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class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/ethan-iverson">Ethan Iverson</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2019-02-24T09:00:00-05:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">Febary 24, 2019</time></div></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHearLeadAsset-hGbumP iWPCcH lead-asset ContentHearLeadAssetWrapper-hfXHEc fTrSlG lead-asset--width-smallle" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb khLUzS"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz eDvQrZ"><div class="aspect-rat--overlay-ntaer"><picture 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class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">A year ago, if you had asked up-and-g Amerin micians about the pianist Don Shirley, they probably would have said, “Who?” That’s changed. Shirley is a central character the movie “Green Book,” which is nomated for five Osrs. Based on a te story, the film follows a ncert tour that Shirley, who was Jamain-Amerin, took through the Midwt and the South, the neteen-sixti. He hir Tony Vallelonga, an Italian-Amerin bouncer om New York Cy, to serve as his driver. (The “Green Book” of the tle refers to “The Negro Motorist Green Book,” a guibook for Ain-Amerin motorists that led to motels, rtrants, and other tablishments that would serve them.) Bee of several scen that show Vallelonga steppg to save Shirley om hostile whe thori, the film has been cricized for beg the latt variatn on the tired “whe savr” trope. But a look beyond the film, at Shirley’s reer, shows that he is more rilient and tertg than any Hollywood cliché.</p><p class="paywall">My uncle Jim loved Don Shirley, pecially “Water Boy,” Shirley’s biggt h om the bt-sellg 1960 LP “Don Shirley Tr.” “Listen to that mournful cello!” he would exclaim durg the song’s florid troductn. When the song’s gospel piano rhythm started, he would do a ltle uncle dance. Shirley was one among dozens of pianists who were popular at mid-century, a moment when the piano was at s zenh Amerin life. It wasn’t only my uncle: jt about everybody had at least one LP of a pianist. Classil stars clud Vladimir Horowz and Arthur Rubste; jazz stars clud Osr Peterson, Erroll Garner, and Dave Bbeck; easy-listeng stars clud Roger Williams and Carmen Cavallaro. Liberace offered mpy glamour and Victor Be offered ic relief.</p><p class="paywall">Shirley outlived his fans and died quietly, 2013, at the age of eighty-six. Wikipedia flatly clar that Shirley was a “jazz pianist and poser,” but that’s not exactly te. Recently, I asked the jazz bassist Ron Carter about Shirley. He said that he liked Shirley but that jazz micians om the era didn’t discs him much. “You need to be on the Juilliard or Carnegie Hall scene to know about Shirley,” he said. “My iend Kerm Moore, the great cellist, was close to Shirley.” Carter went on to discs how Shirley was nied the opportuni to perform much classil mic bee of his sk lor, a circumstance that parallels Carter’s own experience. Carter’s first love was symphonic repertoire, but the nductor Leopold Stokowski told him that the world was “not ready for a lored man to be their orchtra.” The Pulzer-wng poser Gee Walker, who died last year, faced siar racism. Walker had planned on beg a ncert pianist—and he certaly had the requise technil gto to be one—but a black poser was more acceptable to the symphonic crowd than a black pianist, apparently bee there was so much ls visible time onstage for a poser.</p><p class="paywall">Race and mic engenr an unfortable paradox Amerin mil history. It’s madng that Ron Carter and Gee Walker were nied reers as classil performers, yet our world has been immeasurably enriched by a genero servg of Carter’s jazz bass and Walker’s symphonic posns. Don Shirley left no memoir, and no bgraphy of him exists. How did Don Shirley navigate wh this paradox?</p><p class="paywall">Shirley’s first rerd, “Tonal Exprsns,” om 1955, pris jazz standards that Shirley views through the prism of classil style: his take on “I Cover the Wateront” ntas left-hand ss that nod toward Debsy; “No Two People” begs wh a quote om Bach; and “My Secret Love” is a rich chordal exploratn the style of Rachmanoff. In “They Can’t Take That Away om Me,” Shirley offers paratively normal jazz, wh a swg beat, acpanied by Richard Davis walkg a bass le, and sudnly the picture isn’t as focsed. The tracks that borrow om classil mic feel more natural.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Another early disk is “Orphs the Unrworld,” a broodg and lovely set of origal rhapsodi that Shirley based on his own phantasmagoric patg, which appears on the album ver. The back of the LP explas that the “improvisatns” do not e jazz procr, such as blowg on chord chang, but stead rell a classil pianist the year 1800 spontaneoly creatg fantasi on them and moods. The fal effect strangely forhadows Keh Jarrett’s mor-key improvisatns the bt-sellg “The Köln Concert.” As the Shirley disgraphy ntu, most of the mic is fancy settgs of standards, ually a tr wh bass and cello. Shirley’s cisn to e classil cello go a long way toward explag his athetic, as nventnal piano jazz trs ually had dms or guar supplyg rhythm and swg.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">Shirley was idsyncratic and important, but there isn’t much of an argument that any given Shirley versn of a standard is the same league as one by Art Tatum, De Ellgton, or Mary Lou Williams. Most of Shirley’s rerds are probably bt for cktail hour (another reason that my uncle liked him) and n be filed next to other light listeng om the era. However, renewed tert Shirley’s mic, spurred by “Green Book,” might yield some provotive new terpretatns. The saxophonist Branford Marsalis plays hard-swgg jazz wh his quartet and saxophone ncertos wh orchtras. He wasn’t aware of Shirley before “Green Book” and told me, “Don Shirley’s mic is a joy to listen to. It’s not jazz, and his approach is clearly fluenced through classil trag. Bee he is not a jazz soloist, he has to create momentum through lor and melodic exploratn. I have always learned a lot om micians whose prry is not solog.”