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22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">In June, 1992, the Lemonheads released “It’s a Shame About Ray,” the band’s fifth rerd, and s first to garner ternatnal renown. The album featured the sger and guarist Evan Dando, the bassist Juliana Hatfield, and the dmmer David Ryan. Five months earlier, Nirvana’s “Nevermd” had land at No. 1 on the <em>Billboard</em> 200, and so-lled “alternative rock,” as was then known, was reachg a mercial zenh. I first learned about the Lemonheads through that most potent neti triad: the group had been featured <em>Sassy</em> magaze’s “Cute Band Alert,” had a vio heavy rotatn on “120 Mut,” MTV’s late-night dumpg ground for stuff too weird or gratg for prime time, and Dando had sred a meo the film “Realy B,” which he olly end a nversatn by sayg, “I’m Audi 5000.”</p><p class="paywall">The Lemonheads were gettg big. Dando, the band’s chief songwrer, had even appeared on “Regis and Kathie Lee” to promote the album. “This is a young, giant star,” Regis Philb announced. Dando ambled onstage, wearg a tan sendhand jacket. “This is ,” Regis said, fgerg the threadbare lg and noddg. “See, I’m out, I’m jt totally out.” At one pot, Dando scribed his mother, who was stg the dience, as “ol bananas,” which trigued Regis. “It jt means ol bananas,” Dando explaed. (Was anyone ever so young?)</p><p class="paywall">This month, “It’s a Shame About Ray” is beg reissued wh bon material, cludg B-sis, mos, and rad ssns, and April the Lemonheads will be performg the songs at a handful of tour dat. In the thirty years sce s release, I have e to thk of “It’s a Shame About Ray” as a perfect album. Certaly, there are rerds more sophistited, more dangero, or more expert, yet there are few so exquisely self-ntaed. Dando’s songs are saturated wh a kd of directnls longg—a troublg, pable sense that there’s more out there for him. Often, his protagonists are walkg around wag for somethg tertg to happen. For most wrers, ’s extraordarily difficult to tch and hold feelgs of pathos, idlens, hunger, a kd of hazy but manageable melancholy. Dando’s songs are short (many are unr or around two mut), wh chos and hooks so easygog, so suffed wh nonchalance, that feels as though they mt have arrived fully formed and whout stggle.</p><p class="paywall">Dando, who is now his mid-fifti, is hunky a dopey-yet-strappg, I-rolled-off-the-uch-like-this way; the neti, he beme an alt-rock pup, appearg on the April, 1993, ver of <em>Sp</em> shirtls and goln-skned, and wh his tongue the mol Adrienne Shelly’s mouth. In a 1994 profile of Chloë Sevigny for this magaze, Jay McInerney scribed the Lemonheads as “nsired eher very ol or really bog” and referred to the creatn of an anti-Dando fanze lled <em>Die Evan Dando, Die</em>, th named “prumably bee he is too cute and his songs are too tchy.” (Sevigny, who is featured the vio for “Big Gay Heart,” a track om the album “Come On Feel the Lemonheads,” is one of several celebri to appear the band’s vios: a forlorn Johnny Depp stuffs his belonggs to a grocery bag and tak off the vio for “It’s a Shame About Ray”; Angela Jolie mak out wh Dando as his feated girliend looks on “It’s About Time.”)</p><p class="paywall">Dando was brought up Back Bay, a historic and moneyed neighborhood Boston. His mother was a mol, and his father worked as a real-tate attorney. As a teen-ager, Dando attend the private Commonwealth School, where, 1985, he started a band lled the Whelps, which later evolved to the Lemonheads. The gural lp clud the bassist Jse Peretz (who went on to direct films and televisn shows) and the sger and guarist Ben Deily. The tr’s first rerd, “Hate Your Friends,” was released on the Boston-based pennt label Taang! Rerds (an acronym for “Teen agers are no good”), which specialized lol punk and hardre. “Hate Your Friends” may sound jarrg and phono to anyone chiefly faiar wh the band’s sweeter, late-reer output, but nohels ’s tuneful and energetic. The Lemonheads signed wh Atlantic Rerds and released “Lovey” 1990. Sce then, the band has had more than forty members. Dando once scribed as “kd of like a llective.”</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">“It’s a Shame About Ray” eventually went gold, yet for a while seemed as though Dando himself might not survive the . In 1995, the band was schled to play at the Glastonbury Ftival, England; Dando arrived two hours late and was booed off the stage. (He later told the <em>Guardian</em> that he had been bed wh two women and a bag of hero.) He admted that he had smoked crack and damaged his vol rds durg the ssns for “Come On Feel the Lemonheads,” tellg <em>Q</em> magaze, “I went to the throat doctor and I told him I’d been smokg crack and he said, ‘Don’t do that, man. That’s dangero.’ ” After that, mors that he was ad would perdilly circulate, but Dando end up outlastg many of his ntemporari.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">The Lemonheads have not released new material sce “The Lemonheads,” 2006. (That lp clud the bassist Karl Alvarez and the dmmer Bill Stevenson, both members of the punk-rock band the Dcennts, wh ntributns om Garth Hudson, the anist for the Band, and the sger and guarist J. Mascis, of Dosr Jr.) In 2009, the Lemonheads released a vers rerd lled “Varshons.” On , Dando tak on Town Van Zandt’s “Wag Around to Die.” Unlike Van Zandt, who sounds heartsick, ayed, and sperate, Dando giv a performance that is practilly jnty. That album was followed, nearly a later, by “Varshons II.” In the years sce, Dando has been promisg to release new songs, but they have yet to materialize.