Takg off the ‘Masc’: How Gay-Intifyg Men Perceive and Navigate Hyper-Masculy and “Mascg” Culture Onle – LGBTQ Policy Journal

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Celebrate the bt gay movi wh our list of the 50 most sential LGBTQ+ films ever ma

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NEW DOC UNVERS HOW "INTERNATNAL MALE" CAPTURED THE GAY GAZE—ONE BULGE AT A TIMEYOUR FAVORE PEC-AND-POUCH-FILLED FASHN TALOG IS FALLY GETTG THE RETROSPECTIVE SERV. {FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}LIFEBY MICHAEL MTOJANUARY 27, 2020/1:41 {HEIGHT:HER;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;POSN:RELATIVE;-WEBK-FLEX-WRAP:WRAP;-MS-FLEX-WRAP:WRAP;FLEX-WRAP:WRAP;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;-WEBK-TRANSFORM-ORIG:CENTER;-MS-TRANSFORM-ORIG:CENTER;TRANSFORM-ORIG:CENTER;} IMG{HEIGHT:100%;WIDTH:100%;OBJECT-F:VER;}{HEIGHT:2043PX;WIDTH:2048PX;}BRAWN, LLCBY MICHAEL MTOJANUARY 27, 2020 / 1:41 PM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"NEW DOC UNVERS HOW \"INTERNATNAL MALE\" CAPTURED THE GAY GAZE—ONE BULGE AT A TIME","THUMBNAILURL":","DATEPUBLISHED":"2020-01-27T18:41:51.000+0000","DATEMODIFIED":"2020-01-27T18:41:51.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","URL":","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"LOGO TV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"LOGO TV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT"}},"CREATOR":"MICHAEL MTO","KEYWORDS":"MTO UNFILTERED","ARTICLESECTN":"LIFE"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}STARTG THE 1970S, THE INTERNATNAL MALE TALOG HAD A D APPEAL TO GAYS ANX TO GAWK AT THROBBG PECS, SHOP FOR SOME OFFBEAT CHIC, AND MAYBE GIGGLE A LTLE. AT THE SAME TIME, STRAIGHTS PICKED UP ON S REVISNIST TAKE ON HOW MAL WERE ALLOWED TO LOOK, PLETE WH MCLY MOLS WHE PIRATE SHIRTS AND BLUE BOXERS WH A “NTOUR POUCH."{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE TALOG’S PRE-STARDOM MOLS CLUD THE LIK OF SHEMAR MOORE, KEV SORBO, DAVID CHOKACHI, AND REICHEN LEHMKUHL, AND S ADMIRERS WERE EVERYONE OM CALV KLE TO MOVIE AND THEATER STUME SIGNERS LOOKG FOR THREADS AND IAS. AT S PEAK, THE 1990S, THERE WERE ABOUT THREE LN TALOGS SENT OUT EVERY QUARTER, WH AN AMASSED REVENUE OF WELL OVER $100 LN.ALL {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE RULTG PHENOMENON IS FALLY THE SUBJECT OF A DOCUMENTARY: ALL MAN, DIRECTED BY BRYAN DARLG AND JSE FLEY REED. “MORE THAN OUTRAGEO FASHNS, HUNKY MOLS, AND SNDALO UNDI, ALL MAN IS A JOURNEY ACROSS THREE S OF THE INTERNATNAL MALE TALOG’S LASTG IMPACT ON FASHN, MASCULY, AND GAY RIGHTS," READS THE DOCUMENTARY'S MISSN STATEMENT. THE FILM IS CURRENTLY PRODUCTN, WH NO NCRETE RELEASE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I TALKED TO THE DIRECTORS ABOUT THE PROJECT AND WHAT MA INTERNATNAL MALE SO “READABLE."{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HI, GUYS. I ALWAYS HAPPENED TO GET THE INTERNATNAL MALE TALOG THE MAIL. I HAVE TO ADM I WONRED HOW THEY GOT MY NAME, BUT I WAS KD OF THRILLED THAT THEY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JSE FLEY REED: THAT’S THE NUMBER ONE QUTN. “HOW DID THEY GET MY NAME?” THEY BOUGHT MAILG LISTS. IT WAS A MAGIL THG FOR ME. THIS THG STARTED G, AND I THOUGHT, DID THE BOYS AT SCHOOL WHO TEASE ME SEND THIS TO ME? I DIDN’T {BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BRYAN DARLG: IN OUR MOVIE, CARSON KRSLEY SCRIB THE EXPERIENCE OF GETTG SUCH UNBELIEVABLE TAIL. IT WOULD BE SENT TO HIS OLR BROTHER AND CARSON WOULD GO TO THE MAILBOX TO GET FIRST AND TAKE TO THE BASEMENT REC ROOM. AT SOME POT, HE NVCED HIS MOTHER TO BUY HIM SOME CLOTH OUT OF {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WAS HIS BROTHER GAY?