Strictly has gone ‘gay’? What do people thk they’ve been watchg all the years? | Emma Brock | The Guardian

Contents:

• THE SURPRISG STORY OF HOW ABBA BEME BELOVED GAY INS
• DANCE PRI: THE GAY ORIGS OF DANCE MIC
• STRICTLY HAS GONE ‘GAY’? WHAT DO PEOPLE THK THEY’VE BEEN WATCHG ALL THE YEARS?

THE SURPRISG STORY OF HOW ABBA BEME BELOVED GAY INS

Why is still thought of that men who dance/enjoy dancg are gay? There are some gay men that have danced our scene but a majory of the men that dance are straight. Gay revelers (and their lucky straight iends) are wavg their arms, strikg genue pos and shamelsly sgg along to the sugary 45-year-old pop standard that’s bee synonymo wh queer nightlife.

” and “Macho Man” for themselv, but there’s no way they’ll take this one om to multiple stage and screen rnatns of “Mamma Mia!, ” fabuloly garish stum om gay signer Owe Sandström and nsummately crafted songs more retroactively popular than their ’70s and early ’80s heyday, ABBA has for s been the bull’s-eye of the LGBTQ mil universe. Ostensibly cheerful but packed wh drama and peppered wh Sndavian melancholy, the Stockholm mixed-genr quartet’s pop has blueprted the glz of untls gay and gay-iendly acts om Kylie Mogue to Lady Gaga, Adam Lambert to Lil Nas X — a sgular achievement for a band that hadn’t pleted an album 40 years.

This week releasg “Voyage, ” s first new LP sce 1981 and a teaser for next year’s London ncerts featurg 3D avatars, ABBA is to many gay fans what the Rollg Ston are to straights — archetyp whose appeal transcends time, place and age. While even ins like Madonna polarize opn, nearly every lor of the gay rabow agre on wasn’t always the se.

DANCE PRI: THE GAY ORIGS OF DANCE MIC

Back when Donna Summer reigned as disputable dancg queen, ABBA didn’t get much gay club play, not even you-know-what.

STRICTLY HAS GONE ‘GAY’? WHAT DO PEOPLE THK THEY’VE BEEN WATCHG ALL THE YEARS?

Y, there were exceptns: Larry Levan — the fluential gay Black DJ at New York’s legendary and largely Black/LGBTQ Paradise Garage — adored Cher’s “Take Me Home.

” But gay DJs and their dienc mostly favored unrground divas and obscure orchtral matros they disvered and popularized, not succsful pop acts plucked om AM changed the early ’80s when the U. Straight clubs shifted to eclectic funk and new wave, but the well of speedy gay dancefloor arias nearly ran dry. ” “The first time he did that, was a mistake, ” rells Robbie Llie, DJ veteran of New York Cy’s the Sat, the ultimate ’80s gay dis.

”Like Llie’s siarly beloved mix of Jimmy Ruff’s “Hold on to My Love, ” Rodriguez’s ABBA transformatn appeared only on Dis, a gay-owned subscriptn remix service. This forced a 12-ch release overseas of “Lay All Your Love on Me’s” paratively ordary LP cut that prerved the exclivy of Rodriguez’s versn, while s longevy proved that dancers — particularly gay on — still craved fast and lty club anthems. In 1982, ABBA’s North Amerin label issued s kdred uptempo tune “The Visors” as a sgle, but once aga, a gay subscriptn-only remix service, Hot Tracks, supplied the extend ABBA that year rerd what would be for s s fal ssns, U.