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data-activy-map="social-share-lks-article-top" data-ttid="social-share-menu"><li data-ttid="social-share-facebook" class="styl_em__b5A78 styl_facebook__bOW_X"><a href=" target="_blank" rel="noopener noreferrer" class="styl_lk__RsJVU"><span class="in in-share-facebook"></span></a></li><li data-ttid="social-share-twter" class="styl_em__b5A78 styl_twter__ww7sF"><a href=" target="_blank" rel="noopener noreferrer" class="styl_lk__RsJVU"><span class="in in-twter"></span></a></li><li data-ttid="social-share-ptert" class="styl_em__b5A78 styl_ptert__CaMm1"><a href=" target="_blank" rel="noopener noreferrer" class="styl_lk__RsJVU"><span class="in in-share-ptert"></span></a></li><li data-ttid="social-share-email" class="styl_em__b5A78"><a href="mailto:?subject=What do mean to be Black and queer Ameri today?& target="_blank" rel="noopener noreferrer" class="styl_lk__RsJVU"><span class="in in-share-email"></span></a></li><li data-ttid="social-share-py" class="styl_em__b5A78 styl_py__RACZ3"><button type="button" class="styl_button__b3sx_"><span class="in in-lk"></span></button><div class="styl_pyTooltip__Ut_t1"><span class="in in-alt-check"></span></div></li><li data-ttid="social-share-sms" class="styl_em__b5A78 styl_sms__Vohh6"><a href="sms:?&body=What do mean to be Black and queer Ameri today? via nbews - target="_blank" rel="noopener noreferrer" class="styl_lk__RsJVU"><span class="in in-sms"></span></a></li><li data-ttid="social-share-prt" class="styl_prt__cw6Gn"><button type="button" class="styl_button__b3sx_"><span class="in in-share-prt styl_in__P3XZT"></span><span class="styl_text___8iNX">Prt</span></button></li><li data-ttid="social-share-save" class="styl_save__ILVuj"></li></ul></div><div class="article-body__date-source"><time class="relative z-1" dateTime="2020-06-19T12:40:00.000Z" ntent="2020-06-19T12:40:00.000Z">June 19, 2020, 12:40 PM UTC</time></div><div class="article-le-byle" data-activy-map="le-byle-article-top">By <span class="byle-name"><a href=">Tim Fzsimons</a></span></div></sectn><div class="article-body__ntent article-body-font--loadg"><p class="">June marks LGBTQ Pri Month, and this year — as anti-racism protts sweep the untry — the foc of the annual time of queer celebratn and reflectn has been on the relatnship between the fight for LGBTQ equaly and the stggle for racial jtice.</p><p class="">To explore this nnectn, NBC Out and NBC News NOW hosted a special report Thursday tled "Pri and Prott," durg which advot and lears at the tersectn of the Black and queer muni discsed issu om the work of historic gay and trans ins like Bayard Rt and Marsha P. Johnson to prent-day anti-transgenr vlence.</p><div class="ad ad--text-alignment ad-ntaer boxleAd dn-prt"><div data-mps="te" data-slot="boxle" data-siz="[[[1000,1],[]],[[758,1],[[300,250],[700,50],[5,5],[728,90],[360,360]]],[[0,0],[[300,250],[700,50],[5,5],[360,360]]]]" data-renr-on-view="te" data-targetg="{}" data-active-tab="te" data-offset-viewport="100"></div></div><div id="taboolaReadMoreBelow"></div><p class="">MSNBC anchor Joshua Johnson morated the special report, whose guts clud "Pose" stars Angeli Ross and Domique Jackson, Pennsylvania state Rep. Mallm Kenyatta, Mneapolis Cy Council member Andrea Jenks, <a href=" target="_blank">Tagg Magaze</a> Edor--Chief Eboné Bell, Human Rights Campaign Print Alphonso David, journalist Tre'vell Anrson and activists Tiq Milan, Ianne Fields Stewart and Ashlee Marie Prton.</p><h2 class=""><strong>Mergg and broang the movements</strong></h2><p class="">Reflectg upon <a href=">the "mergg" of the LGBTQ movement wh the anti-racism protts sweepg the untry</a>, David said, "Te liberatn is the goal, not only for LGBTQ people, but for Black people and all people of lor this untry."</p><p class="">Kenyatta, a Democrat who reprents North Philalphia, said prott movements Pennsylvania have been cril to efforts to ph for change the polil arena.</p><div class="pullquote pullquote--small"><p class="pullquote__quote">"We create a hierarchy of inty our var circl, and some s ... if you're a queer person, you have to leave your sexual orientatn or genr inty at the door if you want to foc on your race or vice versa; we need to create an environment where you don't have to choose."</p><p class="pullquote__attributn"><ce class="pullquote__ce">Alphonso David, Human Rights Campaign</ce><span class="pullquote__quip"></span></p></div><p class="">"Bee of folks who, for 19 days now Pennsylvania, have been out every sgle day mandg that we dispt the systems that have treated folks who are Black and brown, who are LGBTQ, who exist on the margs absolutely horribly ... we know that we need big change," he said.</p><div class="ad ad--text-alignment ad-ntaer boxleAd dn-prt"><div data-mps="te" data-slot="boxle" data-siz="[[[1000,1],[]],[[758,1],[[300,250],[700,50],[5,5],[728,90],[360,360]]],[[0,0],[[300,250],[700,50],[5,5],[360,360]]]]" data-renr-on-view="te" data-targetg="{}" data-active-tab="te" data-offset-viewport="100"></div></div><p class="">After <a href=" target="_blank">a recent prott Brooklyn, New York, drew an enormo crowd</a> and highlighted the growg tersectns between the movements for Black liv and LGBTQ rights, panelists discsed the need to make both movements more clive of each other.</p><p class="">"We create a hierarchy of inty our var circl, and some s ... if you're a queer person, you have to leave your sexual orientatn or genr inty at the door if you want to foc on your race or vice versa; we need to create an environment where you don't have to choose," David said. "We need, as a society, to regnize inty and not assign value on certa inti and value others."