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data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd NbxED hpJvIc">Kty Genove’s Brother Reëxam Her Famo Murr</h1></div><div class="ContentHearAccredatn-lfctVB cKRKZx ntent-hearaccredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearByle-kmPyCa gvUmxJ"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearContributorImage-cvjZXn jKACOU"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearContributorImage-cvjZXn jKACOU rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="66px"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="66px"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-imageimage" src="></picture></span><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bqbBYQ"><p class="ByleWrapper-jWHrLH ivtvgj byle bylbyle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU bylename"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss bylepreamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx bylename-lk button" href="/ntributors/richard-brody">Richard Brody</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2015-10-06T13:00:45-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">October 6, 2015</time></div></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-bodyntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" 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llout--has-top-borr set-embedd-le" data-ttid="GenericCallout"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embedasset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embedrponsive-asset"><picture class="RponsiveImagePicture-cWuUZO KhjZz AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embedrponsive-asset rponsive-image rponsive-image--expandable"><noscript><img alt="The 1964 murr of Kty Genove who is pictured here at her grandparents home Brooklyn is the subject of Jam..." class="RponsiveImageContaer-eybHBd fptoWY rponsive-imageimage" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE iTuhkZ ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embedptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptntext">The 1964 murr of Kty Genove, who is pictured here at her grandparents’ home Brooklyn, is the subject of Jam Solomon and Bill Genove’s documentary “The Wns.”</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptncred">PHOTOGRAPH COURTESY THE GENOVESE FAMILY / FIVE MORE MINUTES PRODUCTIONS</span></div></figure></div><p class="has-dropp has-dropplead-standard-headg">It’s a faiar genre, the te-crime documentary that overturns received ias about a notor se. “The Wns,” which screens <a href=">tonight and tomorrow at the New York Film Ftival</a>, looks at one of the most famo of all morn crime stori, the 1964 murr of Kty Genove. The film do so through the foc of another genre, the personal documentary. Its ma character—s virtual tr—is Bill Genove, one of Kty’s three younger brothers, who was sixteen at the time of her murr; he was her favore brother, and the two were very close.</p><p class="paywall">The murr of Kty Genove—as Bill tails the film, both voiceover and on mera—beme major news ls for the specifics of the attack self than for the circumstanc surroundg . Genove was stabbed to ath between three and four the morng, on March 13, 1964; she was attacked twice by the same man, first near the Kew Garns railroad statn and then ont of her apartment. As reported by Mart Gansberg the <em>Tim</em>, Kty’s screams were heard by dozens of neighbors, who did nothg. The <em>Tim</em> edor A. M. Rosenthal (later the paper’s executive edor), who assigned the story to Gansberg and oversaw his reportg, rerced this narrative his own book about the se, published later that year. (Nicholas Lemann <a href=">tailed the journalistic genis</a> of the se <em>The New Yorker</em> earlier this year.) As Bill says the documentary, “My sister has been the symbol of bystanr apathy for s.”</p><p class="paywall">It took forty years for Bill—and he alone, among the members of Kty’s fay—to look behd the headl and try to fd out for himself how so many of her neighbors managed to hi their heads and ignore her agony. The nomal director of the film is Jam Solomon, but Bill Genove is s ma thor, and s prime virtu arise om his qut. Bill’s on-mera vtigatn brgs him back to the Kew Garns statn of the Long Island Rail Road, and to the apartment buildg where Kty lived. He enters apartments and lculat sight l, tryg wh the help of rints and former rints to figure out how many people uld have seen the attacks or heard Kty’s cri and screams. Along the way, he do extraordary documentary rearch the leral sense, nsultg the trial transcripts and police rerds, as well as meta-journalistic rearch that volv reporters, edors, and producers volved wh the creatn and transmissn of the origal acunts of the events, as well as wh later efforts to epen or revise that story.</p><p class="paywall">In the urse of his rearch, Bill disvers that—spe well-documented dividual s of brazen difference on the part of some wns—others ed took actn of many sorts. At least one wns yelled out the wdow to ighten off the attacker. Another ran after Kty and held her, tryg valy to help, as Kty died her arms. And, plete ntradictn to published reports, several lled the police. So Bill wonrs: why did the origal, flawed reports rema unchallenged?</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-unslot nsumer-marketg-unslot--article-mid-ntent nsumer-marketg-unslot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">Among the journalists wh whom Bill speaks are Mike Wallace, who did a CBS rad broadst about the se Augt, 1964, and who explas that beme a worldwi phenomenon bee of the <em>Tim</em> reports, and Gabe Prsman, who looked at the se crilly his journalism class at Columbia. Prsman tells Bill that, after some of his stunts ntacted Rosenthal, Rosenthal himself got touch wh Prsman and “sentially said, ‘Do you know that ’s discsed worldwi?’ ” Rosenthal (who died 2006) also granted Bill an on-mera terview, and, while explag his ratnale for his origal reportg—his outrage at the neighbors’ non-rponse—he also pays tribute to his own edorial acumen (whether reflected the events or not), tellg Bill, “People all over the world were affected by .”