{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JFR: NO. LET’S SAY YOU HAD GOTTEN PLAYBOY, GQ, OR COLUMBIA HOE RERDS. THEY’D BUY THOSE MAILG LISTS AND SEND TALOGS, ASSUMG THAT WAS THE MOGRAPHIC THEY WERE GOG AFTER. YOU HAVE ALL THE MEN THEIR 20S AND 30S THAT HAD SUBSCRIPTNS TO SOMETHG AND WOULD JT GO TO THEM. A LOT OF THE CLIENTELE WERE STRAIGHT AND A LOT WERE WOMEN BUYG FOR THEIR {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WOULD YOU SAY ALSO APPEALED TO A LOT OF CLOSET S?{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BD: {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JFR: IT WAS SAFE TO HAVE ON THE FFEE TABLE. IT ULD GO THE REGULAR MAIL WHOUT A SPECIAL ENVELOPE. IT WAS A GATEWAY TO A DIFFERENT WORLD—A WAY OF LOOKG AT MEN AND MEN’S BODI. THAT WAS SUPER POWERFUL TO GAY PEOPLE BEE REPRENTATNS OF GAYNS WERE HORRIFIC THE ‘80S. HERE WERE MEN TRAVELG THE WORLD AND LGHG AND WEARG UNRWEAR.BRAWN, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BD: GAY MEN HAVE ALWAYS BEEN MORE AWARE OF THEIR BODI THAN OTHER MEN, AND STRAIGHT MEN WERE NEVER ALLOWED THE EEDOM TO DO THAT. IN A LOT OF WAYS, INTERNATNAL MALE WAS TG AND GIVG PERMISSN FOR MEN AS A WHOLE TO LOOK AT EACH OTHER AND THEMSELV A WAY WHERE SEXUALY IS OPEN AND THE BODY IS SOMETHG TO BE CELEBRATED AND LOOKED AT, AND YOU ULD WEAR LORFUL PRTS AND WILD CLOTH AND NOT BE GAY OR NOT BE FEME. YOU’RE STILL MASCULE, STILL A {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JFR: THAT’S WHY THEY CHOSE SUPER MASCULE, RIPPED, ABLE-BODIED {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BD: THE IAS OF BEG SEXUALIZED AND BODY-NSC HAD ALWAYS BEEN RERVED FOR WOMEN. IF GUYS DID THAT, PEOPLE THOUGHT THEY HAD TO BE GAY BEE THAT’S A GOOD-LOOKG GUY WAS NOT AS MON AS NOW. INTERNATNAL MALE HELPED NORMALIZE THE WAY STRAIGHT MEN ULD LOOK AT OTHER MEN AND SAY, “THAT’S A HOT GUY. I WANT TO LOOK LIKE THAT.”BRAWN, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}TO ME, THE TALOG TRIPLED AS KSCH, PORN, AND A EFUL {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JFR: IT WAS PERMISSN FOR NOT-YET-OUT GAY BOYS TO LOOK, FOR STRAIGHT WOMEN WHO WANT TO SEE WHAT THEY NSIR A SEXY DON JOHNSON-TYPE GUY AND DRS THEIR BOYIEND THAT WAY, AND FOR A STRAIGHT GUY WHO WANTS TO BE A LTLE MORE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HOW DID INTERNATNAL MALE START?{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BD: GENE BURKARD—A GAY MAN WHO’S NOW ABOUT 89 OR 90 AND IS STILL SAN DIEGO—STARTED 1972 WH A PIECE OF UNRWEAR LLED THE JOCK SOCK. HE WAS WALKG DOWN THE STREETS OF LONDON AND ME ACROSS A MEDIL STORE FULL OF NTENCE EMS WHERE HE SAW A PAIR OF ADULT MEN'S UNRWEAR. HE WAS TRIGUED AND BROUGHT BACK, THEN HIRED A PATTERN MAKER TO MODIFY AND MAKE THE JOCK SOCK. HE PUT AN AD PLAYBOY AND THAT’S WHEN TOOK OFF. IN 1976, THE FIRST TALOG WENT OUT.BRAWN, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JFR: AH-MEN WAS A TALOG THAT PRECED INTERNATNAL MALE, AND GENE FELT THEIR CLOTH WEREN’T MASCULE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BD: IT WAS THAT SORT OF NT GAY LOOK OF THE ‘70S—FTANS AND BATHG SUS. GENE FELT WAS TOO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BUT HE STILL WHIPPED UP LOTS OF {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JFR: SOME OF GENE’S IAL SPIRATN WAS, “WHY ARE MEN DRSG SO BORGLY, PARED TO EUROPE?” THAT’S WHAT HE WANTED TO BUILD {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BD: A LOT OF THE PEOPLE THAT ME ON BOARD AT THE BEGNG OF INTERNATNAL MALE WERE YOUNG AND EXPERIENCED. THEY WERE DOG BY THE SEAT OF THEIR PANTS AND HAD NO IA WHAT THEY WERE DOG. IT STARTED A TTAGE WH TERM. IT WASN’T UNTIL THE ‘80S THAT PEOPLE WERE BROUGHT TO PROFSNALIZE AND STREAMLE . THEY WANTED TO MAKE SOMETHG SEXY AND DIFFERENT AND FUN.BRAWN, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JFR: IT WAS A BAND OF OUTSIRS THAT ME TOGETHER. THE STAFF WAS ALL GAY MEN OR WOMEN. IT WAS AMAZG TO GO TO WORK. TO WORK A PLACE WHERE YOU ULD BE SO OPEN WAS SOMETHG NOT EXPERIENCED. AND WOMEN LEARNED WHAT GAY WAS. AS FOR THE MOLS, WAS THE HIGHT PAYG JOB A MOL ULD GET THE DTRY. THIS WAS THE BEGNG OF THE MALE MOL AND SUPERMOLS. SOME WERE MOLS FOR VERSACE AND HERB RTS, BUT THEY MA THEIR BREAD AND BUTTER WORKG FOR INTERNATNAL MALE AND BOUGHT THEIR HO OM . GENE WANTED A “MAGALOGUE”—PART MAGAZE, PART TALOG. HE SAID, “I WANT TO DO A TIGHT HEADSHOT OF A MOL ON THE VER TO MAKE LIKE A GLOSSY MAGAZE.”{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHY WAS CALYN JENNER ON THE VER 1980?{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BD: IT WAS A WAY FOR JENNER TO GET [HER] NAME AND CLOTH AND BRAND OUT THERE. FOR INTERNATNAL MALE, WAS A WAY TO LEGIMIZE THEIR BRAND. THERE WAS ALWAYS A LETTER OM THE EDOR, GENE. THE ONE OM THAT TALOG IS SO GOOD BEE THAT WAS THE TIME JENNER AND [HER] PEOPLE WERE PHG [HER] TO BE MORE OF A CELEBRY. IT TALKS ABOUT 1980 BEG WONRFUL BEE A MOVIE LLED CAN’T STOP THE MIC [A BIG FLOP STARRG THE VILLAGE PEOPLE AND JENNER] WAS G OUT. IT SAID, “FROM EARLY SH, WE N TELL YOU ’S HOT.”{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHAT WERE THE MOST OUTRAGEO EMS SOLD BY INTERNATNAL MALE, ASI OM THE JOCK SOCK?{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BD: ONE OF THE FIRST EMS THEY FOUND WAS THIS BRISH NAVY SHIRT LLED THE STOKER. IT WAS A PLETELY KN MH SHIRT, WHICH LOOKED LIKE YOU WERE WEARG A . ON THE NAVY SHIP, SOAKED UP SWEAT WHEN THEY WERE SHOVELG AL TO THE ENGE. THEY BROUGHT THAT BACK AND CREATED A STORY AROUND . WHEN YOU LOOK AT , ’S PRETTY GAY. IT WAS SUCH A HUGE SELLER THAT THEY RAN OUT OF AND EVENTUALLY BEGAN TO KNOCK OFF.ALL {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JFR: IN THE ‘80S, THEY SOLD A JUMPSU WH LOTS OF ZIPPERS A SOFT LAVENR. IT’S AMAZG. IT WAS A PIECE THEIR FOREIGN LEGN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HOW DID THE BRAND EVOLVE THROUGH THE YEARS?{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JFR: GENE SOLD THE PANY 1986. IT WAS TAKEN OVER BY HANOVER DIRECT, A NGLOMERATE WHICH PREVLY HAD NVENTNAL, MIDDLE AMERIN TALOGS. THEY HAD THE SIRE TO BLOW UP THE TALOG, MASTREAM {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BD: IN THE ‘90S, YOU SAW CHANG. THEY WERE TRYG TO MAKE SEXY, BUT NOT SEXUALIZED. THEY WANTED TO STRADDLE THIS LE TO GET MORE STRAIGHT MAL, A BROAR MOGRAPHIC. THEY WANTED TO KEEP THE GAY CTOMER, BUT ALSO EXPAND . IT GREW TO AN ENORMO EXTENT. THEY WERE HEAVILY FLUENTIAL CREATG THE YOUNG MEN’S CLOTHG MARKET.BRAWN, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHY DID THE BRAND FA OUT 2007? WAS THE TER?{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JFR: THERE WAS THE TER, AND I THK THEY LOST THEIR WAY. YOU N SEE THEM OSCILLATE BETWEEN EXTREM—SUPER TRASHY ONE ISSUE AND SUPER NSERVATIVE THE NEXT. THE CULTURE CHANGED AND THEY LOST THEIR {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BD: IF YOU LOOK AT THEIR LATER CLOTH, THERE WAS NOTHG SPECIAL ABOUT THEM. IN THE ‘90S, WHO IS WEARG THIS GIANT LEOPARD PRT OUTF? IT ALMOST BEME A RTOON OR PARODY OF SELF. INTERNATNAL MALE ACTUALLY SIGNED A LOT OF CLOTH -HOE—THEY DIDN’T JT BUY CLOTH—BUT AT A CERTA POT, THEY WERE NO LONGER NOVATG. THEY WERE TRYG TO APPEAL TO FATHERS. ALL OF A SUDN, KIDS AND FAI STARTED APPEARG THE TALOG. I HATE TO P ON THE TER BEE THEY DID HAVE A SE. IT’S MORE THAT THE PEOPLE OWNG DIDN’T KNOW WHAT TO DO WH {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WELL, THANKS FOR KEEPG ALIVE. I’LL LOOK FOR YOUR MOVIE THE {BOX-SIZG:BORR-BOX;CLEAR:BOTH;}MTO {BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS

Films like Portra of Jason and Tongu Untied, for stance, tell ntemporary viewers as much about the dividual stori about gay Black men prented on screen as about the muni (real and imaged) that their rpective filmmakers brought to bear on their fished films.

Siarly, aptly-tled works like Before Stonewall: The Makg of a Gay and Lbian Communy and Forbidn Love: The Unashamed Stori of Lbian Liv offer not jt potent history lsons but snapshots of how Amerins were nceivg of their own muny-buildg the years followg the 1969 Stonewall rts.

Synopsis: This documentary highlights the historil ntexts that gays, lbians, bisexuals and transgenrs have occupied cema history, and shows the...

NETFLIX EXPOS THE SECRET GAY HISTORY OF NAZI GERMANY

Crics Consens: Outrage walks a difficult moral and ethil le -- and not always succsfully -- but spe s flaws, 's a fascatg, provotive look at homosexualy Amerin polics. Synopsis: Osr-nomated documentarian Kirby Dick directs this shockg and passnate dictment of the clanste hypocrisy of many closeted homosexuals Washgton,... Crics Consens: We Were Here reviss the cris facg the gay muny the early 1980s -- and offers a powerful tribute to the spirg rolve shown at a time of turmoil.

Before Sean Penn played the charismatic, martyred gay polician a dramatized film, we got to see the real Harvey Milk this documentary om director Rob Epste.

