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NATURE IS GAY, AND OTHER THGS I LEARNED FROM MARY OLIVER'S POETRYCAN THE LATE LBIAN POET SPIRE A YOUNG NEW YORKER TO ROAM EELY?{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}LIFEBY SAM MANZELLAMARCH 26, 2019/12:26 {HEIGHT:HER;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;POSN:RELATIVE;-WEBK-FLEX-WRAP:WRAP;-MS-FLEX-WRAP:WRAP;FLEX-WRAP:WRAP;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;-WEBK-TRANSFORM-ORIG:CENTER;-MS-TRANSFORM-ORIG:CENTER;TRANSFORM-ORIG:CENTER;} IMG{HEIGHT:100%;WIDTH:100%;OBJECT-F:VER;}{HEIGHT:4200PX;WIDTH:6300PX;}GETTYCANADIAN GEE MIGRATGBY SAM MANZELLAMARCH 26, 2019 / 12:26 PM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"NATURE IS GAY, AND OTHER THGS I LEARNED FROM MARY OLIVER'S POETRY","THUMBNAILURL":","DATEPUBLISHED":"2019-03-26T16:26:16.000+0000","DATEMODIFIED":"2019-03-26T16:26:16.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","URL":","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"LOGO TV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"LOGO TV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT"}},"CREATOR":"SAM MANZELLA","ARTICLESECTN":"LIFE"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}“IF YOU CAN’T TEACH YOURSELF” IS A BIWEEKLY SERI WHICH A YOUNG QUEER WOMAN EXPERIENC A CULTURAL ARTIFACT BELOVED BY OLR MEMBERS OF THE LGBTQ MUNY, FURTHERANCE OF HER OWN QUEER TN. THK OF AS A SYLLAB FOR QUEER CULTURE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ON THE EVE OF STG DOWN TO WRE THIS LUMN, I BROUGHT A TOTE BAG FULL OF MARY OLIVER'S BOOKS TO PROSPECT PARK TO READ POETRY ABOUT THE NATURAL WORLD THE SUNSHE, AS GOD—A LBIAN—TEND. BEE I'M A CHILD OF THE TER, I RECYCLED THAT JOKE ON TWTER, KEPT MY HEADPHON , AND GRABBED AN ICED FFEE TO ACPANY ME ON MY LERARY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}OLIVER FIRST LAND ON MY RADAR THE MOST SPECTACULARLY SAD OF WAYS: I WROTE AN OBUARY AFTER HER ATH AT AGE 83 THIS JANUARY. SHE WAS A PROLIFIC, PULZER PRIZE-WNG POET AND SAYIST WHOSE WORK SPANNED S (AND WHOSE UNOFFICIAL FAN CLUB CLUS HIGH-PROFILE MEMBERS LIKE HILLARY CLTON, MARIA SHRIVER, AND AVA DUVERNAY.)KEVORK DJANSEZIAN/GETTY IMAGLONG BEACH, CA - OCTOBER 26: CALIFORNIA FIRST LADY MARIA SHRIVER (R) TRODUC PULZER PRIZE AND NATNAL BOOK AWARD WNG POET MARY OLIVER DURG HER ANNUAL WOMEN'S CONFERENCE 2010 ON OCTOBER 26, 2010 AT THE LONG BEACH CONVENTN CENTER LONG BEACH, CALIFORNIA. ATTEN TO THE NFERENCE CLU GOV. ARNOLD SCHWARZENEGGER AND NDIDAT FOR CALIFORNIA GOVERNOR REPUBLIN MEG WHMAN AND DEMOCRAT JERRY BROWN. (PHOTO BY KEVORK DJANSEZIAN/GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FROM LEFT: MARY OLIVER AND MARIA SHRIVER AT SHRIVER'S ANNUAL WOMEN'S CONFERENCE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SHE WAS ALSO OPENLY GAY AND LIVED PROVCETOWN, MASS., WH HER PARTNER OF MORE THAN 40 YEARS, MOLLY MALONE COOK, UNTIL COOK'S ATH {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}A QUICK GLANCE AT ANY OF HER MANY POETRY BOOKS REVEALS HER TE PASSN: ENVIRONMENTALISM. OLIVER'S E OF MOTIFS OM THE NATURAL WORLD—FLORA, FNA, PLAS, YOU NAME —IS BETIFUL S SIMPLICY. HER WRG IS FLOWERY THE LERAL SENSE, BUT NOT FIGURATIVELY. THE TL OF HER MOST POPULAR POEMS, CLUDG "WILD GEE" AND "THE SWAN," REFLECT THIS APPROACH TO LANGUAGE. SHE FTLY MAK MEANG OUT OF IMAG WE ALL KNOW AND REGNIZE, FDS PTH SIMPLE, TANGIBLE THGS WE N SEE WH OUR OWN EY. IN 2009'S EVINCE, THE POEM "PRCE BUZZARD" THE IMAGE OF A RRN BIRD TO ILLTRATE THE CYCLIL NATURE OF LIFE AND THE EVABILY OF ATH (".. THE DARK WORK / THAT WAS YOURS / WHICH WASN'T TO BE DONE EASILY OR QUICKLY / BUT THOROUGHLY").