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iRsSlw"><a class="RubricLk-gRWSOU fgWnkQ bric__lk" href="/magaze/the-art-world"><span class="RubricName-fVtemz cLxcNi">The Art World</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd NbxED hpJvIc">Frédéric Bazille’s Short Career, Rensired</h1></div><div class="ContentHearAccredatn-lfctVB enhwXT ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ Mtme">An exhibn of his work affords a pot of view on the birth of Imprsnism and on the general dawng of mornist sentiments and sensibili.</div><div class="ContentHearByle-kmPyCa gvUmxJ"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearContributorImage-cvjZXn jKACOU"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearContributorImage-cvjZXn jKACOU rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="66px"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="66px"/><img 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class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHearLeadAsset-hGbumP iWPCcH lead-asset ContentHearLeadAssetWrapper-hfXHEc fTrSlG lead-asset--width-smallle" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb khLUzS"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz fwyPoh"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO KhjZz ContentHearRponsiveAsset-bREgIb khLUzS rponsive-image rponsive-image--expandable"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="Bazill “Summer Scene ” anticipat a seri by Czanne." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE iTuhkZ ptn ContentHearLeadAssetCaptn-hPWmSN kuCzGS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">Bazille’s “Summer Scene (Bathers)” (1869-70) anticipat a seri by Cézanne.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Courty Harvard Art Mms</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" class="ContentHearLeadRailAnchor-jYVcDc djtEof"></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark 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class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">“Frédéric Bazille and the Birth of Imprsnism,” at the Natnal Gallery, Washgton, D.C., is a great show, which surprised me. Bazille was not—or was not yet—a great artist when he died, 1870, at the age of twenty-eight, the Fran-Pssian War. His some seventy-five works the show, notably scen of ordary people outdoor settgs, tantalize like an orchtra tung up for a ncert that is abptly ncelled. A yearngly amb provcial, om Languedoc, Bazille lucked to the big-bang mencement of Parisian mornism, signalled by the stunng novelty of Édouard Ma’s “Déjner sur l’Herbe,” 1863. Bazille was iends wh Mo and Renoir, sharg studs wh them on the Left Bank and Montmartre, and he knew everybody else art worth knowg. You n feel the verve of the happy few a sprightly patg by Bazille, dated 1869-70, which shows him and five of his lleagu socializg a daylight-suffed stud. One of them, Ma, pated the tall figure of Bazille. (At six feet two, Bazille towered his i—and likely enemy gun sights, when, on his first day of bat, he charged, and was shot ad, the lorful uniform of a Zouave.) But to ll him one of the proto-Imprsnists don’t seem que right. Rather, he reflected each of them, by turns, as his real but secure talent veered back and forth, and this way and that, their stronger gravatnal fields.</p><p class="paywall">What mak the show great is the pot of view that affords not only on the birth of Imprsnism but also on the general dawng of mornist sentiments and sensibili. Bazille serv as our stand- throughout a crisply dramatic stallatn, by the Natnal Gallery curator Kimberly A. Jon, which rporat appose patgs by, among others, Corot, Courbet, Ma, Cézanne, Mo, Renoir, Sisley, Fant-Latour, and Morisot. Bazille’s parallels and rpons to those artists amount to a cril x of a moment when the urse of art was feverishly ntted and s future was trackls. All were rebels agast amic nventns and aristocratic propriety, amid sdg social chang. They addrsed a risg bourgeoisie, and s bohemian g, as both subject matter and dience. Official and populist ristance and, often, poverty held the avant-gar together, both mon e and timate petn, workg, most immediately, for regnn by one another. (Bazille ocsnally had patgs accepted for the annual Salon exhibn, but he never managed to sell a work.) Bazille’s emulatn of his forenners and his peers sharpens my appreciatn of them, both for what he had absorbed and for how he fell short.</p><p class="paywall">The difference is proof of geni the se of Mo, who, om the start, was matchls ways that our faiary wh his work mak easy to take for granted. His radil registratn of realy terms of perceived light, rather than of scribed forms, is already apparent a beach scene om 1864. Dbed sgle lors intify ston and wav, achievg an overall realism that plet self your act of lookg. Bazille’s near-py of the work, ma the followg year, clgs to tonal shadgs of the same elements, objectifyg them to ted, static effect. Only termtently was he able to surrenr what he knew to what stck his eye—though he did so betifully, 1867, wh unually relaxed views of an old astal fortrs, the South of France, awash goln sunlight beneath piercgly blue ski.