Tchaikovsky not gay? Here's some more mil shocks for you | Classil mic | The Guardian

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Listen to Brahms, Bernste, & the Boys! by Dr. Stan Hill & San Francis Gay Men's Chos on Apple Mic. Stream songs cludg "Everyone Sang!", "Four Ser Songs, Op. 121 (Sung In German)" and more.

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TCHAIKOVSKY NOT GAY? HERE'S SOME MORE MIL SHOCKS FOR YOU

Classil mic wouldn't be what is today whout the great gay matros. * brahms gay *

He studied unr Frank Bridge, John Ireland and Arthur Benjam among others, and was also a fe ground-breakg operas, which clu Peter Grim (1945), and The Turn of the Screw (1954) – and his famo War Requiem – tackle ntemporaneo issu around psychology and post-war trma, as well his own homosexualy, which was illegal Brten’s lifetime.

As well as beg one of the first openly gay posers full stop, Poulenc also didn’t chew his sexualy the ntext of his relig posns spanned om timate chamber sonatas wh sublime, twistg melodi and lite imprsnist harmoni (thk the 1957 Flute Sonata), to his Piano Concerto and epic one-act opera for soprano and orchtra, La voix humae. Tchaikovsky was gay at a time when was illegal Rsia. He was believed to have been gay, movg circl Italy and London where same-sex sire was accepted.

Mic historian Ellen Harris leads on the se for Hanl’s homosexualy, argug that his ntatas exhib a clear homosexual subtext her book Hanl as Orphs. And like them, he was associated wh gay clergyman, Cardal Pietro Baroque poser and vlist is known for his chamber sonatas and ncerti grossi, and has gone down history for refg to play a sectn of Hanl’s orator, The Triumph Of Time And Tth, bee a vl note went higher than Corelli believed appropriate for the stment.

