Angel Olsen Announc She is Gay - Variety

*BEAR-MAGAZINE.COM* ANGEL OLSEN GAY

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grid-full-bleed grid-no-gap SplScreenContentHearMa-fNigKG daohZh"><div class="GridItem-buujkM eHLzLy grid--em"><div class="SplScreenContentHearTleBlock-sCMXE jActCi"><div data-ttid="ContentHearRubric"><div class="RubricWrapper-dKmCNX dZhWBL bric SplScreenContentHearRubric-cLHEJQ ildzkT"><a class="RubricLk-gRWSOU fgWnkQ bric__lk" href="/magaze/onward-and-upward-wh-the-arts"><span class="RubricName-fVtemz cLxcNi">Onward and Upward wh the Arts</span></a></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SplScreenContentHearHed-lcUSuI iUEiRd NbxED dfelga">Angel Olsen Se Your Pa</h1><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SplScreenContentHearDek-emptdL iUEiRd wOnsu dJrDEb">On her new album, “Big Time,” the mician transfigur harrowg grief—and an unexpected new love—to songs of survival.</div><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl SplScreenContentHearByle-kvEhqE ejWxsm"><p class="ByleWrapper-jWHrLH ivtvgj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/amanda-petsich">Amanda Petsich</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2022-05-30T06:00:00-04:00" class="SplScreenContentHearPublishDate-bMGEVk gvRvVr">May 30, 2022</time><div class="SocialInsWrapper-hKMEXV ffgPVr social-ins social-ins--standard SplScreenContentHearSocialShare-gSVclr kUKgnn"><ul data-ttid="socialInslist" class="SocialInsList-cHVTIA ivmblD social-ins__list"><li class="SocialInsListItem-mbhR hHoUCw social-ins__list-em social-ins__list-em--facebook social-ins__list-em--standard thner"><a aria-label="Share on 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class="CaptnWrapper-jSZdqE iTuhkZ ptn SplScreenContentHearCaptn-iOfEOv ckLUKG"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">In her performanc, n feel like Olsen is channellg somethg extraterrtrial.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photographs by Phyllis B. Dooney for The New Yorker</span></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kAEsuD viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU cjjxgx bookmark mobile"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP imbgVA"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG lmuXQm"><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg cjyRVU iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ fXVBaX"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="90" width="100%" sandbox="allow-scripts allow-same-orig allow-popups" tle="Embedd Frame" data-src=" allowfullscreen="" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p class="has-dropp has-dropp__lead-standard-headg paywall">On a ray afternoon mid-April, the sger and songwrer Angel Olsen steered a Suba through Asheville, North Carola, while a rdboard box of VHS tap clattered the back seat. Olsen, who is thirty-five, had recently exvated them om her childhood home, St. Louis. Some promised footage of signifint events—“Angel’s Graduatn,” “Angel’s First Day of Prchool”—and others were labelled “<em class="small">THE POKEMON</em>” and “<em class="small">WORLD PREMIERE DARK HORIZON</em>.” After pullg up at a vio-rtoratn shop, Olsen did some hasty sortg the parkg lot, tryg to ci which tap were worth dtg off wh a tissue and which on she uld toss. Olsen, who was adopted when she was three years old, has spent much of the past two years figurg out what to hold on to and what to surrenr. In 2021, her adoptive mother and father died two months apart (her mother, om heart failure, at age seventy-eight; her father, his sleep, at eighty-ne), shortly after she realized and told them she was gay. Ever sce, Olsen has been siftg through the material and psychologil aftermath.</p><p class="paywall">“Big Time,” Olsen’s sixth stud album, will be released June. It is part a chronicle of her grief, though ’s also a document of self-actualizatn, heartbreak, isolatn, and the toxitn of new love. Olsen began rerdg at Fivtar Studs, Topanga, California, wh the producer Jonathan Wilson, a few weeks after her mother’s funeral. On her phone, Olsen showed me a few photographs of the scene. The stud pound was green, stic, and artfully unkempt. I told her that remd me of pictur and patgs I’d seen of Joni Mchell’s home nearby Lrel Canyon, a fantasy of woodsy bohemian glamour: unly ferns terra-tta pots, lored glass, open wdows, a distguished hoe t loungg on a Morocn g. “Everythg’s ma of wood,” Olsen said, noddg. “There’s a creek the wter that’s full up, and a patg stud, and this old bar.” She had chosen Wilson’s stud part bee she regnized somethg him and the micians who ngregate there. “Everyone this crew has a story,” she said. “It was the first time I walked to a stud and I knew everybody there had endured hard sh and e out wh a sense of humor.”