</p><p class="paywall">The pianist Kris Bowers posed the “Green Book” sre, played the parts, and tght the actor Mahershala Ali (who plays Shirley) the basics of keyboard technique. I asked Bowers if he absorbed any of Shirley’s techniqu the procs. Bowers said, “Shirley is now another bean for me as I fd a way to reprent all of my fluenc my own mic. He fed the sounds of classil, Amerin Songbook, and gospel repertoire a way that was uniquely and unapologetilly his own.” As for his favore tracks, Bowers agre wh my uncle: the plative and groovy “Water Boy” really is somethg special. He also suggts “In A Moorish Market Place,” “My Funny Valente,” and the outrageo multi-genre fantasia ma of “Lullaby of Birdland.”</p><p class="paywall">My own pick for Shirley’s bt rerd has no flashy keyboard athletics nor extreme batns of style. On “Piano Arrangements of Famo Spiruals,” the them are given stark and regal settgs far closer to Thelon Monk than anythg lurkg on the g of the easy-listeng tegory. The jacket for the 1962 LP, which featur a sombre lor palette and Shirley lookg pensive a velour sweatshirt, is a wonrful postrd om a nearly vanished era. In the ler not, Shirley liberately distanc himself om forms of black mic that lack a tradn of Wtern mil notatn, even gog so far as to wre, “Milogists all over the world regnize that the Negro spirual is by far the greatt art form to e out of this untry.” History is not provg Shirley right. Today’s milogists are more terted jazz and hip-hop than they are the spirual. Still, Shirley’s termatn to play by classil l spe beg seen as a jazz pianist will always be provotive. Until 2010, Shirley lived his aspiratnal visn an apartment perched lerally on top of Carnegie Hall.</p><p class="paywall">Aspiratn and paradox. In retrospect, shouldn’t be surprisg that a movie about Don Shirley would provoke wildly differg rpons. Branford Marsalis told me, “I loved the movie. It ma me cry,” durg the same week that the journalist Wley Morris published <a href=">a powerful say</a> lled “Why Do the Osrs Keep Fallg for Racial Renciliatn Fantasi?” A iend of me, Philalphia, who is a major rerd llector, was so imprsed by the movie that he promptly began acquirg the origal sequence of a dozen-pl LPs that Don Shirley rerd, for Cance, between 1955 and 1962, unaware that some members of Shirley’s fay were nouncg “Green Book” as a “symphony of li.” My own opn of the movie is closer to Marsalis than Morris, partly bee I fd more tth about the racial plexy of Amerin mic “Green Book” than the trendy and award-wng jazz movi by Damien Chazelle. The battl surroundg “Green Book” touch on race, thenticy, homophobia, the right of fai to ntrol an artist’s legacy, the whys and wherefor of prtige filmmakg, and, undoubtedly, many other topics our omniprent culture war. In Shirley’s time, those battl occupied a different terra. Many of the most important Amerin micians fought stutnal racism by creatg mic that mand rpect simply by beg unniably great. This was a guerrilla war that no two artists fought exactly the same way. The sential idsyncratic lonels of Shirley’s battle was hard to parse 1960 and is even harr to pture a hashtag. Through all, Don Shirley plays the piano <em>his</em> way, as only Don Shirley uld.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box ArticlePageSplAdRail-OyjwD jikppc"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="ArticlePageSplAdRailContent-jsltpq iZDmmY spl-ad-rail-ntent"><div class="ArticlePageSplAdRailTop-jUrrVY jzzFg"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="t49bfp"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot 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grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/ethan-iverson">Ethan Iverson</a> is a pianist and poser based Brooklyn.</div><div 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BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Jazz</span></a><a href="/tag/racism" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Racism</span></a><a href="/tag/racial-discrimatn" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Racial Discrimatn</span></a><a href="/tag/osrs" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Osrs</span></a></div></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div 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class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Culture Dk</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href="/culture/culture-sk/the-worlds-greatt-livg-jazz-poser-celebrat-his-eighty-fifth-birthday" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The World’s Greatt Livg Jazz Composer Celebrat His Eighty-fifth Birthday</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/culture/culture-sk/the-worlds-greatt-livg-jazz-poser-celebrat-his-eighty-fifth-birthday" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The World’s Greatt Livg Jazz Composer Celebrat His Eighty-fifth Birthday" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">On a tone birthday, a look back at 1964, a pivotal year the reer of Wayne Shorter.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Ethan Iverson</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/culture/culture-sk/thk-of-monk" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Thk of Thelon Monk" class="RponsiveImageContaer-eybHBd 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don shirley was he gay

