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Pl Morris the owner of Treasure Island Media, a San Francis, California-based gay pornography stud that specializ bareback pornography.

Contents:

GOG BAREBACK: TIME AND AGG A GAY-FOR-PAY PORN CAREER

"He set a new standard for what the image of what a gay porn star should look like." * paul morris gay *

Footnote 1 He was also named as the send most searched for gay porn star Pornhub’s 2017 “Year Review” annual analytics report (beaten to the top spot by relative new-er William Seed, also a Men exclive)Footnote 2 and was the 2017 recipient of Str8UpGayPorn’s Bt Gay-4-Pay Performer award. Through reflectn, I arrive at the ncln that the time was right for an agg twk performer to be hened-up by a transn to bareback; siar transns of which have bee wispread across the gay porn landspe the years that have ticked over sce the 2015 Johnny Rapid Go Bareback event and our prent day (see Brennan, 2020a)—due to the wispread mastreamg of bareback mercial gay porn, which has been buoyed no small part by advancements HIV preventn technologi.

GAY PORNOGRAPHER PL MORRIS IS TAKG ON WESTE (EXCLIVE)

This article explor a cril moment of gog bareback the reer of arguably the biggt gay porn performer of the 2010s, Johnny Rapid. The analysis * paul morris gay *

Johnny Rapid’s bareback but served as the lnch event for Bromo; a se that shared a parent pany (MdGeek) wh Sean Cody and Men, the latter two s that 2018 held the distctn of beg the first and send most equented sourc of gay porn on the web, rpectively (Brennan, 2018). I observe that while Rapid’s first-time bareback performance is marketed as a up for viewers, the general nsens among Str8UpGayPorn’s rearship is more my readg of the disurse will show, the largt proportn of those mentg on the mpaign exprsed a cidly negative viewpot. Especially as this trend relat to the Johnny Rapid Go Bareback Barebackg CoupAnalysis of viewer receptivens to the Johnny Rapid Go Bareback mpaign offers particular sights to the functn of ‘bareback event marketg, ’ and wh the impact that the movement towards a “state of ndomlsns” (Brennan, 2020a, 131) gay porn has had on dience expectatns around what nstut a newsworthy performance—together wh dience views on the ethics of ndomls promotn self.

Jt as the 2010s hered the equent prentatns of acts that would have been nsired extreme pornography a earlier—such as anal creampi—on s that are generally nsired “vanilla” gay porn (Kiss Nielsen & Kiss, 2015, 132), Morris has himself been forced to gravate towards more extreme portrayals orr to mata his radil reputatn. This hook is employed pecially by gay-for-pay (see Mercer, 2011) s such as Broke Straight Boys and Ba B, together wh virgal twk properti such as Boys First Time (which is among Rapid’s first creds).

THE VOICE OF CHICAGO'S GAY, LESBIAN, BI, TRANS AND QUEER COMMUNITY SINCE 1985

* paul morris gay *

The ‘hook’ the se of Bromo’s lnch (and Morris’ attempts at ntued relevance an era where ndomls gay porn is the norm once more) is to be able to make some claim that what viewers are seeg is new. The novelty of the Johnny Rapid Go Bareback mpaign, therefore, through the prentatn of a sue of scen pictg a prolific, yet still young, gay-for-pay performer beg perated ‘raw, ’ and perhaps ‘seed’ for the first time on screen. ” (see Florênc, 2018) Also, as John Mercer (2017) not, the “first time” vice is “one of the key disurs of youth that is summoned up gay porn, ” (89) which is an unrstandg of the genre that helps expla the stg of Rapid for this particular re of passage.

Consirg first the reactns to the news of Rapid’s bareback performance, the failure of Bromo to stir up tert—and for s tend msage to land wh Str8UpGayPorn rears—is surmised by two them; namely: bareback as self now mundane, and Rapid’s bareback but as dangero.

’” (C55) The more plited of the two them that emerged the wake of the announcement is the healthism 2: As DangeroOf urse, bareback sex was once the norm gay pornography—before the HIV/AIDS era—, and was mpaigns of another kd—namely for safer sex—that have created the opportuni for harsh judgement, even censure, here and more broadly. A perhaps more nuanced view is that barebackg as a practice and (as of 2021) a now domant ndn of gay pornography, as nsumed and experienced the 21th century, is a se of creasg negotiatn and tst. Weeks wr that sexual inti are “necsary fictns” (1995, 98) shaped by historil circumstanc: the spread of HIV wh Wtern gay and queer male muni of which is a se pot, and a circumstance om which we vised a “grammar for safer sex.