</p><p class="paywall">The days, Olsen don’t have much tert anyone who has not at least briefly locked ey wh the void. “It’s so easy to go to that place where you’re romanticizg—Woe is me. But what do symbolilly mean when the thgs keep happeng?” she wonred. On “This Is How It Works,” a new song, Olsen sounds worn out, flated. “I’m so tired of sayg I’m tired,” she sgs. “It’s a hard time aga.”</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">Olsen arrived California to rerd whout havg rehearsed wh her band. “She got here, and said somethg to the effect of, ‘In the past, I would have had the songs prepped, and I would have been practicg them. But I’ve had to do all this other sh that’s jt been so fuckg heavy,’ ” Wilson told me. “She was, like, ‘I’m jt <em>here</em>.’ ” Though she had nsired postpong the ssns, lays at a vyl-prsg plant and other schlg ncerns led Olsen to subm to the immediacy of the experience. “I was, like, my parents died . . . Fuck ,” she said, lghg. “Give me a rollie and some tequila. We’re makg a rerd!”</p><p class="paywall">The bassist Ey Elhaj, who plays on “Big Time,” has known Olsen sce around 2007, and they’ve been rerdg together for about a . “I’ve never gone to the stud wh her whout rehearsg,” Elhaj told me. “I had no ia what to expect.” In Topanga, Elhaj found subtle ways to exprs her support to Olsen. “I’d leave her a note. She’d fd and know, ‘Hey, I see you, and if you want to talk I’m here.’ ” In recent years, Elhaj said, Olsen has “put a lot of work to hash out whatever thgs she had gog on personally. It’s ma her more munitive, maybe ls anx. She’s more open, more fortable wh herself.”</p><p class="paywall">A few of the songs on “Big Time” were wrten years earlier, such as “All the Good Tim,” a lopg untry number wh lap steel, hts of Mellotron, and a horn sectn that might have been airlifted out of Mcle Shoals cir 1965. Olsen nsired offerg “All the Good Tim” to the untry sger Sturgill Simpson, but her voice—grty, sour, betiful—rri the song. “I n’t say that I’m sorry when I don’t feel so wrong anymore,” she sgs. She sounds weary yet knowg—life has once aga proved her right.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">“Big Time” is more firmly rooted untry mic than anythg Olsen has done before; volly, nods to Dolly Parton, Nancy Satra, Loretta Lynn, and a “Landsli”-era Stevie Nicks, if Nicks had grown up listeng to Can LPs. “Have you heard ‘A Tenr Look at Love,’ by Roger Miller?” Olsen asked me. “He’s known for beg a jokter his songs, but this is really different.” She cued up “Ltle Green Appl” on her r stereo. “Now, this isn’t untry, but is.” Miller beme famo for goofy novelty songs like “Kg of the Road,” om 1964, but his ver of “Ltle Green Appl” is sentimental, dreamy, a eply felt treatise on te, benevolent love. “And when my self is feel’ low / I thk about her face aglow / And ease my md,” he purrs. I suggted that the song ntaed vague echo of Town Van Zandt—s narrator is sperate for fort, pannship, shelter. Olsen nodd emphatilly: “That’s the kd of untry that I like.”</p><p class="paywall">In 2021, Olsen and the sger-songwrer Sharon Van Etten released “Like I Used To,” a sumptuo, achg duet. Van Etten relled feelg stunned when, a earlier, she first heard Olsen sg: “When you hear an artist that mov you so much, and you feel so nnected to them, and you feel like they’re fdg the words for you . . .” She psed. “It’s a special feelg. I thought, This is gonna change the way I thk about wrg and sgg. I felt like she was someone who uld embody emotns that I was learng how to munite myself.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Olsen and I first met September, 2016, when she was performg at Basili SoundSpe, a mic-and-arts ftival held a renovated neteenth-century factory near the riveront Hudson, New York. Over lunch, her meanor was reful and vaguely fiant. I immediately liked this about her. Olsen seemed exhsted by the fact that no matter how good the work was—how attentive she had been to the events of her life, how litely she had pried them open to acmodate melody, rhythm, breath—she still had to s down and expla the songs to reporters, or, worse, listen as they attempted to expla the songs to her. In the vio for “Intern,” a sgle om her third album, “My Woman,” om 2016, Olsen, wearg a sparkly silver wig, ss across om a mic journalist who looks about thirteen years old. “I don’t re what the papers say / It’s jt another tern wh a résumé,” Olsen sgs, her voice ld.