Marv Gaye – You’re the Man (Alternate Versn 2) Lyrics | Geni Lyrics

Contents:

• HOW DO YOU FOLLOW A MASTERPIECE? MARV GAYE TRIED WH 'YOU'RE THE MAN'
• YOU’RE THE MAN, PT. I & II (SGLE VERSN)MARV GAYETRACK 61 ON THE MASTER (1961-1984) PRODUCED BYMARV GAYEAPR. 26, 19721 VIEWER4 CONTRIBUTORSYOU’RE THE MAN, PT. I & II (SGLE VERSN) LYRICS[VERSE 1]TALK', TALK' TO THE PEOPLETRY, GET THEM TO GO YOUR WAYTELL' LI, NOT TO WORRYTHAT WE WON'T BE LED ASTRAYSO BLD, UNSIGNIFIEDYOUR OPPONENTS ALWAYS LYGTHK ABOUT THE MISTAK YOU MAKEI BELIEVE AMERI'S AT STAKE[CHOS]YOU KNOW, B', B' IS THE ISSUEDO YOU HAVE A PLAN WAGER? WOOIF, IF YOU HAVE A PLAN, AHIF YOU HAVE A MASTER PLANI GOT TO, GOT TO VOTE FOR YOUHEY, HEY, GOT TO VOTE FOR YOUYOU'RE THE MAN, WOO(YOU'RE THE MAN, YOU'RE THE MAN)WOO (YOU'RE THE MAN, YOU'RE THE MAN)[VERSE 2]WE DON'T WANNA HEAR NO MORE LIABOUT HOW YOU PLANNED A PROMISEWE WANT OUR DOLLAR VALUE CREASEDTHAT EMPLOYMENT TO, TO RISETHE NATN'S TAXATNIS ' ALL, ALL OF THIS FLATNDON'T GIVE NO PEACE SIGNTURN AROUND, ROB THE PEOPLE BLDYOU MIGHT ALSO LIKE[CHOS]ENOMICS IS THE ISSUEDO YOU HAVE A PLAN WAGER?'CSE IF YOU'VE GOT A MASTER PLANGOT TO VOTE FOR YOUYOU'RE THE MAN[BRIDGE]DON'T YOU UNRSTAND?THERE'S MISERY THE LANDDON'T YOU UNRSTAND?THERE'S MISERY THE LANDDON'T YOU UNRSTAND?THERE'S MISERY THE LANDDON'T YOU UNRSTAND?THERE'S MISERY THE LANDDON'T YOU UNRSTAND?THERE'S MISERY THE LANDDON'T YOU UNRSTAND?THERE'S MISERY THE LANDDON'T YOU UNRSTAND?THERE'S MISERY THE LANDDON'T YOU UNRSTAND?THERE'S MISERY THE LAND (WOO)[VERSE 3]PEOPLE MARCHG ON WASHGTONWHY NOT HEAR WHAT THEY HAVE TO SAYBEE THE TABL JT MIGHT TURN AGAST YOU, BROTHERSET AROUND ELECTN DAYPOLICS AND HYPOCRIS TURNG ALL TO LUNATICSCAN YOU TAKE THE GUNS OM OUR SONS?RIGHT ALL THE WRONG THIS ADMISTRATN'S DONE?[CHOS]PEACE AND EEDOM IS THE ISSUE, OHDO YOU HAVE A PLAN WAGER?'CSE IF YOU'VE GOT THE PLAN, IF YOU'VE GOT THE MASTER PLANI GOT TO VOTE FOR YOU, HEY, HEY, GOT TO VOTE FOR YOU'CSE YOU'RE THE MAN[OUTRO]VOTE FOR YOU (HEY, YOU'RE THE MAN)GOT TO VOTE FOR YOU (I GOT TO VOTE FOR YOU)GOT TO VOTE FOR YOU, GOT TO VOTE FOR YOU (WOO)GOT TO VOTE FOR YOU, GOT TO VOTE FOR YOUGOT TO VOTE FOR YOU, GOT TO VOTE FOR YOUGOT TO VOTE FOR YOU, GOT TO VOTE FOR YOUEMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUTHAVE THE SI SOP ON THIS SONG?SIGN UP AND DROP SOME KNOWLEDGESTART THE SONG BASK A QUTN ABOUT THIS SONGASK A QUTN *‌WHO PRODUCED “YOU'RE THE MAN, PT. I & II (SGLE VERSN)” BY MARV GAYE?WHEN DID MARV GAYE RELEASE “YOU'RE THE MAN, PT. I & II (SGLE VERSN)”?WHO WROTE “YOU'RE THE MAN, PT. I & II (SGLE VERSN)” BY MARV GAYE?THE MASTER (1961-1984) (1995)MARV GAYE1. STUBBORN KD OF FELLOW2. PRI AND JOY3. HCH HIKE4. WHEREVER I LAY MY HAT (THAT’S