The film’s treatment of Don Shirley’s sexualy beli the difficult reali that gay men of lor like Jsie Smollett face to this day.

Contents:

DPE HIS OBV FRIENDSHIP WH TONY LIP, DON SHIRLEY NEVER CAME OUT AS GAY

Don Shirley never me out as gay. The mor about Don Shirley's sexualy spread when the film Green Book premiered, where you n see the iendship between Don Shirley and Tony Lip. However, Don was married and had a wife named Jean C. Hill, wh whom he later got divorced. * don shirley was he gay *

Dpe His Obv Friendship Wh Tony Lip, Don Shirley Never Came Out as Gay.

HOW ‘GREEN BOOK’ GIV SHORT SHRIFT TO A GAY LIFE

Don Shirley never me out as gay. After the release of the movie, Green Book people were cur to learn more rmatn about Don Shirley cludg if he was gay or not. Don Shirley Never Came Out as Gay: All Rumors Are Fan-Generated Speculatn.

THE GAY “REVEAL” THE OSR-BOUND "GREEN BOOK," A GRIPPG 1960S "LOVE STORY"ALSO: MARY WILSON OF THE SUPREM OPENS UP ABOUT "DREAMGIRLS."{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}MOVIBY MICHAEL MTONOVEMBER 26, 2018/10:37 {HEIGHT:HER;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;POSN:RELATIVE;-WEBK-FLEX-WRAP:WRAP;-MS-FLEX-WRAP:WRAP;FLEX-WRAP:WRAP;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;-WEBK-TRANSFORM-ORIG:CENTER;-MS-TRANSFORM-ORIG:CENTER;TRANSFORM-ORIG:CENTER;} IMG{HEIGHT:100%;WIDTH:100%;OBJECT-F:VER;}{HEIGHT:2255PX;WIDTH:3600PX;}JOHN LAMPARSKI/WIREIMAGENEW YORK, NEW YORK - NOVEMBER 13: MAHERSHALA ALI AND VIGGO MORTENSEN ATTEND "GREEN BOOK" NEW YORK PREMIERE AT PARIS THEATRE ON NOVEMBER 13, 2018 NEW YORK CY. (PHOTO BY JOHN LAMPARSKI/WIREIMAGE)BY MICHAEL MTONOVEMBER 26, 2018 / 10:37 AM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"THE GAY “REVEAL” THE OSR-BOUND \"GREEN BOOK,\" A GRIPPG 1960S \"LOVE STORY\"","THUMBNAILURL":","DATEPUBLISHED":"2018-11-26T15:37:13.000+0000","DATEMODIFIED":"2018-11-26T15:37:13.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","URL":","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"LOGO TV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"LOGO TV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT"}},"CREATOR":"MICHAEL MTO","KEYWORDS":"MTO UNFILTERED","ARTICLESECTN":"MOVI"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ONE OF THE BT FILMS OF THE YEAR, PETER FARRELLY'S GREEN BOOK TELLS THE TE STORY OF “DOC” DON SHIRLEY (MAHERSHALA ALI), A CULTURED JAZZ PIANIST WHO HIRED AN ITALIAN-AMERIN BOUNCER NAMED TONY LIP (VIGGO MORTENSEN) TO DRIVE AND HELP MANAGE HIM ON A 1960S TOUR OF THE DEEP SOUTH, WHERE RACISM WAS EVEN MORE RAMPANT THAN TMP’S AMERI (SO FAR). AS THE TWO TAKE OPPOSG APPROACH TO BATTLG BIGOTRY—LIP LIK TO EHER BEAT PEOPLE UP, THREATEN THEM, OR BRIBE THEM, WHILE SHIRLEY RPONDS A MORE MEASURED FASHN—HOMOSEXUALY ALSO SURFAC AND ENDS UP HAVG REPERCSNS. SPOILERS TO E!