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">“It’s a Shame About Ray” was rerd at Cherokee Studs, Los Angel, and produced, at Atlantic’s suggtn, by the Robb Brothers. In the neteen-sixti, the Robbs (Dee, Bce, Joe, and Craig) had briefly served as the backg band on “Where the Actn Is,” a variety show hosted by Dick Clark, but by the early seventi Bce, Dee, and Joe had bee more focsed on productn. They opened Cherokee 1972, and durg the followg worked on a seri of remarkable rerds, cludg Steely Dan’s “Pretzel Logic,” David Bowie’s “Statn to Statn,” and Michael Jackson’s “Off the Wall.”</p><p class="paywall">The Robbs reced some unexpected players for the “Ray” ssns, cludg Jeff (Skunk) Baxter, a guarist turned fense nsultant who had been a foundg member of Steely Dan and a guarist wh the Doobie Brothers. It is almost impossible to image a band ls germane to the dishevelled alt-rock vibe than Steely Dan, yet Baxter’s pedal-steel parts on “Hannah and Gabi”—a pretty, agile song about beg a terrible partner (“I’m out wanrg around / You’re but one thg I’ve found”)—are warm and bbery, givg the song a lilt that rells Gram Parsons. The atic mo clud on the reissued rerd, which featur only Dando on vols and atic guar, is listls by parison.</p><p class="paywall">“It’s a Shame About Ray” is the only album by the Lemonheads to feature Hatfield, who is a dynamic and beguilg artist on her own; her soft, almost childlike vols on “My Dg Buddy,” a lopg, breezy o to the person you ll when you want to get high but don’t want to be alone, give a potentially vastatg track an unexpected airs. In fact, much of “It’s a Shame About Ray” should be vastatg—the are songs about beg young and lost, “like a ship whout a dr’s like a ship whout a dr’s like a ship whout a dr,” as Dando puts —but isn’t. Sce that rerd’s release, Dando has remaed spacey and reee spe the nihilism that plagued his Generatn X hort. He never wanted to be a pop star. At tim, has seemed as though he barely wanted to be a profsnal mician. The reissue of “It’s a Shame About Ray” clos wh an echog, atic mo of “Confetti,” a song that addrs beg the ls terted party a romantic entanglement. It’s a mute and fifteen sends long. Dando don’t need much time to say his piece: “He kda shoulda sorta woulda loved her if he uld’ve / He’d rather be alone than pretend.” ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box ArticlePageSplAdRail-OyjwD jikppc"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="ArticlePageSplAdRailContent-jsltpq iZDmmY spl-ad-rail-ntent"><div class="ArticlePageSplAdRailTop-jUrrVY jzzFg"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="4mu9t"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" 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bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Cultural Comment</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Robbie Robertson and the Greatt Songs Never Fished</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Robbie Robertson and the Greatt Songs Never Fished" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">The late mician’s rerdgs wh Bob Dylan as part of the Band stand as a ttament to unrealized promise.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Howard Fishman</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="We Are Pivotg to Radil Empathy" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Daily Shouts</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">We Are Pivotg to Radil Empathy</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="We Are Pivotg to Radil Empathy" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">There is no <em>you</em> or <em>I</em>, only <em>we</em> and <em></em>, extribly bound together. And that is what mak so hard for me to announce that we will be implementg ten-per-cent layoffs.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Josh Gonlman</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Hidn Harms of CPR" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">The Weekend Essay</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Hidn Harms of CPR</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Hidn Harms of CPR" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">The btal procre n save liv, but only particular s. Why has bee a flt treatment?</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Suna Puri</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="What Kd of Artist Was Wayne Shorter?" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">The Front Row</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">What Kd of Artist Was Wayne Shorter?</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="What Kd of Artist Was Wayne Shorter?" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">A new documentary shows that mic was jt one facet of the great jazz saxophonist’s gift.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div 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lemonheads gay