</p><p class="paywall">Bill turns up a wi range of cril rensiratns of the origal <em>Tim</em> reportg and of Rosenthal’s book, cludg om the <em>Tim</em> self, which published a <a href=">reëxamatn by Jim Rasenberger</a>, 2004. (Interviewed by Bill, Rasenberger says, “If the story had been reported more accurately, still would have been a two- or three-day, maybe even a four-day story, but would not have been a fifty-year story. We would not still be stg here talkg about today.”) Yet the mystery hidn the apparent range of non-rpons—by some, not all, who saw or heard the crime, and, even more surprisg, by the police—seems to poke through the tangle of evince to tell a clear, simple, and shockg story. As several journalists terviewed “The Wns” say, the origal <em>Tim</em> acunt long went unqutned precisely bee of the power and the prtige of the <em>Tim</em>. The apparent accuraci, taken as fact, also got the way of other ntemporary vtigatns that might have illumated the actual societal—and stutnal and polil—issu that the failed rpons to the attack on Kty Genove suggt.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">In his 2004 report, Rasenberger—referrg to the work of Joseph De May, an amatr historian om the neighborhood—wr, “Many wns claimed they thought was a lovers’ quarrel or a dnken argument spillg out of the Old Bailey,” a nearby bar. Rasenberger also says that De May “rais the possibily that several wns did ll the police after the first attack, but that their lls were ignored and never rerd.” In the urse of his vtigatn, Bill Genove por over the origal police ll log om the night of the attack. There, he disvers that fact at least one person did ll—and was told by the police that the precct was already aware of the attack. Prumably, someone else had already lled the partment—which then v the qutn, why did the police not head to the scene of the crime at once?</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">Bill never fds any evince on the subject and never speculat on the reason. But one possible, and furiatgly plsible, reason is the one suggted by Rasenberger’s report. Bill do learn of a handful of valierly different neighbors who, beg aware of the attack, simply closed their doors and walked away. But many more of the wns (ear-wns, who heard Kty’s screams and cri for help) may well have done as Rasenberger suggts they did, and taken as a domtic nflict, albe one playg out public—a nflict that they prumed was nobody else’s bs, outsi their purview and outsi the purview of the law.</p><p class="paywall">Though the movie offers no new hypoth about the reasons for the origal nsistenci regardg the tails of the se, Bill’s rearch nohels v—and, I’d argue, suggts, even if untentnally—a horrifyg visn of what may have taken place behd the scen, at the police statn, while the crime was takg place. I found myself evably drawn, perhaps vidly, to imagg sk officers cidg not to rpond to the ial ll, bee they believed that the matter volved a domtic asslt, a lovers’ fight. I imaged that, wh a gmble or a chuckle, an officer hung up the phone and reacted wh difference to someone llg to pla that some guy was beatg his wife. What else is new, and what are we supposed to do about ?</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layoutasi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-boxprimary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="adslot adslot--rail" data-no-id="51rxh"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-unslot nsumer-marketg-unslot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="adslot adslot--mid-ntent" data-no-id="7fpv4g"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layoutntent"><div class="BodyWrapper-kufPGa EOneK body bodyntaer articlebody" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="bodyner-ntaer"><p class="paywall">At the time of the killg of Kty Genove, <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">maral rape was legal throughout the Uned Stat</a>—and remaed so New York State until 1984. At the time of the killg of Kty Genove, were there any women police officers the precct that received the ll? What was the rerd, there and cywi, of police rponse to asslts taken to be maral or domtic? At the very least, the movie serv as a ll for such addnal historil rearch.</p><p class="paywall">Though Bill Genove keeps his vtigatn close to the particulars of the Kty Genove se, the qutns raised by the film reach far beyond to society at large—and to the prent day. In “The Wns” other qutns of ongog importance emerge, cludg on relatg to the penal system, relatn to Kty Genove’s killer, Wston Moseley, whom Bill sought to terview. (Moseley is still alive and imprisoned.) Other qutns volve Kty’s life—and, particular, her relatnship wh her roommate at the time of her ath, Mary Ann Zielonko, who was her lover. Bill terviews Zielonko the film, and the story that emerg—along wh acunts of Kty om iends and lleagu—is a movg, novelistic visn of gay life New York at a time when homosexualy was still illegal.</p><p class="paywall">The movie is far om perfect. Its pacg is clumsy, wh too ltle sense of procs, of actn unfoldg the mera’s prence, of terviews velopg dramatilly. The veer toward the sound be and the vio clip substut rmatn for experience, which is all the more unfortunate given that the movie is centered on Bill’s emotnal exertns. The movie don’t e reënactments or generic archival footage to fill screen time, relyg stead on animated drawgs on-screen to sketch actn as scribed; they’re hardly better than reënactments, and they serve the same purpose, to provi visual wallpaper while discsn tak place. I’m cled to ascribe the choic to Solomon’s—as well as to Bill Genove’s—experience.</p><p class="paywall">But far more experienced—and herald—documentarians have never e up wh the masterstroke which the movie culmat. It’s the movie’s sole reënactment, and ’s an spired one. It don’t illtrate actn, <em>is</em> actn; the scene is a drama self, ’s separable om the practil and material circumstanc of s creatn, and ’s filmed a way that reveals the ccial behd-the-scen tails of that creatn. This brief, brilliant, harrowg rtagg is a directorial ventn of analytil brilliance. It’s a sort of forensic <em>rct ad absurdum</em>, a cematic experiment social science. Though the sequence is awkwardly filmed and punively eded, s ia and s effect e through powerfully. It’s a magnificent object lson cema as an art of ias.