MY HOME)5. WHAT DO YOU WANT WH HIM6. ONCE UPON A TIME7. WHAT’S THE MATTER WH YOU BABY8. CAN I GET A WNS?9. COULDN’T ASK FOR MORE10. YOU’RE WONRFUL11. I WONR12. YOU’RE A WONRFUL ONE13. IT’S GOT TO BE LOVE14. TRY IT BABY15. LEAV’16. MY LOVE FOR YOU17. HOW SWEET IT IS (TO BE LOVED BY YOU)18. BABY DON’T YOU DO IT19. JT LIKE A MAN20. PRETTY LTLE BABY21. TALK ABOUT A GOOD FEELG22. I’LL BE DOGGONE23. LTLE DARLG (I NEED YOU)24. ONE MORE HEARTACHE25. A’T THAT PECULIAR26. YOU’RE THE ONE FOR ME27. TAKE THIS HEART OF ME28. YOUR UNCHANGG LOVE29. IT TAK TWO30. I COULDN’T HELP FALLG FOR YOU31. LONELY LOVER32. WHOUT YOUR SWEET LOV’33. A’T NO MOUNTA HIGH ENOUGH34. IF I COULD BUILD MY WHOLE WORLD AROUND YOU35. YOUR PREC LOVE36. IF THIS WORLD WERE ME37. WHOUT YOU (MY WORLD IS LONELY)38. TOGETHER WE STAND (DIVID WE FALL)39. YOU40. CHAED41. I HEARD IT THROUGH THE GRAPEVE42. YOU’RE WHAT’S HAPPENG (IN THE WORLD TODAY)43. THIS LOVE STARVED HEART OF ME (IT’S KILLG ME)44. A’T NOTHG LIKE THE REAL THG45. KEEP ON LOV’ ME HONEY46. YOU’RE ALL I NEED TO GET BY47. TOO BY THKG ABOUT MY BABY48. MORE THAN A HEART CAN STAND49. HOW CAN I FET50. THAT’S THE WAY LOVE IS51. YTERDAY52. THE END OF OUR ROAD53. GOOD LOV’ A’T EASY TO COME BY54. WHAT YOU GAVE ME55. WHAT’S GOG ON56. SAVE THE CHILDREN57. MERCY MERCY ME (THE ELOGY)58. INNER CY BLU (MAKE ME WANNA HOLLER)59. I’M GOG HOME (MOVE)60. PIECE OF CLAY61. YOU’RE THE MAN, PT. I & II (SGLE VERSN)62. CHECKG OUT (DOUBLE CLUTCH)63. TROUBLE MAN64. LET’S GET IT ON65. COME GET TO THIS66. JT TO KEEP YOU SATISFIED67. PLEDGG MY LOVE68. MY MISTAKE (WAS TO LOVE YOU)69. DISTANT LOVER70. I WANT YOU71. AFTER THE DANCE (VOL)72. GOT TO GIVE IT UP73. HERE, MY DEAR74. WHEN DID YOU STOP LOVG ME, WHEN DID I STOP LOVG YOU75. ANGER76. ANNA’S SONG77. A FUNKY SPACE RERNATN78. WHEN DID YOU STOP LOVG ME, WHEN DID I STOP LOVG YOU (REPRISE)79. SHE NEEDS ME80. WHY DID I CHOOSE YOU?81. LIFE IS FOR LEARNG82. FUNK ME83. LOVE ME NOW OR LOVE ME LATER84. EGO TRIPPG OUT85. THE STAR-SPANGLED BANNER86. I HEARD IT THROUGH THE GRAPEVE (LIVE)87. ROCK’ AFTER MIDNIGHT88. SEXUAL HEALG89. THE LORD’S PRAYEREXPAND CREDSPRODUCED BYMARV GAYEWRTEN BYKENH STOVER & MARV GAYEMIX ENGEERCAL HARRISDMS, PERCSNMARV GAYEKEYBOARDSMARV GAYEVIB, KAZOOJACK ASHFORDDMSURIEL JONSEND BASSJAM JAMERSONBASSMICHAEL HENRSONGUARSLEROY EMMANUEL, MELV “WAH WAH” WATSON & RAY PARKER JR.RELEASE DATEAPRIL 26, 1972SONGS THAT INTERPOLATE YOU’RE THE MAN, PT. I & II (SGLE VERSN)YOU’RE THE MAN (ALTERNATE VERSN 2) BY MARV GAYEYOU’RE THE MAN, PT. I & II (SGLE VERSN) REMIXYOU'RE THE MAN (ALTERNATE VERSN 1) BY MARV GAYETAGSR&BSOULEXPAND COMMENTSADD A MENTSIGN UP AND DROP KNOWLEDGE ?GENI IS THE ULTIMATE SOURCE OF MIC KNOWLEDGE, CREATED BY SCHOLARS LIKE YOU WHO SHARE FACTS AND SIGHT ABOUT THE SONGS AND ARTISTS THEY LOVE.SIGN UPGENI IS THE WORLD’S BIGGT LLECTN OF SONG LYRICS AND MIL KNOWLEDGE