{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AT ONE POT, SHIRLEY IS BTED WHILE HAVG SEX WH A WHE GUY AT A YMCA DOWN SOUTH, AND ’S THE FIRST TIME LIP (OR THE DIENCE) GETS WD OF ANYTHG REMBLG SHIRLEY’S PRIVATE LIFE. YOU MIGHT HAVE SPECTED SOMETHG LIKE THIS WOULD HAVE GONE DOWN DUE TO ALI’S CLIPPED DICTN AND FANCY OUTFS, BUT I MT ADM EVEN I DIDN’T SEE G, HAVG HEARD THE FILM WAS ABOUT RACIAL OPPRSN BUT NOT KNOWG ADDRSED SEXUAL BIGOTRY, TOO. THE LOVELIT THG OF ALL IS LIP’S RPONSE; AFTER RCUG SHIRLEY OM THE SUATN ORR TO SAVE HIS REER, ALBE VIA FLAT-OUT BRIBERY, HE THEN, A PLETELY OFFHAND FASHN, TELLS THE PIANIST THAT HE’S HUNG OUT WH A LOT OF SHOW BIZ PEOPLE THROUGH THE YEARS AND HE’S AWARE THAT 'S "A PLITED WORLD.”{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AND THAT’S ! NO BERATG, NO HOMOPHOBIA, NO MOCKERY, AND HE EVEN HUGS SHIRLEY LATER ON AND SLEEPS THE SAME ROOM WH HIM WHOUT ANY QUALMS. AND THIS IS A PRETTY ARSE GUY WHO IALLY WAS EPLY RACIST! (HE HIMSELF IS THE SUBJECT OF SLURS AIMED AT HIS ITALIANNS. Y, THIS FILM VERS MANY KDS OF PREJUDICE.){BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:56.49999999999999%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AT A BICE CUCA LUNCHEON FOR THE EXTREMELY GRATIFYG FILM, MORTENSEN SAID, “[TONY’S REACTN] SHOWS THAT THE CURE FOR IGNORANCE IS EXPERIENCE. TONY’S BEEN EXPOSED TO , SO HE’S OK WH .” “THAT’S A BETIFUL REVEAL,” AGREED ALI. “TONY’S ALREADY OK WH THAT. HE’S AWARE OF THE PTH OF THE RELATNSHIP BETWEEN HIM AND DOC.”{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}“IT’S A LOVE STORY,” SOMEONE ELSE POTED OUT, BUT ACTUALY, SHIRLEY HAD OTHER ROMANTIC TARGETS MD. IN FACT, THE FILM’S -SCREENWRER, BRIAN HAY CURRIE, TOLD ME THAT THE MICIAN HAD A LONGTIME WHE MALE LOVER. I HOPE THAT’S MENTNED THE SEQUEL. BUT HAVG SEEN THIS FILM TWICE, I ADORE SHIRLEY’S ELEGANT DIGNY AND LIP’S EMERGG HEART, AND I’M LIVG FOR MY THIRD TIME OF GREEN BRGG BLACK AND WHE TOGETHER AND WRAPPG THEM A {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BY THE WAY, ALSO NOTICEABLE THE CROWD AT THE LUNCH FOR THE MOVIE WAS ALED UHRY, WHO WROTE DRIVG MISS DAISY. THK ABOUT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THERE'S SOMETHG ABOUT MARY WILSONRB/REDFERNSUNSPECIFIED - JANUARY 01: PHOTO OF DIANA ROSS AND FLORENCE BALLARD AND MARY WILSON AND SUPREMES; POSED GROUP PORTRA L-R MARY WILSON, DIANA ROSS AND FLORENCE BALLARD, (PHOTO BY RB/REDFERNS){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}LET ME TELL YOU SOME OTHER DON SHIRLEY-ERA GOSSIP, AND I’LL BREAK DOWN SO ’S EASY FOR YOU YOUNG ON: BEFORE THERE WAS BEYONCé, THERE WAS DTY’S CHILD. WELL, WAY BEFORE THAT, THE 1960S, THERE WAS THE SUPREM, A MOTOWN GIRL GROUP WH LEAD SGER DIANA ROSS AND BACKUPS MARY WILSON AND FLO BALLARD, AND THEY WERE PEPPY, VAMPY, GLTERY, AND FULL OF H RERDS. I JT