</p><p class="">David and Johnson, the morator, referenced as an example the se of Rt, the <a href=">Black gay civil rights in </a>who anized the March on Washgton 1963 but was <a href=" target="_blank">shunned by some fellow civil rights lears due to his sexual orientatn</a>.</p><div><sectn class="related related--sgle dn-prt" data-activy-map="related-article-body-related" aria-label="Related ntent"><h3 class="related__tle">Related</h3><div id="related" class="related__ems"><div class="related-em related-em__sgle"><div class="related-em__thumbnail-wrapper"><a href=" data-icid="related" class="related-em__lk related-em__picture-lk"><picture class="related-em__thumbnail__image"><source media="(m-width: 1240px)" srcSet=" 2x, 1x"/><source media="(m-width: 758px)" srcSet=" 2x, 1x"/><source srcSet=" 2x, 1x"/><img loadg="lazy" src=" alt="" height="60" width="60"/></picture></a><span class="related-em__eyebrow"><a class="related-em__label" href="><span>NBC Out</span></a><a href=" data-icid="related"></a></span></div><div class="related-em__-wrapper"><h3 class="related-em__tle"><a class="" href="><span class="related-em__eyebrow">NBC Out</span></a><a href=" data-icid="related" class="related-em__lk">16 queer black pneers who ma history</a></h3></div></div></div></sectn></div><p class="">That means no tersectg inty ncels out or outweighs any other, Bell said.</p><div class="ad ad--text-alignment ad-ntaer boxleAd dn-prt"><div data-mps="te" data-slot="boxle" data-siz="[[[1000,1],[]],[[758,1],[[300,250],[700,50],[5,5],[728,90],[360,360]]],[[0,0],[[300,250],[700,50],[5,5],[360,360]]]]" data-renr-on-view="te" data-targetg="{}" data-active-tab="te" data-offset-viewport="100"></div></div><p class="">"We need spac where we n relate to people," Bell said. "That's what Black pri do for Black queer people."</p><p class="">Jackson said one way she tri to be more clive is by referrg to the muny g the broar LGBTQIA+ muny — referrg to queer, tersex and asexual.</p><p class="">"Takg the time to jt say the QIA+ will give those people who don't intify unr the L, G, B or the T to feel clud," Jackson said.</p><div class="pullquote pullquote--small"><p class="pullquote__quote">"Black transns has existed for far longer than we have had language for ."</p><p class="pullquote__attributn"><ce class="pullquote__ce">Ianne Fields Stewart</ce><span class="pullquote__quip"></span></p></div><p class="">Bell agreed: "It's time to brg our other brothers and sisters and siblgs and be clive, bee we n't ask for the same thg and leave out a whole other sectn of our muny."</p><div class="ad ad--text-alignment ad-ntaer boxleAd dn-prt"><div data-mps="te" data-slot="boxle" data-siz="[[[1000,1],[]],[[758,1],[[300,250],[700,50],[5,5],[728,90],[360,360]]],[[0,0],[[300,250],[700,50],[5,5],[360,360]]]]" data-renr-on-view="te" data-targetg="{}" data-active-tab="te" data-offset-viewport="100"></div></div><p class="">Fields Stewart said that language, or the lack of , n work to obscure the ntours of the Black LGBTQ experience.</p><p class="">"Black transns has existed for far longer than we have had language for ," Fields Stewart said.</p><p class="">"There's always that person, that ntie, that uncle, that someone ... there's always someone who's the muny who's 'got a ltle extra sugar the tank,' or whatever words we e, so I thk there is an digeney queerns and blackns that we aren't ready to talk about yet," Fields Stewart said. "It has always been there."</p><h2 class="">'We have to name that'</h2><p class="">Even so, many panelists spoke out agast the forc that lead many Black transgenr women's beg victimized by Black men, which Jenks lled a "huge problem."</p><div class="ad ad--text-alignment ad-ntaer boxleAd dn-prt"><div data-mps="te" data-slot="boxle" data-siz="[[[1000,1],[]],[[758,1],[[300,250],[700,50],[5,5],[728,90],[360,360]]],[[0,0],[[300,250],[700,50],[5,5],[360,360]]]]" data-renr-on-view="te" data-targetg="{}" data-active-tab="te" data-offset-viewport="100"></div></div><p class="">"I have been on the ont l for Black liberatn for as long as I n remember," Jenks said. "The fact remas that many of the murrs you scribed leadg up to this nversatn, here Mneapolis, <a href=">Iyanna Dr</a> ... this vlence is beg brought upon our muny by Black people."</p><p class="">"If we are gog to have an hont discsn, we have to name that," Jenks said.</p><p class="">Tiq Milan said he often pass as cisgenr, "which offers me a level of tonomy and safety that sometim trans women do not get."</p><p class="">"Oftentim that is bee what happens is we are more cled to vtigate femy and vtigate women a way that we don't do to men," Milan said.</p><div><sectn class="related related--sgle dn-prt" data-activy-map="related-article-body-related" aria-label="Related ntent"><h3 class="related__tle">Related</h3><div id="related" class="related__ems"><div class="related-em related-em__sgle"><div class="related-em__thumbnail-wrapper"><a href=" data-icid="related" class="related-em__lk related-em__picture-lk"><picture class="related-em__thumbnail__image"><source media="(m-width: 1240px)" srcSet=" 2x, 1x"/><source media="(m-width: 758px)" srcSet=" 2x, 1x"/><source srcSet=" 2x, 1x"/><img loadg="lazy" src=" alt="" height="60" width="60"/></picture></a><span class="related-em__eyebrow"><a class="related-em__label" href="><span>NBC Out</span></a><a href=" data-icid="related"></a></span></div><div class="related-em__-wrapper"><h3 class="related-em__tle"><a class="" href="><span class="related-em__eyebrow">NBC Out</span></a><a href=" data-icid="related" class="related-em__lk">Rally for Black trans liv draws enormo crowd Brooklyn</a></h3></div></div></div></sectn></div><p class="">Ross echoed the sentiment, sayg that spe her "privilege," gaed om her accs to Hollywood, "I have e to unrstand that my privileg, whatever they may be, will not protect me."