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layoutasi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-boxprimary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="adslot adslot--rail" data-no-id="3othz"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-unslot nsumer-marketg-unslot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layoutntent"><div class="body bodyle-barrier articlebody"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-unslot nsumer-marketg-unslot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layoutntent"><div class="body bodyntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-bodyfooter"><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layoutntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layoutntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/richard-brody"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-imageimage" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/richard-brody">Richard Brody</a> began wrg for The New Yorker 1999. He wr about movi his blog, <a href=">The Front Row</a>. He is the thor of <a href=">“Everythg Is Cema: The Workg Life of Jean-Luc Godard</a>.”</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layoutntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/documentari" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Documentari</span></a><a href="/tag/kew-garns" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Kew Garns</span></a><a href="/tag/kty-genove" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Kty Genove</span></a><a href="/tag/murrs" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Murrs</span></a></div></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layoutntent"><div data-ttid="NewsletterSubscribeFormWrapper" class="NewsletterSubscribeFormWrapper-fCqqkN jKSBhE newsletter-subscribe-form ContentFooterNewsletterForm-hKeYwa liPqcf"><div data-ttid="NewsletterSubscribeFormHedDekWrapper" class="NewsletterSubscribeFormHedDekWrapper-fpMElW eglIBL"><h3 class="NewsletterSubscribeFormDangeroHed-kRwWjt feDzQf newsletter-subscribe-formhed ContentFooterNewsletterForm-hKeYwa liPqcf">Gogs On</h3><div class="NewsletterSubscribeFormDek-kXonvc grEaES newsletter-subscribe-formk">What we’re watchg, listeng to, and dog this week, onle, N.Y.C., and beyond. Paid subscribers also receive book picks.</div></div><div data-ttid="NewsletterSubscribeFormInputsWrapper" class="NewsletterSubscribeFormInputsWrapper-keARJE hVWbzr"><form class="form-wh-validatn NewsletterSubscribeFormValidatn-iCYa-Dt dweEln" id="newsletter" name="newsletter" novalidate="" method="POST"><span class="TextFieldWrapper-Pzdqp hNhevp text-field" data-ttid="TextFieldWrapperemail"><label class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TextFieldLabel-klrYvg iUEiRd stdEm fvoOvz text-fieldlabel text-fieldlabel--sgle-le" for="newsletter-text-field-email" data-ttid="TextFieldLabelemail"><div class="TextFieldLabelText-cvvxBl eeDYTb">E-mail addrs</div><div class="TextFieldInputContaer-jcMPhb oFrOs"><put type="email" aria-scribedby="privacy-text" aria-valid="false" id="newsletter-text-field-email" required="" name="email" placeholr="E-mail addrs" class="BaseInput-fAzTdK TextFieldControlInput-eFUxkf eGzzTT lglhcT text-fieldntrol text-fieldntrol--put" data-ttid="TextFieldInputemail"/></div></label><button class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv dwpimO button button--utily TextFieldButton-csBrgY edxbrw" data-event-click="{"element":"Button"}" data-ttid="Button" type="subm"><span class="ButtonLabel-cjAuJN hzwRuG button__label">Sign up</span></button></span><div id="privacy-text" tabx="-1" class="NewsletterSubscribeFormDisclaimer-bTVtiV bsgLJZ"><span><p>By signg up, you agree to our <a href=" rel="nofollow noopener noreferrer" target="_blank">User Agreement</a> and <a href=" rel="nofollow noopener noreferrer" target="_blank">Privacy Policy & Cookie Statement</a>. 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class="GridItem-buujkM kHPPIF grid--em"><div class="SummaryCollectnGridContent-eVUpRm jTGbEO"><div class="SectnTleRoot-dBGvdq hpRFVl SummaryCollectnGridSectnTle-fCmYwG izjbVn" data-ttid="SectnTle"><hear class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SectnTleHed-dKqZet dxqEAa jfOfxc jttyjJ">Read More</hear></div><div class="SummaryCollectnGridItems-DZShR jBCYOL hi-read-more-ad" data-ttid="SummaryCollectnGridItems"><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--evio summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-emasset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-emimage-lk summary-em-trackgimage-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-emimage"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ktcjQn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-emimage rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 720w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 480w" siz="100vw"/><img alt="“Unfished Bs”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-imageimage" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-emntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN ijFbb summary-embric summary-emseri-lk"><a class="RubricLk-gRWSOU fgWnkQ briclk" href="/vio/seri/ont-row"><span class="RubricName-fVtemz cLxcNi">The Front Row</span></a></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackghed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-emhed" data-ttid="SummaryItemHed">“Unfished Bs”</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-emk">Richard Brody on Gregory La Cava’s “Unfished Bs,” om 1941.</div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-emasset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-emimage-lk summary-em-trackg__image-lk" href="/magaze/2014/03/10/a-ll-for-help" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-emimage"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ktcjQn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-emimage rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="A Call for Help" class="RponsiveImageContaer-eybHBd fptoWY rponsive-imageimage" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-emntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-embric"><span class="RubricName-fVtemz cLxcNi">Books</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackghed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href="/magaze/2014/03/10/a-ll-for-help" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-emhed" data-ttid="SummaryItemHed">A Call for Help</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-emk">What the Kty Genove story really means.