• YOU’RE THE MAN (ALTERNATE VERSN 2)MARV GAYETRACK 16 ON LET’S GET IT ON (DELUXE EDN) PRODUCED BYMARV GAYESET AGAST THE BACKDROP OF THE 1972 PRINTIAL ELECTN AND NCEIVED AS THE CENTERPIECE OF HIS NEXT ALBUM, YOU’RE THE MAN, MARV GAYE’S VISN FOR THE PROJECT WAS… READ MORE 19721 VIEWER7 CONTRIBUTORSYOU’RE THE MAN (ALTERNATE VERSN 2) LYRICS[VERSE 1]WELL, YOU BEEN TALK’, TALK’ TO THE PEOPLETRY’ TO GET THEM TO GO YOUR WAYTELLG , TELLG NOT TO WORRYYOU SAY WE WON’T BE LED ASTRAYWE’RE SO TIRED OF YOUR SIGNIFYGHOW DO WE KNOW, 'TIL ’S TOO LATEWHETHER OR NOT YOU’VE BEEN LYG?THK ABOUT THE MISTAK YOU MAKEI BELIEVE, SIR, THAT HUMANY’S AT STAKEYOU SEE, B’, B’ IS JT ONE ISSUE, ONE ISSUEWHAT ABOUT THE RT OF , MISTER?[CHOS]WELL, IF YOU'VE GOT THE PLANI SAID, YOU, IF YOU’VE GOT THE MASTER PLANI GOT TO VOTE FOR YOU, AH YEAHI GOT TO VOTE FOR YOU‘CSE YOU’RE THE MAN, I KNOW, AH YEAH[VERSE 2]MAYBE WHAT THIS UNTRY NEEDS IS A LADY FOR PRINTNO, WE DON’T WANNA HEAR NO MORE LIABOUT HOW YOU PLAN TO ENOMIZEWE WANT OUR DOLLAR VALUE CREASEDAND EMPLOYMENT TO RISETHIS HEAVY TAXATN HAS GOT ALL THIS AWFUL SUATNNOW, DON’T, DON'T GIVE NO PEACE SIGNTURN AROUND AND ROB THE PEOPLE BLDOH, ENOMICS, MONEY IS ALL YOU’RE TERTED DO YOU HAVE A PLAN THAT ALL THE PEOPLE N SHARE ?YOU MIGHT ALSO LIKE[CHOS]‘CSE IF YOU’VE GOT THE PLANI GOT TO VOTE FOR YOUCSE YOU’RE THE MAN, I KNOW, OH[VERSE 3]PEOPLE MARCHG ON WASHGTONWHY NOT HEAR WHAT THEY HAVE TO SAY?BEE THE TABL MIGHT TURN AGAST YOUSET AROUND ELECTN DAYDEMAGOGU AND ADMTED MORY HATERSSHOULD NEVER BE PRINT, THIS TIME A LADYWILL YOU, WILL YOU STOP THE BOMBSAND RIGHT ALL THE WRONGS THIS ADMISTRATN HAS DONE?I KNOW PEACE AND EEDOM IS THE ISSUE, OH LORDDO YOU HAVE A PLAN WH YOU, MISTER?[CHOS]‘CSE IF YOU’VE GOT THE PLANI SAID, YOU, YOU’VE GOT THE MASTER PLANWELL I GOT TO VOTE FOR YOUOH LORD, I GOT TO VOTE FOR YOU‘CSE YOU’RE THE MANWOO, GOT TO VOTE FOR YOUIF YOU’RE GONNA TAKE A STANDI GOT TO VOTE FOR YOUGONNA BE THE MAN?[OUTRO]WHAT ABOUT THE ISSU?WHAT ABOUT THE YOUNG FOLKS?WHAT ABOUT MARIJUANA?WHAT ABOUT PEACE, PEACE THE LAND?DO YOU UNRSTAND?GOTTA, GOTTA, GOTTA, GOTTA TAKE A STANDTHEN I’LL VOTE FOR YOU, I THK YOU’RE THE MANTELL ME SOMETHG, DON’T N AWAYTELL ME SOMETHG, GONNA SEE YOUR FACEI GOTTA VOTE FOR YOU, I THK THAT YOU’RE THE MANGOTTA BE STRONG WHETHER YOU’RE RIGHT OR WRONG1EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT
• MARV GAYE’S LOST ‘WHAT’S GOG ON’ FOLLOW UP, ‘YOU’RE THE MAN,’ SET FOR RELEASE
• ALBUM REVIEW: MARV GAYE’S ‘YOU’RE THE MAN’
• ‘YOU’RE THE MAN’: ‘LOST’ MARV GAYE ALBUM DEF AN ERA OF SOUL MIC

