Why Edison Fan – Che fluencer, gay mol and LGBT advote – is so much more than jt a pretty face | South Cha Morng Post

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How an unknown former mol turned photographer, a gay art director, and a llegiate water polo player om California ed the pag of GQ to refe the Amerin man—and changed forever the look of magaz, photography, and advertisg.

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IT ALL STARTED HERE: THE GAY LEGACY OF GQ

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) It was also, not to put too fe a pot on , a much gayer era of GQ. Jack Haber, the magaze’s edor--chief om 1969 to 1983, was a gay man, as were his two extraordary art directors, Harry Coulianos, who served om 1971 to 1980, and Donald Sterz, who started out as one of Coulianos’s puti and eventually succeed him, nng the partment until late was not explicly a gay magaze, and s mandate, fact, was to te men of all persuasns about fashn and style. But the gay sensibily was unmistakable: the recurrence of the word gged headl; the prcient tert mimalist home r; the “Every Night Fever” dis-stomp pictorial om 1978, wh mols Capezs dancg a parkg lot illumated by the headlights of Lln the magaze self was no joke; GQ took s mandate serly.

In this regard, GQ was way out ont, an archetypal example of the gay mory blazg a trail for the schlumpy mastream. “He had a theory that any hotel, there was a gay person [on staff], and that gay person was a nnectn to where to go the cy.

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So the first thg Harry did when he walked to a hotel was fd that gay person. In 1977, Michael Iv was a blond, tole-haired English major at Yale who rowed crew and stood six feet two, spendg the summer between his hman and sophomore years patg ho on Martha’s Veyard. ” Aquilon and Iv were soon gods the fashn firmament—hetero llege boys who’d stumbled to stardom as gay ins.

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In this perd, GQ took on a social signifince that s creators uld not have anticipated—as a “d lifele to so many of the hterlands, ” as the Mississippiborn gay memoirist Kev Ssums puts .

THE OBSSIVE PHOTOGRAPHER BEHD AMERI’S FIRST GAY MAGAZE

Daniel Wenger on Bob Mizer, who found the first gay magaze the U.S., Physique Pictorial, and specialized photographg buff young men. * gay magazine model *

“I’m almost posive the profsor was gay, ” Iv says. ”Yet for all the homoerotic quali of the Weber-Sterz llaboratns, for all the male sk they showed, they somehow had more crossover appeal than the shoots that Coulianos oversaw.

as they splashed and guffawed—didn’t necsarily mean that was y time as soon as the shoot a sense, Coulianos’s and Sterz’s artistic outlooks reprented two different rpons to beg gay at a time when Ameri wasn’t very gay-iendly. Sterz, though he was only five years younger than Coulianos, seemed to be of a later generatn, one that saw to a future when gay men and the gay sensibily didn’t need to be a revealg sectn that he put together for the September 1980 issue, Sterz had Weber shoot mols the cloth of Amerin signers, wh each signer gettg a two-page spread and each spread featurg a quote which the signer articulated his philosophy.

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I thought he had a wi appeal, beyond straight or gay. ”None of this prevented Sterz and Aquilon om beg fast iends, though—nor did the fact that the former was gay and the latter straight, the former a Democrat and the latter a Republin, the former a nonrelig person and the latter a practicg Christian.

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” The GQ of that era, she says, “was so Zegeisty, a ty wdow of time when homosexualy was chic but not yet wily accepted. ”The reports of “gay ncer” started circulatg 1981.

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About XY, US’s #1 Gay Mens Prt Mag. XY is Ameri’s largt prt gay mens magaze—still by Peter and the origal staff! Wh lns of pi sold, XY has been THE sential glossy magaze for young gay men sce 1996.

There's nothg like a good gay photo. You n hardly turn around a gallery whout bumpg to a photo that was eher snapped by a queer person or one for a subject: om Calyn Jenner's portra by Annie Leibovz to the provotive works of Robert Mapplethorpe to the geni of Andy Warhol, Cathere Opie, and Pierre and Gill. Maybe there's somethg queer about the photograph, the transformatn om a subject to an object a flash. Or maybe all our years of takg selfi for Grdr prepared for the job. In any se, what mak the gay photo gay is the look levels at the viewer: We are ed to beg seen, but now we n look back. * gay magazine model *

His notn of gayns was rmed by a “Co of Behavr” that he rerd his high-school diary: “More mascule at all tim.

” Among his mols were the gay and the straight, profsnal bodybuilrs and profsnal beach bums, llege stunts and returne om the European ont. But there’s jt as much reason to nsir Mizer the gay Hugh Hefner—a tirels llector of physil specimens.

Edison Fan is livg his bt life as an openly gay mol and fluencer Cha – how do the sgle father, bt known for his sexy unrwear shots, do ? * gay magazine model *

In 1951, he found what is generally nsired the untry’s origal gay magaze, Physique Pictorial, and would ntue publishg for nearly four s**.

** In the magaze’s early years he clud no explic referenc to gay inty, though he thored d edorials agast the hypocrisi of the straight world. Although gays had long been si-eyeg the emblems of straight masculy, Mizer fed them wh new meang: the very men who had looked stoic and impassive the straight magaz seemed, unr Mizer’s directn, to be havg fun. When David Hurl, the gay pornographer and Mizer protégé, was a teen-ager Ccnati, he glimpsed Physique Pictorial_ _at a newsstand and felt, as he put to Taschen, “stantly clud, as if the men were beckong him to look.

” It appealed, Coat wrote, “to the sick half-world of homosexuals, sadists, and masochists. “Homosexualy was the standard way of life among the gged Greek warrrs, ” he wrote 1960. ” Dpe such objectns, he reportedly ma a fortune the eighti by distributg so-lled “ssn vios, ” rerdgs of photo shoots that then veered to more recreatnal Mizer’s Greek-warrr fixatn, ’s temptg to thk of him as one early source of the “body fascism” for which ntemporary gay-male culture is often maligned.

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