{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}EVEN WHEN OLIVER WR ABOUT GOD OR THE DIVE, SHE RARELY READS AS PREACHY OR ABSOLUTIST. AS WRER RUTH FRANKL PUTS FOR THE NEW YORKER, "WH A FEW EXCEPTNS, OLIVER’S POEMS DON’T END THUNRBOLTS. THEIRS IS A GENTLER FORM OF MORAL DIRECTN."{BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHILE I FD THIS A REMARKABLY DIFFICULT BALANCE TO STRIKE, PECIALLY POETRY, WHERE BETIFUL WORDS AND BREVY TOO OFTEN MASQUERA AS PROFOUNDNS, OLIVER'S GENUY HASN'T ALWAYS BEEN REGNIZED. IN FACT, SHE'S LONG BEEN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AS RACHEL SYME NOT A TRIBUTE PIECE FOR THE NEW YORKER, OLIVER WAS DRAGGED THROUGHOUT HER LIFETIME BY CRICS, WHO LLED HER WORK OVERLY SIMPLISTIC: "OLIVER’S CRICS SNEERED, PERHAPS WH A SUBNSC (OR EVEN PURPOSEFUL) MISOGYNY, AT WORK THAT ALS PRIMARILY WH TERR REVELATNS AND SMALL, DAILY NCERNS AND OBSERVANC, LIKE THE SOUND OF A LOVER WHISTLG ANOTHER ROOM, OR THE WAY KISSG FEELS."{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SCE OLIVER WAS A WOMAN WRG THE LERARY AND POETRY WORLDS, TWO SPAC TRADNALLY RELEGATED TO MALE WRERS, THAT LE OF CRICISM IS NOT SURPRISG TO ME. DOUBLY SO FOR A LBIAN WRER, AND TRIPLY SO FOR A LBIAN WRER WHOSE WORK HIGHLIGHTS THE BETY, TRIGUE, AND PLEXY OF THE NATURAL WORLD. FLOWERS AND SWANS ARE "JT #GIRLYTHGS," RIGHT?{BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}OF URSE, THE FACT THAT POETRY HAS LONG BEEN A PILLAR OF LBIAN CULTURE IS NVENIENTLY BEG IGNORED HERE. SAPPHO—Y, THAT SAPPHO, WHOSE NAME AND GEOGRAPHIC LOTN SPIRED THE TERMS "SAPPHIC" AND "LBIAN"—WAS A POETS THE DAYS OF ANCIENT GREECE. THE TRADN NTU TODAY, ALBE DIFFERENT FORMS. WE ALL KNOW THEM: POETRY SLAMS, OPEN MIC NIGHTS AT LOL F, SPOKEN WORD YOUTUBE CHANNELS, SELF-PUBLISHED Z BURSTG WH ANGSTY QUEER FEELS. IN FACT, SOME OF AMERI'S MOST REVERED NTEMPORARY POETS, CLUDG OCEAN VUONG (NIGHT SKY WH EX WOUNDS) AND EILEEN MYL (EVOLUTN, CHELSEA GIRLS) INTIFY UNR THE LGBTQ {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WRG OLIVER OFF AS AN UNSOPHISTITED POET IS RCTIVE OF HER TALENTS (AND TOTALLY SEXIST). IT ALSO IGNOR THE HEAVS—TALK OF LIFE AND ATH, OPPRSN AND STCTN, SEX AND BIRTH—THAT PERMEAT HER WRG. IN A TOUCHG MEMORIAL PIECE FOR LERARY HUB, WRER JEANNA KADLEC SPEAKS TO OLIVER'S E OF THE POETIC FORM TO MENT ON HUMANY'S STCTN OF THE NATURAL {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THAT STCTN EXTENDS TO MISTREATMENT WH OUR SPECI, TOO. CONTEMPORARY SOCIETY OPPRS QUEER PEOPLE AND VASTAT THE WORLD'S PLENTIFUL NATURAL ROURC (RA FORTS, RAL REEFS, OCEANS, ENDANGERED ANIMALS) SIMULTANEOLY. THE ISSU DIFFER, AND THE MOS OF OPPRSN AREN'T NEATLY PARABLE, BUT THE MSAGE IS THE SAME: THE WAY YOU ARE NATURALLY, YOUR RAW, UNADULTERATED FORM, ISN'T GOOD OR VALUABLE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}OLIVER ENURAG TO FD OUR