12 GAY TV CHARACTERS WHO NEVER SAID THEY WERE GAYAND MORE DRAG QUEENS ARE HTG TV! WHO WAS LEFT OUT?{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}TVBY MICHAEL MTOSEPTEMBER 18, 2017/11:22 {HEIGHT:HER;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;POSN:RELATIVE;-WEBK-FLEX-WRAP:WRAP;-MS-FLEX-WRAP:WRAP;FLEX-WRAP:WRAP;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;-WEBK-TRANSFORM-ORIG:CENTER;-MS-TRANSFORM-ORIG:CENTER;TRANSFORM-ORIG:CENTER;} IMG{HEIGHT:100%;WIDTH:100%;OBJECT-F:VER;}{HEIGHT:1910PX;WIDTH:2610PX;}ABC PHOTO ARCHIV/DISNEY GENERAL ENTERTAMENT CONTENT VIA GETTY IMAGBY MICHAEL MTOSEPTEMBER 18, 2017 / 11:22 AM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"12 GAY TV CHARACTERS WHO NEVER SAID THEY WERE GAY","THUMBNAILURL":","DATEPUBLISHED":"2017-09-18T15:22:38.000+0000","DATEMODIFIED":"2017-09-18T15:22:38.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","URL":","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"LOGO TV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"LOGO TV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT"}},"CREATOR":"MICHAEL MTO","KEYWORDS":"MTO UNFILTERED","ARTICLESECTN":"TV"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WAY BEFORE CHARACTERS—AND ACTORS—ULD BE OUT OF THE CLOSET, THERE WAS A SPATE OF THEM ON TV THAT GAVE EVERY DITN OF BEG GAY WHOUT ACTUALLY SAYG SO. FOR THE GENERATN THAT GREW UP WHOUT A LOT OF LGBT VISIBILY, THE D PERSONAS PROVID SOME REHG GAYNS AN OTHERWISE EXCLIVELY HETERO LANDSPE. THE DISHONTLY OPAQUE WAY THEY WERE PRENTED MA THEM A TILLATG TNT RATHER THAN A LIBERATG BREAKTHROUGH, BUT THEY STILL MA A DIFFERENCE. HERE’S A DOZEN OF THE MOST MEMORABLE ON (AND BY THE WAY, SOME OF THE CHARACTERS WERE GIVEN OPPOSE-SEX LOVE TERTS, BUT THAT DIDN’T FOOL ME A B):{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}DR. ZACHARY SMH ON LOST {BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:75%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A QUEENY, SCHEMG DOCTOR A SHY SILVER BODYSU, NNG BEHD A ROCK WH A BOY OUTER SPACE? “DANGER, WILL ROBSON” ED. EVEN STAR JUNE LOCKHART SAID SHE THOUGHT THE CHARACTER WAS GAY. AS PLAYED BY JONATHAN HARRIS THE THE 1960S S, THE DOC HAD MAJOR {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MR. BELVEREABC PHOTO ARCHIV/DISNEY GENERAL ENTERTAMENT CONTENT VIA GETTY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}CLIFTON WEBB PLAYED THE STARCHY ENGLISH HOEKEEPER THE MOVI. ON THE S VERSN (1985-’90), WAS CHRISTOPHER HEWETT, WHO FLAMED UP A STORM THE ROLE. IN REAL LIFE A “NFIRMED BACHELOR,” HEWETT HAD PLAYED THE GAYER THAN GAY DIRECTOR ROGER DE BRIS THE ORIGAL MOVIE OF THE PRODUCERS, SO THIS WAS NOT EXACTLY A {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MEL COOLEY ON THE DICK VAN DYKE SHOWCBS VIA GETTY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IN THE 1960S, THE GAYT THG ON THE AIR WAS MEL (PICTURED: LEFT), THE EXTREMELY MANNERED AND IMPER TV PRODUCER ON VAN DYKE’S H S. BALD AND BPECTACLED RICHARD DEAN PLAYED THE PART WH A NOTICEABLY SWISHY MEANOR. HE WENT ON TO PLAY KAYE BALLARD’S HBAND, ROGER BUELL, THE MOTHERS-IN-LAW (1968-9), REPLACG THE EQUALLY MPY ROGER C. CARMEL THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BIG AL, THE SPORTSTER ON ROWAN AND MART'S {BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:56.49999999999999%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AS PLAYED BY FUNNY MAN ALAN SU ON THE H LATE ‘60S/EARLY ‘70S SHOW OF WACKY SKETCH AND SHTICKS, AL WAS AN EFFEMATE SPORTSSTER WHO ABSOLUTELY LOVED RGG THE BELL. ANOTHER OF SU’ CHARACTERS ON THE SHOW WAS A GUY WHO SWAGGERS TO A BAR THE OLD WT AND ORRS A OZEN DAIQUIRI. THE PEOPLE WERE CLEARLY GAY, AND SO WAS ALAN, WHO WAS MARRIED TO A WOMAN FOR A TIME, BUT DATED MEN ON THE SI. SADLY, THE IC FELT THE NEED TO GIVE TERVIEWS BOASTG ABOUT WHAT A STRAIGHT STUD HE WAS. EVEN SADR, HE BEME OVERE WH WHAT HE FELT WAS THE HOMOPHOBIC SLANT OF THE MATERIAL HE WAS GIVEN TO DO. SU DIED {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}UNCLE ARTHUR ON BEWCHEDABC PHOTO ARCHIV/DISNEY