HOW DO YOU FOLLOW A MASTERPIECE? MARV GAYE TRIED WH 'YOU'RE THE MAN'

Upon s release 2019, You're the Man was billed as a "lost" album -- an album tend to appear between Marv Gaye's 1971 masterwork What's Gog On and 1973's Let's Get It On.

Part of the problem may be that the material prisg the send half of the 2019 release is a grab bag of ssn material ntag two Christmas songs; a jam wh Bohannon where Gaye talks to the listener through the song lled "Checkg Out (Double Clutch)"; and three new mix by Salaam Remi, a producer who earned Grammy nomatns for his work on the Fuge' 1996 album, The Sre, and Amy Wehoe's 2007 rerd, Back to Black. Inspired by the succs of the socially nsc What's Gog On, Gaye cid to ntue this ve, cuttg the polilly charged funk tune "You're the Man" and a handful of other msage tun. Theoretilly, this isn't a bad directn for Gaye to pursue, but once "You're the Man" stiffed on the charts -- ma to Billboard's R&B Top 10, but stalled at 50 on the Hot 100 -- Motown and Gaye both got ld feet, wh Marv turng his attentn to soundtrack work, culmatg the release of Trouble Man later that year.

YOU’RE THE MAN, PT. I & II (SGLE VERSN)MARV GAYETRACK 61 ON THE MASTER (1961-1984) PRODUCED BYMARV GAYEAPR. 26, 19721 VIEWER4 CONTRIBUTORSYOU’RE THE MAN, PT. I & II (SGLE VERSN) LYRICS[VERSE 1]TALK', TALK' TO THE PEOPLETRY, GET THEM TO GO YOUR WAYTELL' LI, NOT TO WORRYTHAT WE WON'T BE LED ASTRAYSO BLD, UNSIGNIFIEDYOUR OPPONENTS ALWAYS LYGTHK ABOUT THE MISTAK YOU MAKEI BELIEVE AMERI'S AT STAKE[CHOS]YOU KNOW, B', B' IS THE ISSUEDO YOU HAVE A PLAN WAGER? WOOIF, IF YOU HAVE A PLAN, AHIF YOU HAVE A MASTER PLANI GOT TO, GOT TO VOTE FOR YOUHEY, HEY, GOT TO VOTE FOR YOUYOU'RE THE MAN, WOO(YOU'RE THE MAN, YOU'RE THE MAN)WOO (YOU'RE THE MAN, YOU'RE THE MAN)[VERSE 2]WE DON'T WANNA HEAR NO MORE LIABOUT HOW YOU PLANNED A PROMISEWE WANT OUR DOLLAR VALUE CREASEDTHAT EMPLOYMENT TO, TO RISETHE NATN'S TAXATNIS ' ALL, ALL OF THIS FLATNDON'T GIVE NO PEACE SIGNTURN AROUND, ROB THE PEOPLE BLDYOU MIGHT ALSO LIKE[CHOS]ENOMICS IS THE ISSUEDO YOU HAVE A PLAN WAGER?'CSE IF YOU'VE GOT A MASTER PLANGOT TO VOTE FOR YOUYOU'RE THE MAN[BRIDGE]DON'T YOU UNRSTAND?THERE'S MISERY THE LANDDON'T YOU UNRSTAND?THERE'S MISERY THE LANDDON'T YOU UNRSTAND?THERE'S MISERY THE LANDDON'T YOU UNRSTAND?THERE'S MISERY THE LANDDON'T YOU UNRSTAND?THERE'S MISERY THE LANDDON'T YOU UNRSTAND?THERE'S MISERY THE LANDDON'T YOU UNRSTAND?THERE'S MISERY THE LANDDON'T YOU UNRSTAND?THERE'S MISERY THE LAND (WOO)[VERSE 3]PEOPLE MARCHG ON WASHGTONWHY NOT HEAR WHAT THEY HAVE TO SAYBEE THE TABL JT MIGHT TURN AGAST YOU, BROTHERSET AROUND ELECTN DAYPOLICS AND HYPOCRIS TURNG ALL TO LUNATICSCAN YOU TAKE THE GUNS OM OUR SONS?RIGHT ALL THE WRONG THIS ADMISTRATN'S DONE?[CHOS]PEACE AND EEDOM IS THE ISSUE, OHDO YOU HAVE A PLAN WAGER?'CSE IF YOU'VE GOT THE PLAN, IF YOU'VE GOT THE MASTER PLANI GOT TO VOTE FOR YOU, HEY, HEY, GOT TO VOTE FOR YOU'CSE YOU'RE THE MAN[OUTRO]VOTE FOR YOU (HEY, YOU'RE THE MAN)GOT TO VOTE FOR YOU (I GOT TO VOTE FOR YOU)GOT TO VOTE FOR YOU, GOT TO VOTE FOR YOU (WOO)GOT TO VOTE FOR YOU, GOT TO VOTE FOR YOUGOT TO VOTE FOR YOU, GOT TO VOTE FOR YOUGOT TO VOTE FOR YOU, GOT TO VOTE FOR YOUEMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUTHAVE THE SI SOP ON THIS