</p><le-embed name="feature-flt" attrs="[object Object]" childTyp="gallery" hasProducts="false" ntentType="llout:feature-flt"><div class="GalleryEmbedWrapper-llMpjF eNSLoK gallery-embed"><hr class="GalleryEmbedHr-dXMdzM fCNcvb gallery-embed__hr"/><span class="GalleryEmbedSwipe-IABKO llRwJY" style="touch-actn:none"><ul style="transform:translate(0px, 0)" class="GalleryEmbedSliList-koIlkn jiZeeK"><li class="GalleryEmbedSliListItem-fKJGAO iJdYaZ"><div class="GallerySliWrapper-yxPsh kubsDs" data-event-boundary="click" data--view="{"pattern":"GallerySli","variatn":"GallerySli.ItemCenterNoCaptn"}" data-event-click="{"pattern":"GallerySli","variatn":"GallerySli.ItemCenterNoCaptn"}" orientatn="landspe" data-ttid="GallerySliWrapper"><figure class="GallerySliFigure-jhDfjI bGQGmP"><div orientatn="landspe" class="GallerySliAssetWrapper-jGbftJ jqUBFt"><div class="GallerySliAssetContaer-hwdsAZ gNfA-dy"><div class="GallerySliAssetContaerInner-BTnef fyLCFI"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset GallerySliRponsiveAsset-bXKMLC lluiXZ GallerySliRponsiveAsset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa GallerySliRponsiveAsset-bXKMLC lluiXZ GallerySliRponsiveAsset rponsive-image"><img alt="“Bazill Stud” or “The Stud on the Rue La Condame” ." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></picture></span></div></div></div></figure></div></li><li class="GalleryEmbedSliListItem-fKJGAO iJdYaZ"><div class="GallerySliWrapper-yxPsh kubsDs" data-event-boundary="click" data--view="{"pattern":"GallerySli","variatn":"GallerySli.ItemCenterNoCaptn"}" data-event-click="{"pattern":"GallerySli","variatn":"GallerySli.ItemCenterNoCaptn"}" orientatn="landspe" data-ttid="GallerySliWrapper"><figure class="GallerySliFigure-jhDfjI bGQGmP"><div orientatn="landspe" class="GallerySliAssetWrapper-jGbftJ jqUBFt"><div class="GallerySliAssetContaer-hwdsAZ gNfA-dy"><div class="GallerySliAssetContaerInner-BTnef fyLCFI"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset GallerySliRponsiveAsset-bXKMLC lluiXZ GallerySliRponsiveAsset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa GallerySliRponsiveAsset-bXKMLC lluiXZ GallerySliRponsiveAsset rponsive-image"><img alt="“The Wtern Ramparts at AiguMort” ." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></picture></span></div></div></div></figure></div></li><li class="GalleryEmbedSliListItem-fKJGAO iJdYaZ"><div class="GallerySliWrapper-yxPsh kubsDs" data-event-boundary="click" data--view="{"pattern":"GallerySli","variatn":"GallerySli.ItemCenterNoCaptn"}" data-event-click="{"pattern":"GallerySli","variatn":"GallerySli.ItemCenterNoCaptn"}" orientatn="landspe" data-ttid="GallerySliWrapper"><figure class="GallerySliFigure-jhDfjI bGQGmP"><div orientatn="landspe" class="GallerySliAssetWrapper-jGbftJ jqUBFt"><div class="GallerySliAssetContaer-hwdsAZ gNfA-dy"><div class="GallerySliAssetContaerInner-BTnef fyLCFI"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset GallerySliRponsiveAsset-bXKMLC lluiXZ GallerySliRponsiveAsset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa GallerySliRponsiveAsset-bXKMLC lluiXZ GallerySliRponsiveAsset rponsive-image"><img alt="“The Improvised Field Hospal” ." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></picture></span></div></div></div></figure></div></li></ul></span><div class="GalleryEmbedControlsStyl-dHFqsy bfpTGb"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ GalleryEmbedControlsCounter-cTFhZe iUEiRd fePcfF iyyCZU"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ GalleryEmbedControlsCounterInx-KxYYM iUEiRd fePcfF">1 </span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ GalleryEmbedControlsCounterCount-hjjCXF iUEiRd bFLrVK">/ 7</span></span><div role="prentatn" class="GalleryEmbedControlsController-bemMMG kAIVAh"><button aria-label="gallery-back" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv dZjwET button button--utily GalleryEmbedControlsButton-dA-dlPo jNwzCb" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label"></span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="ButtonIn-YqaGo iwlhuX button-in in in-chevron" focable="false" viewBox="0 0 32 32" width="32" height="32" xmlns="><tle>Chevron</tle><path d="M19.071 16L12 8.929l1.414-1.414L21.9 16l-8.485 8.485L12 23.071z" fill-le="nonzero"></path></svg></div></button><button aria-label="gallery-forward" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv dZjwET button button--utily GalleryEmbedControlsButton-dA-dlPo dCrXjf" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label"></span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="ButtonIn-YqaGo iwlhuX button-in in in-chevron" focable="false" viewBox="0 0 32 32" width="32" height="32" xmlns="><tle>Chevron</tle><path d="M19.071 16L12 8.929l1.414-1.414L21.9 16l-8.485 8.485L12 23.071z" fill-le="nonzero"></path></svg></div></button></div></div><figptn class="GalleryEmbedCaptnWrapper-eUYjyD cYOJII"><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ GalleryEmbedCred-fLWDcf bVluTY fwTxLZ cLAnWT">Courty Mée d’Orsay</div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ GalleryEmbedCaptnSliBody-ljkTbv jZrgsf eIRSrt">“Bazille’s Stud,” or “The Stud on the Rue La Condame” (1869-1870).