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Contents:

IT ALL STARTED HERE: THE GAY LEGACY OF GQ

Feast your ey on the hottt male mols om all around the world, om Brazil to the U.S. to Italy. Who says we feature a disproportnate number of unrwear mols? Specifilly, gay mols unrwear? OK, well… maybe we do. But then aga, why wouldn't we? * gay magazine model *

Scroll To TopOUT is one of the worlds leadg s for not only fashn, but also for celebratg the dtry's hot gay male mols. Wh men that everythg looks good on, whether straight or gay mols, is easy for OUT to be at the foreont of brgg you the imag, signs and glamour for the gay mol all of . ) It was also, not to put too fe a pot on , a much gayer era of GQ.

Jack Haber, the magaze’s edor--chief om 1969 to 1983, was a gay man, as were his two extraordary art directors, Harry Coulianos, who served om 1971 to 1980, and Donald Sterz, who started out as one of Coulianos’s puti and eventually succeed him, nng the partment until late was not explicly a gay magaze, and s mandate, fact, was to te men of all persuasns about fashn and style. But the gay sensibily was unmistakable: the recurrence of the word gged headl; the prcient tert mimalist home r; the “Every Night Fever” dis-stomp pictorial om 1978, wh mols Capezs dancg a parkg lot illumated by the headlights of Lln the magaze self was no joke; GQ took s mandate serly.

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How an unknown former mol turned photographer, a gay art director, and a llegiate water polo player om California ed the pag of GQ to refe the Amerin man—and changed forever the look of magaz, photography, and advertisg. * gay magazine model *

In this regard, GQ was way out ont, an archetypal example of the gay mory blazg a trail for the schlumpy mastream. “He had a theory that any hotel, there was a gay person [on staff], and that gay person was a nnectn to where to go the cy.

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OUT f and articulat the ntributn of gay men and women to the culture through a provotive blend of fashn, pop culture, and journalism, spirg rears to nsir the ever-evolvg meang of gay. * gay magazine model *

So the first thg Harry did when he walked to a hotel was fd that gay person. In 1977, Michael Iv was a blond, tole-haired English major at Yale who rowed crew and stood six feet two, spendg the summer between his hman and sophomore years patg ho on Martha’s Veyard.

THE OBSSIVE PHOTOGRAPHER BEHD AMERI’S FIRST GAY MAGAZE

Daniel Wenger on Bob Mizer, who found the first gay magaze the U.S., Physique Pictorial, and specialized photographg buff young men. * gay magazine model *

” Aquilon and Iv were soon gods the fashn firmament—hetero llege boys who’d stumbled to stardom as gay ins.

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In this perd, GQ took on a social signifince that s creators uld not have anticipated—as a “d lifele to so many of the hterlands, ” as the Mississippiborn gay memoirist Kev Ssums puts . “I’m almost posive the profsor was gay, ” Iv says.

”Yet for all the homoerotic quali of the Weber-Sterz llaboratns, for all the male sk they showed, they somehow had more crossover appeal than the shoots that Coulianos oversaw. as they splashed and guffawed—didn’t necsarily mean that was y time as soon as the shoot a sense, Coulianos’s and Sterz’s artistic outlooks reprented two different rpons to beg gay at a time when Ameri wasn’t very gay-iendly.

Sterz, though he was only five years younger than Coulianos, seemed to be of a later generatn, one that saw to a future when gay men and the gay sensibily didn’t need to be a revealg sectn that he put together for the September 1980 issue, Sterz had Weber shoot mols the cloth of Amerin signers, wh each signer gettg a two-page spread and each spread featurg a quote which the signer articulated his philosophy. I thought he had a wi appeal, beyond straight or gay.

There’s no fashn like gay fashn, and we are happy to prove . Out Magaze brgs you the latt gay fashn, worn by the hottt male mols and ptured glor tail by the bt photographers. See the h trends here. * gay magazine model *

”None of this prevented Sterz and Aquilon om beg fast iends, though—nor did the fact that the former was gay and the latter straight, the former a Democrat and the latter a Republin, the former a nonrelig person and the latter a practicg Christian.

” The GQ of that era, she says, “was so Zegeisty, a ty wdow of time when homosexualy was chic but not yet wily accepted. ”The reports of “gay ncer” started circulatg 1981.

There's nothg like a good gay photo. You n hardly turn around a gallery whout bumpg to a photo that was eher snapped by a queer person or one for a subject: om Calyn Jenner's portra by Annie Leibovz to the provotive works of Robert Mapplethorpe to the geni of Andy Warhol, Cathere Opie, and Pierre and Gill. Maybe there's somethg queer about the photograph, the transformatn om a subject to an object a flash. Or maybe all our years of takg selfi for Grdr prepared for the job. In any se, what mak the gay photo gay is the look levels at the viewer: We are ed to beg seen, but now we n look back. * gay magazine model *

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