</p><p class="paywall">Now Olsen picked me up at my hotel downtown Asheville and drove to a dimly l bar an dtrial-lookg rner of the River Arts District. We took cktails outsi to a ncrete pat. Distillatn is such an stctive and central part of Olsen’s creative procs that even her sual nversatns tend to proceed wh a kd of urgency. She prefers to fo watery chchat. “I like drivg aimlsly, and I like gettg lost,” she told me. “But I don’t like small talk. That’s not the kd of lost I’m lookg for.”</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoon__image rponsive-image"><noscript><img alt="Person at theatre ncsn stand talkg to moviegoer" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></a><div class="CaptnWrapper-jSZdqE gdZTpI ptn RponsiveCartoonCaptn-dokfdF hJgaLQ rponsive-rtoon__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo bsWloa ptn__text">“For twenty cents more, you n miss the most pivotal scene the movie while sprtg to the bathroom.”</span></div><div class="CaptnWrapper-jSZdqE iTuhkZ ptn RponsiveCartoonCred-bKlQqO faLAFb rponsive-rtoon__cred"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT bmQtfn ptn__cred">Cartoon by Jeremy Nguyen</span></div><div class="RponsiveCartoonCTA-eiqqMB iDCQRs"><div class="RponsiveCartoonCTAWrapper-CYIqa iTbFtf"><div class="RponsiveCartoonLkButtonWrapper-hqDAJK eSEhbj"><button aria-label="Copy lk to rtoon" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Copy lk to 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class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ AlertMsage-jgAjgo bVCFRm ifgabc cxFROy alert-msage"><p aria-hidn="te">Lk pied</p></div></div></div><button aria-label="Shop" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Shop</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-rt" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Shop</tle><g clip-path="url(#clip0_3732_178638)"><path fill-le="evenodd" clip-le="evenodd" d="M4 3H2V4H4.23828L6.99617 15.2631C7.11483 15.6982 7.50998 16 7.96094 16H18.0365C18.4875 16 18.8826 15.6982 19.0013 15.2631L20.9648 7.26312C21.1383 6.62698 20.6594 6 20 6H10V7H20L18.0365 15H7.96094L5.03652 3H4.58055H4ZM10.0365 19C10.0365 19.5523 9.58881 20 9.03652 20C8.48424 20 8.03652 19.5523 8.03652 19C8.03652 18.4477 8.48424 18 9.03652 18C9.58881 18 10.0365 18.4477 10.0365 19ZM11.0365 19C11.0365 20.1046 10.1411 21 9.03652 21C7.93195 21 7.03652 20.1046 7.03652 19C7.03652 17.8954 7.93195 17 9.03652 17C10.1411 17 11.0365 17.8954 11.0365 19ZM18.0365 19C18.0365 19.5523 17.5888 20 17.0365 20C16.4842 20 16.0365 19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">Olsen sometim worri about the tensy of what she do, how her mic might advertently magnify her sufferg. But the procs of transfiguratn—naturg her pa, turng to song—n also be healg. Olsen has been harnsg her anger and sadns and makg room for her work sce at least 2012, when she put out her début stud album, “Half Way Home,” which was followed, 2014, by “Burn Your Fire for No Wns,” the release that earned her wispread cril acclaim and a sizable dience. Pchfork award Bt New Album upon s release; the <em>Tim</em> scribed as “parched and strikg.” “Burn Your Fire” opens wh “Unfucktheworld,” a tense and echog song about disappotment. “Here’s to thkg that all meant so much more,” Olsen sgs. In late 2013, a few weeks before the album’s release, she sang the song, solo, for NPR’s Ty Dk ncert seri. It’s a remarkable performance: her ey are eerily still, almost stony, but her voice is bloody and sorrowful. It feels as if she were channellg somethg extraterrtrial—as if, those moments, her body were on loan to some faraway nscns.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">After “My Woman,” a r medatn on love and ristance to love, me the dark and synthized “All Mirrors,” 2019. The followg year, she put out a pann piece, “Whole New Ms,” which ntaed the same songs but rerd as hntg dirg. Olsen is often scribed as a folk sger, and though that don’t feel accurate, she is also a dited stunt of experimental mic. Even when the hooks are sweet or sctive, her work is still dissonant and provotive.</p><p class="paywall">Wh “Big Time,” the ferment of the past two years provid an almost unnny amount of fodr. “The artists who I know who have had tertg liv or stori have also had a lot of hardship and a lot of change and a lot of adventure—I feel like I n relate to that,” Olsen said. “Somethg happens, and then you chisel your way through , and then art is ma. But don’t always feel artistic. It feels like survival mo.” When go well, the experience n be triumphant. “If you n turn somethg that has been really disappotg and sry and weird your life to somethg that sounds like a Dolly Parton song, and you sg wh a ltle wk, there’s nothg better than that feelg,” she went on. “Gotcha! You <em>almost</em> had me.”