GENERAL ENTERTAMENT CONTENT VIA GETTY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FROM ’65 TO ’71, BEWCHED—WH ELIZABETH MONTGOMERY AS A WCH-SLASH-HOEWIFE—WAS GAY STATN TV, THANKS TO SUPPORTG PLAYERS LIKE AGN MOOREHEAD, ACTG ALL REGAL AND BCHY FABULO OUTFS. AND OF URSE THERE WAS PL LYN AS UNCLE ARTHUR, WHICH THE ACTOR BROUGHT ALL HIS GAY TICS TO, RULTG A TYPILLY DARG AND HILAR PERFORMANCE. MUCH LATER, LYN WENT EVEN FARTHER, WH GAYISH NUENDO ON THE HOLLYWOOD SQUAR. (“PL, WHY DO HELL’S ANGELS WEAR LEATHER?” “BEE CHIFFON WRKL TOO EASILY.”) HE DIED 1981, NEVER HAVG E OUT ON THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}CLAYMORE GREGG ON THE GHOST AND MRS. MUIRDISNEY GENERAL ENTERTAMENT CONTENT VIA GETTY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IN THE SAME VE AS LYN, CHARL NELSON REILLY WAS A ONE-MAN MPFT WHO WAS GAYER THAN LIBERACE’S TOOTHBSH. AS CLAYMORE, THE NUTTY GUY WHO RENTS THE HNTED TTAGE TO MRS. MUIR ON THE ENJOYABLE S (1968-’70), HE WAS FSY AND FUNNY AND VERY QUEENY. AND JT LIKE LYN WENT ON TO GAME SHOW PYROTECHNICS, REILLY STOLE THE MATCH GAME WH HIS FLAILG ARMS AND QUICK W. HE ALSO HAD IMPRSIVE THEATER {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}EDWARD EVERETT HORTON ON THE ADVENTUR OF ROCKY AND BULLWKLE AND FRIENDSUNIVERSAL HISTORY ARCHIVE/UNIVERSAL IMAG GROUP VIA GETTY IMAGUNIVERSAL IMAG GROUP {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IS POSSIBLE TO HAVE GAY VOICE? ABSOLUTELY—LET ME EXPLA. FROM 1959 ON, ROCKY AND BULLWKLE WERE FUN AND BORIS AND NATASHA WERE MPY (PECIALLY NATASHA), BUT WHEN THE FRACTURED FAIRY TAL SEGMENT ME ON, I WAS TLY GAY HEAVEN. THE TAL—RETELLG CLASSIC YARNS WH QUIRKY TWISTS—VOLVED EDWARD EVERETT HORTON’S FT NARRATN, WH LOTS OF WORDPLAY AND DOUBLE ENTENDR. HE ME OFF SO UNAPOLOGETILLY GAY—AND WAS JT HIS VOICE! BUT THIS WAS NOTHG NEW; HORTON WAS PLAYG D GAY MEN BACK THE DAYS OF FRED AND GGER MILS AND SCREWBALL EDI. A FIZZY TOAST TO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}{BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:56.49999999999999%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A GAY ANIMATED CHARACTER? WELL, Y, THAT’S HOW THE PRISSY PK MOUNTA LN (VOICED BY DAWS BUTLER AND STARTED 1961) WAS PLAYED, AND I FOUND HIM EVEN MORE APPEALG THAN THE PK PANTHER. THE CHARACTER EXHIBED ALL THE NERVONS, NARCISSISM, AND LIMP WRISTEDNS OF YOUR EVERYDAY GAY STEREOTYPE PLUCKED OUT OF THE WILD. “HEAVENS TO MURGATROYD!” AS SNAGS WOULD {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MILTON THE {BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SIARLY, THE MILTON THE MONSTER SHOW—A RTOON SERI THE 1960S—TROTTED OUT A WHOLE ASSORTMENT OF GAY CREATUR, FOR ANYONE WHO WAS PAYG ATTENTN. THERE WAS MILTON HIMSELF, A FRANKENSTE TYPE BUT OVERLOAD WH TENRNS AND A GOMER PYLE-ISH VOICE, PL PROFSOR WEIRDO AND HIS PISSY ASSISTANT COUNT KOOK (“BETTER HOLD MY HAND, I’M FEELG SICK!”). WHAT’S MORE, THE WOMEN’S VOIC WERE DONE BY MEN. OH, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ANTHONY BOUVIER ON DIGNG WOMENFOTOS INTERNATNAL/COURTY GETTY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MHACH TAYLOR PLAYED THE TERR SIGN ASSISTANT ON THE H SERI. (1986-93). IN ’87, HE PLAYED HOLLYWOOD MONTROSE, THE OVER-THE-TOP WDOW DRSER MANNEQU. IN REAL LIFE, HE WAS MARRIED AND HAD FOUR KIDS, SO I HAVE NO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MR. MOONEY ON THE LUCY SHOWCBS VIA GETTY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}CHARACTER ACTOR GALE GORDON HAMMED UP AS LUCILLE BALL’S FOIL, THE NSTANTLY FLTERED AND BARKG BANKER THEODORE J. MOONEY, ON THE LUCY SHOW (1963-8). HE JT ME OFF LIKE SUCH A GIRL! LUCY OBVLY LIKED GALE’S STORM OF AFFECTATNS BEE HE ME BACK FOR ROL HERE’S LUCY AND LIFE WH {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}KG TUT ON BATMANABC PHOTO ARCHIV/DISNEY GENERAL ENTERTAMENT CONTENT VIA GETTY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}VICTOR BUONO WAS THE GO-TO PUDGY ‘60S CHARACTER ACTOR FOR MPY VILLAY. IN THE TALE OF GROTQUE SIBLG RIVALRY WHAT EVER