The Lemonheads: Big Gay Heart: Wh The Lemonheads, Nic Dalton, Evan Dando, Jillian Kekligian. Lemonheads performs the mic vio "Big Gay Heart" om the album "Come on Feel the Lemonheads" rerd for Atlantic Rerds. The mic vio featur the band performg on stage ont of a red curta. As the band plays, people dance and a man looks for a iend." data-id="ma

Contents:

RED MEAT: A PARTY FOR GAY REDHEADS AND THE MEN WHO ADMIRE THEM

Big Gay Heart by The Lemonheads song meang, lyric terpretatn, vio and chart posn * lemonheads gay *

What: Red Meat - A Monthly Party for Gay Redheads and the Men Who Love Them.

The album’s cut-out b stat isn’t necsarily ditive of s qualy—there were also que a few pi of Transmissns From the Satelle Heart, Last Splash, Star, and File Unr: Easy Listeng, rerds by die darlgs who’d sred an unexpected h that didn’t que prepare mall-walkers for their there were plenty of exampl of sophomore slumps, time psul om alt-rock’s flop era, and general letdowns astg off the goodwill om a prev h. The song is wrten om the perspective of a lovelorn gay man askg for met many lorful characters his travels, and this was based on one of them. "That was om my iend who was rentg this hoe om this rich steward who had all this gay art on the wall, " he said a Songfacts terview.

"We lled 'the big gay hoe' and jt sort of went on om there. "This song is meant to disurage gay bashg. Dando, an avowed heterosexual who was named one of People magaze's "50 Most Betiful People" the year was released, mak his pot by showg how a heartache song n work om a gay perspective as well.

THE LEMONHEADS: BIG GAY HEART

* lemonheads gay *

"Dando and his buddy Kurt Coba shared the view that gay bashg was absurd. Coba ma a statement of sorts when he put the l to the Nirvana track "All Apologi":What else uld I sayEveryone is gayOn the album, the song was listed as "Big Gay Heart (Agast Vlence), " the subtle makg the tentn clear.

BIG GAY HEART

Listen to Big Gay Heart (Demo) / Big Gay Heart by The Lemonheads. * lemonheads gay *

Cast & crewMic Vio19943mLemonheads performs the mic vio "Big Gay Heart" om the album "Come on Feel the Lemonheads" rerd for Atlantic Rerds. Read allLemonheads performs the mic vio "Big Gay Heart" om the album "Come on Feel the Lemonheads" rerd for Atlantic Rerds.

Lemonheads performs the mic vio "Big Gay Heart" om the album "Come on Feel the Lemonheads" rerd for Atlantic Rerds. Big gay heart, please don't break my big gay heart. Yeah while I unrstand now you're not wh the big gay scene.