</p><p class="paywall">That eveng, Olsen was drsed black troers, a loose-ftg blazer, purple socks, and brown loafers. Her dark hair was cut bluntly, and her blue-green ey—smart, pretty, bet by a swoop of black eyeler—flashed. “When I s down wh my talogue, the one thg I’m really grateful for is that I’ve only wrten about real-life sh,” she said. “Not everyone wants that mic, and not everyone’s like that mic. It’s taken me years to not have a chip on my shoulr about , bee I n be really tense. I’ll meet somebody new and they’ll be, like, ‘Whoa.’ ”</p></div></div></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="jg6k"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">I mentned that the impulse to wre songs and the impulse to perform and promote them n seem diametrilly opposed—that the former might require solu and foc, whereas the latter is about beg extroverted and oversized. “It’s like the eternal birthday party,” she said. “And ’s so meta, bee ’s thgs that have happened to you, and they’re put to melody, and you’re performg them over and over aga. It’s fun, though,” she add. Her voice took on the forced lightns of someone tryg to nvce herself of somethg. “I jt wish that only lasted a month and then was over.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p class="paywall">When Olsen fished “Big Time,” Jagjaguwar, her rerd label, asked her for a b, and she wrote a ten-page say explag what had led her to make the album. The label gently suggted that she nsir sharg somethg shorter and more focsed on the mic. Eventually, the novelist Cathere Lacey ed Olsen’s say and an terview wh her to wre somethg new. “Sum up, bch!” Olsen joked. She dug her phone out of her pocket and started readg aloud the origal piece, which ends, “Y, I agreed to all this, but ’s last on the list of my favore part of makg thgs. Makg thgs is my favore part of makg thgs.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">“Through the Fir,” a new song, featur piano and strgs. Olsen’s vol (“And walk through the fir / Of all Earthly sir / And let go of the pa / That obstcts you om higher, higher, higher, higher”) is lite and precise but still throbbg wh emotn. Olsen scribed the song as beg about the end of her first queer relatnship. “It’s weird to be your thirti, e out, and have ltle experience wh people who have been born wh the same genr,” she said. “I felt so secure about at first. Like I was a ltle baby g out of an egg.” When end (Olsen said the person told her that they felt the relatnship had started out of nvenience durg the panmic), was abpt and vastatg. “When I was datg people before, I felt that I had to hi myself. In this relatnship, I jt was so real wh this person,” she said. “So felt like the first relatnship I’d ever had.”</p><p class="paywall">Heartsick and newly sgle, Olsen aga turned ward, a procs that was only amplified by the isolatn of quarante. “Everyone was reflectg and thkg, all of the time—thkg about themselv, thkg about other people, fixatg on polics, fixatg on certa events, fixatg on their relatnships, <em>fixatg</em>,” she said. She felt lled to activism. “I was jt startg to get volved muny polics and social work. I was thkg about tryg to work wh the homels. I felt really drawn to social work bee of my adoptn experience, and to homelsns bee my [birth] mom was practilly homels,” she explaed. “I’ve thought about what life would have been like if I had been homels wh her.”</p><p class="paywall">Around the same time, Olsen started feelg a ltle funny when she was wh Be Thibox, a iend of iends Asheville. Olsen wasn’t lookg to get to another relatnship, but, she add, “we both need the other person.” Their nnectn was sudn, immediate, and distractg. In April, 2021, Olsen posted a seri of pictur of Thibox on Instagram, wh the ptn “My be, I’m gay.” (Thibox intifi as trans and nonbary.) It was a spontaneo cisn for Olsen to share the nature of her relatnship wh her fans. “I was, like, What if I jt me out right now?” she relled. Thibox is creded as a -wrer on the tle track om “Big Time,” a sunny song about psg to revel a moment of happs. “It was a big cisn to wre a song wh them and have them my vios,” Olsen said. “This person is really special to me.”</p><p class="paywall">Olsen told her mother about the relatnship over the phone. “My mom was really childlike a lot of ways,” Olsen said. “She would leave me the voice mails like ‘Hi! I like what you were wearg on that one TV show! Well, I know you’re by . . .’ It breaks my heart bee I was really by, and I wish I’d had more energy to talk to her all the time. She’d be, like, ‘Are you seeg anyone? I don’t want you to be lonely.’ I was hidg myself om her, so I wouldn’t ll her. Eventually, I had to tell her why,” Olsen said. She wasn’t able to expla that her partner was trans, she said, “bee I didn’t know how to do that to my mom, who don’t know the difference between hero and weed.” In the end, her mother wasn’t particularly shocked. “She was relig, and I don’t thk she agreed wh the life style. But she said, ‘I jt want you to be happy.’ That was good enough for me.”</p><p class="paywall">Olsen grew up a Victorian hoe St. Louis that, she said, her parents uld rarely afford to mata: “We uldn’t turn the heat on, and I got pnmonia. I didn’t grow up around money or knowg how to take re of money.” She scribed herself as an outlier wh her fay, part bee she was the youngt by a signifint number of years. “My dad had three sons his first marriage. And then my mom had a son and a dghter her first marriage. Then they met, fell love, and had two kids. And then my mom beme a foster parent while she also raised the kids at home. She adopted my brother, and then later, down the le, me,” Olsen explaed. “Growg up, most of those people were out of the hoe. My brothers and sisters had kids, and some of them were the same age that I was. I lled them my s, even though they’re my nephews and niec.”</p><p class="paywall">Before “My Woman” was released, Olsen clud a semi-teasg “fact sheet” wh her prs k, prumably to preëmpt certa predictable or untertg qutns. (“She has never taken voice lsons and do not read mic”; “Her wrg procs chang om song to song.”) It explicly disuraged journalists om quirg about her adoptn, a narrative that she feared would drown out substantive discsn of her art. “It’s not a thg that I thk about every day,” she told me. “I was raised by a fay that loved me, and that was my fay.” She has few rellectns of life wh her birth parents and grandparents—mostly sensory tails. “I remember ts,” she said. “I remember strawberri. I remember animal crackers bee the social worker always had them wh her. And I remember the day that I got adopted. I remember the elevator, and the buildg, and I remember beg, like, Why are all the people stg at a big sk?”</p><p class="paywall">I asked her if she remembered beg sred. “No. I thk that beg sred me later,” she said. “In my early twenti, I’d be out at a bar wh iends, have one ltle shot of whiskey, and have a massive panic attack. I had them out of nowhere. I would lose my hearg. I would feel like I was gonna die.” It has been hard for Olsen to fully unpack the emotnal heft of the experience. “I thk the feelg is jt that you n’t tst anyone,” she explaed. “I’m still workg through that. You n tst someone to love you, maybe. But you n’t tst someone to be your support system. That was the lson that day. You are your own support system.”</p><p class="paywall">When Olsen was seventeen, she briefly enuntered her birth mother. She remembers feelg disoriented when she was lled Angie. Her parents, she said, “jt weren’t ready to have a kid. People who really want to be loved by someone n stay a manipulative, trmatic relatnship longer than they should bee that’s how they feel safe. I thk she probably felt safe wh him at the time. But I don’t really know much about her, or about how she liv her life.” Olsen is reluctant to lger on . “I thank God every day that my life turned out the way did, and that no one lls me Angie,” she said.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-3 viewport-monor-anchor"></div><p class="paywall">Growg up St. Louis, Olsen was closer to her mother than she was to her father. “My dad was kd of hard. He had a temper. I remember gettg trouble once and he told me to s on the uch until I said I was sorry. And I said, ‘Well, I’ll be stg on this uch forever, bee you’re never gonna hear me apologize,’ ” she relled. “My dad loved ‘Bonanza’ and wboy movi, and he would watch those endlsly. If ever I brought someone over, like a boyiend, he’d love to missay their name, and then go back to the TV.”</p></div></div></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="2qd059"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">When Olsen was fifteen, her mother had open-heart surgery. “She was diabetic, and shortly after that they gave her the wrong cktail of dgs, and she had a manic break that lasted for about a month. I thought she was never gonna e back. My dad and I got closer when that happened, bee was jt so alarmg. She kept sayg, ‘I love you, don’t worry, everythg’s fe,’ over and over.” The lyrics of “Lonely Universe,” a bony, hnted song om “Half Way Home,” scribe a feelg of terror and alienatn. Olsen’s voice was higher and wilr then, ocsnally slippg to a kd of vaporo warble. (“Listeng back to old stuff, I would yol more,” she said.) Yet the turbulence her voice sus her language:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>Your hands were ld<br/>Your voice was shaky<br/>One morng not too long ago<br/>And at the time I was only a child<br/>About to lose my childlike md<br/>The way you touched my hands<br/>Like you never had before<br/>It wasn’t you anymore</p></div></blockquote><p class="paywall">After high school, Olsen was eager to beg her life. “I felt like I was gonna be stuck St. Louis,” she said. “I worked at a grocery store as the u-cup person. I cut ntaloup and peappl and sh— was very Midwt. Image me gog to work my ltle outf, cuttg u a walk- reigerator. All day. Listeng to Can and Deerhoof and Mazzy Star. At night, I went to noise shows.”