WENT TO THE CAFé CARLYLE TO SEE WILSON A SOLO ACT, AND WAS AN EXTRAORDARY EXPERIENCE THAT TRANSPORTED ME TO GIRL-GROUP HEAVEN. WILSON—WHO WAS ALWAYS THE SEXY SUPREME WH THE SMOKY VOICE—IS A FE VOLIST, WHO NFINTLY SOARED THROUGH SHOWSTOPPERS LIKE “BODY AND SOUL” AND “STORMY WEATHER.” SHE JECTED SOUL TO NORA JON’ “DON’T KNOW WHY,” EVEN WHILE LGHGLY ADMTG THAT SHE HAD NO IA WHAT THE SONG MEANS. (NEHER DO I, BUT WILSON BROUGHT SIGNIFINCE TO .) WH ALL THE WISDOM OF HER 74 YEARS, SHE DID A POIGNANT “BOTH SIS NOW” AND A PIERCG “LOOK OF LOVE.” AND OF URSE SHE ADDRSED HER TIME WH THE SUPREM. WILSON SAID THEY WERE “THREE LTLE BLACK GIRLS WHO MA OUR DREAMS E TE... WE NEVER WON A GRAMMY—ALL THOSE NUMBER ONE SONGS—BUT WE GOT THE MONEY, SO WHO R?"{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}“I SANG THE 'OOHS' AND 'AHS' AND THE ‘BABY, BABY, BABYS’,” SHE ADD. “DON’T BE LGHG. I WAS LGHG ALL THE WAY TO THE BANK!” SHE THEN SANG THE LEAD ON SUPREM HS LIKE “BABY LOVE,” “STOP THE NAME OF LOVE,” AND “MY WORLD IS EMPTY WHOUT YOU,” AND THE DIENCE IMPULSIVELY CHIRPED THE BACKUPS, TO WHICH WILSON BEAMED, “YOU’RE SGG MY PART!”SHERRY RAYN BART /MICHAEL OCHS ARCHIV/GETTY IMAGLOS ANGELES - NOVEMBER 18 : R AND B SGER MARY WILSON PERFORMS AT AMOEBA RERDS ON NOVEMBER 18, 2015 LOS ANGEL, CALIFORNIA. (PHOTO BY SHERRY RAYN BART /MICHAEL OCHS ARCHIV/GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AND SHE ADDRSED DREAMGIRLS, JOKG, “THEY SAY ’S ABOUT THE SUPREM, BUT I KNOW ISN’T BEE I DIDN’T GET PAID.” BUT SHE LOV THE SHOW AND MOVIE VERSN, AND SAID THAT IF FLORENCE BALLARD—THE SORT OF EFFIE CHARACTER, WHO DIED AT 32—WAS HERE TODAY, SHE WOULD LIVER THE BALLAD OF RENEWAL “I AM CHANGG." WILSON THEN BELTED THAT VERY SONG HONOR OF FLO, WH A WHOLE BUNCH OF HEART AND TEARS. WHAT A DAZZLG {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AND AFTER THE SHOW, WILSON TOLD ME SHE’S WORKG ON A FFEE TABLE BOOK ABOUT THE FASHN OF THE SUPREM. OOH, BABY, BABY!{BOX-SIZG:BORR-BOX;CLEAR:BOTH;}MTO {BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS

It's unclear if Don Shirley who hired Tony Lip as his bodyguard as shown Green Book was gay or not as he never announced that he was attracted to guys. He was thought to be gay but Shirley was married at one pot to Jean C. Many fans didn't believe the reason for Don Shirley's divorce; they have speculatn that Shirley got divorced bee he was gay and he didn't feel that way about women and he realized that after his marriage.

Well, nothg n be said about this as Don Shirley never me out but some people still believe that he was gay. Don Shirley never acknowledged beg gay. If Don Shirley was gay then was never revealed.

*BEAR-MAGAZINE.COM* DON SHIRLEY WAS HE GAY

Was Don Shirley Gay? His Life Story, Includg His Sexualy, Marriage .

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