"Homophobia is Gay - Frank Iero" Sticker for Sale by Ric-Sce | Redbubble

Contents:

• "HOMOPHOBIA IS GAY"
• HOMOPHOBIA IS GAY.
• HOMOPHOBIA IS GAY.… (FRANK IERO QUOTE)
• HOMOPHOBIA IS GAY.
• HOMOPHOBIA IS GAY--FRANK IERO
• HOMOPHOBIA IS GAY ANK IERO ESSENTIAL T-SHIRT
• HOMOPHOBIA IS GAY - FRANK IERO PHOTOGRAPHIC PRT
• HOMOPHOBIA IS GAY - FRANK IERO POSTER
• HOMOPHOBIA IS GAY - FRANK IERO STICKER
• "HOMOPHOBIA IS GAY"
• HOMOPHOBIA IS GAY - FRANK IERO ESSENTIAL T-SHIRT

"HOMOPHOBIA IS GAY"

Through an examatn of stage-gay, the notor practice of queer performativy on stage by straight performers the emo mic subculture, I vtigate how a rtrictive notn of “tth” discsns of queerbag n actually close off the very possibili of transformatn and open-end nfiguratns of sexualy that Alexanr Doty’s formulatn of queerns promised.

In the same volume, Emma Nord suggts there are two sis to queerbag—one versn has producers “htg at yet nyg queer ntent, and the other one has producers promisg gay characters yet not liverg proper reprentatn.

”3 Most of the thors Brennan’s book are fairly clear that the liberate tent of media producers is a key part of queerbag, as opposed to viewer terpretatns of queerns or homoeroticism.

HOMOPHOBIA IS GAY.

4 Obvly this be more plited when we apply to the ncept of stage-gay, which is a term vented by fans of emo and post-punk bands the early 2000s.

HOMOPHOBIA IS GAY.… (FRANK IERO QUOTE)

But jt as wh stage-gay, uld be argued that emo’s genr polics hold out a promise of progrs or egalarianism that they don’t really fulfill.

HOMOPHOBIA IS GAY.

Here we foc specifilly on emo bands’ penchant for stage-gay: that is, monstratns of male/male affectn and eroticism, up to and cludg full kissg and simulatg sex onstage. When nsirg emo bands’ tentns performg stage-gay, we should look to explic statements ma by band members about s purpose: not to take them as transparent statements of fact, but as performative elements the Butlerian/Fouuldian sense, which be wh other visual and dible statements to nstct a disurse of queerns. 10 Fans’ of and rpons to stage-gay also ntribute to the nstctn of s meangs.

We should also take to acunt the soc-cultural ntexts which stage-gay first me to public note: two boys kissg onstage at a hard rock ftival 2002 is an entirely different statement than the same gture ma a queer-iendly club 2020. 12 “Queer” is not one si of a bary on which the other si is “hetero-”: the word we would be lookg for that se is “homo-”. Buildg on this ia of persona, I will then briefly outle the theory of performativy through which I tend to analyze the practice of stage-gay.

HOMOPHOBIA IS GAY--FRANK IERO

I will discs performers’ paratextual statements on the meangs of stage-gay while suatg agast the background of hardre and punk om which emerged, and go on to discs some of the ag that fans have ma om the texts. I will then be the lens of performativy wh the soclogil theori of Robert Heasley and Jane Ward, orr to terme that stage-gay n be really read as queerbag pends both on how we nsir the readg, the queer and the real. Brennan and McDermott document a thread on the popular LGBT se Datalounge discsg wh a potedly homoerotic photoshoot starrg Jonas as an example of “panrg” or simply “showg his gay fans what they want to see.

Readg 2006), to shouts of “faggots”: those of who were old enough to attend hardre and rock shows the early-mid 2000s will rell when there was nothg particularly remarkable about this vilent subcultural homophobia.

Stage-gay tak two forms. The first tak place lerally onstage at ncerts, and nsists of homoerotic gtur between bandmat cludg huggg, touchg, kissg and ed simulatg sex.

HOMOPHOBIA IS GAY ANK IERO ESSENTIAL T-SHIRT

Emo bands the early 2000s were among the first performers to troduce this sort of performativy to an dience outsi basements, and certaly to brg to ftivals, which is why emo fandom ed stage-gay as a term.

Each Try band has a particular “pairg” most notor for stage-gay (i.

HOMOPHOBIA IS GAY - FRANK IERO PHOTOGRAPHIC PRT

The send kd of stage-gay ncerns paratexts om televisn, magaz and social media: pos, gtur, signs, the wearg of T-shirts readg “I <3 [the other member of the pairg qutn]” and even explic sex jok.

HOMOPHOBIA IS GAY - FRANK IERO POSTER

”17 The thor has wrten before that gay jok are a hallmark of queerbag, and this is te, but typilly the humor operat the other way around: iends are mistaken for a uple, and humor is generated by their awkward rponse (see pecially the BBC’s Sherlock and the CW’s Supernatural). Havg attend the ncerts of all three bands over a perd of nearly fifteen years, I thk is safe to say that recent years, the stage-gay has been toned down, possibly bee is rather ls strikg a statement mid-sized arenas 2020 than hardre and alternative rock clubs 2004. Bands were que explic about why they did this: when a Spanish fan acced Gerard Way of queerbag via Twter: “So you preten [sic] to be gay for get our attentn [sic]and buy more MCR's albums?

You’re very clever, ”18 he rpond archly, “Actually, the purpose of the stage persona was to challenge genr standards and homophobia. ”19 We’ll return to the ment on “slashfictn” [sic] and the of stage-gay by fans later, but this is an explic nial of the implied ceptn queerbag. Aga, this is not to say we n take artists’ word as fact, but certaly offers an alternative nstctn of producer tent and th how stage-gay might be terpreted.

HOMOPHOBIA IS GAY - FRANK IERO STICKER

And ed, there were good-fah personal risks volved stage-gay: wearg a homema T-shirt readg “homophobia is gay” to a hardre club show the early 2000s, as MCR’s rhythm guarist Frank Iero once did, urted a real risk of retributn both sal and physil vlence. If we nceive stage-gay as a seri of time-bound, ntext-specific performative statements, seems to me neher that mandg the ner tth of a performer’s sexualy as the only te form of actualizatn is missg the pot. Performativy is the actualizatn of sexualy, and the homophobic and misogynist rponse om early hardre shows monstrat s effectivens.

"HOMOPHOBIA IS GAY"

If personas are the “the material forms of public selfhood, ”30 we ought to read stage-gay, I would argue, as statements that nstct a persona actn. Stage-gay and Fandom.

HOMOPHOBIA IS GAY - FRANK IERO ESSENTIAL T-SHIRT

We should also nsir the of stage-gay by young queer and gay fans who uld see themselv and their sir reprented at a rock show, probably for the first time, by emo artists.

For stance, there is one notor Panic slash story known as “the k fic, ” ncerng Brendon Urie and his former guarist Ryan Ross, who were major proponents of stage-gay. This kd of ratifitn of fan practice om the subjects volved—as opposed to Way’s prev assertn that stage-gay was not tend to be ed “for” fanfic—do not make stage-gay any more or ls real, but grants a kd of license or thorizatn to queer fan practice, rultg a eer space of play.