</p><p class="paywall">Olsen started wrg songs when she was young—eight or ne, she gus—but didn’t start performg until she was about seventeen. She played iends’ basements and at the Lemp Neighborhood Arts Center, a nonprof gallery and performance space found 1994 and steeped the kd of anti-palist D.I.Y. ethos that fuelled many of the punk and hardre bands of the eighti and neti. Shows at the Lemp were all-ag, alhol-ee, and ually jt five bucks.</p><le-embed name="feature-flt" attrs="[object Object]" childTyp="image" ntentType="llout:feature-flt"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO KhjZz AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image rponsive-image--expandable"><noscript><img alt="Angel Olsen ss the drivers seat of an old r wh her hand draped over the steerg wheel." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE iTuhkZ ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">Distillatn is such an stctive and central part of Olsen’s creative procs that even her sual nversatns tend to proceed wh a kd of urgency. “I like drivg aimlsly, and I like gettg lost,” she told me. “But I don’t like small talk. That’s not the kd of lost I’m lookg for.”</span></div></figure></le-embed><p class="paywall">Eventually, Olsen was ved to play a New Year’s show Chigo. She stuck around for a few days afterward and started to thk that the cy might be a good place to live. “I got a quick boyiend, one of those, who wanted to go wh me. It didn’t work out, but I stayed. I slept on an flatable mattrs,” she relled. “I only had pictur, books, a keyboard, and a laptop wh me. I didn’t know how to do my own lndry, and I didn’t have enough money to buy blankets. My roommat were annoyed bee I would sometim steal their ns of soup. I was stgglg. I was workg at a fé while tryg to go to massage-therapy school.”</p><p class="paywall">After three or four years Chigo, Olsen met the sger and songwrer Will Oldham, who mak wry, idsyncratic folk mic as Bonnie “Prce” Billy. Oldham asked her to jo him on tour as a backg volist. Around the same time, Olsen started datg Emmett Kelly, a guarist Oldham’s band. “I didn’t even thk about ,” she said. “I’d never been a tourg van, I didn’t know how that would e issu.” The relatnship was tense, and the suatn beme prsurized. “It was not a healthy environment for me. I wouldn’t wish that upon anyone. Will paid me well. I kept my mouth shut. I did my job. I learned the songs, I performed them wh him. Even when tim were really hard, wh my boyiend, on the road, I still showed up and played the show and fuckg nailed .”</p><p class="paywall">Though Olsen was entranced by some parts of the experience—“I was so new to everythg that I was jt, like, Wow, we’re playg Italy, we’re drkg amazg we, we’re gog to Portugal, we’re seeg live fado at 2 <em class="small">a.m.</em>”—she was eager to work on her own songs. Before her relatnship wh Kelly end, he played on and -produced “Half Way Home.” “It was hard. It was one of those relatnships where you break up and still keep hookg up,” she said. Ultimately, her tratn was generative. “Had I not been so angry, I wouldn’t have been propelled to make ‘Burn Your Fire.’ ”</p><p class="paywall">I suggted that there might be no more potent motivatn on earth than “I’ll show you,” directed at everyone and no one. “Exactly,” she replied. “That’s the energy that I had after I left that suatn: You’ll fuckg see. You jt wa.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Asheville ss near the southeastern edge of the Blue Ridge Mountas, at the nfluence of the French Broad and Swannanoa Rivers. A Vanrbilt fay tate jt south of the cy ntas evince that the land has been habed sce 8000 B.C. In the neteenth century, Asheville beme known as a wellns retreat, and sanatoriums and grand hotels were nstcted the area. An 1892 pamphlet, “Asheville or the Sky-Land,” wrten by Harriet Adams Sawyer, touts s curative properti: “Condns which seem to favor germ propagatn and prolong the speci of the gen Bacterium do not exist here. Wounds heal kdly and operative procr of the gravt character are rarely followed by septic fectn.” She scrib the air over Asheville as “dry, tonic, vigoratg, bracg.”