SONG?SIGN UP AND DROP SOME KNOWLEDGESTART THE SONG BASK A QUTN ABOUT THIS SONGASK A QUTN *‌WHO PRODUCED “YOU'RE THE MAN, PT. I & II (SGLE VERSN)” BY MARV GAYE?WHEN DID MARV GAYE RELEASE “YOU'RE THE MAN, PT. I & II (SGLE VERSN)”?WHO WROTE “YOU'RE THE MAN, PT. I & II (SGLE VERSN)” BY MARV GAYE?THE MASTER (1961-1984) (1995)MARV GAYE1. STUBBORN KD OF FELLOW2. PRI AND JOY3. HCH HIKE4. WHEREVER I LAY MY HAT (THAT’S MY HOME)5. WHAT DO YOU WANT WH HIM6. ONCE UPON A TIME7. WHAT’S THE MATTER WH YOU BABY8. CAN I GET A WNS?9. COULDN’T ASK FOR MORE10. YOU’RE WONRFUL11. I WONR12. YOU’RE A WONRFUL ONE13. IT’S GOT TO BE LOVE14. TRY IT BABY15. LEAV’16. MY LOVE FOR YOU17. HOW SWEET IT IS (TO BE LOVED BY YOU)18. BABY DON’T YOU DO IT19. JT LIKE A MAN20. PRETTY LTLE BABY21. TALK ABOUT A GOOD FEELG22. I’LL BE DOGGONE23. LTLE DARLG (I NEED YOU)24. ONE MORE HEARTACHE25. A’T THAT PECULIAR26. YOU’RE THE ONE FOR ME27. TAKE THIS HEART OF ME28. YOUR UNCHANGG LOVE29. IT TAK TWO30. I COULDN’T HELP FALLG FOR YOU31. LONELY LOVER32. WHOUT YOUR SWEET LOV’33. A’T NO MOUNTA HIGH ENOUGH34. IF I COULD BUILD MY WHOLE WORLD AROUND YOU35. YOUR PREC LOVE36. IF THIS WORLD WERE ME37. WHOUT YOU (MY WORLD IS LONELY)38. TOGETHER WE STAND (DIVID WE FALL)39. YOU40. CHAED41. I HEARD IT THROUGH THE GRAPEVE42. YOU’RE WHAT’S HAPPENG (IN THE WORLD TODAY)43. THIS LOVE STARVED HEART OF ME (IT’S KILLG ME)44. A’T NOTHG LIKE THE REAL THG45. KEEP ON LOV’ ME HONEY46. YOU’RE ALL I NEED TO GET BY47. TOO BY THKG ABOUT MY BABY48. MORE THAN A HEART CAN STAND49. HOW CAN I FET50. THAT’S THE WAY LOVE IS51. YTERDAY52. THE END OF OUR ROAD53. GOOD LOV’ A’T EASY TO COME BY54. WHAT YOU GAVE ME55. WHAT’S GOG ON56. SAVE THE CHILDREN57. MERCY MERCY ME (THE ELOGY)58. INNER CY BLU (MAKE ME WANNA HOLLER)59. I’M GOG HOME (MOVE)60. PIECE OF CLAY61. YOU’RE THE MAN, PT. I & II (SGLE VERSN)62. CHECKG OUT (DOUBLE CLUTCH)63. TROUBLE MAN64. LET’S GET IT ON65. COME GET TO THIS66. JT TO KEEP YOU SATISFIED67. PLEDGG MY LOVE68. MY MISTAKE (WAS TO LOVE YOU)69. DISTANT LOVER70. I WANT YOU71. AFTER THE DANCE (VOL)72. GOT TO GIVE IT UP73. HERE, MY DEAR74. WHEN DID YOU STOP LOVG ME, WHEN DID I STOP LOVG YOU75. ANGER76. ANNA’S SONG77. A FUNKY SPACE RERNATN78. WHEN DID YOU STOP LOVG ME, WHEN DID I STOP LOVG YOU (REPRISE)79. SHE NEEDS ME80. WHY DID I CHOOSE YOU?81. LIFE IS FOR LEARNG82. FUNK ME83. LOVE ME NOW OR LOVE ME LATER84. EGO TRIPPG OUT85. THE STAR-SPANGLED BANNER86. I HEARD IT THROUGH THE GRAPEVE (LIVE)87. ROCK’ AFTER MIDNIGHT88. SEXUAL HEALG89. THE LORD’S PRAYEREXPAND CREDSPRODUCED BYMARV GAYEWRTEN BYKENH STOVER & MARV GAYEMIX ENGEERCAL HARRISDMS, PERCSNMARV GAYEKEYBOARDSMARV GAYEVIB, KAZOOJACK ASHFORDDMSURIEL JONSEND BASSJAM JAMERSONBASSMICHAEL HENRSONGUARSLEROY EMMANUEL, MELV “WAH WAH” WATSON & RAY PARKER JR.RELEASE DATEAPRIL 26, 1972SONGS THAT INTERPOLATE YOU’RE THE MAN, PT. I & II (SGLE VERSN)YOU’RE THE MAN (ALTERNATE VERSN 2) BY MARV GAYEYOU’RE THE MAN, PT. I & II (SGLE VERSN) REMIXYOU'RE THE MAN (ALTERNATE VERSN 1) BY MARV GAYETAGSR&BSOULEXPAND COMMENTSADD A MENTSIGN UP AND DROP KNOWLEDGE ?GENI IS THE ULTIMATE SOURCE OF MIC KNOWLEDGE, CREATED BY SCHOLARS LIKE YOU WHO SHARE FACTS AND SIGHT ABOUT THE SONGS AND ARTISTS THEY LOVE.SIGN UPGENI IS THE WORLD’S BIGGT LLECTN OF SONG LYRICS AND MIL KNOWLEDGE