HAPPENED TO BABY JANE?, HE WASN’T SO MUCH VILLAO AS SORT OF CREEPILY SLEAZY, YET THE MOST CENT ONE THE ROOM BY FLT. (IN FD, HE WAS SEEN ANNOUNCG HIMSELF TO BETTE DAVIS AS A BIG HOMOSEXUAL. HE LATER GOT BTED A MOVIE THEATER ORAL SEX CINT THAT WAS HHED UP.) THE H SHOW BATMAN WAS FAMO FOR S GAY-IENDLY GUT STARS LIKE EARTHA KT, JULIE NEWMAR, ETHEL MERMAN, AND TALLULAH BANKHEAD. ALONG WH BEWCHED, THIS SHOW HELPED TAPULT ME OUT OF THE CLOSET EVEN WHOUT THE WORD “GAY” EVER HAVG BEEN UTTERED. BUONO WAS GREAT AS TUT, THOUGH HE SEEMED MORE QUEEN THAN KG. HE DIED OF A HEART ATTACK AT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HONORARY MENTN: GOMER PYLE (JIM NABORS), FRED “REN” STUBBS (FRED BERRY) ON WHAT’S HAPPENG!!, THE MARTIAN (RAY WALSTON) ON MY FAVORE MARTIAN, MONROE FIC (JIM J. BULLOCK) ON TOO CLOSE FOR COMFORT, BARNABAS COLLS (JONATHAN FRID) ON DARK SHADOWS, URKEL (JALEEL WHE) ON FAY MATTERS, UNCLE FTER (JACKIE COOGAN) THE ADDAMS FAY, DOOGIE HOWSER, M.D. (NEIL PATRICK HARRIS), THE BROTHER ON SMALL WONR, TKY WKY (TELETUBBI), SQUIDWARD (SPONGEBOB SQUAREPANTS), AND ANYTHG PLAYED BY DON KNOTTS—AND AS FOR THE LADI, JO (NANCY MCKEON) ON THE FACTS OF LIFE, MISS JANE HATHAWAY (NANCY KULP) ON THE BEVERLY HILLBILLI, AND ALICE (ANN B. DAVIS) ON THE BRADY BUNCH. Y, I KNOW SHE WAS CRAZY FOR SAM THE BUTCHER. I’M SURE HE WAS A BEARD!CBS VIA GETTY IMAGFRED CLARK AS DR. RAY CLYBURN, NANCY KULP AS JANE HATHAWAY AND RAYMOND BAILEY AS MILBURN DRYSDALE THE BEVERLY HILLBILLIES EPISO, "HAIR-RAISG HOLIDAY." ORIGAL AIRDATE, OCTOBER 2, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}TODAY, GAY PEOPLE ON TV ARE OUT AND DRS! FN TV JT ANNOUNCED THAT ’S THROWG SHA: QUEENS OF NYC, A 12-PART DOCERI ABOUT THE NYC DRAG CULTURE, FEATURG LOL FAVOR LIKE MARTI GOULD CUMMGS, TA BURNER, PAIGE TURNER, HOLLY BOX SPRGS, JADA VALENCIAGA, JASME RICE LABEIJA, CHELSEA PIERS, AND BRA FILTER. GREAT CHOIC—I’VE ENJOYED THEM ALL. AS FOR HOW THEY ST THE SHOW—WHICH PREMIER OCTOBER 5—CUMMGS TOLD ME, "THIS GROUP OF QUEENS REPRENTS THE HEART OF NYC DRAG. THEIR WORK ETHIC AND DRIVE TO SUCCEED THIS DTRY MAK THEM STAND OUT AS NYCS FT REPRENTATN OF DIVERSE DRAG. OUR GOAL IS TO HAVE THIS SHOW BE A SUCCS AND HOPEFULLY WE N TRODUCE MORE QUEENS AS TIME GO ON TO NTUE TO SHOWSE THE EVER EVOLVG NYC DRAG MUNY." AND IF NOT, THERE MT BE A SUPPORT GROUP BY NOW FOR DRAG QUEENS WHO HAVEN'T GOTTEN ON {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SEEN ALL OVER THE TUBE ARE THE BLONDS—THE LONG-NNG, GLTERY DUO DAVID AND PHILLIPE BLOND, WHO NOT ONLY TROT OUT EYE TCHG ENSEMBL FOR FASHN WEEK, BUT PROVI A SWIRL OF BUZZY EXCEMENT, THANKS TO THE IMPOSSIBLY JAZZY DIENCE THAT FLOCKS TO THEIR SHOWS. ACTOR/REALY PERSONALY WILL WIKLE AGRE WH ME THAT ’S A GREAT IA TO TELL PEOPLE, “I’M BY DOG FASHN WEEK,” AND THEN ONLY GO TO THE BLONDS. THIS TIME, AT SKYLIGHT LAST WEEK, WAS THE UAL MADP SCENE. AND WHILE CLUB DOORMAN MARK KELLE ADPANNED, “I SEE A LOT OF NEW FAC—PLASTERED ON OLD ON,” HE’S A IC AND WAS TOTALLY JOKG, I SWEAR. THE ROOM WAS FILLED WH FASCATG LOOKG CREATUR OM THE FASHN BLOGOSPHERE—CLUDG TWO AD RGERS FOR THE OLSEN TWS, SIMULTANEOLY SNNG THEIR PHON—AND THEY EVEN PSED OM DOG INSTA-STORY TO WATCH THE SHOW. AND THAT TURNED OUT TO BE A KUBLA KHAN-SPIRED O TO OUR SHARED LOVE OF MIC AND ARTISTS WHICH STARTED WH TEYANA TAYLOR PULSG DOWN THE NWAY A DAY-GLOW JACKET. THE PLACE WAS AGLOW WH SPARKL, TRELLIS, PATCHWORK QUILTS, AND KNEE-HIGH STUDD NIM BOOTS, PPED OFF BY PHILLIPE HIMSELF FULL DRAG AND A BLDG GOLD NUMBER. IT WAS ALL SO BRIGHT YOU HAD TO WEAR SHAS—BUT ONLY REALLY OL SIGNER ON, OF {BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AND FALLY, FOR SOME BTE AMBN, IF YOU’RE NYC THIS WEEKEND, CHECK OUT MY DUETS SHOW AT ALAN CUMMG AND DANIEL NARDIC’S NEW BOE, CLUB CUMMG. I HAVE SOME ILLTR DRAG STARS AS MY DUETTG PARTNERS—ISN'T THAT ENOUGH? PL ’S A BENEF FOR SAGE—I DON’T KNOW, SOMETHG ABOUT OLD {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}TICKETS AND MORE RMATN {BOX-SIZG:BORR-BOX;CLEAR:BOTH;}MTO {BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS

Pl Morris (AKA Charl Steven Key) the owner of Treasure Island Media, a San Francis, Californiabased gay pornography stud that specializ bareback pornography. Known to be reclive, Morris has never attend an event sponsored by his stud and fact, when ved to speak at the 1998 * paul morris gay *

Footnote 21 We turn now to viewer asssment of the scen of Rapid’s barebackg but, such asssments that were thored the ments sectns of Str8UpGayPorn’s of the Johnny Rapid Go Bareback CampaignFour scen were released as part of the Johnny Rapid Go Bareback mpaign—one per week begng on Augt 6, 2015.

It is a view that regniz the potential of the ter promotg certa sexual practic (see Rosenberger et al., 2011); but also, pots to the “risky bs” of a regrsive trajectory followg a perceived cle the threat of HIV—whereby “agast all good medil advice, ” the porn dtry is puttg profs ahead of muny health by “showg healthy lookg people engagg unhealthy behavr, ” and “sendg a bad msage, pecially to young gay men, ” for many of whom porn, is assumed, plays an important role their inty formatn. Not only do nfirm abundant e of pornography by gay men (also see Duggan & McCreary, 2004), but also, of the 20 participants who took part the study, three quarters of those terviewed attributed gay pornography as their primary means of learng about gay sex durg adolcence (Elr et al., 2015, 951) foregog viewer ment is ak to what Alex Carballo-Diéguez and José Bermeister (2004) found their paratively early ntent analysis of ments for and agast barebackg. Mercer mak the pot that while a theme of homophobia may be seen to unrsre certa scenars—such as sex prison (and perhaps hazg and gay-for-pay narrative settgs as well)—, to label such scenars as homophobic is “far too simplistic and rctive to acunt for the relatively plex range of disurs at play.