</p><p class="paywall">Olsen moved there 2014 after visg iends. The legacy of wellns lgers. “In Asheville, everyone is a healer, or an acupuncturist, or a massage therapist, or a shaman, and there’s a crystal shop right next to the brewery,” Olsen said. One afternoon, we spent a few hours nng errands (Olsen need to buy a stack of whe electril-outlet vers and some pat at ACE Hardware, a spot she scribed as “the happy place”), eatg tas and chips the ra, and briefly stoppg by Drop of Sun, the stud where she rerd “Aisl,” an EP of vers of songs om the eighti, many of which she had heard while grocery shoppg. In the late afternoon, we drove along the banks of the French Broad to Marshall, where we snacked on pimento chee a boutique hotel that was once the longt ntuoly operatg jailhoe North Carola. “There are all kds of people here, but is Appalachian,” she said. “You’re gog to a punk show one day, and you’re gog to a waterfall the next.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-4 viewport-monor-anchor"></div><p class="paywall">Olsen speaks fondly of Asheville and s environs; she n narrate the regn’s history wh a kd of studied aplomb. The night before, my wallet had tumbled out of my bag as we were closg our tab at the bar; later, when I disvered was missg, I was briefly seized by panic. Olsen was adamant that I would fd close to where I had left . “This is Asheville,” she said, as she paid for dner and drove me back to the bar. (My wallet was stg untouched on the floor, half-obscured by a snoozg dog.)</p><p class="paywall">Early one eveng, Olsen and I stopped by the Grove Park Inn, a historic hotel, to have drks on a giant stone pat overlookg the Blue Ridge Mountas. The n, which opened 1913, was built on Sunset Mounta by Edw Wiley Grove, a pharmactil entreprenr who veloped a supposedly flavorls que tcture signed to treat and supprs malaria. (In the late eighteen-neti, Grove’s Tastels Chill Tonic regularly outsold Co-Cola.)</p><p class="paywall">The rort was signed an Arts and Crafts style, and looks like the sort of place a mythil creature might hab—round edg, mossy, lichen-vered stone, an undulatg roof ma of red clay til. It has been a equent statn of Amerin Prints, om Taft through Obama. In 1935 and 1936, F. Stt Fzgerald stayed there, as he stggled wh alholism and tuberculosis. Fzgerald’s wife, Zelda, had been given a diagnosis of schizophrenia, and was perdilly checked and out of Highland Hospal Asheville; 1948, she was trapped on the top floor of the hospal when a kchen fire spread through a dumbwaer shaft, killg her and eight other women. A plaque erected Zelda’s memory offers a grim quote om a letter she wrote to her hband: “I don’t need anythg except hope, which I n’t fd by lookg backwards or forwards, so I suppose the thg is to shut my ey.”</p></div></div></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="4h4sfw"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">While we sipped our drks, Olsen told me that she was planng a vatn to Mexi. “I don’t ever take vatns, bee I thk this is vatn,” she said, gturg toward the mountas, bluish and vibrant the early dk. The vio for “Big Time,” which was directed by Kimberly Stuckwisch, is based loosely on a dream that Olsen had the night she found out that her mother had died. In , she arriv at an elegant old hotel and begs preparg to perform. It’s the first a sue of three vios signed to work together as a short film. “I kept seeg all the people who were olr, wh sparkly ey. They kept lookg at me, ‘Tw Peaks’ style,” Olsen said of the dream. She was eventually pulled out of a stalled elevator r and to what she scribed as a glisteng, Narnia-like world; the people she met there told her that she had e to a place where time works differently. The vio opens wh a phony of clock chim, church bells, loud tickg. Olsen shakily reach her hand toward a wall clock, as if askg for help.</p><p class="paywall">Many of the tracks on “Big Time” reference a dream state or suggt that time is fluid and nonlear. (The phrase is also somethg that Olsen and Thibox say to each other: “I love you big time.”) “I was lookg at old you / Lookg at who you’ve bee,” Olsen repeats on “Dream Thg,” a new song that featur an and pedal steel. She told me, “I’ve always had vivid dreams, but I thk they happen more often when I’m procsg stuff that I don’t unrstand.” She went on, “I kept havg the dreams about time travel, and life jt <em>felt</em> like time travel—losg my parents, gog through the panmic. Time expand a different way for me. I wasn’t the same. I lost a lot of iendships and uldn’t relate to people the same way.” Grief rearrang our sis, I offered. “I really am