RAISON D'êTRE THGS THAT SEEM TRIVIAL. WE'RE GOOD ENOUGH, VALUABLE ENOUGH, WHETHER OR NOT SOCIETY AGRE. LOOK AROUND, HER POETRY TELLS , THE MANDG-BUT-MELODIC VOICE OF A TE LBIAN ELR™, AND RELISH WHAT YOU SEE, WHAT YOU {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SURE, MOST OF N'T GO TOTALLY OFF-THE-GRID AND PULL A "LADY WHO LIV THE WOODS." BUT WE OWE TO OURSELV TO OBSERVE AND APPRECIATE WHAT SURROUNDS , WHAT GROUNDS . AFTER ALL, WHAT'S THE POT OF LIVG IF WE N'T TAKE A BREATHER TO EXPERIENCE THE WORLD WHICH WE LIVE?{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HER WORDS EVEN GOT THIS YOUNG, URBAN BROOKLYNE TO TAKE OUT HER AIRPODS AND GO FOR A WALK ALONE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}OLIVER SHOULD HAVE THE LAST WORD. HERE'S AN EXCERPT OM "TO BEG WH, THE SWEET GRASS":{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHAT I LOVED THE BEGNG, I THK, WAS MOSTLY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}NEVER MD THAT I HAD TO, SCE SOMEBODY HAD {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THAT WAS MANY YEARS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SCE THEN I HAVE GONE OUT OM MY NFEMENTS,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THOUGH WH DIFFICULTY...{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AND I HAVE BEE THE CHILD OF THE CLOUDS, AND OF {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I HAVE BEE THE IEND OF THE ENEMY, WHOEVER THAT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I HAVE BEE OLR AND, CHERISHG WHAT I HAVE LEARNED,{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I HAVE BEE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AND WHAT DO I RISK, TO TELL YOU THIS, WHICH IS ALL I KNOW?{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}LOVE YOURSELF. THEN FET . THEN, LOVE THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MOST OF OLIVER'S WORK IS STILL PRT AND AVAILABLE WHEREVER BOOKS ARE SOLD. I REMEND STARTG WH EVINCE, NEW AND SELECTED POEMS: VOLUME I, AND {BOX-SIZG:BORR-BOX;CLEAR:BOTH;}{BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS

She was a beloved fixture the historic gaytn cy, Provcetown. )From left: Mary Oliver and Maria Shriver at Shriver's annual Women's Conference was also openly gay and lived Provcetown, Mass., wh her partner of more than 40 years, Molly Malone Cook, until Cook's ath 2005. ”Oliver was not primarily known as a lbian poet, nor as one who had found human love early—found , moreover, long before ntemporary gay liberatn, long before uld be publicly nsecrated or clared.

” Such poems turned up actual lurgi, read om actual pulps, often: more than one wrer has dubbed her “the unofficial poet lreate” of the Unarian Universalist earlier books brg her closer to olr poets, a le of epiphanic nature poetry that has long preferred animals, any animals, and flowers, any flowers, to Homo sapiens.

In the wake of her ath, a letter she wrote to her 14-year-old self, which she unseled that beg gay would turn out to be OK, went viral. Among his achievements, he was one of the first openly gay men to n for the Geia Hoe of Reprentativ, the first openly gay male legate to the Democratic Natnal Conventn om Geia and the first openly gay chair of the DeKalb Democratic Party.