</p><div class="ad ad--text-alignment ad-ntaer boxleAd dn-prt"><div data-mps="te" data-slot="boxle" data-siz="[[[1000,1],[]],[[758,1],[[300,250],[700,50],[5,5],[728,90],[360,360]]],[[0,0],[[300,250],[700,50],[5,5],[360,360]]]]" data-renr-on-view="te" data-targetg="{}" data-active-tab="te" data-offset-viewport="100"></div></div><p class="">Ross said she still feels unsafe walkg down the siwalk "through a group of Black men who go om tllg me to examg my femy a ltle b closer and then they sayg, 'Wa a mute, that's a man,' and all of a sudn, my heart rate go up and I'm not sure if those are the last words I'm gog to hear."</p><p class="">Even so, Ross said, the ia that Black fai are more nservative is "rooted" whe supremacy.</p><p class="">"I know that what's really happeng is that so many mothers and fathers are so ncerned about their Black child's safety, cis or trans," Ross said. "That's why every Black child gets a talkg to about how to survive Ameri: what not to do, how to drs, how to talk ... and that extends to the LGBTQ muny. They tell , 'Why would you want to put one more layer of opprsn or one more difficult thg to get to this world? Don't you unrstand how the world is gog to treat you?'"</p><p class="endmark"><strong><em>Follow <a href=" target="_blank">NBC Out</a> on <a href=" target="_blank">Twter</a>, <a href=" target="_blank">Facebook</a> & <a href=" target="_blank">Instagram</a> </em></strong></p><div class="expand-byle-ntributors articleByleContaer"><div class="expand-byle article-expand-byle" data-activy-map="expand-byle-article-bottom"><div class="byle-thumbnail byle-thumbnail--has-image expand-byle__thumbnail"><a href="><picture><source srcSet=" 2x, 1x"/><img loadg="lazy" src=" alt="" height="48" width="48"/></picture></a></div><span class="byle-name expand-byle__name"><a href=">Tim Fzsimons</a></span><span class="byle-social expand-byle__social"><a href="" target="_blank" rel="noopener noreferrer" class="byle-social--lk"><span class="in in-email"></span></a></span><div class="expand-byle__b-wrapper"><p class="byle-b expand-byle__b">Tim Fzsimons is a reporter for NBC News. he/him</p></div></div></div></div></div><div class="article-body--right-rail-ntaer"><div class="article-body__right-rail layout-grid-em grid-l-4_5-l grid-l-3_5-xl grid-l-ph-half-xl"><div class="ad article-body__right-rail--ad ad--text-alignment ad-ntaer dn-prt"><div data-mps="te" data-slot="boxrail" data-siz="[[[1000,1],[[300,250],[360,360]]],[[758,1],[]],[[0,0],[]]]" data-offset="10" data-renr-on-view="te" data-targetg="{}" data-active-tab="te"></div></div></div></div></div><div class="body-bottom-remend"><div class="ad ad--midrponsive ad-ntaer dn-prt"><div data-mps="te" data-slot="midrponsive" data-siz="[[[1000,1],[[700,1],[5,5]]],[[758,1],[]],[[0,0],[]]]" data-offset="300" data-reh-terval="0" data-renr-on-view="te" data-targetg="{}" data-active-tab="te"></div></div></div></div></div></article></div></div><div id="hfs-footer" class="dn-prt" data-activy-map="hfs-footer"><footer class="hfsf" ><div class="ner"><div class="logo"><a href="><svg class="peack" viewBox="578 62 67 39" xmlns=" fill="currentColor"><g fill-le="evenodd"><path d="M579.074 90.58c1.717-4.494 6.472-6.08 10.697-3.37l18.29 12.754h-22.18c-4.62 0-8.252-4.23-6.8-9.385"></path><path class="feather" d="M579.074 90.58c1.717-4.494 6.472-6.08 10.697-3.37l18.29 12.754h-22.18c-4.62 0-8.252-4.23-6.8-9.385"></path><path class="feather" d="M597.563 75.863l9.442 21.613-19.478-13.35c-4.887-3.24-3.896-8.79-1.19-11.237 3.83-3.24 9.245-2.12 11.226 2.97"></path><path class="feather" d="M610.57 70.93l-3.433 24.19-9.772-23c-2.113-5.75 2.64-9.516 5.81-9.583 3.632-.396 8.188 2.38 7.396 8.394"></path><path class="feather" d="M625.494 72.103l-9.707 23.067-3.102-20.82c-.265-3.17 1.716-3.237 2.443-3.832-.133-.463-1.124-.463-1.124-.463h-1.848c-.198-5.42 4.028-7.8 7.462-7.535 3.697.132 7.856 4.428 5.876 9.583"></path><path class="feather" d="M635.338 84.167L615.86 97.584l9.177-21.348c2.775-6.742 9.245-5.42 11.556-2.842 2.51 2.51 3.235 7.6-1.255 10.773"></path><path class="feather" d="M637.448 99.9h-22.515l18.29-12.756c4.49-2.975 9.244-.266 10.498 3.635 1.327 4.36-1.65 9.12-6.27 9.12"></path></g></svg></a></div><nav class="lks"><ul class="lks__wrap" data-l-2="14" data-l-3=15><li><a href=" target="_self">About</a></li><li><a href=" target="_self">Contact</a></li><li><a href=">Help</a></li><li><a href=">Careers</a></li><li><a href=" target="_blank" target="_blank" rel="noopener noreferrer">Ad Choic</a></li><li><a href=" target="_blank" target="_blank" rel="noopener noreferrer">Privacy Policy</a></li><li><a href=" target="_blank" target="_blank" rel="noopener noreferrer">Do Not Sell My Personal Informatn</a></li><li><a href=" target="_blank" rel="noopener noreferrer">CA Notice</a></li><li><a href=">Terms of Service (Updated JULY 7, 2023)</a></li><li><a href=">NBC News Semap</a></li><li><a href=">Advertise</a></li><li><a href=" target="_self">Select Shoppg</a></li><li><a href=" target="_self">Select Personal Fance</a></li></ul></nav><div class="py"><p>© 2023 NBC UNIVERSAL</p><div class="brands"><a href="><svg viewBox="0 0 120 20" fill="none" xmlns=" aria-labelledby="nbc_news_logo"><tle class="nbc_news_logo">NBC News Logo