</div></figptn><hr class="GalleryEmbedHr-dXMdzM fCNcvb gallery-embed__hr"/></div></le-embed><p class="paywall">Late the show, the very overthkg to which Bazille was prone pots to possibili for a distctive style—more classilly stctured than outright Imprsnist—and to a psychologil charge that may have ightened him: homoeroticism. His last year provis the grist for a novella that uld wre self, given this potential explanatn for why Bazille, vergg on creative matury, volunteered for war—g his bt iend, the mician and athete Edmond Maître, to tell him that he was “stark ravg mad.” On the eve of battle, Bazille exprsed nfince, to a fellow-soldier, that he would survive, bee “I have too many thgs to do life.” Did his plan clu first provg himself acceptably mascule?</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Bazille was born Montpellier 1841, to a tight-kn Prottant clan. His father was an agronomist and a vtner, and his mother me om a landowng and merchant fay. He moved to Paris 1862. His father sternly expected him to bee a doctor, and Bazille miserably mataed medil studi until, 1864, he flunked his exams and dropped out, for which Cl Mo ngratulated him. Bazille’s father, while rigned to his son’s choice of a reer art, kept him on a short fancial leash. But that didn’t prevent Bazille’s artist iends om emg him a rich kid. (If he had had ee e of his fortune, he might have played a dual role, as artist and patron, like his younger ntemporary Gtave Caillebotte.)</p><p class="paywall">Mo, scrapg by wh a mistrs who beme his wife, and their child, repeatedly dunned him for support. That, add to Mo’s dntg abili and his bossy personaly, plaly stung Bazille, who uld retaliate only passive-aggrsively. The most lightful patg the show is Bazille’s “The Improvised Field Hospal” (1865), of Mo recuperatg bed om a leg jury curred that summer. Bazille, wh his medil trag, took charge of the suatn. He propped up the redned limb on fold blankets and hung a ceramic pot above , perhaps to serve as a unterweight. Th immobilized, Mo gaz out sullenly. Everythg the picture, om a bravura swirl of bedcloth to fast notatns of arabque-patterned wallpaper, bpeaks exultant self-satisfactn. For once, Bazille had his gt enemy right where he wanted him.</p><p class="paywall">Bazille pated some female nus—his pleas to his father for money regularly ced the expense of mols—but tamely, even when they held sensual pos. When clothed, his women display facial exprsns the dispassnate key that had been set for a generatn of artists by Ma’s “Olympia,” but whout any trace of his mol Victore Mrent’s smolrg challenge. Bazille’s shyns turns posively surreal the large “The Fay Gatherg” (1867-68), which shows him and ten of his relativ posed on a terrace, wh a ral landspe behd them. The subjects are all fancy cloth and studied attu. None of them seem particularly alive, much ls lively. I surmise that what was like to be someone bis himself bewilred Bazille. Even beg himself may have nstuted a problem. No direct evince of his love life exists, but a letter home, 1867, he allus vaguely to a romantic disappotment that has turned him agast the prospect of marriage. Add up the quali of Bazille’s sgulary—provcial, Prottant, only putatively wealthy, perhaps gay—and you have a lonely man, whom ’s almost impossible not to take a tenr rootg tert.</p><p class="paywall">Bazille’s most fascatg patg is full of promise precisely the awkwardns of s origaly, no longer beholn to any specific fluence: “Summer Scene (Bathers)” (1869-70), which he worked on durg the next to the last of his annual summer sojourns at the fay home. Eight young men gather a bosky riverbank scene; six wear swimmg tnks, one is half-drsed, another begs to undrs. Two of the men tnks wrtle, as another, loungg, looks on. The half-drsed man helps a swimmer out of the water, while another stays . Bazille obvly found the negotiatn of pth and ontaly taxg, renrg three-dimensnal forms mimally shad passag of bold lor. (One tail of forhorteng, of the swimmer’s arms extend jt below the surface of the water, fails spectacularly.) But there’s an tensy to the scene, which, bis anticipatg the subject and the format of the great Bathers seri that Cézanne began some years later, dit a g onens of athetic visn and personal tth that was not to be. What would we make of some of Bazille’s now nonil iends had they, too, died young? You n wonr about that at this exhilaratg show, while ggg the loss, to them and to , of the arnt Bazille. ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box ArticlePageSplAdRail-OyjwD jikppc"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="ArticlePageSplAdRailContent-jsltpq iZDmmY spl-ad-rail-ntent"><div class="ArticlePageSplAdRailTop-jUrrVY jzzFg"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="gv68p2"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div><div class="ArticlePageSplAdRailMiddle-tiRvu hiZeZX spl-ad-rail-middle"></div><div class="ArticlePageSplAdRailBottom-dBKMGQ jmCMsn spl-ad-rail-bottom"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="d4trln"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><footer class="ContentFooterMagazeDisclaimer-gzKAqo iZIuUU" data-ttid="MagazeDisclaimerWrapper">Published the prt edn of the <a href="/magaze/2017/04/17" data-reactroot="">April 17, 2017</a>, issue, wh the headle “Send Imprsns.”</footer></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/peter-schjeldahl"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/peter-schjeldahl">Peter Schjeldahl</a> was The New Yorker’s longtime art cric until his ath, 2022, at the age of eighty. 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SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">The Art World</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href="/magaze/2011/02/28/game-change" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Game Change</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2011/02/28/game-change" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Game Change" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Cézanne, rd players, and the birth of mornism.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Peter Schjeldahl</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm kdEfwY" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2007/07/30/patg-by-numbers" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Patg by Numbers" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Books</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href="/magaze/2007/07/30/patg-by-numbers" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Patg by Numbers</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2007/07/30/patg-by-numbers" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Patg by Numbers" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Gtave Courbet and the makg of a master.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Peter Schjeldahl</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm kdEfwY" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Iphigenia Fort Hills" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">A Reporter at Large</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Iphigenia Fort Hills</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Iphigenia Fort Hills" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Anatomy of a murr trial.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Ja Mallm</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm kdEfwY" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Transn" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Annals of History</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Transn</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Transn" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Lyndon Johnson and the events Dallas.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Robert A. Caro</span></span></p></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectnGridSummaryItem-WColm kdEfwY ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-no-id="iuddhy"></div></div></div><div class="SummaryCollectnGridToActnWrapper-gnReGN eGayfk"></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="TaboolaWrapper-hMVdpE iYfBhy"><div class="TaboolaWidgetWrapper-egPIjc hkSrgt TaboolaWidget-eUSdED hQCCRa" data-ttid="TaboolaWidgetWrapper"><div class="TaboolaWidgetContent-iBEQTO eXroXG TABOOLA" id="taboola-below-article-thumbnails---f" data-ttid="TaboolaWidgetContent"></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="AdWrapper-dQtivb fZrssQ ad ad--footer should-hold-space"><div class="ad__slot ad__slot--footer" data-no-id="p5gnpf"></div></div></div></div></div></ma><div class="BasePageMaFooterFiller-hTlZph jSriYf page__ma-footer-filler"></div><div class="RowWrapper-UmqTg HEhan"><div 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frederic bazille gay

Contents:

GAY SECRETS OF HARVARD ART MMS

Courty Mée d’Orsay“Bazille’s Stud, ” or “The Stud on the Rue La Condame” (1869-1870) the show, the very overthkg to which Bazille was prone pots to possibili for a distctive style—more classilly stctured than outright Imprsnist—and to a psychologil charge that may have ightened him: homoeroticism. Add up the quali of Bazille’s sgulary—provcial, Prottant, only putatively wealthy, perhaps gay—and you have a lonely man, whom ’s almost impossible not to take a tenr rootg tert. (The pany Osr Wil Tours leads “Gay Secrets of the MFA, ” which has ught the eye of many a Facebook-browsg FM wrer.

Perhaps gay, artistic energi travel like Mary Popps: at the beht of the wds. If so, this is a good omen for my qut: fd the secret gays of the mm.

If anyone n fd the gays this bastn of marble and oil pat, is me. I abi by a strict set of creria: if the figur portrayed the art seem gay to me, they are.

DISVER WAS BAZILLE GAY?

It is early yet my odyssey for gays and the tis are turng my favor. Any gay woman worth (The Price Of) her salt n sense the ep ra of lbianism radiatg om this patg.