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-embyle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-embyle"><div class="summary-embylentent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle bylbyle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU bylename"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss bylepreamble">By </span>Nicholas Lemann</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-emasset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-emimage-lk summary-em-trackgimage-lk" href="/culture/richard-brody/the-walk-falls-short-of-artistry" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-emimage"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ktcjQn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-emimage rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="“The Walk” Falls Short of Artistry" class="RponsiveImageContaer-eybHBd fptoWY rponsive-imageimage" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-emntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-embric"><span class="RubricName-fVtemz cLxcNi">Richard Brody</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackghed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href="/culture/richard-brody/the-walk-falls-short-of-artistry" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-emhed" data-ttid="SummaryItemHed">“The Walk” Falls Short of Artistry</div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-embyle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-embyle"><div class="summary-embylentent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle bylbyle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU bylename"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss bylepreamble">By </span>Richard 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BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/nicholas-lemann">Nicholas Lemann</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2014-03-02T23:00:00-05:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">March 2, 2014</time></div></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this 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kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO KhjZz AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image rponsive-image--expandable"><noscript><img alt="A. M. Rosenthal believed that apathetic bystanrs not jt Wston Moseley were to blame for Genov ath." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE iTuhkZ ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">A. M. Rosenthal (far right) believed that apathetic bystanrs, not jt Wston Moseley, were to blame for Genove’s ath.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photography om (left to right): New York Tim / Rx; Corbis; AP</span></div></figure></div><p class="has-dropp has-dropp__lead-standard-headg">Pluckg a few events out of the vastns of the world and clarg them to be the news of the day is a myster and plited project. Sometim what’s news is arguable—the outbreak of war, a head-of-state transn, natural lamy—but very often falls to the tegory of the ronant cint. It isn’t a turn the urse of history, but strik edors as illtrative of somethg important. Take crime. If crim don’t volve anyone powerful or well known, they generally aren’t nsired news. But a few such crim do bee news, big news, and hold the public’s imagatn a tight, endurg grip.</p><p class="paywall">An excellent example is the murr of Kty Genove, a twenty-eight-year-old bar manager, by Wston Moseley, a twenty-ne-year-old puter punch-rd operator, jt after three the morng on Friday, March 13, 1964, Kew Garns, Queens. The fact that this crime, one of six hundred and thirty-six murrs New York Cy that year, beme an Amerin obssn—nmned by mayors and Prints, puzzled over by amics and theologians, studied hman psychology urs, re-created dozens of rearch experiments, even ed four s later to jtify the Iraq war—n be attributed to the fluence of one man, A. M. Rosenthal, of the New York <em>Tim</em>.</p><p class="paywall">In 1964, Rosenthal was forty-one years old and relatively new on the job as the newspaper’s metropolan edor, an important step his ascent to a seventeen-year reign over the <em>Tim</em>’ newsroom. Ten days after Genove was killed, he went downtown to have lunch wh New York Cy’s police missner, Michael Murphy. Murphy spent most of the lunch talkg about how worried he was that the civil-rights movement, which was at s peak, would set off racial vlence New York, but toward the end Rosenthal asked him about a cur se, then beg vered the tabloids, which two men had nfsed to the same murr. He learned that one of the petg nfsors, Wston Moseley, had fely murred a woman Kew Garns, Kty Genove. That killg had been reported at the time, cludg a four-paragraph squib buried ep wh the <em>Tim</em>, but Murphy said that what had stck him about was not the crime self but the behavr of thirty-eight eyewns. Over a grisly half hour of stabbg and screamg, Murphy said, none of them had lled the police. Rosenthal assigned a reporter named Mart Gansberg to pursue the story om that angle. On March 27th, the <em>Tim</em> ran a ont-page story unr a four-lumn headle:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><le-embed name="align-center" attrs="[object Object]" childTyp="" ntentType="llout:align-center"><p>37 WHO SAW MURDER DIDN’T CALL THE POLICE</p></le-embed><le-embed name="align-center" attrs="[object Object]" childTyp="" ntentType="llout:align-center"><p>Apathy at Stabbg of Queens Woman Shocks Inspector</p></le-embed></div></blockquote><p class="paywall">The followg day, the <em>Tim</em> ran a reactn story which a procsn of experts offered explanatns of what had happened, or said that was explible. From then on, the story—as they wouldn’t have said 1964—went viral.