BIG GAY HEARTTHE LEMONHEADSTRACK 11 ON THE SECRET LIFE OF EVAN DANDO PRODUCED BYTHE ROBB BROTHERS & EVAN DANDOOCT. 12, 19931 VIEWER8 CONTRIBUTORSBIG GAY HEART LYRICS[VERSE 1]TAKE A LOOK TO SOME BIG GRAY EYAND ASK YOURSELF, YOU WANNA MAKE 'EM CRY?LOOK' OUT OF THEM, 'S JT AS WELLBUT YOU GON' LIVE TO SEE, I'M GONNA ASK YOU WHYEHER WAY, YOU GOT A BONE TO PICKCAN'T YOU LEAVE THAT TO SOMEBODY ELSE?I DON'T NEED YOU TO SUCK MY DICKOR TO HELP ME FEEL GOOD ABOUT MYSELF[CHOS]BIG GAY HEARTPLEASE DON'T BREAK MY BIG GAY HEARTBIG GAY HEARTPLEASE DON'T BREAK MY BIG GAY HEART[REA]WHY N'T YOU LOOK AFTER YOURSELF AND NOT DOWN ON ME?DO YOU HAVE TO TRY TO PISS ME OFF 'E I'M EASY TO PLEASE?WHY N'T YOU LOOK AFTER YOURSELF AND NOT DOWN ON ME?YEAH, WOW, I UNRSTAND NOW YOU'RE NOT WH THE BIG GAY SCENE[VERSE 2]IF YOU N FD A WAY TO ADD UPIT MIGHT BE HARD, BUT MIGHT BE ENOUGHI'D BE GRATEFUL, I'D BE SATISFIEDAND YOU MIGHT FD TIME, WOULDN'T FEEL SO BADAFTER ALL, DON'T TAKE THAT MUCHAND WOULD MEAN SOME TO MEFOR YOU TO LOSE THE PART THAT'S STILL AAIDAND NOT PREPARED TO SEEYOU MIGHT ALSO LIKE[CHOS]MY BIG GAY HEARTIN THE DARK, MY BIG GAY HEARTBIG GAY HEARTPLEASE DON'T BREAK MY BIG GAY HEART[REA]WHY N'T YOU LOOK AFTER YOURSELF AND NOT DOWN ON ME?DO YOU HAVE TO TRY TO PISS ME OFF JT 'E I'M EASY TO PLEASE?WHY N'T YOU LOOK AFTER YOURSELF AND NOT DOWN ON ME?YEAH, WOW, I UNRSTAND NOW YOU'RE NOT WH THE BIG GAY SCENE[CHOS]BIG GAY HEARTPLEASE DON'T BREAK MY BIG GAY HEARTBIG GAY HEARTPLEASE DON'T BREAK MY BIG GAY HEARTBIG GAY HEARTIN THE DARK, MY BIG GAY HEARTBIG GAY HEARTPLEASE DON'T BREAK MY BIG GAY HEARTEMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT

My big gay heart. In the dark, my big gay heart. In the dark, big gay heart.

My big gay heart, please don't break my big gay heart. Big Gay Heart Lyrics as wrten by Tom Man Evan Griffh Dando. I don't need you to suck my dickOr to help me feel good about myself[Chos]Big gay heartPlease don't break my big gay heartBig gay heartPlease don't break my big gay heart[Rea]Why n't you look after yourself and not down on me?

Yeah, wow, I unrstand now you're not wh the big gay scene[Verse 2]If you n fd a way to add upIt might be hard, but might be enoughI'd be grateful, I'd be satisfiedAnd you might fd time, wouldn't feel so badAfter all, don't take that muchAnd would mean some to meFor you to lose the part that's still aaidAnd not prepared to see[Chos]My big gay heartIn the dark, my big gay heartBig gay heartPlease don't break my big gay heart[Rea]Why n't you look after yourself and not down on me?

*BEAR-MAGAZINE.COM* LEMONHEADS GAY

The Lemonheads – Big Gay Heart Lyrics | Geni Lyrics .

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