irreversibly changed,” she said. “I am a very different person than I was 2020. I’m always me. But I did lose. And I went forward, alone, wh my experience.” ♦</p></div></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 PaywallInleBarrierWhWrapperGrid-fyrGfS jyGBoi"><div class="GridItem-buujkM kHPPIF grid--em"><div class="body body__le-barrier article__body article__body--grid-margs"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ContentWrapperGrid-fvkmBv jfHKjr"><div class="GridItem-buujkM kHPPIF grid--em"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG bGJnrW ArticlePageContentFooterGrid-ccsXYy fzwwkW article-body__footer"><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0"><div class="GridItem-buujkM kHPPIF grid--em"><footer class="ContentFooterMagazeDisclaimer-gzKAqo iZIuUU" data-ttid="MagazeDisclaimerWrapper">Published the prt edn of the <a href="/magaze/2022/06/06" data-reactroot="">June 6, 2022</a>, issue, wh the headle “Rg of Fire.”</footer></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0"><div class="GridItem-buujkM kHPPIF grid--em"><div class="LkStackWrapper-NFLYw kgtXXB lkstack" data-ttid="LkStack"><div class="SectnTleRoot-dBGvdq kjAxEG LkStackHear-lKjbE hejl lk-stack--headg" data-ttid="SectnTle"><h2 class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SectnTleHed-dKqZet dxqEAa dqtvfu jttyjJ">New Yorker 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class="InternalLkEmbedWrapper-fhjgJW cQLtaa">learned what’s funny</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>Growg up as the <a href="/magaze/1998/11/16/the-ln-and-me" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">son of the Cowardly Ln</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>Amelia Earhart’s <a href="/magaze/2009/09/14/amelia-earhart-last-flight" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">last flight</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>Fictn by Milan Kunra: “<a href="/magaze/1984/03/19/the-unbearable-lightns-of-beg" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">The Unbearable Lightns of Beg</a>.”</p></div></li></ul><div class="LkStackFooter-KfRyO ebnmps lk-stack--footer"><div><p><a href=">Sign up</a> for our daily newsletter to receive the bt stori om <em>The New 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a staff wrer at <em>The New Yorker</em> and the thor of “<a href=">Do Not Sell at Any Price: The Wild, Obssive Hunt for the World’s Rart 78rpm Rerds</a>.”</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0"><div class="GridItem-buujkM kHPPIF grid--em"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/sgers" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Sgers</span></a><a href="/tag/songwrers" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span 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summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Elemental Opera at Santa Fe" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Mil Events</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Elemental Opera at Santa Fe</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Elemental Opera at Santa Fe" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">The pneerg summer pany prents Monteverdi’s “Orfeo” the open air, wh a bracg orchtratn by Ni Muhly.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Alex Ross</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="If You Can Make Mic There, Could You Have Ma It Better Anywhere Else?" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Dept. of Collaboratn</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">If You Can Make Mic There, Could You Have Ma It Better Anywhere Else?</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="If You Can Make Mic There, Could You Have Ma It Better Anywhere Else?" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">To pete wh mic powerho like L.A., Atlanta, and Nashville, a pop producer started a New York songwrg mp, like speed datg for micians.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Andrew Marantz</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="What Kd of Artist Was Wayne Shorter?" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">The Front Row</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">What Kd of Artist Was Wayne Shorter?</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="What Kd of Artist Was Wayne Shorter?" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">A new documentary shows that mic was jt one facet of the great jazz saxophonist’s gift.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Richard Brody</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz 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