a gay son is hand dner by a mother wearg a face mask and bber glov. Cse also hops between lamentg the gay men so starved of rmatn and unrstandg of how HIV/AIDS was spread that they were nsumed by “fear of the kiss that kills”, teasg those who were performatively lecturg others while still engagg risky sexual behavur themselv, and nmg the elements of the gay prs that were harangug their own rearship for not behavg as sexls sats.

JAGUARS ASSOCIATE STRENGTH ACH OUT AS GAY A FIRST FOR US-BASED PRO LEAGU

Yet while Cse’s work was the most overt s discsn of the perils of the day this issue, the same fears that were keepg people The Closet were reflected many other ntributns to Gay Comix#4. (© Kurt Erichsen, as published Gay Comix #4).

In Murphy’s Manor by Kurt Erichsen – a newspaper-style strip syndited other publitns, wh a selectn reprted over three pag here – the tular Murf pok fun at the ia of a “posive gay image” (an assiatnist turn of phrase that was gag tractn at the time), while discsn of Pri paras turns to a gag about how people would travel to different ci to march, to avoid beg seen their home towns. The six page strip follows a young man named Joey, who knew he was gay om a young age, but wilfully mataed the illn of heterosexualy out of fear of faial abandonment or social alienatn.

Campbell shows how each one of those li adds a layer of bricks to the wall of the prison, peakg when Joey stands by and watch homophobic iends asslt Jon, an openly gay stunt at his high school. Even after he mters the urage to apologise, gog so far as to tell Jon he’s gay himself, Joey still ns back to his abive iends, wonrg if he “was actually wallg out my enemi, or jt buildg a permanent prison for myself?

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Comics Corner – The Historic Importance of ‘Gay Comix’, Part 4 - Bear World Magaze .

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