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">It’s evince of a kd of edorial geni that Rosenthal, by playg the story the way that he did, was able to get such a reactn. The tabloids had treated simply as a sensatnal tale of urban vlence. The <em>Tim</em> ma sure that s apathetic-wns angle would land by promently displayg the story on s ont page. The murr now stood for a profoundly disturbg soclogil trend. The key le Gansberg’s story me om one of the wns (none of whom were named), who said, “I didn’t want to get volved.”</p><p class="paywall">Some of the fascatn that racialized, sexualized vlence attracts surely bbed off on the story— beme clear om photographs and om other outlets that Genove was whe and attractive and that Moseley, a repeat rapist, was black—but the gist of the piece lent self perfectly to Sunday sermons about a malaise enpassg all of . It was a way of procsg anxieti about the anonymy of urban life, about the breakdown of the rtrictive but reassurg social nventns of the fifti, and, ls directly, about racial unrt, the Kennedy assassatn, and even the Holot, which was only begng to be wily discsed, and which seemed to reprent on a grand sle the phenomenon that one expert on the Genove se lls Bad Samaranism.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">The <em>Tim</em>’ versn of the Genove story reprents a versn of realy that was mold to nform to a theory. The March 27th story began “For more than half an hour 38 rpectable, law-abidg cizens Queens watched a killer stalk and stab a woman three separate attacks Kew Garns. . . . Not one person telephoned the police durg the asslt; one wns lled after the woman was ad.” Later that year, Rosenthal published a very short stant book, the only book he ever wrote on his own, lled “Thirty-eight Wns: The Kty Genove Case,” which ed portento, outraged language to enshre the apathy narrative. (He urged rears “to regnize that the bell tolls even on each man’s dividual island, to regnize that every man mt fear the wns himself who whispers to close the wdow.”) By the eighti, a wily ed llege psychology textbook drew this scenar om the <em>Tim</em> acunt: “What is tertg about this event is that no fewer than 38 of her neighbors me to their wdows at 3:00 <em class="small">AM</em> rponse to her screams of terror—and remaed at their wdows fascatn for the 30 mut took her assailant to plete his grisly ed, durg which time he returned for three separate attacks.”</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoon__image rponsive-image"><noscript><img alt="“We Tny. The cell receptn was fantastic and the WiFi was to die for.”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></a><div class="CaptnWrapper-jSZdqE gdZTpI ptn RponsiveCartoonCaptn-dokfdF hJgaLQ rponsive-rtoon__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo bsWloa ptn__text">“We Tny. The cell receptn was fantastic and the Wi-Fi was to die for.”</span></div><div class="RponsiveCartoonCTA-eiqqMB iDCQRs"><div class="RponsiveCartoonCTAWrapper-CYIqa iTbFtf"><div class="RponsiveCartoonLkButtonWrapper-hqDAJK eSEhbj"><button aria-label="Copy lk to rtoon" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Copy lk to rtoon</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-pylk" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Copy lk to rtoon</tle><g clip-path="url(#clip0_3732_178637)"><path fill-le="evenodd" clip-le="evenodd" d="M16.3488 10.5017C16.2107 10.7357 16.2926 11.035 16.5318 11.17C16.7709 11.3052 17.0767 11.225 17.2148 10.991L18.4648 8.87225C19.5694 7.00002 18.9139 4.60601 17.0007 3.52508C15.0875 2.44415 12.6412 3.08562 11.5366 4.95785L9.53657 8.34782C8.432 10.22 9.08751 12.6141 11.0007 13.6949C11.1888 13.8012 11.382 13.8908 11.5785 13.9642C11.7819 14.0403 12.0058 13.9485 12.1147 13.764C12.2794 13.4849 12.1103 13.1276 11.8083 12.9992C11.7041 12.9549 11.6014 12.9044 11.5007 12.8475C10.0658 12.0368 9.57417 10.2413 10.4026 8.83712L12.4026 5.44715C13.2311 4.04298 15.0658 3.56187 16.5007 4.37257C17.9356 5.18327 18.4272 6.97878 17.5988 8.38295L16.3488 10.5017ZM7.6526 13.4983C7.79067 13.2643 7.70873 12.965 7.46959 12.8299C7.23044 12.6948 6.92464 12.775 6.78657 13.009L5.53657 15.1278C4.432 17 5.0875 19.394 7.00068 20.475C8.91385 21.5558 11.3602 20.9144 12.4648 19.0422L14.4648 15.6521C15.5694 13.78 14.9139 11.3859 13.0007 10.305C12.8127 10.1988 12.6195 10.1091 12.4229 10.0357C12.2195 9.95975 11.9956 10.0515 11.8867 10.236C11.7221 10.5151 11.8911 10.8724 12.1932 11.0008C12.2973 11.0451 12.4 11.0956 12.5007 11.1525C13.9356 11.9632 14.4272 13.7587 13.5988 15.1628L11.5988 18.5529C10.7704 19.957 8.93555 20.4382 7.50068 19.6274C6.0658 18.8167 5.57417 17.0212 6.4026 15.6171L7.6526 13.4983Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178637"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178637"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button><div class="AlertWrapper-gvFATk MdjE RponsiveCartoonLkAlertPopup-BPAXn kdMXRM shoppg-alert" role="dialog"><div aria-hidn="te" role="prentatn" class="AlertArrow-daOgye AlLda alert-arrow"></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ AlertMsage-jgAjgo bVCFRm ifgabc iOlxjf alert-msage"><p aria-hidn="te">Lk pied</p></div></div></div><button aria-label="Shop" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Shop</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-rt" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Shop</tle><g clip-path="url(#clip0_3732_178638)"><path fill-le="evenodd" clip-le="evenodd" d="M4 3H2V4H4.23828L6.99617 15.2631C7.11483 15.6982 7.50998 16 7.96094 16H18.0365C18.4875 16 18.8826 15.6982 19.0013 15.2631L20.9648 7.26312C21.1383 6.62698 20.6594 6 20 6H10V7H20L18.0365 15H7.96094L5.03652 3H4.58055H4ZM10.0365 19C10.0365 19.5523 9.58881 20 9.03652 20C8.48424 20 8.03652 19.5523 8.03652 19C8.03652 18.4477 8.48424 18 9.03652 18C9.58881 18 10.0365 18.4477 10.0365 19ZM11.0365 19C11.0365 20.1046 10.1411 21 9.03652 21C7.93195 21 7.03652 20.1046 7.03652 19C7.03652 17.8954 7.93195 17 9.03652 17C10.1411 17 11.0365 17.8954 11.0365 19ZM18.0365 19C18.0365 19.5523 17.5888 20 17.0365 20C16.4842 20 16.0365 19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">It’s now clear that this versn of events is wrong, thanks to a number of Genove revisnists who have emerged over the years. They clu Jim Rasenberger, a journalist who has wrten a uple of fluential articl about the se, notably one the <em>Tim</em>, 2004; and Rachel Manng, Mark Leve, and Alan Colls, the thors of a 2007 article <em>Amerin Psychologist</em> (which quot om, and bunks, the textbook renrg). The sential facts are the. Wston Moseley had been out his r, lookg for a victim, when he me across Genove drivg home om work. He followed her. She parked at the Kew Garns tra statn, adjacent to her apartment. Moseley parked, too, and attacked her wh a huntg knife. She screamed, and a man named Robert Mozer opened his wdow and shouted, “Leave that girl alone!” Moseley ran away. Genove, wound but not mortally, staggered to the back of her apartment buildg and went si a vtibule. Moseley returned, found her, and attacked aga, stabbg her and assltg her sexually. He fled aga before she died.