A BRIEF HISTORY OF LBIAN, GAY, BISEXUAL, AND TRANSGENR SOCIAL MOVEMENTS

In addn to offensive signifieds that adjo the performers’ off-screen liv, one mentator also labels the men as probable racists, prumably le wh the whe-washed nature of much of gay porn:Footnote 33 “As much as I dislike both of their personali, and that they both might be potentially racist as well, I’m watchg this maly for Vadim. ” (56; also see Mercer, 2003, for a discsn of gay porn prototyp) A tailed discsn of Rapid and class would be worthwhile as part of a star study, somethg that is outsi the spe of the prent argument.

However, what n be gleamed om the disurse regardg class is that Rapid’s gay-for-pay porn inty, bed wh his reputed treatment of women, merg wh his “power bottom” performanc to create a distctly workg-class nstctn that was central to his narrative at the time.

” (C5) Yet the nsens seems to be that Rapid’s bareback but as an ‘event’ is the scene self together wh the promotnal imag that acpany are cricized as overly staged—“There’s some[thg] cidly unsexy about a group of guys stoppg to pose for the mera mid-fuck” (C14)—, unr erotic—“he’s the most borg and passnls gay porn performer I’ve ever seen, no matter how many dicks he n take at the same time.

*BEAR-MAGAZINE.COM* PAUL MORRIS GAY

Gog Bareback: Time and Agg a Gay-for-Pay Porn Career | SprgerLk .

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