gay black culture

Black queer fans reflect on Michael K. Williams' groundbreakg portrayals of gay Black men.

Contents:

GAY HISTORY IS BLACK HISTORY: THE 10 INS PROVE IT

* gay black culture *

June marks LGBTQ Pri Month, and this year — as anti-racism protts sweep the untry — the foc of the annual time of queer celebratn and reflectn has been on the relatnship between the fight for LGBTQ equaly and the stggle for racial explore this nnectn, NBC Out and NBC News NOW hosted a special report Thursday tled "Pri and Prott, " durg which advot and lears at the tersectn of the Black and queer muni discsed issu om the work of historic gay and trans ins like Bayard Rt and Marsha P. "David and Johnson, the morator, referenced as an example the se of Rt, the Black gay civil rights in who anized the March on Washgton 1963 but was shunned by some fellow civil rights lears due to his sexual means no tersectg inty ncels out or outweighs any other, Bell said.

GAY BLACK MEN RARELY SAW THEMSELV ON SCREEN. MICHAEL K. WILLIAMS CHANGED THAT.

" Beyond her LGBTQ activism, DeLarverie also anized and performed at fundraisers for women who suffered om domtic vlence and their Jam Baldw (Photo by Ted Thai)The LIFE Picture Collectn/GettyJam Baldw (1924-1987)A wrer and social cric, Baldw is perhaps bt known for his 1955 llectn of says, "Not of a Native Son, " and his groundbreakg 1956 novel, "Gvanni's Room, " which picts them of homosexualy and bisexualy. Baldw spent a majory of his lerary and activist reer tg others about Black and queer inty, as he did durg his famo lecture tled “Race, Racism, and the Gay Communy” at a meetg of the New York chapter of Black and Whe Men Together (now known as Men of All Colors Together) and playwright Lorrae Hansberry her New York Cy apartment April Attie / Getty ImagLorrae Hansberry (1930-1965)Hansberry was an activist and playwright bt known for her groundbreakg play “A Rais the Sun, ” about a stgglg Black fay on Chigo’s South Si. The inic work was then ma to a 1961 film starrg Sidney Poier and Ruby to “A Rais the Sun” fame, Hansberry — who never publicly acknowledged she was a lbian — joed lbian rights group Dghters of Bilis and ntributed letters about femism and homophobia to s magaze, “The Ladr, ” acrdg to LGBTQ historian Eric Marc, host of the “Makg Gay History” podst.

Now 79, Miss Major, known to many simply as “Mama, ” ris Ltle Rock, Arkansas, where she ntu to be a vol Sprg's mayor Ron On, April 18, Khan / LA Tim via Getty ImagRon On (Born 1950)When On was elected mayor of Palm Sprgs, California 2003, he ma history by beg the first openly gay Ain Amerin man elected mayor of an Amerin cy. Ain Amerin lerary cric and profsor Henry Louis Gat once reflected that the Harlem Renaissance was “surely as gay as was Black, not that was exclively eher of the.

BEG GAY AND BLACK AMERIN CULTURE

From the start of his profsnal sgg reer at the Hot-Cha, Daniels built a voted followg of gay fans wh his sophistited rendns of jazz standards and showtun. “I feel like that’s really important for reprentatn general, and this is gonna open more doors for one day when somebody says this, ’s like, ‘Oh, that person said that and I didn’t thk about , ’ ” Lil Nas X said earlier this year of his ambn to normalize gay sex, to vanquish mastream squeamishns about . The clip for “Montero” – the full name nods to the 2007 gay g-of-age novel and s breathtakg 2017 film adaptatn – is chockablock wh referenc to the Bible.

After the show, Lil Nas X snaps the vil’s neck and dons his horns – a lic subversn, a rollickg rebe of the hellfire that gay people are often promised: No weapon that is formed agast thee shall prosper, Lil Nas X seems to say, wh a wk. He explored issu of sexualy and black inty his work, and his avant-gar story “Smoke, Lili, and Ja” is thought to be the first explicly gay story published by a black RUSTIN (1912-1987)Bayard Rt his Park Avenue South office New York Cy, April 1969.

In 2013, Rt was posthumoly award the Printial Medal of Freedom, the natn’s hight civilian honor, for his tirels work promotg equal BALDWIN (1924-1987)Author Jam BaldwTed Thai / LIFE Picture Collectn/Getty“There isn't a sgle black gay wrer of lerary fictn or nonfictn that has not been fluenced by Jam Baldw on some level, " Charl Stephens, executive director of the Counter Narrative Project, told NBC News. A wrer and social cric, Baldw is perhaps bt known for his 1955 llectn of says, "Not of a Native Son, " and his groundbreakg 1956 novel, "Gvanni's Room, " which picts them of homosexualy and AILEY (1931-1989)Dancer and choreographer Alv Ailey. "RON ODEN (Born 1950)Ron On, April 18, Khan / LA Tim via Getty ImagWhen On was elected mayor of Palm Sprgs, California, 2003, he ma history by beg the first openly gay Ain-Amerin man elected mayor of an Amerin cy, acrdg to The Advote.

TURNS OUT, BARBIELAND ISN'T AS GAY AS S QUEER FANS HAD HOPED

Atralia’s Troye Sivan is one of the most succsful gay pop stars to have emerged the last (Cred: Alamy)Pop gets queererThe last mic has arguably been the queert sce the 1980s. New gay pop stars who have emerged clu Atralia’s Troye Sivan, whose most recent album, 2018’s Bloom, explicly discsed gay sex; and the siarly forthright Years & Years ontman Olly Alexanr, who has always embraced queerns his work and public persona. Meanwhile South Ain sger Nakhane has explored the nflict between relign and sexualy his mic, and the Brish mician MNEK has been Grammy nomated, worked wh Beyoncé, and received rave reviews for his 2018 but album Language, which puts his queer inty ont and has also seen more tablished gay micians like Jake Shears, Will Young and Adam Lambert explorg their sexualy more eely than ever wh their work.

This year, rapper Lil Nas X me out as gay while breakg Mariah Carey’s rerd for the longt-nng number one sgle US chart history wh the ubiquo Old Town Road. Madonna, herself a long-time ally, was threatened wh beg sent to prison by Vladimir Put’s ernment for makg a pro-gay speech St Petersburg 2013.

BLACK, GRAY AND GAY: THE PERILS OF AGG LGBTQ PEOPLE OF COLOR

Jonathan Groff is among a number of high-profile gay actors who have succsfully avoid typestg of late (Cred: Alamy)Abraham says that LGBTQ+ creators beg allowed to shape their own narrativ is the ma talyst behd TV shows movg past the tired stereotyp of prev s.

Patrick and David's tenr love story on Canadian s Scht’s Creek; Mac’s g out story on US edy It’s Always Sunny Philalphia; and The Handmaid's Tale’s employment of two lbian lead characters, wh their own separate storyl, were other stand-out as important as queer reprentatn, arguably, is the right for queer performers not to have to reprent their sexualy – and ’s been equally hearteng to see the way which gay actors are now beg ‘allowed’ to play straight rol, rather than beg pigeonholed. GLAAD’s 2019 Stud Rponsibily Inx found that LGBTQ reprentatn major stud movi was up 5% 2018 om the year before, while for the first time there were an equal number of films featurg gay and lbian characters.

Matthew Todd, leadg LGBTQ+ mentator and thor of Straight Jacket: How to Be Gay and Happy, says that the film was game-changg: “It really showed the toxic effect of cultural shame and homophobia on gay men’s liv.