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">The <em>Tim</em> story was accurate a number of signifint ways. There were two attacks, not three. Only a handful of people saw the first clearly and only one saw the send, bee took place doors, wh the vtibule. The reason there were two attacks was that Robert Mozer, far om beg a “silent wns,” yelled at Moseley when he heard Genove’s screams and drove him away. Two people lled the police. When the ambulance arrived at the scene—precisely bee neighbors had lled for help—Genove, still alive, lay the arms of a neighbor named Sophia Farrar, who had urageoly left her apartment to go to the crime scene, even though she had no way of knowg that the murrer had fled.</p><p class="paywall">The one disputable villa the Genove se, other than Moseley, was Joseph Fk, who worked the apartment buildg across the street om where Genove lived. He saw the first attack, did nothg, and, after Moseley had fled, took a nap the basement, rather than gog outsi to help Genove. A more ambiguo figure was Karl Ross, a iend and neighbor of Genove’s, who was dnk that night. He heard the first attack and did nothg. The send attack occurred the vtibule outsi his apartment door. He opened the door a crack, saw Moseley plungg a knife to Genove, and closed the door, terrified. He ma a uple of phone lls, the first to a iend on Long Island, who advised him to do nothg, the send to a neighbor the buildg, who told him to e over. Ross crawled out of his wdow, across the roof, and to a neighbor’s apartment, and eventually lled the police. It may or may not be relevant that Ross was thought to be gay, at a time when gay New Yorkers had a lot to fear, both om attackers on the street and om the police. Three months before the murr, Rosenthal had assigned a five-thoand-word story that ran on the <em>Tim</em>’ ont page unr the headle “<em class="small">GROWTH OF OVERT HOMOSEXUALITY IN CITY PROVOKES WIDE CONCERN.</em>” The fact that Kty Genove herself was gay evintly ped his notice.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Wston Moseley certaly led a highly partmentalized life. He was steadily employed, a married man wh two children, and he owned a sgle-fay hoe South Ozone Park, Queens. He also routely broke to people’s ho and stole televisn sets, which is what led to his apprehensn for Genove’s murr, five days later. Somebody who saw him leavg a hoe wh a TV lled the police, and the urse of beg qutned Moseley nfsed to a number of gomely sexualized murrs of young women, cludg Genove’s; another murr he had mted; and one that he hadn’t mted. (The last created the double-nfsn story that Rosenthal had asked the police missner about.) At Moseley’s trial, a few months later, bee of the pervasivens of the apathy narrative, the prosecutn cid not to ll Joseph Fk or Karl Ross as wns, even though they uld have offered the most direct acunts of the murr. Still, Moseley had nfsed to the murr; the trial was about whether he should be found not guilty by reason of sany. The jury nvicted him. Today, at seventy-ne, Moseley is the longt-servg mate the New York prison system.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="7vqjbd"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="ftsqrd"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">Asi om the guilty reflectns spired, the Genove se had some tangible nsequenc. It helped the ph to tablish 911 as an easy-to-remember natnal police emergency number; 1964, the most reliable way to ll the police New York was to e the specific telephone number of each precct, and ller rponse wasn’t always a high prry. Two psychologists, Bibb Latané and John Darley, created a new realm of rearch to what me to be lled the bystanr effect, the ma fdg of which is that your likelihood of terveng a Genove-like cint creas if you believe that there are very few other bystanrs. The effect has stood up through repeated experiments. In 1977, Wston Moseley, engaged a perdic attempt to be granted parole, had the chutzpah to argue a <em>Tim</em> Op-Ed piece that his mised had wound up makg the world a better place: “The crime was tragic, but did serve society, urgg as did to e to the aid of s members distrs or danger.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">The fiftieth anniversary of the Genove murr has generated two full-length books about the se: “Kty Genove: The Murr, the Bystanrs, the Crime That Changed Ameri,” by Kev Cook (Norton), and “Kty Genove: A Te Acunt of a Public Murr and Its Private Consequenc,” by Cathere Pelonero (Skyhorse). Both thors have terviewed everyone there is to terview and reviewed the public rerds about the se, but so much attentn has preced their efforts that they wd up workg om nearly intil sets of facts, and sometim feels as if they were strag to stretch their acunts to book length. Both have cid to wre the te-crime style, which entails ocsnally tellg what people may have thought or felt, or prentg as quoted dialogue unrerd private scen om long ago—an unfortunate cisn, given how much the story turns on the tstworths of journalism.</p><p class="paywall">Cook is the more apt storyteller of the two. His peppy, knowg style lls to md pop-culture products om the time of the murr, like the magaze <em>Argosy</em> or the televisn crime drama “Naked Cy.” And he is firmly, and persuasively, the revisnist mp. He says that Moseley’s prosecutors nclud that there were only five or six wns who uld plsibly ttify at the trial. Pelonero is an anti-revisnist, who prents herself as a fenr of the sullied reputatn of Mart Gansberg, the <em>Tim</em> reporter on the story, and as someone who sists that the unpleasant tth about Genove’s neighbors’ behavr not be dodged. Her unt of te wns, gleaned om police rerds, is thirty-three. (Acrdg to Cook, the prosecutors who terviewed potential wns found that most didn’t grasp what had been gog on.) “Historil revisnism of the Kty Genove story was unrway, and the betiful twilight of falsehood did ed enhance to somethg far ls bldg than the burng glare of the tth,” Pelonero wr, wh more passn than clear meang.