*BEAR-MAGAZINE.COM* WAS MARY OLIVER GAY

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BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/stephanie-burt">Stephanie Burt</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2019-01-18T13:50:04-05:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">January 18, 2019</time></div></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this 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3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG gBDqlf"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><div class="GenericCalloutWrapper-tojWn iHBnEl llout--has-top-borr set-embedd-le" data-ttid="GenericCallout"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO KhjZz AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image rponsive-image--expandable"><noscript><img alt="Mary Oliver stands her home lookg down at her dog." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE iTuhkZ ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">The rears who cherished Mary Oliver looked to her for advice about how to live, how to take moments not as tokens to be exchanged for later achievement but as and for themselv.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photograph by Angel Valent / The New York Tim</span></div></figure></div><p class="has-dropp has-dropp__lead-standard-headg">“The utmost of ambn,” Robert Frost once wrote, “is to lodge a few poems where they will be hard to get rid of”: not on universy syllabi but the memory of a generatn. Few poets achieved that ambn more evintly, or more obvly, than Mary Oliver, who died, Florida, on Thursday, at eighty-three. Though she grew up Oh and spent her last years warmer clim, Oliver and her poetry cleaved closely for most of her adult life to Tro and Provcetown, Massachetts, to the rocks, birds, mollks, stunng sunris, roamg mammals, and th forts of Cape Cod.</p><p class="paywall">That environment gave rise to poem after poem and book after book (nearly thirty, all told) of secular psalms, quiri to nature, and reasons to go on livg. “What is you plan to do / wh your one wild and prec life?” The qutn—a good one—that fish off “<a href=">The Summer Day</a>” may stand alongsi “ ’Tis better to have loved and lost” the annals of sententiae, thgs much of a generatn keeps tellg self, photo ptns, signatur, and subject l, on Facebook and Twter and Instagram, and on paper. (If I uld say so whout implyg any irony, I’d ll a meme.) Other l and sentenc seem almost as pable. “You do not have to be good,” begs “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Wild Gee</a>”; “You only have to let the soft animal of your body / love what lov.” Elsewhere: “Fill your hands wh the mud, like a blsg.” “My work is lovg the world.”</p><p class="paywall">Oliver offered a serns not tied to a relig orthodoxy, a way to fd the numo through poetry and the outdoors, to avoid dwellg on crowds, morny, the enomy, and their loud mands. It was a way to e words, as she put “Sleepg the Fort,” to dive to some of the “small kgdoms breathg / around me.” And yet the iendly profundi, so wily cherished, so tly eful to so many rears, were not her only tone. The same poet advised you more whimsilly to “put a / bracelet on your / ankle wh a / bell on and make a / ltle mic for / the earth beneath your foot.” At her bt, she treated her fort dwellers and beach creatur ls as relig ins than as quiet iends. “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">The Sunflowers</a>,” the poem of that name, “have wonrful stori / of when they were young— / the important weather, / the wanrg crows.” Another famo poem—the tular poem 2008’s “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">The Tro Bear and Other Adventur</a>,” though first published 1979, “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Twelve Moons</a>”—lights to image a solary bear, “lucky,” “clever,” “learng to stay away / om roads and ho.”</p><p class="paywall">Oliver was not primarily known as a lbian poet, nor as one who had found human love early—found , moreover, long before ntemporary gay liberatn, long before uld be publicly nsecrated or clared. But she did those thgs, too. Oliver shared her Provcetown life for s wh the photographer Molly Malone Cook, who rmed some poems but beme unmistakable, unavoidable, to many of Oliver’s rears only after Cook’s ath, 2005. An exceptnal late poem wh the elongated tle “Coyot the Dark, Coyot Remembered” remembers how Oliver, upon hearg two voic outdoors she thought to be yot, felt “thrilled / to be granted this secret, / that the yot, walkg together / n talk together.” In fact, she heard “two young women, two-legged for sure / and not at all aware of me,” “two mains of the wilrns,” who found each other the grace that Oliver’s verse sought outsi the human form. The ache is perhaps generatnal, and ancient: What kd of wrer would Oliver have bee if she had been able to be one of them?</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">But she did not mope about such thgs. The rears who cherished Oliver’s many volum—who ma her one of the two or three bt-sellg poets the Uned Stat, not for one volume but over many years—looked to her for advice about how to live, how to take moments not as tokens to be exchanged for later achievement but as and for themselv. “What I want my life,” she announced, “is to be willg / to be dazzled,” and Oliver’s fans uld be dazzled along wh her. Oliver’s late work n sound like part of a lurgy: “Have I experienced happs wh sufficient gratu? / Have I endured lonels wh grace?” Such poems turned up actual lurgi, read om actual pulps, often: more than one wrer has dubbed her “the unofficial poet lreate” of the Unarian Universalist nomatn.