*BEAR-MAGAZINE.COM* GAY BLACK CULTURE

The Washgton Post</tle><path d="M39.2 32v36.6c4.7-2.8 7-6.8 8.7-12.1l1.2.6c-1.1 13.2-10.3 26-24.3 26S0 72.6 0 55.8C0 43 7.7 35.1 18.7 28.2a16.11 16.11 0 00-4.4-.6c-7.2 0-11.4 4.9-11.4 9.9H1.5a14.77 14.77 0 01-.1-2.1c0-9.3 5.5-19.7 16.9-19.7 7.3 0 12.9 6.7 21.4 6.7 4.3 0 6.7-1.6 8.4-5.3h1.2c-.1 6.5-2 12.8-10.1 14.9zm-19-3.3C15.1 34 10.1 39.6 10.1 50.9c0 6.2 1.9 12.4 6.6 16.4l3.1-1.7V40.3L16.6 42l-1-1.6 15-8.4c-3.8-.8-6.9-2.3-10.4-3.3zm17.1 3.7a17 17 0 01-2.3.1 17.52 17.52 0 01-4-.4v29.5l-12.8 7a15.57 15.57 0 009.9 3 22.58 22.58 0 009.2-2zm44 9.2v34.3c0 9.6-8.51 16.11-18 18l-.6-1c4.7-2.3 7.8-6.41 7.8-11.41V45.7l-4.9-4.5-2.6 2.6v27.1l3 2.8v.4l-8.1 8.61-9.3-8.51v-.4l3.6-3.8V25.8l10.6-11.3.2.1v26.6l8.7-9.2 8.7 7.9 2.7-2.6 1.31 1.3zM97.91 62v4.5l9 7.1 7-7.3 1.3 1.3L101 82.8 88.21 72.6l-2.8 2.8-1.2-1.3 3.1-3.2V45.8l18.9-13.8 10.5 16.3zm.2-22.6l-.2.1v20.1l8.7-6.4zM180 82.71l-13.9-12-10.6 12-14.4-12.41V50.7h-2.8a3.89 3.89 0 00-4.1 3.5h-1a15.87 15.87 0 01-.5-3.8c0-2.6 1.1-9.4 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data-ttid="headle" data-qa="headle" id="ma-ntent"><span data-qa="headle-text" class="PJLV">The long road to more accurate portrayals of Black LGBTQ people on televisn</span></h1></div><h2 class="font--subhead font-light offblack mb-sm pb-xxs-ns subheadle" data-qa="subheadle" style="max-width:1000px">Chang to the TV bs mol have fally started erodg the lk between beg LGBTQ and beg Whe popular culture</h2><div class="flex prt-byle prt-mt-none"><div class="byle-wrapper flex-lumn flex"><div class="PJLV PJLV-ihSmMVC-css"><div class="PJLV PJLV-iPJLV-css mb-xxs overriStyl" style="gap:0.5rem" data-qa="thor-byle"><span class="wpds-c-PJLV"><div class="flex" data-qa="thor-byle"><div class="mr-sm flex lh-0"><div class="wpds-c-iTcer"><img src=" alt="" class="wpds-c-dgBqAZ"/></div></div><span class="left"><div class="flex"><div class="dib font-xxs mb-xxs" data-qa="name-wh-optnal-lk" data-cy="name-wh-optnal-lk"><span data-qa="attributn-text" class="wpds-c-cNdzuP">Perspective by <!-- --> </span><span data-qa="thor-name" rel="thor" class="wpds-c-cNdzuP wpds-c-cNdzuP-cIdiJW-isLk-false"> Aled L. Mart, Jr.</span></div></div><span class="wpds-c-ewNrgJ thor-scriptn" data-qa="thor-scriptn"> Aled L. Mart, Jr., is assistant profsor of media studi at the Universy of Iowa and thor of "The Generic Closet: Black Gayns and the Black-Cast S."</span></span></div></span></div></div><div data-ttid="timtamp" class="wpds-c-kgabfe wpds-c-kgabfe-ieEDlgV-css"><span data-ttid="display-date" class="wpds-c-iKQyrV">June 23, 2021 at 6:00 a.m. EDT</span></div></div></div></hear></div><article class="grid-article mb-xxl-ns" data-qa="ma"><div data-ttid="le-art" data-qa="le-art" class=""><figure class="overflow-hidn relative hi-for-prt center center mb-sm mb-md-ns ml-to-ns mr-to-ns grid-mobile-full-bleed"><div style="filter:blur(10px);transn:filter .1s;le-height:0" class="w-100 mw-100 h-to" width="600" height="400"><img style="background-size:ver;max-width:1600px;background-image:url('data:image/svg+xml;charset=utf-8,%3Csvg xmlns='http%3A//; xmlns%3Axlk='http%3A//; viewBox='0 0 1280 853'%3E%3Cfilter id='b' lor-terpolatn-filters='sRGB'%3E%3CfeGssianBlur stdDeviatn='.5'%3E%3C/feGssianBlur%3E%3CfeComponentTransfer%3E%3CfeFuncA type='discrete' tableValu='1 1'%3E%3C/feFuncA%3E%3C/feComponentTransfer%3E%3C/filter%3E%3Cimage filter='url(%23b)' x='0' y='0' height='100%25' width='100%25' xlk%3Ahref='data%3Aimage/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAkAAAAGCAIAAACepSOSAAAACXBIWXMAAC4jAAAuIwF4pT92AAAAs0lEQVQI1wGoAFf/AImSoJSer5yjs52ktp2luJuluKOpuJefsoCNowB+kKaOm66grL+krsCnsMGrt8m1u8mzt8OVoLIAhJqzjZ2tnLLLnLHJp7fNmpyjqbPCqLrRjqO7AIeUn5ultaWtt56msaSnroZyY4mBgLq7wY6TmwCRfk2Pf1uzm2WulV+xmV6rmGyQfFm3nWSBcEIAfm46jX1FkH5Djn5AmodGo49MopBLlIRBfG8yj/dfjF5TUAAAAASUVORK5CYII='%3E%3C/image%3E%3C/svg%3E')" alt="" class="w-100 mw-100 h-to" width="600" height="400" srcSet=" 400w, 540w, 691w, 767w, 916w, 1200w" siz="(max-width: 440px) 440px,(max-width: 600px) 691px,(max-width: 768px) 691px,(m-width: 769px) and (max-width: 1023px) 960px,(m-width: 1024px) and (max-width: 1299px) 530px,(m-width: 1300px) and (max-width: 1439px) 691px,(m-width: 1440px) 916px,440px" dg="async"/></div><figptn class="ml-gutter mr-gutter mr-to-ns ml-to-ns font--subhead font-xxxs mt-xs left gray-dark">Billy Porter plays Pray Tell a scene om Netflix's "Pose" 2019. (Chris Sorensen for The Washgton Post) </figptn></figure></div><div class="grid-body"><div class="wpds-c-PJLV wpds-c-PJLV-hSmMVC-isLuf2-false"><div class="wpds-c-jUMcim wpds-c-jUMcim-ibVGacg-css hi-for-prt mb-sm"><div class="PJLV PJLV-ieDMgMI-css flex ems-center" nfig="[object Object]" data-qa="article-actns"><div class="wpds-c-mfMEg"><div class="wpds-c-kSOqLF wpds-c-hnjNCH wpds-c-kSOqLF-bywHgD-variant-primary wpds-c-kSOqLF-biynoz-nsy-pact wpds-c-kSOqLF-hZSyid-isOutle-te wpds-c-kSOqLF-ejCoEP-in-left wpds-c-kSOqLF-futx-cv wpds-c-hnjNCH-eNNUQD-cv wpds-c-hnjNCH-jGqLyO-cv"><div id="gift-share" data-ttid="gift-share" class="PJLV PJLV-ieGzigK-css hi-for-prt"><button aria-haspopup="dialog" aria-expand="false" aria-ntrols="gift-share-drawer" role="button" tabx="0" aria-label="Share this article" id="gift-share-drawer-ntrol" data-ttid="gift-share-drawer-ntrol" class="wpds-c-PJLV wpds-c-gsmDXe wpds-c-gsmDXe-dTGBTO-placement-ActnBar foc-highlight"><svg xmlns=" fill="currentColor" viewBox="0 0 16 16" class="wpds-c-fBqPWp wpds-c-fBqPWp-idCxsxc-css " aria-hidn="te" focable="false" role="img"><path fill="currentColor" d="M8 .6v3.8h.1c-4.4 0-7.3 4.5-6.9 8.8.1.8.2 1.2.2 1.2l.2 1 .4-1.3c.8-2 2-4 6.2-3.9H8v4l7-6.9L8 .6Zm1 11.3V9.3h-.9c-3 