</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoon__image rponsive-image"><noscript><img alt="“Larry and I ved you here tonight to take our foc off each other.”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></a><div class="CaptnWrapper-jSZdqE gdZTpI ptn RponsiveCartoonCaptn-dokfdF hJgaLQ rponsive-rtoon__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo bsWloa ptn__text">“Larry and I ved you here tonight to take our foc off each other.”</span></div><div class="RponsiveCartoonCTA-eiqqMB iDCQRs"><div class="RponsiveCartoonCTAWrapper-CYIqa iTbFtf"><div class="RponsiveCartoonLkButtonWrapper-hqDAJK eSEhbj"><button aria-label="Copy lk to rtoon" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg 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alert-arrow"></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ AlertMsage-jgAjgo bVCFRm ifgabc iOlxjf alert-msage"><p aria-hidn="te">Lk pied</p></div></div></div><button aria-label="Shop" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Shop</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-rt" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Shop</tle><g clip-path="url(#clip0_3732_178638)"><path fill-le="evenodd" clip-le="evenodd" d="M4 3H2V4H4.23828L6.99617 15.2631C7.11483 15.6982 7.50998 16 7.96094 16H18.0365C18.4875 16 18.8826 15.6982 19.0013 15.2631L20.9648 7.26312C21.1383 6.62698 20.6594 6 20 6H10V7H20L18.0365 15H7.96094L5.03652 3H4.58055H4ZM10.0365 19C10.0365 19.5523 9.58881 20 9.03652 20C8.48424 20 8.03652 19.5523 8.03652 19C8.03652 18.4477 8.48424 18 9.03652 18C9.58881 18 10.0365 18.4477 10.0365 19ZM11.0365 19C11.0365 20.1046 10.1411 21 9.03652 21C7.93195 21 7.03652 20.1046 7.03652 19C7.03652 17.8954 7.93195 17 9.03652 17C10.1411 17 11.0365 17.8954 11.0365 19ZM18.0365 19C18.0365 19.5523 17.5888 20 17.0365 20C16.4842 20 16.0365 19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">The Kty Genove who emerg om the books was an appealgly pennt woman who had grown up a large middle-class Italian-Amerin Catholic fay Brooklyn but cid not to follow when everyone else left the cy for New Canaan, Connecticut. A brief marriage her teens was annulled; she was once arrted for beg a mor participant a bookmakg operatn (the most faiar photograph of her is a mug shot); and, for a year before her murr, she had been a happy relatnship wh a woman named Mary Ann Zielonko, who shared her apartment Kew Garns and who also worked a bar Queens.</p><p class="paywall">Wston Moseley is a tly chillg character, bee of his abily to be utterly lm and functnal most of the time, even when scribg to officials the horrifilly vlent acts he had performed on female strangers. In 1968, he jammed a t n to his rectum so tightly that he had to be sent to a hospal. He ped and, rather than meltg to the landspe, quickly mted two more rap. After he was ught and returned to Atti, he beme a mol prisoner aga.</p><p class="paywall">The third ma character the drama is Abe Rosenthal. He appears only termtently the two books about the se, but no matter; he told his own story. In 1999, he wrote a new troductn for a paperback edn of his “Thirty-eight Wns,” timed to the thirty-fifth anniversary of the murr; and 2008 Melville Hoe republished the package, wh an troductn by Samuel Freedman, as part of a seri lled Classic Journalism.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Back 1927, “The Rise of Amerin Civilizatn,” Charl and Mary Beard wrote about how the New York <em>World</em>, s heyday unr Joseph Pulzer, beme Ameri’s first mass-circulatn newspaper: “It exploed to the utmost lim the tragedy and edy of ntemporary life, all s ponent elements of sex, society, crime, perversn, love, romance, and emotn generally.” Although the <em>Tim</em> was always far more rpectable than the <em>World</em>, that passage ports wh Rosenthal’s scriptn of how he approached the Genove story: “News is not philosophy or theology but what certa human begs, reporters and edors, know will have meang and tert to other human begs, rears.” He scrib procsg the police missner’s remark about the thirty-eight silent wns as “vir shock . . . the realizatn that what you are seeg or hearg will startle a rear.”</p><p class="paywall">It was obvly disgenuo for Rosenthal to suggt that he had no personal reactn to the Genove murr—that he was merely makg a clil profsnal judgment about what would engage rears. His book, like most of his wrg, is wildly emotnal. The ia of the silent wns touched him some ep, primal way: “there is the tale of Cathere Genove a revelatn about the human ndn so appallg to ntemplate that only good n e om forcg onelf to nont the tth.” What’s more, “there mt be some nnectn between the story of the wns silent the face of greater crim—the gradatn of a race, children hungerg.” Rosenthal’s nvictns about the crime were so powerful that he was imperv to the tails of what actually happened. His summary of the se appropriated the high drama of the <em>Tim</em> piece, assertg “the chokg fact that thirty-eight of her neighbors had seen her stabbed or heard her cri, and that not one of them, durg that hio half-hour, had lifted the telephone the safety of his own apartment to ll the police and try to save her life.” By 1999, had bee clear that the origal story might have been overstated, but his new troductn Rosenthal was even ls rtraed: “Neighbors heard her scream her last half hour away and did nothg, nothg at all, to give her sucr or even cry alarm.