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">The earlier books brg her closer to olr poets, a le of epiphanic nature poetry that has long preferred animals, any animals, and flowers, any flowers, to <em>Homo sapiens</em>. Sometim she sounds like the early Theodore Roethke; at other tim, like D. H. Lawrence, or like her Provcetown neighbor Stanley Kunz, to whom she voted a poem wh his name the tle: “I ed to image him / g om the hoe, like Merl,” opens.</p><p class="paywall">For her reer shape, and her receptn, a better mol might be Edna St. Vcent Millay. The teen-aged Oliver showed up one day at the Millay tate, upstate New York, agreed to work on the papers wh Millay’s sister, and end up livg there for “six or seven years.” As wh Millay, the fact of her populary may have disuraged cril tert; as wh Millay, her genr, and the genr of her biggt fans, has shaped her receptn some fairly obv ways. But (as wh much of Millay) there is another sense which the poems jt do not need crics: they try very hard to atta the directns of sunlight, the rehg quali of sprg water and h bread, to be good for you whout needg you to seed them, peel them, dice them, or procs them further first.</p><p class="paywall">Not all the rears of poetry Ameri found ourselv Oliver’s large dience. But those of halfway or wholly outsi , if we are ser about the powers our art form n hold, ought to acknowledge what that dience sought. Oliver’s s of lani and redisveri provid so many rears wh what Kenh Burke lled “equipment for livg,” tools to fight gloom, to open the ont door, to lead wilr or more prec liv. They also provid advice agast selfishns, agast self-centeredns, agast the ia that experience or thory or cleverns uld make you a better person than the rt, or give you the answers that everybody needs. Those answers—and Oliver was ually sure they existed—might be found owls at dk, beach ros, brief words wh one favore person, tis on the sand, the tracks of bears, the ntemplatn of wild gee. No wonr so many rears led up, for book after book, to hear what she wanted to say.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box ArticlePageSplAdRail-OyjwD jikppc"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="ArticlePageSplAdRailContent-jsltpq iZDmmY spl-ad-rail-ntent"><div class="ArticlePageSplAdRailTop-jUrrVY jzzFg"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="8rtcw"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot 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grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/stephanie-burt">Stephanie Burt</a>, a profsor of English at Harvard, has wrten several books of lerary cricism and poetry, cludg “<a href=">After Callimach</a>,” wh Mark Payne.</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/poetry" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Poetry</span></a><a href="/tag/mary-oliver" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Mary Oliver</span></a><a href="/tag/postscript" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Postscript</span></a></div></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="NewsletterSubscribeFormWrapper" class="NewsletterSubscribeFormWrapper-fCqqkN jKSBhE newsletter-subscribe-form ContentFooterNewsletterForm-hKeYwa liPqcf"><div data-ttid="NewsletterSubscribeFormHedDekWrapper" class="NewsletterSubscribeFormHedDekWrapper-fpMElW eglIBL"><h3 class="NewsletterSubscribeFormDangeroHed-kRwWjt kbxOa-D newsletter-subscribe-form__hed 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summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2017/11/27/what-mary-olivers-crics-dont-unrstand" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="What Mary Oliver’s Crics Don’t Unrstand" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Books</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href="/magaze/2017/11/27/what-mary-olivers-crics-dont-unrstand" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">What Mary Oliver’s Crics Don’t Unrstand</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2017/11/27/what-mary-olivers-crics-dont-unrstand" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="What Mary Oliver’s Crics Don’t Unrstand" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">For Ameri’s most beloved poet, payg attentn to nature is a sprgboard to the sacred.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Ruth Frankl</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm dqlGhv" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2017/07/31/n-poetry-change-your-life" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Can Poetry Change Your Life?" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">A Cric at Large</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href="/magaze/2017/07/31/n-poetry-change-your-life" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Can Poetry Change Your Life?</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2017/07/31/n-poetry-change-your-life" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Can Poetry Change Your Life?" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Why we are so fensive about the art form’s value.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Louis Menand</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--evio summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm dqlGhv" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 720w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 480w" siz="100vw"/><img alt="Breakg Down Tracy K. Smh’s Poem “Solstice”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Vio</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Breakg Down Tracy K. Smh’s Poem “Solstice”</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 720w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 480w" siz="100vw"/><img alt="Breakg Down Tracy K. 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