*BEAR-MAGAZINE.COM* FREDERIC BAZILLE GAY

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jssHut nsumer-marketg-un nsumer-marketg-un--display-hero" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-hero"></div><div class="journey-un"></div></div></div><div class="SpaceHolr-oayp fXtswJ ad-height-hold"></div><ma id="ma-ntent" tabx="-1" class="BasePageMaContent-kFvAuh ewPCZH page__ma-ntent"><article class="article ma-ntent" lang="en-US"><div class="ArticlePageLeBackground-EufvU tFsh"><hear class="ContentHearWrapper-clujbs bhNIJY ntent-hear article__ntent-hear"><div data-ttid="ContentHearContaer" class="ContentHearContaer-cGKRbE knDxNq"><div class="ContentHearHedAccredatnWrapper-GFiQf cDNVlV"><div data-ttid="ContentHearTleBlockWrapper" class="ContentHearTleBlockWrapper-cjmSKp jbzVNV"><div data-ttid="ContentHearRubric" class="ContentHearRubricBlock-LmpbT kkDiIx"><div data-ttid="ContentHearRubricDateBlock" class="ContentHearRubricDateBlock-kAQcZP fTFWxD"><div class="RubricWrapper-dKmCNX dZhWBL bric ContentHearRubricContaer-eTudtt iRsSlw"><a class="RubricLk-gRWSOU fgWnkQ bric__lk" href="/magaze/the-art-world"><span class="RubricName-fVtemz cLxcNi">The Art World</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd NbxED hpJvIc">Frédéric Bazille’s Short Career, Rensired</h1></div><div class="ContentHearAccredatn-lfctVB enhwXT ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ Mtme">An exhibn of his work affords a pot of view on the birth of Imprsnism and on the general dawng of mornist sentiments and sensibili.</div><div class="ContentHearByle-kmPyCa gvUmxJ"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearContributorImage-cvjZXn jKACOU"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearContributorImage-cvjZXn jKACOU rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="66px"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="66px"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bqbBYQ"><p class="ByleWrapper-jWHrLH ivtvgj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/peter-schjeldahl">Peter Schjeldahl</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2017-04-10T00:00:00-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">April 10, 2017</time></div></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHearLeadAsset-hGbumP iWPCcH lead-asset ContentHearLeadAssetWrapper-hfXHEc fTrSlG lead-asset--width-smallle" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb khLUzS"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz fwyPoh"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO KhjZz ContentHearRponsiveAsset-bREgIb khLUzS rponsive-image rponsive-image--expandable"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="Bazill “Summer Scene ” anticipat a seri by Czanne." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE iTuhkZ ptn ContentHearLeadAssetCaptn-hPWmSN kuCzGS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">Bazille’s “Summer Scene (Bathers)” (1869-70) anticipat a seri by Cézanne.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Courty Harvard Art Mms</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" class="ContentHearLeadRailAnchor-jYVcDc djtEof"></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kAEsuD viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU cjjxgx bookmark mobile"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">“Frédéric Bazille and the Birth of Imprsnism,” at the Natnal Gallery, Washgton, D.C., is a great show, which surprised me. Bazille was not—or was not yet—a great artist when he died, 1870, at the age of twenty-eight, the Fran-Pssian War. His some seventy-five works the show, notably scen of ordary people outdoor settgs, tantalize like an orchtra tung up for a ncert that is abptly ncelled. A yearngly amb provcial, om Languedoc, Bazille lucked to the big-bang mencement of Parisian mornism, signalled by the stunng novelty of Édouard Ma’s “Déjner sur l’Herbe,” 1863. Bazille was iends wh Mo and Renoir, sharg studs wh them on the Left Bank and Montmartre, and he knew everybody else art worth knowg. You n feel the verve of the happy few a sprightly patg by Bazille, dated 1869-70, which shows him and five of his lleagu socializg a daylight-suffed stud. One of them, Ma, pated the tall figure of Bazille. (At six feet two, Bazille towered his i—and likely enemy gun sights, when, on his first day of bat, he charged, and was shot ad, the lorful uniform of a Zouave.) But to ll him one of the proto-Imprsnists don’t seem que right. Rather, he reflected each of them, by turns, as his real but secure talent veered back and forth, and this way and that, their stronger gravatnal fields.</p><p class="paywall">What mak the show great is the pot of view that affords not only on the birth of Imprsnism but also on the general dawng of mornist sentiments and sensibili. Bazille serv as our stand- throughout a crisply dramatic stallatn, by the Natnal Gallery curator Kimberly A. Jon, which rporat appose patgs by, among others, Corot, Courbet, Ma, Cézanne, Mo, Renoir, Sisley, Fant-Latour, and Morisot. Bazille’s parallels and rpons to those artists amount to a cril x of a moment when the urse of art was feverishly ntted and s future was trackls. All were rebels agast amic nventns and aristocratic propriety, amid sdg social chang. They addrsed a risg bourgeoisie, and s bohemian g, as both subject matter and dience. Official and populist ristance and, often, poverty held the avant-gar together, both mon e and timate petn, workg, most immediately, for regnn by one another. (Bazille ocsnally had patgs accepted for the annual Salon exhibn, but he never managed to sell a work.) Bazille’s emulatn of his forenners and his peers sharpens my appreciatn of them, both for what he had absorbed and for how he fell short.