Appealg ias and sounds, but the songs tend to be rather blah, suggtg that the LP's ncellatn had more to do wh the fact that Gaye had yet to fd an album wh his ssns than anythg to do wh beg too ntroversial for s time. Still, 's worth a listen to hear Gaye stretch out and figure out how to move forward: surround by Detro and L. Morally right-on, emotnally vulnerable, and still milly avant-gar, Marv Gaye’s prevly unreleased 1972 album You’re the Man is the timels sound of a btible rhythm and blu.

Gaye’s 1972 anti-Nixon clapbacks on You’re the Man —such as “magogu and admted mory haters should never be print”—uld jt as easily apply to the ghastly failgs of today’s crooked Tmp the 1970s, Gaye emerged as a seer, diggg for ep groov the effort to realize an all-clive, mocratic world that still seems beyond our reach.

Troubled by imperial war, hypocril ernments, exclnary racial polici, and loomg elogil disasters, Marv Gaye was the mician-as-dissint, strivg for liberatn that he himself never personally managed to achieve durg his lifetime. Wh the urse of a sgle album, Gaye uld e off as nsc, pensive, ncerned, driven, mted, topil, tough, sexy, urbane, hypnotic, tortured, troubled, hip, relig, fiant, disillned, high-flyg, fiant, blunted, and ’re the Man ptur those wi-rangg preccts, punctuatg them wh mmerizg flights to black power era funk and soul by way of nga-tged groov. It’s not a ncise, perfectly nstcted ncept album like Gaye’s 1971 What’s Gog On, his erotic 1973 Let’s Get It On or his 1976 timate masterpiece I Want You.