10 DOCUMENTARI ABOUT BEG BLACK AND QUEER AMERIEDUTE {FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}MOVIBY NEWNOWNEXT EDORSJUNE 5, 2020/12:56 {HEIGHT:HER;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;POSN:RELATIVE;-WEBK-FLEX-WRAP:WRAP;-MS-FLEX-WRAP:WRAP;FLEX-WRAP:WRAP;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;-WEBK-TRANSFORM-ORIG:CENTER;-MS-TRANSFORM-ORIG:CENTER;TRANSFORM-ORIG:CENTER;} IMG{HEIGHT:100%;WIDTH:100%;OBJECT-F:VER;}{HEIGHT:3156PX;WIDTH:4643PX;}TED THAI/THE LIFE PICTURE COLLECTN VIA GETTY IMAGUNITED STATES - JUNE 01: AUTHOR JAM BALDW (PHOTO BY TED THAI/THE LIFE PICTURE COLLECTN VIA GETTY IMAG)BY NEWNOWNEXT EDORSJUNE 5, 2020 / 12:56 PM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"10 DOCUMENTARI ABOUT BEG BLACK AND QUEER AMERI","THUMBNAILURL":","DATEPUBLISHED":"2020-06-05T16:56:44.000+0000","DATEMODIFIED":"2020-06-05T16:56:44.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","URL":","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"LOGO TV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"LOGO TV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT"}},"CREATOR":"NEWNOWNEXT EDORS","ARTICLESECTN":"MOVI"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IT HAS BEEN MORE THAN A WEEK SCE THE MURR OF GEE FLOYD, AN UNARMED BLACK MAN KILLED BY POLICE MNEAPOLIS, MNOTA. FLOYD’S KILLG—AND THE UNTIMELY ATHS OF UNTLS OTHER BLACK AMERINS, CLUDG TONY MCDA OF FLORIDA AND BREONNA TAYLOR OF KENTUCKY—HAVE PROMPTED PROTTS AGAST RACISM AND POLICE BTALY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WH MANY WAKG UP TO THE JTIC BLACK PEOPLE HAVE EXPERIENCED THE CENTURI SCE THIS NATN'S FOUNDG, HERE IS A LIST OF 10 DOCUMENTARI ABOUT BEG BLACK AND QUEER AMERI. NON-BLACK QUEER FOLKS—'S TIME TO START TG YOURSELF ABOUT ANTI-RACISM IF YOU HAVEN'T {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}TONGU UNTIED (1991){BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:75%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHEN MARLON RIGGS’ TONGU UNTIED PREMIERED ON PBS JULY 1991, URTED NTROVERSY WH NSERVATIVE POLICIANS AND PUNDS, WHO WERE OUTRAGED THAT PUBLIC MONEY WAS ED TO FUND A WORK THAT DICTED MAJORY CULTURE, AND PARTICULARLY THE TREATMENT OF BLACK GAY PEOPLE, AND THAT PICTED NUDY AND GAY MALE SEX. BUT RIGGS’ FILM, AID BY THE TENSELY PERSONAL SPOKEN-WORD POETRY OF ESSEX HEMPHILL, NNOT BE UNRTIMATED: IT TOOK ON RAMPANT RACIST AND HOMOPHOBIC IOLOGI OUR UNTRY WH A RADIL AND SATIRIL VIEWPOT, AND ADDRSED THE SURGE OF THE AIDS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}STILL BLACK: A PORTRA OF BLACK TRANSMEN (2008){BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:75%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}STILL BLACK: A PORTRA OF BLACK TRANSMEN, KORTNEY RYAN ZIEGLER’S GROUNDBREAKG DOCUMENTARY OM '08, IS PRENTED AS A LLECTN OF SIX SHORT BLACK-AND-WHE FILMS, WHICH "CHALLENG TRADNAL NOTNS OF BLACK MASCULY, SEXUALY, AND INTY." IN 2017, DARNELL MOORE WROTE FOR NEWNOWNEXT ON HOW, TO HIS KNOWLEDGE, WAS "THE ONLY FILM FOCED ON THE LIV OF BLACK TRANS MEN."{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE NEW BLACK (2015){BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:56.49999999999999%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FILMMAKER YOBA RICHEN'S AWARD-WNG 2015 DOCUMENTARY EXPLOR HOW THE GAY MARRIAGE MOVEMENT MARYLAND SHED A LIGHT ON HOMOPHOBIA WH THE BLACK MUNY AND THE BLACK CHURCH. THE HOLLYWOOD REPORTER LLED A "THOUGHTFUL EXAMATN OF SOCIALLY NSERVATIVE, CHURCH-BASED TRADNS RPONDG TO VOIC OF REFORM, MANY OF THEM ARISG WH CHURCHGOG FAI."{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}TREASURE: FROM TRAGEDY TO TRANS JTICE MAPPG A DETRO STORY (2015){BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:56.49999999999999%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}DIRECTED BY DREAM HAMPTON, THIS 2015 DOC CHRONICL THE LIFE AND MURR OF SHELLY “TREASURE” HILLIARD, A 19-YEAR-OLD TRANS WOMAN OM DETRO. PRISOURCE SAID TREASURE TAILS HILLIARD’S STORY "WHILE TERWEAVG A NARRATIVE OF THE BIAS FACED BY MANY TRANS WOMEN TODAY. THE FILM IS UNPOLISHED BUT FULL OF A GR THAT SEEMS NATURALLY PLEMENTARY TO THE DARK STORY TELLS."