*BEAR-MAGAZINE.COM* BRAHMS GAY

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nsumer-marketg-un--display-hero" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-hero"></div><div class="journey-un"></div></div></div><div class="SpaceHolr-oayp fXtswJ ad-height-hold"></div><ma id="ma-ntent" tabx="-1" class="BasePageMaContent-kFvAuh ewPCZH page__ma-ntent"><article class="article ma-ntent" lang="en-US"><div class="ArticlePageLeBackground-EufvU tFsh"><hear class="ContentHearWrapper-clujbs bhNIJY ntent-hear article__ntent-hear"><div data-ttid="ContentHearContaer" class="ContentHearContaer-cGKRbE knDxNq"><div class="ContentHearHedAccredatnWrapper-GFiQf cDNVlV"><div data-ttid="ContentHearTleBlockWrapper" class="ContentHearTleBlockWrapper-cjmSKp jbzVNV"><div data-ttid="ContentHearRubric" class="ContentHearRubricBlock-LmpbT kkDiIx"><div data-ttid="ContentHearRubricDateBlock" class="ContentHearRubricDateBlock-kAQcZP fTFWxD"><div class="RubricWrapper-dKmCNX dZhWBL bric ContentHearRubricContaer-eTudtt iRsSlw"><a class="RubricLk-gRWSOU fgWnkQ bric__lk" href="/culture/cultural-ment"><span class="RubricName-fVtemz cLxcNi">Cultural Comment</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd NbxED hpJvIc">Grievg wh Brahms</h1></div><div class="ContentHearAccredatn-lfctVB enhwXT ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ Mtme">There is enormo sadns his work, a sadns that glows wh unrstandg.</div><div class="ContentHearByle-kmPyCa gvUmxJ"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearContributorImage-cvjZXn jKACOU"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearContributorImage-cvjZXn jKACOU rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="66px"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="66px"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bqbBYQ"><p class="ByleWrapper-jWHrLH ivtvgj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/alex-ross">Alex Ross</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2020-04-16T06:00:00-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">April 16, 2020</time></div></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHearLeadAsset-hGbumP iWPCcH lead-asset ContentHearLeadAssetWrapper-hfXHEc fTrSlG lead-asset--width-smallle" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb khLUzS"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz kJCrka"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO KhjZz ContentHearRponsiveAsset-bREgIb khLUzS rponsive-image rponsive-image--expandable"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="Alex Ross's childhood piano" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE iTuhkZ ptn ContentHearLeadAssetCaptn-hPWmSN kuCzGS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">Brahms is the great poet of the ambiguo, -between, namels emotns. In a repertory full of arrted adolcents, he is the most adult of posers.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photograph by Mallm Ross</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" class="ContentHearLeadRailAnchor-jYVcDc djtEof"></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kAEsuD viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU cjjxgx bookmark mobile"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">My mother, the meralogist Daphne Ross, died on Febary 24th, at the age of nety-one, of plitns om Parkson’s disease. It was late eveng Los Angel when my brother lled wh the news, and I got to the airport time for a red-eye to Washgton, D.C. Unable to sleep, I spent the flight listeng to late-perd works by Johann Brahms: his two claret sonatas, his Claret Qutet and Tr, his fal piec for piano. I broke down tears only once, when Radu Lupu, on his parable Dec rerdg of the later piano mic, offered up the <a href=">Intermezzo Op 117, No. 1</a>. I ed to play the piece myself, on an upright piano that sat my parents’ basement. I would sometim lnch to after one of my disrdant late-Romantic improvisatns, which I believed to be evince of my tragic teen-age geni, and which, I knew, tted my mother’s patience, even if she never said so. I uld tell she was listeng when the flow of water om the kchen fcet slowed to a trickle, or stopped altogether.</p><p class="paywall">I turned to Brahms bee I always turn to Brahms, moods bright or dark. I intify wh the protagonist of Wallace Stevens’s “Anglais Mort à Florence,” for whom Brahms is a “dark faiar.” People who claim to fd Brahms dry or dismal—’s not an unmon opn, even among otherwise discerng mic lovers—are speakg gibberish that I n’t bate, bee I don’t unrstand a word. I fd him the most pannable, the most sympathetic of posers. There is enormo sadns his work, and yet is a sadns that glows wh unrstandg, that eas gloom by sharg s own. The mic seems a strange way to be listeng to you, even as you listen to . At a time when an unmonly large number of people are experiencg grief, I remend Brahms as a unsellor and nfidant.</p><p class="paywall">I’m not proposg that this or any mic should be ed as a palliative. We rob the art form of s digny when we treat as a utily to manage our emotns. Philip Kennitt, his new book “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Counterpot: A Memoir of Bach and Mourng</a>,” speaks my md: “I bristle at the ia that mic is nsolg or has healg power. It is a cliché of lazy mic talk, the sort of thg said by people who give money to the symphony and have their nam chiseled on the wall of the opera hoe.” It is also a cliché of the digal age, which routely subjugat mic to life-style needs: dividual creative voic are bundled to playlists signed to help wake up, foc, zone out, make love, and fall asleep. Kennitt ntu, “Mic, if anythg, mak raw, more sceptible to pa, nostalgia, and memory.” His lyril and hntg book tells of how he immersed himself Bach’s Goldberg Variatns the wake of his own mother’s ath. The mic guis him through the plexy of his feelgs—his experience as a son was far more ght than me—and lets him emerge on the other si.</p><p class="paywall">Bach is undoubtedly mic’s supreme pann of extreme distrs. The human speci has yet to unrgo a tastrophe that Bach did not see g long advance. The <a href=">openg chos</a> of the <a href=">St. John Passn</a>, which I’ve listened to many tim recent weeks, nveys both the overwhelmg power of fateful events and the helplsns that we feel their face. But, on the plane to D.C. that night, Bach would have been too raw, too dire. Wh Brahms, everythg pass through layers of reflectn. He is the great poet of the ambiguo, -between, namels emotns: ambient unease, pervasive wistfulns, bemed rignatn, ntaed rage, ironic merriment, sg through tears, the almost pleasurable fatigue of ep prsn. In a repertory full of arrted adolcents, he is the most adult of posers.</p><p class="paywall">In the world of Brahms, is, above all, always late. Light is wang, shadows are growg, silence is encroachg. The topic of latens and lonels Brahms is a faiar one; the adjectiv “tumnal” and “elegiac” follow him everywhere. Scholars have tried to parse Brahmsian melancholy terms bgraphil, philosophil, and socpolil. He was a self-ntaed man who never married and prized his separatens. He belonged to a generatn that saw the irreversible transformatn of nature the age of steam and speed. Rehold Brkmann, his book “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Late Idyll</a>,” speaks of Brahms’s nscns of his lateer stat mil history, at the end of a le that began wh Bach and reached s height wh Haydn, Mozart, Beethoven, and Schubert. After him me the luge of twentieth-century mic, of which he got a glimpse the hothead youthful works of Mahler and Richard Strss.