</p><p class="paywall">The difference is proof of geni the se of Mo, who, om the start, was matchls ways that our faiary wh his work mak easy to take for granted. His radil registratn of realy terms of perceived light, rather than of scribed forms, is already apparent a beach scene om 1864. Dbed sgle lors intify ston and wav, achievg an overall realism that plet self your act of lookg. Bazille’s near-py of the work, ma the followg year, clgs to tonal shadgs of the same elements, objectifyg them to ted, static effect. Only termtently was he able to surrenr what he knew to what stck his eye—though he did so betifully, 1867, wh unually relaxed views of an old astal fortrs, the South of France, awash goln sunlight beneath piercgly blue ski.</p><le-embed name="feature-flt" attrs="[object Object]" childTyp="gallery" hasProducts="false" ntentType="llout:feature-flt"><div class="GalleryEmbedWrapper-llMpjF eNSLoK gallery-embed"><hr class="GalleryEmbedHr-dXMdzM fCNcvb gallery-embed__hr"/><span class="GalleryEmbedSwipe-IABKO llRwJY" style="touch-actn:none"><ul style="transform:translate(0px, 0)" class="GalleryEmbedSliList-koIlkn jiZeeK"><li class="GalleryEmbedSliListItem-fKJGAO iJdYaZ"><div class="GallerySliWrapper-yxPsh kubsDs" data-event-boundary="click" data--view="{"pattern":"GallerySli","variatn":"GallerySli.ItemCenterNoCaptn"}" data-event-click="{"pattern":"GallerySli","variatn":"GallerySli.ItemCenterNoCaptn"}" orientatn="landspe" data-ttid="GallerySliWrapper"><figure class="GallerySliFigure-jhDfjI bGQGmP"><div orientatn="landspe" class="GallerySliAssetWrapper-jGbftJ jqUBFt"><div class="GallerySliAssetContaer-hwdsAZ gNfA-dy"><div class="GallerySliAssetContaerInner-BTnef fyLCFI"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset GallerySliRponsiveAsset-bXKMLC lluiXZ GallerySliRponsiveAsset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa GallerySliRponsiveAsset-bXKMLC lluiXZ GallerySliRponsiveAsset rponsive-image"><img alt="“Bazill Stud” or “The Stud on the Rue La Condame” ." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></picture></span></div></div></div></figure></div></li><li class="GalleryEmbedSliListItem-fKJGAO iJdYaZ"><div class="GallerySliWrapper-yxPsh kubsDs" data-event-boundary="click" data--view="{"pattern":"GallerySli","variatn":"GallerySli.ItemCenterNoCaptn"}" data-event-click="{"pattern":"GallerySli","variatn":"GallerySli.ItemCenterNoCaptn"}" orientatn="landspe" 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data-event-click="{"pattern":"GallerySli","variatn":"GallerySli.ItemCenterNoCaptn"}" orientatn="landspe" data-ttid="GallerySliWrapper"><figure class="GallerySliFigure-jhDfjI bGQGmP"><div orientatn="landspe" class="GallerySliAssetWrapper-jGbftJ jqUBFt"><div class="GallerySliAssetContaer-hwdsAZ gNfA-dy"><div class="GallerySliAssetContaerInner-BTnef fyLCFI"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset GallerySliRponsiveAsset-bXKMLC lluiXZ GallerySliRponsiveAsset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa GallerySliRponsiveAsset-bXKMLC lluiXZ GallerySliRponsiveAsset rponsive-image"><img alt="“The Improvised Field Hospal” ." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></picture></span></div></div></div></figure></div></li></ul></span><div class="GalleryEmbedControlsStyl-dHFqsy bfpTGb"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ GalleryEmbedControlsCounter-cTFhZe iUEiRd fePcfF iyyCZU"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ GalleryEmbedControlsCounterInx-KxYYM iUEiRd fePcfF">1 </span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ GalleryEmbedControlsCounterCount-hjjCXF iUEiRd bFLrVK">/ 7</span></span><div role="prentatn" class="GalleryEmbedControlsController-bemMMG kAIVAh"><button aria-label="gallery-back" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv dZjwET button button--utily GalleryEmbedControlsButton-dA-dlPo jNwzCb" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label"></span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="ButtonIn-YqaGo iwlhuX button-in in in-chevron" focable="false" viewBox="0 0 32 32" width="32" height="32" xmlns="><tle>Chevron</tle><path d="M19.071 16L12 8.929l1.414-1.414L21.9 16l-8.485 8.485L12 23.071z" fill-le="nonzero"></path></svg></div></button><button aria-label="gallery-forward" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv dZjwET button button--utily GalleryEmbedControlsButton-dA-dlPo dCrXjf" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label"></span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="ButtonIn-YqaGo iwlhuX button-in in in-chevron" focable="false" viewBox="0 0 32 32" width="32" height="32" xmlns="><tle>Chevron</tle><path d="M19.071 16L12 8.929l1.414-1.414L21.9 16l-8.485 8.485L12 23.071z" fill-le="nonzero"></path></svg></div></button></div></div><figptn class="GalleryEmbedCaptnWrapper-eUYjyD cYOJII"><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ GalleryEmbedCred-fLWDcf bVluTY fwTxLZ cLAnWT">Courty Mée d’Orsay</div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ GalleryEmbedCaptnSliBody-ljkTbv jZrgsf eIRSrt">“Bazille’s Stud,” or “The Stud on the Rue La Condame” (1869-1870).