{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FREE CECE (2016){BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:56.49999999999999%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IN 2011, CECE MCDONALD, A TRANSGENR WOMAN OF LOR, WAS CHARGED WH SEND-GREE MURR AFTER FIGHTG BACK AGAST AN ASSAILANT ATTACKG HER AND HER IENDS. AFTER ACCEPTG A PLEA BARGA OF SEND-GREE MANSLGHTER, SHE SPENT THE NEXT 19 MONTHS A MEN’S PRISON, WHERE SHE WAS EQUENTLY PLACED SOLARY NFEMENT (SUPPOSEDLY FOR HER OWN PROTECTN). FILMMAKER JACQUELE GAR (IN THE LIFE) CHRONICL MCDONALD’S STGGLE, AS WELL AS THE DAY SHE WAS RELEASED {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JEWEL'S CATCH ONE (2016){BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:56.49999999999999%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}JEWEL’S CATCH ONE IS A DOCUMENTARY THAT SH A LIGHT ON THE LEGACY OF ONE OF AMERI’S OLST BLACK AND QUEER-OWNED DISS, AND THE LIFE OF S OWNER, ENTREPRENR AND ACTIVIST JEWEL THAIS-WILLIAMS. HER STORY AND THE IMPORTANCE OF HER NIGHTCLUB IS ONLY JT NOW BEG WRTEN TO HISTORY AFTER CLOSG S DOORS ON JULY 18, 2015, BUT THAIS-WILLIAMS IS CREDED FOR CREATG SAFE SPAC FOR QUEER, BLACK, AND AIDS IMPACTED MUNI LOS ANGEL FOR OVER 40 YEARS WHILE FACG RACISM AND GENR {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE LIFE AND DEATH OF MARSHA P. JOHNSON (2017){BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:56.49999999999999%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MARSHA P. JOHNSON PLAYED A PIVOTAL ROLE THE STONEWALL RTS BACK 1969, BUT HER UNTIMELY ATH LEFT THE LGBTQ MUNY NVCED SHE WAS MURRED. MORE THAN 25 YEARS AFTER HER BODY WAS FOUND FLOATG THE HUDSON RIVER, THIS 2017 NETFLIX DOCUMENTARY EXPLOR THE TRANS ACTIVIST’S LEGACY, AS WELL AS THE MYSTERY SURROUNDG THE END OF HER LIFE. DIRECTED BY OSR-NOMATED DOCUMENTARIAN DAVID FRANCE, THE DEATH AND LIFE OF MARSHA P. JOHNSON FOLLOWS TRANS ACTIVIST VICTORIA CZ AS SHE ATTEMPTS TO UNVER THE TTH ABOUT WHAT HAPPENED TO HER FORMER IEND, WHILE CELEBRATG HER ACPLISHMENTS AND NTRIBUTNS TO THE LGBT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}CHECK IT (2017){BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:56.49999999999999%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THIS CRILLY ACCLAIMED FILM, DIRECTED BY DANA FLOR AND TOBY OPPENHEIMER, CHRONICL THE D.C. GANG OF THE SAME NAME THAT HAS RALLIED TOGETHER FOR PROTECTN AND SUPPORT. THE THEM OF THE DOC ARE BOTH UNIVERSAL AND SPECIFIC TO YOUNG QUEER PEOPLE OF LOR LIVG ONE OF THE WORST PARTS OF D.C.: CHECK IT HAS NEARLY 200 MEMBERS, MOST OF WHOM MAKE MONEY “MTG CRIM LIKE PETTY THEFT, ROBBERY, AND RJACKG,” ACRDG TO FLOR. THEY’RE TRYG TO TURN THGS AROUND—TO TURN AWAY OM VLENCE AND CRIME—BUT ’S NOT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}I AM NOT YOUR NEGRO (2017){BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:56.49999999999999%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ONE OF THE MOST BRILLIANT MDS OF THE 20TH CENTURY, BALDW ARTICULATED THE PROBLEM OF RACE AMERI BETTER THAN PROBABLY ANYONE EVER OR SCE. AND HE WAS UNAPOLOGETILLY GAY—HIS 1956 NOVEL, GVANNI’S ROOM, WAS A MASTERPIECE OF QUEER LERATURE. THE 2017 DOCUMENTARY REVIV BALDW’S GENI FOR CULTURAL ANALYSIS AND CRIQUE A TIME WHEN IS NEED MORE THAN EVER: RAOUL PECK’S I AM NOT YOUR NEGRO SEEKS TO RECREATE BALDW’S LAST, UNFISHED WORK: A PROJECT LLED “REMEMBER THIS HOE,” CHRONICLG THE LIV OF HIS SLA IENDS, CIVIL-RIGHTS ACTIVISTS MEDGAR EVERS, MALLM X, AND MART LUTHER KG, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}NEON (2020){BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:56.49999999999999%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}EARLIER THIS YEAR, GLAAD LNCHED NEON, A DIGAL DOCUMENTARY SERI AIMED AT HIGHLIGHTG BLACK LGBTQ {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}“WE HOPE TO HELP SHIFT THE NARRATIV OF UNRREPRENTED MUNI MEDIA, PECIALLY FOR THE BLACK LGBTQ MUNY AND THEIR ALLI,” SAID DASHAWN USHER, GLAAD’S PROGRAMS OFFICER, MUNI OF LOR, AND PRODUCER OF NEON. “WH AN CREASE VLENCE AND MURRS OF BLACK TRANS WOMEN, LGBTQ YOUTH SUICIS, AND A CREASE LGBTQ ACCEPTANCE, NEON AT A TIME WHEN ’S ABSOLUTELY CRIL TO SHOWSE DIVERSE, FAIR, AND ACCURATE REPRENTATNS OF BLACK LGBTQ PEOPLE WH THE MEDIA.”{BOX-SIZG:BORR-BOX;CLEAR:BOTH;}{BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS

The team of Rob Epste and Jefey Friedman me up wh another important documentary 1996's The Celluloid Closet, based on the classic book by Vo Rso and explorg how Hollywood has portrayed homosexualy. "Hollywood, that great maker of myths, tght straight people what to thk about gays and gay people what to thk about themselv, " says narrator Lily Toml.

He had strong opns on uture but was hard to p down about his sexual inty; he's been scribed as gay, bisexual, or fluid, but he exprsed disda for labels. The San Francis Gay Men's Chos went on a journey of renciliatn at a divisive time -- durg the 2016 printial mpaign -- tourg the Deep South, nsired hostile terrory by many LGBTQ+ people.

The piece of apparel might be a pop culture footnote now, but for a while the mail-orr talog that spired meant que a lot, as evinced by Bryan Darlg and Jse Fley Reed’s the early 1970s, Gene Burkard, a gay former airman turned entreprenr, slightly retooled a medil garment lled a spensory to a “jock sock. As the fashn mentator Simon Doonan argu the film, Internatnal Male documented — and revented — gay and straight men’s shared fetishizatn of masculy.

TAKG OFF THE ‘MASC’: HOW GAY-INTIFYG MEN PERCEIVE AND NAVIGATE HYPER-MASCULY AND “MASCG” CULTURE ONLE

Startg the 1970s, the Internatnal Male talog had a d appeal to gays anx to gawk at throbbg pecs, shop for some offbeat chic, and maybe giggle a ltle. “More than outrageo fashns, hunky mols, and sndalo undi, All Man is a journey across three s of the Internatnal Male talog’s lastg impact on fashn, masculy, and gay rights, " reads the documentary's missn statement. Here were men travelg the world and lghg and wearg Gay men have always been more aware of their bodi than other men, and straight men were never allowed the eedom to do that.

In a lot of ways, Internatnal Male was tg and givg permissn for men as a whole to look at each other and themselv a way where sexualy is open and the body is somethg to be celebrated and looked at, and you uld wear lorful prts and wild cloth and not be gay or not be feme.

”To me, the talog tripled as ksch, porn, and a eful It was permissn for not-yet-out gay boys to look, for straight women who want to see what they nsir a sexy Don Johnson-type guy and drs their boyiend that way, and for a straight guy who wants to be a ltle more did Internatnal Male start?

*BEAR-MAGAZINE.COM* GAY MASCULINITY DOCUMENTARY

‘Eldorado’: Netflix Expos the Secret Gay History of Nazi Germany – Rollg Stone .

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