0-4.8.5-6.2 2.9.5-3.3 2.7-6.8 6.2-6.8H9V3l4.5 4.4L9 11.9Z"></path></svg></button></div><span aria-hidn="te" class="wpds-c-fBEbFG">Share</span></div></div><div class="wpds-c-mfMEg"><div class="wpds-c-kSOqLF wpds-c-hnjNCH wpds-c-kSOqLF-bywHgD-variant-primary wpds-c-kSOqLF-biynoz-nsy-pact wpds-c-kSOqLF-hZSyid-isOutle-te wpds-c-kSOqLF-ejCoEP-in-left wpds-c-kSOqLF-futx-cv wpds-c-hnjNCH-eNNUQD-cv wpds-c-hnjNCH-jGqLyO-cv"><button aria-label="Comment" class="wpds-c-gPbxFP"><svg xmlns=" viewBox="0 0 16 16" fill="var(--wpds-lors-primary)" aria-hidn="te" focable="false" role="img" class="wpds-c-kKAfCG wpds-c-efqEZa flex ems-center jtify-center brad-lg poter transn-400 ease--out transn-lors" aria-label="Comment on this story"><tle>Comment on this story</tle><path d="M14 14V2H2v9.47h8.18L12.43 13ZM3 10.52V3h10v9.23l-2.5-1.66Z"></path></svg></button><span aria-hidn="te" class="wpds-c-fBEbFG">Comment</span><span class="wpds-c-fOvfhP wpds-c-fOvfhP-kshkDy-isCommentType-te none" aria-hidn="te"><span class="ment-unt font-xxxxs sc-ral-unt"><span></span></span></span></div></div></div></div></div><div class="teaser-ntent grid-center"><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">As June’s annual celebratn of LGBTQ pri to an end, so, too, do “Pose,” the hight-profile seri to feature the stori of Black and Lato queer and trans characters and actors.</p></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">“Pose” would have been unimagable even a few s ago. Tradnally, most LGBTQ characters on televisn were Whe, and the few Black gay characters were distorted stereotyp — feme, stuck tradnally female jobs, the source of humor about genr and genr rol or sequtered otherwise Whe televisual worlds. Progrs has been slow. It has taken over three s and dramatic chang televisn’s bs mol to create opportuni for new characters and shows that have fally begun to dispt the lk between Whens and LGBTQ sexualy popular culture.</p></div></div><div></div><div class="article-body" data-qa="article-body"><div class="db dn-ns mr-neg-gutter ml-neg-gutter mb-md hi-for-prt" data-qa="subscribe-promo"><div data-orientatn="horizontal" role="separator" class="wpds-c-dbVHzF wpds-c-dbVHzF-hDkAcj-variant-flt"></div><a class="pt-sm pb-sm flex ems-center bold font-xxxs font-xxs-ns jtify-center" href=" target="_blank" rel="noreferrer noopener" style="lor:#166dfc;borr:none"><svg class="ntent-box" width="24" height="24" viewBox="0 0 24 24" xmlns=" aria-hidn="te" focable="false" role="img"><tle>Wp</tle><path d="M11.055 8.728l-1.018-1.019-.782.782v6.292l1.782 1.564.018-.019v-7.6zm-4.11.236L5.674 7.71l-.836.855v6.237l1.545 1.327.564-.636V8.964zm2.656 9.074l-2.528-2.182-1.927 2.182-2.619-2.255v-3.564h-.509c-.454 0-.672.273-.745.636H1.09a2.89 2.89 0 0 1-.091-.69c0-.473.2-1.71 1.527-1.71V7.691c0-1.073-.709-1.127-.709-2.054 0-1.037.982-2 2.782-2.637l.164.145c-.6.291-1.09.655-1.09 1.437 0 1.2 1.163.89 1.163 2.782v.727l2.127-2.236 2.237 2.2 2.109-2.2 2.036 2v6.728l-3.745 3.455zm11.108-9.625l-1.073-.982-.964 1.018v6.6c.855.11 1.491.4 2.019.964l.018-.018V8.413zm-2.382.418l-.528.545v10.237l.528.492V8.83zm1.49 9.055c-.308-.382-.69-.709-1.145-.836v3.782l-.036.018-1-.927-2.11 1.945-.036-.018V16.96c-.636.145-1.327.545-1.854 1.2l-.146-.091c.127-1.4.818-2.436 2-2.837v-3.545h-.382c-.527 0-.89.363-.963.763h-.219c-.054-.145-.127-.381-.127-.836 0-.891.6-1.564 1.582-1.564h.11V8.085l-.655-.582-.51.51-.254-.237 2.018-2.073 1.71 1.564V9.05l.527-.564v-2.09h.345v1.727l2.273-2.419L23 7.576v7.91l-3.182 2.4z" fill-le="evenodd"></path></svg><span class="mr-xs ml-xs gray-darkt flex ems-center">Get the full experience.<span class="ml-xs subs-theme blue">Choose your plan</span></span><svg class="ntent-box" width="16" height="16" viewBox="0 0 16 16" xmlns=" style="fill:#166dfc" aria-hidn="te" focable="false" role="img"><tle>ArrowRight</tle><path d="M7.664 1.25l6 6a1 1 0 010 1.414l-6 6L6.25 13.25 10.499 9H2V7h8.585L6.25 2.664 7.664 1.25z" fill-le="nonzero"></path></svg></a><div data-orientatn="horizontal" role="separator" class="wpds-c-dbVHzF wpds-c-dbVHzF-hDkAcj-variant-flt"></div></div></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">In the 1950s and 1960s, televisn mostly attempted to be offensive to a mass dience. When lbian and gay characters were clud (there was virtually no discsn of bisexualy or trans people), they were stereotyped ritur: Gay men were “feme” and often had “women’s” reers such as hairdrser and terr signer, and lbians were “butch” bee they, prumably, wanted to be “men.” One goal of the portrayals was to make lbian and gay inty visible to viewers, siar ways that race n often be read onto the body.</p></div><div class="article-body" data-qa="article-body"><div class="cb dn db-ns" data-qa="article-body-ad" data-ttid="article-body-ad-sktop"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-none pt-lg pb-lg" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"><div>Advertisement</div></div></div></div></div></div><div class="article-body" data-qa="article-body"><div class="cb db dn-ns" data-qa="article-body-ad" data-ttid="article-body-ad-mobile"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-sm pt-sm pb-sm" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"></div></div></div></div></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">In the 1970s, the growg sophistitn of televisn ratgs systems dramatilly changed TV programmg. Networks uld more clearly and quickly unrstand who was watchg a particular seri, makg easier to target 18-to-34-year-olds, whom advertisers veted. And so, works (mostly CBS and NBC) began buyg “hip” programmg om pennt producers such as Tanm (owned by Norman Lear and Bud York) and MTM Enterpris (owned by Grant Tker and Mary Tyler Moore). This shift rulted pathbreakg programs such as “All the Fay,” “Sanford and Son” and “The Mary Tyler Moore Show” that tackled issu such as class, race and genr, topics prevly nsired too difficult for TV.