YOU’RE THE MAN (ALTERNATE VERSN 2)MARV GAYETRACK 16 ON LET’S GET IT ON (DELUXE EDN) PRODUCED BYMARV GAYESET AGAST THE BACKDROP OF THE 1972 PRINTIAL ELECTN AND NCEIVED AS THE CENTERPIECE OF HIS NEXT ALBUM, YOU’RE THE MAN, MARV GAYE’S VISN FOR THE PROJECT WAS… READ MORE 19721 VIEWER7 CONTRIBUTORSYOU’RE THE MAN (ALTERNATE VERSN 2) LYRICS[VERSE 1]WELL, YOU BEEN TALK’, TALK’ TO THE PEOPLETRY’ TO GET THEM TO GO YOUR WAYTELLG , TELLG NOT TO WORRYYOU SAY WE WON’T BE LED ASTRAYWE’RE SO TIRED OF YOUR SIGNIFYGHOW DO WE KNOW, 'TIL ’S TOO LATEWHETHER OR NOT YOU’VE BEEN LYG?THK ABOUT THE MISTAK YOU MAKEI BELIEVE, SIR, THAT HUMANY’S AT STAKEYOU SEE, B’, B’ IS JT ONE ISSUE, ONE ISSUEWHAT ABOUT THE RT OF , MISTER?[CHOS]WELL, IF YOU'VE GOT THE PLANI SAID, YOU, IF YOU’VE GOT THE MASTER PLANI GOT TO VOTE FOR YOU, AH YEAHI GOT TO VOTE FOR YOU‘CSE YOU’RE THE MAN, I KNOW, AH YEAH[VERSE 2]MAYBE WHAT THIS UNTRY NEEDS IS A LADY FOR PRINTNO, WE DON’T WANNA HEAR NO MORE LIABOUT HOW YOU PLAN TO ENOMIZEWE WANT OUR DOLLAR VALUE CREASEDAND EMPLOYMENT TO RISETHIS HEAVY TAXATN HAS GOT ALL THIS AWFUL SUATNNOW, DON’T, DON'T GIVE NO PEACE SIGNTURN AROUND AND ROB THE PEOPLE BLDOH, ENOMICS, MONEY IS ALL YOU’RE TERTED DO YOU HAVE A PLAN THAT ALL THE PEOPLE N SHARE ?YOU MIGHT ALSO LIKE[CHOS]‘CSE IF YOU’VE GOT THE PLANI GOT TO VOTE FOR YOUCSE YOU’RE THE MAN, I KNOW, OH[VERSE 3]PEOPLE MARCHG ON WASHGTONWHY NOT HEAR WHAT THEY HAVE TO SAY?BEE THE TABL MIGHT TURN AGAST YOUSET AROUND ELECTN DAYDEMAGOGU AND ADMTED MORY HATERSSHOULD NEVER BE PRINT, THIS TIME A LADYWILL YOU, WILL YOU STOP THE BOMBSAND RIGHT ALL THE WRONGS THIS ADMISTRATN HAS DONE?I KNOW PEACE AND EEDOM IS THE ISSUE, OH LORDDO YOU HAVE A PLAN WH YOU, MISTER?[CHOS]‘CSE IF YOU’VE GOT THE PLANI SAID, YOU, YOU’VE GOT THE MASTER PLANWELL I GOT TO VOTE FOR YOUOH LORD, I GOT TO VOTE FOR YOU‘CSE YOU’RE THE MANWOO, GOT TO VOTE FOR YOUIF YOU’RE GONNA TAKE A STANDI GOT TO VOTE FOR YOUGONNA BE THE MAN?[OUTRO]WHAT ABOUT THE ISSU?WHAT ABOUT THE YOUNG FOLKS?WHAT ABOUT MARIJUANA?WHAT ABOUT PEACE, PEACE THE LAND?DO YOU UNRSTAND?GOTTA, GOTTA, GOTTA, GOTTA TAKE A STANDTHEN I’LL VOTE FOR YOU, I THK YOU’RE THE MANTELL ME SOMETHG, DON’T N AWAYTELL ME SOMETHG, GONNA SEE YOUR FACEI GOTTA VOTE FOR YOU, I THK THAT YOU’RE THE MANGOTTA BE STRONG WHETHER YOU’RE RIGHT OR WRONG1EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT

There was, after all, a reason Gaye chose to shelve You’re the Man. And an sential qutn lgers: Is You’re the Man really a fished rerd that Gaye would have wanted released?

MARV GAYE’S LOST ‘WHAT’S GOG ON’ FOLLOW UP, ‘YOU’RE THE MAN,’ SET FOR RELEASE

But hearg 47 years after was abandoned, You’re the Man throws time self to relief, offerg revisnist sight to how Gaye managed his creativy the immediate aftermath of his naway early ’70s one year before the release of “You’re the Man, ” 1971, Gaye shed his crooner-baret Mr. Gaye rried the msage mic torch of Motown artists like The Temptatns, Edw Starr, Martha Reev, and Steve Wonr to gurate the early 1970s FM-rad era of the black prott rerd. And alongsi figur like Isaac Hay and Curtis Mayfield, Gaye helped turned 1971 to the year where black albums mattered as much or more than all acunts, however, Gaye privately stggled wh how to follow up What’s Gog On.

In 1972, Gaye was and out of studs Detro and L. To be near Motown’s new headquarters, Gaye nervoly abandoned plans to release all those other songs he’d been workg on for a year, pursug stead other optns like his duet album wh Diana Ross, and an origal sre to the film Trouble Man. A year later, 1973, Gaye released the mercial smash Let’s Get It On, his official stud follow-up to What’s Gog On, ntroversially leavg behd his excursn to polil subject matter favor of boudoir by his What’s Gog On llaborator Kenh Stover, and one of the last tracks he ever rerd at Motown Detro, You’re the Man’s srchg tle tune remas an astonishg synthis of the queasy, tricky state of Amerin electoral polics the early 1970s—’s an orphaned masterpiece about hollow mpaign promis disnnected om polil actn have imperiled Amerin mocracy.