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p class="paywall">In 2004, at a fortieth-anniversary nference about the se that was held at Fordham, Rosenthal ma an appearance, and announced om the lectern that his sister Bs had died many years earlier after an cint that, to his md, had been Genove-like. (Rosenthal, who grew up the Bronx, had a spectacularly horrible childhood; his father and four of his five olr sisters died young, and he was ually on ctch, bee of a bone disease.) Bs had been walkg home when a flasher exposed himself to her; terrified, she ran all the way home. Then she ught a bad ld, and never revered. To Rosenthal, the cint and the fatal illns were one. “A sexual pervert jumped out of the bh and exposed himself to her,” Rosenthal said. “I still miss our darlg Bs, and feel Bs was murred by this crimal who took her life away, no ls than the monster who killed Kty Genove.”</p><p class="paywall">That seemed to expla a lot about Rosenthal’s handlg of the Genove story, though his own wrg mak clear that he was profoundly disturbed by jt about every way which New York was changg the sixti. Kev Cook treats Rosenthal’s 2004 disclosure at Fordham as a Rosebud moment his narrative, to be saved almost until the end for maximum effect. Pelonero, the fenr of the origal <em>Tim</em> story, choos not to mentn .</p><p class="paywall">When to asssg the media, ’s hard to get riled about prs-generated hysteria over substantial matters like Jt Bieber’s legal troubl or Mayor Blas’s r nng stop signs (unls, perhaps, you’re directly on the receivg end of ). Stori like that of the silent wns to Kty Genove’s murr reprent the real danger zone journalism, bee they blend the power of stct—which is about whether somethg <em>feels</em> te, not about whether is te—wh the rpectable sheen of social science. In his book, Rosenthal groed, “I did not feel, nor do I now, that the soclogists and psychiatrists who mented ntributed anythg substantial to anybody’s unrstandg of what happened that night on At Street.” But, if he hadn’t assigned a send-day story nsistg of quot om such people, his versn of the Genove murr would not have taken the shape that did. The experts transformed a crime to a crisis.</p><p class="paywall">The manufacturg of the thirty-eight-wns myth had generally benign social effects. Yet there are many exampl which tennt public renrgs of vlence have set off more, and worse, vlence. (Many of the lynchgs the South durg the Jim Crow era were unrtaken to avenge a crime that the mob, nfirmed s rage by the lol prs, felt certa had taken place.) The real Kty Genove syndrome has to do wh our sceptibily to narrativ that echo our prenceptns and anxieti. So the lson of the story isn’t that journalists should tst their gut, the way Abe Rosenthal did. Better to e your head. ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="x39i"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><footer class="ContentFooterMagazeDisclaimer-gzKAqo iZIuUU" data-ttid="MagazeDisclaimerWrapper">Published the prt edn of the <a href="/magaze/2014/03/10" data-reactroot="">March 10, 2014</a>, issue.</footer></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/nicholas-lemann">Nicholas Lemann</a> is a staff wrer at The New Yorker and a profsor at Columbia Universy’s Graduate School of Journalism. His most recent book is “<a href=">Transactn Man: The Rise of the Deal and the Decle of the Amerin Dream</a>.”</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/books" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Books</span></a><a href="/tag/crim" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Crim</span></a><a href="/tag/kty-genove" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Kty Genove</span></a><a href="/tag/murrs" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Murrs</span></a></div></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="NewsletterSubscribeFormWrapper" class="NewsletterSubscribeFormWrapper-fCqqkN jKSBhE newsletter-subscribe-form ContentFooterNewsletterForm-hKeYwa liPqcf"><div data-ttid="NewsletterSubscribeFormHedDekWrapper" class="NewsletterSubscribeFormHedDekWrapper-fpMElW eglIBL"><h3 class="NewsletterSubscribeFormDangeroHed-kRwWjt feDzQf newsletter-subscribe-form__hed ContentFooterNewsletterForm-hKeYwa liPqcf">Books & Fictn</h3><div class="NewsletterSubscribeFormDek-kXonvc grEaES newsletter-subscribe-form__k">Short stori and poems, pl thor terviews, profil, and tal om the world of lerature.</div></div><div data-ttid="NewsletterSubscribeFormInputsWrapper" class="NewsletterSubscribeFormInputsWrapper-keARJE hVWbzr"><form class="form-wh-validatn NewsletterSubscribeFormValidatn-iCYa-Dt dweEln" id="newsletter" name="newsletter" novalidate="" method="POST"><span class="TextFieldWrapper-Pzdqp hNhevp text-field" data-ttid="TextFieldWrapper__email"><label class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TextFieldLabel-klrYvg iUEiRd stdEm fvoOvz text-field__label text-field__label--sgle-le" for="newsletter-text-field-email" data-ttid="TextFieldLabel__email"><div class="TextFieldLabelText-cvvxBl eeDYTb">E-mail addrs</div><div class="TextFieldInputContaer-jcMPhb oFrOs"><put type="email" aria-scribedby="privacy-text" aria-valid="false" id="newsletter-text-field-email" required="" name="email" placeholr="E-mail addrs" class="BaseInput-fAzTdK TextFieldControlInput-eFUxkf eGzzTT lglhcT text-field__ntrol text-field__ntrol--put" data-ttid="TextFieldInput__email"/></div></label><button class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv dwpimO button button--utily TextFieldButton-csBrgY edxbrw" data-event-click="{"element":"Button"}" data-ttid="Button" type="subm"><span class="ButtonLabel-cjAuJN hzwRuG button__label">Sign up</span></button></span><div id="privacy-text" tabx="-1" class="NewsletterSubscribeFormDisclaimer-bTVtiV bsgLJZ"><span><p>By signg up, you agree to our <a href=" rel="nofollow noopener noreferrer" target="_blank">User Agreement</a> and <a href=" rel="nofollow noopener noreferrer" target="_blank">Privacy Policy & Cookie Statement</a>. 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All the years later, why has the se bee a e?</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Nathan Heller</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center 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class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Annals of Crime</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">The Chameleon</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">The many liv of Frédéric Bourd.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div 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