</p></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">On ocsn, the “hip” programs clud episodic discsns of sexualy. And unlike earlier lbian and gay portrayals, the characters the shows were often dissociated om historil stereotyp, part reflectg a change public nscns after the 1969 Stonewall uprisg. For example, a 1977 episo of the “Sanford and Son” spoff “Sanford Arms” featured Travis, a Black gay civil rights attorney who was a iend of one of the seri’ characters. In the episo “Phil’s Assertn School,” Travis monstrated that (Black) gay men weren’t all effemate and, wh his job as an attorney (who ultimately end up helpg a seri star get out of a legal bd), that gay men uld have reers outsi the nf of “feme” pursus.</p></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">Yet, as nservative wds swept through the untry the 1980s and as AIDS (ially lled GRID: gay related immune ficiency) began to cimate gay muni, this progrs erod. Black gay characters, when they appeared on televisn at all, returned to beg more effemate. For example, on “Saturday Night Live,” Eddie Murphy portrayed Dn. While he never said Dn was gay, the clu were ample for viewers who unrstood stereotyp of gay men — Dn was a hairdrser, equently discsed his “roommate” Carlos and had a tramark giggle.</p></div><div class="article-body" data-qa="article-body"><div class="cb dn db-ns" data-qa="article-body-ad" data-ttid="article-body-ad-sktop"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-none pt-lg pb-lg" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"><div>Advertisement</div></div></div></div></div></div><div class="article-body" data-qa="article-body"><div class="cb db dn-ns" data-qa="article-body-ad" data-ttid="article-body-ad-mobile"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-sm pt-sm pb-sm" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"></div></div></div></div></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">The portrayal of Black gay men on televisn started to change the 1990s for three reasons. The works — which now clud broadst and ble — realized that the young adult children of the Whe dienc they targeted the 1970s were more willg to nsume ntent wh gay characters than their parents had been. Send, the expansn of ble televisn allowed for narrower dience targetg. Third, lifavg medil advanc shifted AIDS om a ath sentence to a manageable chronic illns, erasg some of the stigma attached to .</p></div><div class="article-body" data-qa="article-body"><div id="gift-share-le" data-ttid="gift-share-le" class="PJLV PJLV-ilotWTr-css hi-for-prt"><button aria-haspopup="dialog" aria-expand="false" aria-ntrols="gift-share-drawer" role="button" tabx="0" aria-label="Share this article" id="gift-share-drawer-ntrol-le" data-ttid="gift-share-drawer-ntrol-le" class="wpds-c-PJLV wpds-c-gsmDXe wpds-c-gsmDXe-goNocI-placement-Inle foc-highlight"><div data-ttid="gift-share-terstial-trigger" class="wpds-c-kPqOkS wpds-c-kPqOkS-jtSXsT-hasSubsText-false"><span class="wpds-c-hBJqc"><span class="wpds-c-dzSncg">Share this article</span></span><span class="wpds-c-eCvK"><span class="wpds-c-enedHQ wpds-c-enedHQ-cCdK-isShown-false">Share</span><svg xmlns=" fill="currentColor" viewBox="0 0 16 16" aria-hidn="te" focable="false" role="img" class="wpds-c-fBqPWp wpds-c-fDHGth"><path fill="currentColor" d="M8 .6v3.8h.1c-4.4 0-7.3 4.5-6.9 8.8.1.8.2 1.2.2 1.2l.2 1 .4-1.3c.8-2 2-4 6.2-3.9H8v4l7-6.9L8 .6Zm1 11.3V9.3h-.9c-3 0-4.8.5-6.2 2.9.5-3.3 2.7-6.8 6.2-6.8H9V3l4.5 4.4L9 11.9Z"></path></svg></span></div></button></div></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">The rult: an crease Black gay reprentatn. The began wh “In Livg Color’s” “Men On …” sketch featurg Antoe Merriweather and Blae Edwards as two cultural crics who viewers were supposed to assume were gay based on their disda for all thgs female and the lisps wh which they spoke. But by 1991, the remnants of the past were left behd. From 1991 to 1993, for example, “Roc” clud four episos wh Rsell, Roc’s uncle, played by “Shaft” star Richard Roundtree — known for exudg hyper manls. Roundtree’s first appearance as Rsell, on the 1991 episo “Can’t Help Lovg the Man,” also marked the first time the word “marriage” was ed to scribe a ceremony between two same-sex dividuals. (“The Goln Girls” episo “Sister of the Bri” aired earlier 1991 but lled Clayton (Blanche’s brother) and Doug’s vows a “mment ceremony.”)</p></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">The emergence of new channels and the growth of ble works such as Lifetime and HBO (both of which began producg origal programs) rulted a para of firsts for Black gay televisn reprentatn. Black-st ss, cludg “Moha” (1997) and “Good News” (1997), featured Black gay characters, wh “Moha” pictg the first Black gay teenager and the episo “Labels” beg the first by a Black gay wrer, Demetri Bady. Multicultural ss such as “Cutters” and “Sp Cy” clud Black gay men as part of the fabric of the seri, wh “Cutters” (1993) beg the first show to feature a Black gay character a -starrg role. RuPl also hosted “The RuPl Show” on VH1, the first time a Black gay man (and drag queen) hosted a talk/variety show. The show weled big-name celebri such as Diana Ross and Patti LaBelle alongsi performanc om Broadway shows.