When Gaye blurts out the tle song “bg is the issue” (on the alternate versn of the track, he downgras the ncern to “bg is jt one issue”) he’s specifilly referrg to the way segregatnist ndidate Gee Wallace had turned urt-orred bg—a liberal move meant to speed up the tegratn of public schools— to a ntent issue every mocratic hopeful had to addrs to stay the that tumultuo electn year, black folks’ tert renstctg society to ensure full participatn for all was upend by more pragmatic ncerns related to wng electoral seats. Gaye serv up holler-worthy lyrics like “I believe Ameri’s at stake, ” “Polics and hypocr are turng all to lunatics, ” and “Don’t you unrstand/There’s misery the land” over a simmerg rhythm track marked by his signature mor sevenths and spend chords.

ALBUM REVIEW: MARV GAYE’S ‘YOU’RE THE MAN’

” The track also featur Gaye’s tramark vol stylgs (he’d rporate multiple tracks of lead vol; he sentially sgs unterpot to himself) along wh a full array of halatns, blurted-out whoos, whelps and squelch, as if to suggt that words themselv n’t nvey the sheer emotnaly and toll of the subject matter. “The World Is Rated X” is a screed agast s that appears to want to supprs ’70s libertarian permissivens favor of nservative rpectabily polics (pecially when Gaye croons “God is watchg, he knows where you’re at, ” as the track fas).

But Gaye rerd “The World is Rated X” at a moment marked by the growg populary of blaxploatn films like Superfly. In that void, black micians like Marv Gaye, Aretha Frankl, Bill Whers, and Stevie Wonr emerged as quasi-Msianistic, ethil figur the muny.

In rerdg “The World Is Rated X, ” Gaye poss himself as a hero, savg om our own munal scent to retrogra ’s boho-hippie, Ao-Christian, universalist love ethic also extends to secular, more romantic ncerns on the album, too. The sctive “I’m Gonna Give You Rpect” blaz wh horns, blarg tom-toms and Pips/Chi-L style harmoni; sps a story about how Gaye’s secury that his girl might leave him mak him want to be a more rpectful man.

‘YOU’RE THE MAN’: ‘LOST’ MARV GAYE ALBUM DEF AN ERA OF SOUL MIC

“You’re That Special One, ” “We Can Make It Baby, ” “I’d Give My Life for You” and “Symphony (the latter two newly mixed by Salaam Remi) are so-so romantic tun, at least the grand ntext of the Gaye mil non. But romantic, sax-heavy “My Last Chance” lets Gaye show off his feathere, supple tenor: “May I have this last dance/his is my chance to get close to you” he sgs, as he nfs “I’m jt a shy guy/I’m so nervo/Girl, but I got to try. ”Gaye’s yearng timacy extend to fay suatns, as well.

As Gaye chimed on about a woman print, numero black women micians—om Roberta Flack and Na Simone to Mavis Stapl and Aretha Frankl—ma equally profound artistic statements, bg race, genr, polics, and pleasure tersectnal ways their male unterparts ually failed to way which black women were both polilly active the early 1970s and yet supprsed by sexist and racist tablishment glass ceilgs is also what mak “Woman of the World” You’re the Man’s most bonehead cut.

Gaye pleads wh this newly ee and emancipated lady who has ught his eye to remember their childhood days. It pal pared to Curtis Mayfield’s lovg 1970 “Miss Black Ameri” or the visn of mutualy between men and women that later rmed Gaye’s 1976 Leon Ware -posed album I Want You. Coupled wh what we now know of Gaye’s history of troublg emotnal and physil vlence (ex-wife Jan Gaye alleg her 2015 bgraphy, -thored wh David Rz, that he abed her), the sger-songwrer may have been prophetic wh regards to race and class, but not so much when me to femism and women’s s highs and lows, You’re the Man—a self-nceled/lost Marv Gaye album that has now arrived 47 years later the midst of ncel culture—is a fascatg glimpse to what one of the great pop mic artists of the 20th century strategilly allowed the culture to see—and what he didn’t.

Jt as the tle track remds that charismatic polil lears often fail , the album as a whole advertently remds that the culture don’t rise and fall on charismatic male mic ins like Marv Gaye and John Lennon—and others wh qutnable behavr or rap sheets— the way did when they seemed like sgular, dispensable revolutnary hero. You’re the Man reveals Marv Gaye as a multidimensnal, plited human beg who serv our rpect, but not necsarily our unchecked worship—no more so than the polil figur he so rightly criqu.