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">It’s wrong, however, to view Brahms as a backward-lookg or nostalgic poser, at least the nventnal sense of nostalgia. Nile Grim, her fely perceptive book “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Brahms’s Elegi</a>” (dited to her mother’s memory), c the ncept of reflective nostalgia, as fed by the late lerary scholar <a href=">Svetlana Boym</a>. Unlike rtorative nostalgia, which envisns a return to home, reflective nostalgia “lays the homeg—wistfully, ironilly, sperately,” Boym’s words. “Reflective nostalgia dwells on the ambivalenc of human longg and belongg and do not shy away om the ntradictns of morny.” Rtorative nostalgia tends toward the reactnary; reflective nostalgia n be fully morn. Brahms certaly belongs to the latter tegory. Op 117, No. 1 begs wh a lullaby of heartbreakg simplicy and pury, but giv way to a middle sectn of broodg, bass-exvatg arpeggs, and when the lullaby returns is embroired, dispersed, distanced om realy. Before the fal nce, to a halt, as if silently shudrg.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">The ia that there is somethg surreptly radil about Brahms is hardly new. In 1933, <a href=">Arnold Schoenberg</a> livered a lecture tled “Brahms the Progrsive,” scribg how his precsor’s trite velopmental techniqu fluenced his own mornist methods. There are moments Brahms when the entire tonal system seems to be hangg by a thread. This happens pecially some of the late piano piec, when stable tonal progrsns grow srce and you feel an abyss openg unrneath a lm surface. The atmosphere of agily is of a piece wh Brahms’s skepticism toward anized relign, his almost existential sense of the human ndn. He ponred the tremendo qutns that Schopenher and Nietzsche raised their philosophil wrg, though he did not necsarily accept their answers.</p><p class="paywall">There were lims to Brahms’s progrsivism. As Grim pots out, he remaed te to stras of German ialist philosophy that younger artists were abandong, and, spe his agnosticism, he revered German Prottant culture. He was, after all, never too radil for my mother, who was a vout Greek Orthodox Christian, and who risted the more morn mic that has been the foc of my work as a cric. She once proudly reported to me that she had enjoyed parts of Olivier Msiaen’s “<a href=">Quartet for the End of Time</a>,” but for the most part she stayed put the eighteenth and neteenth centuri. The Vienne classil tradn, wh s termglg of songfulns and sophistitn, was her home ground. Mozart was always the pnacle, particularly when played by Rudolf Serk, her mil idol. Her most memorable celebry enunter was ridg an elevator wh Mr. Serk before a ncert.</p><p class="paywall">My mother had a difficult childhood, marked by fay disrd and fancial speratn. A brilliant stunt, she found her llg as a scientist, yet she also had substantial artistic gifts. There was no mistakg her avid rponse when I applied myself to mic, art, and wrg. Deprived of a stable upbrgg, she created an idyll for me and my brother. My cht of drawers was rated wh Wnie-the-Pooh patgs that were jt as good as what you see the books. At Christmastime, our hoehold had not jt one ma tree but four miature tre, each equipped wh ty handma prents. In late adolcence, I took on myself to dispt that idyll. I veered om beg a well-behaved boy to a somewhat chaotic one. In llege, I had a near-fatal dnken accint, which shook her more than I uld have imaged. I me out as gay, which, after a stggle, she accepted. Even perds when I drew away, my life was shaped around the love of words and mic that I hered om her. In later years, I did my bt to make amends. Readg Kennitt’s book remds me of how fortunate I was.</p><p class="paywall">Last Christmas, I spent a uple of weeks at my parents’ hoe. My mother would pass her wakg hours an armchair the library. One of her miature tre stood nearby. On Christmas Day, I played a few CDs for her: John Langstaff’s first “Christmas Revels” rerd, which she adored; Mozart ncertos wh Serk; bel-nto arias wh Renée Flemg, another favore; and Brahms’s Claret Qutet, the most serenely lyril of his late works, and the one she cherished the most. Her head tilted to the si, her ey twkled, her mouth worked self to a se. She had somethg to say, but I uldn’t make out, as was often the se toward the end. So we listened together, and Brahms listened to both.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box ArticlePageSplAdRail-OyjwD jikppc"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="ArticlePageSplAdRailContent-jsltpq iZDmmY spl-ad-rail-ntent"><div class="ArticlePageSplAdRailTop-jUrrVY jzzFg"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="wt9"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div><div class="ArticlePageSplAdRailMiddle-tiRvu hiZeZX spl-ad-rail-middle"></div><div class="ArticlePageSplAdRailBottom-dBKMGQ jmCMsn spl-ad-rail-bottom"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="x8hh1f"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/alex-ross"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/alex-ross">Alex Ross</a> has been the magaze’s mic cric sce 1996. His latt book is “<a href=">Wagnerism: Art and Polics the Shadow of Mic</a>.”</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/grief" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Grief</span></a><a href="/tag/mothers" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Mothers</span></a><a href="/tag/johann-brahms" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Johann Brahms</span></a><a href="/tag/classil-mic" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Classil Mic</span></a></div></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="NewsletterSubscribeFormWrapper" class="NewsletterSubscribeFormWrapper-fCqqkN jKSBhE newsletter-subscribe-form ContentFooterNewsletterForm-hKeYwa liPqcf"><div data-ttid="NewsletterSubscribeFormHedDekWrapper" class="NewsletterSubscribeFormHedDekWrapper-fpMElW eglIBL"><h3 class="NewsletterSubscribeFormDangeroHed-kRwWjt feDzQf newsletter-subscribe-form__hed ContentFooterNewsletterForm-hKeYwa liPqcf">Gogs On</h3><div class="NewsletterSubscribeFormDek-kXonvc grEaES newsletter-subscribe-form__k">What we’re watchg, listeng to, and dog this week, onle, N.Y.C., and beyond. 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href="/magaze/2017/01/30/the-visual-artists-who-spired-brahms" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ktcjQn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Visual Artists Who Inspired Brahms" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Classil Mic</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href="/magaze/2017/01/30/the-visual-artists-who-spired-brahms" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">The Visual Artists Who Inspired Brahms</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">At the Met, Leon Botste explor how the poser’s relatnships wh the paters of his time shaped his work.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle 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bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Mil Events</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href="/magaze/2020/04/06/an-open-air-opera-cut-short-by-social-distancg" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">An Open-Air Opera, Cut Short by Social Distancg</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">The encroachg panmic hung over “Sweet Land,” an opera performed a Los Angel park, but s tal of cultural vlence would have been a gut punch unr any circumstanc.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div 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