</p></div><div class="article-body" data-qa="article-body"><div class="cb dn db-ns" data-qa="article-body-ad" data-ttid="article-body-ad-sktop"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-none pt-lg pb-lg" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"><div>Advertisement</div></div></div></div></div></div><div class="article-body" data-qa="article-body"><div class="cb db dn-ns" data-qa="article-body-ad" data-ttid="article-body-ad-mobile"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-sm pt-sm pb-sm" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"></div></div></div></div></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">Televisn shows the 2000s built on the gas, wh “The Wire,” “Te Blood” and “Noah’s Arc” all featurg Black gay characters. Not only were more Black gay characters appearg shows, but the portrayal of Black gay men was also changg. “The Wire” featured Omar, a character who not only fied old stereotyp, but also was the first Black gay character whose sexualy was sendary to his inty — which foced more on the fear and rpect he mand om Baltimoreans. “Te Blood’s” Lafayette was a short-orr ok and dg aler. Demonstratg how far thgs had e, 2006, “Noah’s Arc” premiered, beg the first seri to clu a primary st posed entirely of Black gay men and executive produced by a Black gay man, Patrik-Ian Polk.</p></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">Together, the programs and characters monstrated that Black gay men uld be multifaceted dividuals who uld remix stereotyped tras to create characters who were ls easily tegorized as “good” or “bad.”</p></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">And wasn’t only ble that offered a more nuanced portrayal of Black gay men. Network ss, “All of Us,” “The Game” and “Will and Grace,” all clud episos wh Black gay characters relatnships. The characters reprented an attempt by wrers and producers to offer more nuanced reprentatns of Black LGBTQ characters.</p></div><div class="article-body" data-qa="article-body"><div class="cb dn db-ns" data-qa="article-body-ad" data-ttid="article-body-ad-sktop"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-none pt-lg pb-lg" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"><div>Advertisement</div></div></div></div></div></div><div class="article-body" data-qa="article-body"><div class="cb db dn-ns" data-qa="article-body-ad" data-ttid="article-body-ad-mobile"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-sm pt-sm pb-sm" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"></div></div></div></div></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">In the years sce the breakthroughs, numero seri, cludg “Are We There Yet?,” “Dear Whe People” and “Brooklyn Ne-Ne,” have had Black gay characters, monstratg perhaps that the old lkage between Whens and LGBTQ sexualy on TV is fadg.</p></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">The chang matter. Reprentatn n signal acceptance and normalcy that n be important for Black queer boys and men. Yet the battle do not end wh more — or more nuanced — reprentatn. For entertament dtri to tly make progrs reprentg Black LGBTQ characters, they need to hire more LGBTQ people of lor to work ont of and behd the meras while creatg programmg that don’t force sgle LGBTQ characters to reprent all LGBTQ experienc. Only then n nversatns about LGBTQ stereotyp be firmly left the past.</p></div><div class="wpds-c-ipATMk wpds-c-ipATMk-hCiGAB-removeMobileStyl-te"><div class="wpds-c-dhzjXW wpds-c-dhzjXW-iPJLV-css overriStyl mt-md tt"><div id="gift-share-end" data-ttid="gift-share-end" class="PJLV PJLV-idiqKOk-css hi-for-prt"><button aria-haspopup="dialog" aria-expand="false" aria-ntrols="gift-share-drawer" role="button" tabx="0" aria-label="Share this article" id="gift-share-drawer-ntrol-end" data-ttid="gift-share-drawer-ntrol-end" class="wpds-c-PJLV wpds-c-gsmDXe wpds-c-gsmDXe-iIVoLq-placement-Shortcut foc-highlight"><div class="wpds-c-UazGY" id="gift-share-shortcut" data-ttid="gift-share-shortcut"><svg xmlns=" fill="var(--wpds-lors-primary)" viewBox="0 0 16 16" aria-hidn="te" focable="false" role="img" class="wpds-c-fVfumU "><path fill="currentColor" d="M8 .6v3.8h.1c-4.4 0-7.3 4.5-6.9 8.8.1.8.2 1.2.2 1.2l.2 1 .4-1.3c.8-2 2-4 6.2-3.9H8v4l7-6.9L8 .6Zm1 11.3V9.3h-.9c-3 0-4.8.5-6.2 2.9.5-3.3 2.7-6.8 6.2-6.8H9V3l4.5 4.4L9 11.9Z"></path></svg><div class="PJLV wpds-c-kwcHlj">Share</div></div></button></div><div class="wpds-c-hcekgi"><div class="mb-lg-mod" data-qa="ments-btn-div"><button aria-label="Scroll to the ments sectn" data-qa="ments-btn" class="wpds-c-kSOqLF wpds-c-kSOqLF-SQjOY-variant-sendary wpds-c-kSOqLF-eHdizY-nsy-flt wpds-c-kSOqLF-ejCoEP-in-left wpds-c-kSOqLF-igqYgPb-css ments hi-for-prt"><svg xmlns=" viewBox="0 0 16 16" fill="currentColor" aria-hidn="te" focable="false" role="img" class="wpds-c-fBqPWp "><path d="M14 14V2H2v9.47h8.18L12.43 13ZM3 10.52V3h10v9.23l-2.5-1.66Z"></path></svg><span></span> Comments</button></div></div></div><div class="PJLV PJLV-iipsdti-css"><div></div></div><div class="PJLV PJLV-iipsdti-css"><div></div></div><sectn class="PJLV PJLV-iipsdti-css dn-ns hi-for-prt" data-ttid="mostRead" subscriptns-sectn="ntent"><div data-ttid="lazy-most-read-parent" class=""><div style="m-height:800px"></div></div></sectn><div class="PJLV PJLV-ickXkbz-css"><div data-qa="newsletter" class="hi-for-prt relative"><div class="dib w-100"><div><div class="flex jtify-center align self-center center transn-all duratn-400 ease--out" data-qa="sc-newsletter-signup" aria-label=""><svg aria-labelledby="react-aria-1-aria" role="img" viewBox="0 0 100 80"><tle id="react-aria-1-aria">Loadg....

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