</div></figptn><hr class="GalleryEmbedHr-dXMdzM fCNcvb gallery-embed__hr"/></div></le-embed><p class="paywall">Late the show, the very overthkg to which Bazille was prone pots to possibili for a distctive style—more classilly stctured than outright Imprsnist—and to a psychologil charge that may have ightened him: homoeroticism. His last year provis the grist for a novella that uld wre self, given this potential explanatn for why Bazille, vergg on creative matury, volunteered for war—g his bt iend, the mician and athete Edmond Maître, to tell him that he was “stark ravg mad.” On the eve of battle, Bazille exprsed nfince, to a fellow-soldier, that he would survive, bee “I have too many thgs to do life.” Did his plan clu first provg himself acceptably mascule?</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Bazille was born Montpellier 1841, to a tight-kn Prottant clan. His father was an agronomist and a vtner, and his mother me om a landowng and merchant fay. He moved to Paris 1862. His father sternly expected him to bee a doctor, and Bazille miserably mataed medil studi until, 1864, he flunked his exams and dropped out, for which Cl Mo ngratulated him. Bazille’s father, while rigned to his son’s choice of a reer art, kept him on a short fancial leash. But that didn’t prevent Bazille’s artist iends om emg him a rich kid. (If he had had ee e of his fortune, he might have played a dual role, as artist and patron, like his younger ntemporary Gtave Caillebotte.)</p><p class="paywall">Mo, scrapg by wh a mistrs who beme his wife, and their child, repeatedly dunned him for support. That, add to Mo’s dntg abili and his bossy personaly, plaly stung Bazille, who uld retaliate only passive-aggrsively. The most lightful patg the show is Bazille’s “The Improvised Field Hospal” (1865), of Mo recuperatg bed om a leg jury curred that summer. Bazille, wh his medil trag, took charge of the suatn. He propped up the redned limb on fold blankets and hung a ceramic pot above , perhaps to serve as a unterweight. Th immobilized, Mo gaz out sullenly. Everythg the picture, om a bravura swirl of bedcloth to fast notatns of arabque-patterned wallpaper, bpeaks exultant self-satisfactn. For once, Bazille had his gt enemy right where he wanted him.</p><p class="paywall">Bazille pated some female nus—his pleas to his father for money regularly ced the expense of mols—but tamely, even when they held sensual pos. When clothed, his women display facial exprsns the dispassnate key that had been set for a generatn of artists by Ma’s “Olympia,” but whout any trace of his mol Victore Mrent’s smolrg challenge. Bazille’s shyns turns posively surreal the large “The Fay Gatherg” (1867-68), which shows him and ten of his relativ posed on a terrace, wh a ral landspe behd them. The subjects are all fancy cloth and studied attu. None of them seem particularly alive, much ls lively. I surmise that what was like to be someone bis himself bewilred Bazille. Even beg himself may have nstuted a problem. No direct evince of his love life exists, but a letter home, 1867, he allus vaguely to a romantic disappotment that has turned him agast the prospect of marriage. Add up the quali of Bazille’s sgulary—provcial, Prottant, only putatively wealthy, perhaps gay—and you have a lonely man, whom ’s almost impossible not to take a tenr rootg tert.</p><p class="paywall">Bazille’s most fascatg patg is full of promise precisely the awkwardns of s origaly, no longer beholn to any specific fluence: “Summer Scene (Bathers)” (1869-70), which he worked on durg the next to the last of his annual summer sojourns at the fay home. Eight young men gather a bosky riverbank scene; six wear swimmg tnks, one is half-drsed, another begs to undrs. Two of the men tnks wrtle, as another, loungg, looks on. The half-drsed man helps a swimmer out of the water, while another stays . Bazille obvly found the negotiatn of pth and ontaly taxg, renrg three-dimensnal forms mimally shad passag of bold lor. (One tail of forhorteng, of the swimmer’s arms extend jt below the surface of the water, fails spectacularly.) But there’s an tensy to the scene, which, bis anticipatg the subject and the format of the great Bathers seri that Cézanne began some years later, dit a g onens of athetic visn and personal tth that was not to be. What would we make of some of Bazille’s now nonil iends had they, too, died young? You n wonr about that at this exhilaratg show, while ggg the loss, to them and to , of the arnt Bazille. ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box ArticlePageSplAdRail-OyjwD jikppc"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="ArticlePageSplAdRailContent-jsltpq iZDmmY spl-ad-rail-ntent"><div class="ArticlePageSplAdRailTop-jUrrVY jzzFg"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="gv68p2"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div><div class="ArticlePageSplAdRailMiddle-tiRvu hiZeZX spl-ad-rail-middle"></div><div class="ArticlePageSplAdRailBottom-dBKMGQ jmCMsn spl-ad-rail-bottom"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="d4trln"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><footer class="ContentFooterMagazeDisclaimer-gzKAqo iZIuUU" data-ttid="MagazeDisclaimerWrapper">Published the prt edn of the <a href="/magaze/2017/04/17" data-reactroot="">April 17, 2017</a>, issue, wh the headle “Send Imprsns.”</footer></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/peter-schjeldahl"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/peter-schjeldahl">Peter Schjeldahl</a> was The New Yorker’s longtime art cric until his ath, 2022, at the age of eighty. He joed the magaze as a staff wrer 1998.</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/artists" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Artists</span></a><a href="/tag/imprsnism" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Imprsnism</span></a></div></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="NewsletterSubscribeFormWrapper" class="NewsletterSubscribeFormWrapper-fCqqkN jKSBhE newsletter-subscribe-form ContentFooterNewsletterForm-hKeYwa liPqcf"><div data-ttid="NewsletterSubscribeFormHedDekWrapper" class="NewsletterSubscribeFormHedDekWrapper-fpMElW eglIBL"><h3 class="NewsletterSubscribeFormDangeroHed-kRwWjt kbxOa-D newsletter-subscribe-form__hed ContentFooterNewsletterForm-hKeYwa liPqcf">Weekly</h3><div class="NewsletterSubscribeFormDek-kXonvc cKOhTM newsletter-subscribe-form__k">Your gui to the latt magaze and our biggt stori of the week, pl highlights om podsts, humor, and more.</div></div><div data-ttid="NewsletterSubscribeFormInputsWrapper" class="NewsletterSubscribeFormInputsWrapper-keARJE hVWbzr"><form class="form-wh-validatn NewsletterSubscribeFormValidatn-iCYa-Dt dweEln" id="newsletter" name="newsletter" novalidate="" method="POST"><span class="TextFieldWrapper-Pzdqp hNhevp text-field" data-ttid="TextFieldWrapper__email"><label class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TextFieldLabel-klrYvg iUEiRd stdEm fvoOvz text-field__label text-field__label--sgle-le" for="newsletter-text-field-email" data-ttid="TextFieldLabel__email"><div class="TextFieldLabelText-cvvxBl eeDYTb">E-mail addrs</div><div class="TextFieldInputContaer-jcMPhb oFrOs"><put type="email" aria-scribedby="privacy-text" aria-valid="false" id="newsletter-text-field-email" required="" name="email" placeholr="E-mail addrs" class="BaseInput-fAzTdK TextFieldControlInput-eFUxkf eGzzTT lglhcT text-field__ntrol text-field__ntrol--put" data-ttid="TextFieldInput__email"/></div></label><button class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv dwpimO button button--utily TextFieldButton-csBrgY edxbrw" data-event-click="{"element":"Button"}" data-ttid="Button" type="subm"><span class="ButtonLabel-cjAuJN hzwRuG button__label">Sign up</span></button></span><div id="privacy-text" tabx="-1" class="NewsletterSubscribeFormDisclaimer-bTVtiV bsgLJZ"><span><p>By signg up, you agree to our <a href=" rel="nofollow noopener noreferrer" target="_blank">User Agreement</a> and <a href=" rel="nofollow noopener noreferrer" target="_blank">Privacy Policy & Cookie Statement</a>. 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summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2011/02/28/game-change" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Game Change" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">The Art World</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href="/magaze/2011/02/28/game-change" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Game Change</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2011/02/28/game-change" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Game Change" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Cézanne, rd players, and the birth of mornism.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Peter Schjeldahl</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm kdEfwY" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2007/07/30/patg-by-numbers" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Patg by Numbers" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Books</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href="/magaze/2007/07/30/patg-by-numbers" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Patg by Numbers</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2007/07/30/patg-by-numbers" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Patg by Numbers" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Gtave Courbet and the makg of a master.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Peter Schjeldahl</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm kdEfwY" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Iphigenia Fort Hills" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">A Reporter at Large</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Iphigenia Fort Hills</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Iphigenia Fort Hills" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" 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