Charlie Puth - Marv Gaye Lyrics |

marvin gay and get it on

Marv Gaye by Charlie Puth (featurg Meghan Traor) song meang, lyric terpretatn, vio and chart posn

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LET’S GET IT ONMARV GAYETRACK 1 ON LET’S GET IT ON PRODUCED BYMARV GAYE & ED TOWNSEND“LET’S GET IT ON” IS A CEPTIVELY SIMPLE CLARATN OF SEX-POSIVY, RELEASED AT A TIME WHEN SUCH STATEMENTS WERE REVOLUTNARY. IT IS EVEN MORE IMPRSIVE WHEN ONE… READ MORE JUN. 15, 19731 VIEWER224.6K VIEWS45 CONTRIBUTORSLET’S GET IT ON LYRICS[VERSE 1]I'VE BEEN REALLY TRYG, BABYTRYG TO HOLD BACK THIS FEELG FOR SO LONGAND IF YOU FEEL LIKE I FEEL, BABYTHEN E ON, OH, E ON, OOH[CHOS]LET'S GET ON, OW BABYLET'S GET ON, LET'S LOVE, BABYLET'S GET ON, SUGARLET'S GET ON, WOO[VERSE 2]WE'RE ALL SENSIVE PEOPLE WH SO MUCH TO GIVEUNRSTAND ME, SUGARSCE WE GOT TO BE HERE, LET'S LIVE, I LOVE YOUTHERE'S NOTHG WRONG WH ME LOVG YOU, BABY, NO, NOAND GIVG YOURSELF TO ME N NEVER BE WRONGIF THE LOVE IS TE, OH, BABY, OOH[BRIDGE]DON'T YOU KNOW HOW SWEET AND WONRFUL LIFE N BE, OOH-OOHI'M ASKG YOU, BABY, TO GET ON WH ME, OOH-OOH-OOHI A'T GONNA WORRY, I A'T GONNA PH, I WON'T PH YOU, BABYSO E ON, E ON, E ON, E ON, E ON, BABYSTOP BEATG 'ROUND THE BH, HEYYOU MIGHT ALSO LIKE[VERSE 3]LET'S GET ON, LET'S GET ONYOU KNOW WHAT I'M TALK' 'BOUTCOME ON, BABY, HEY, LET YOUR LOVE E OUTIF YOU BELIEVE LOVELET'S GET ON, OOH, LET'S GET ON BABYTHIS MUTE, OH YEAH, LET'S GET ONPLEASE, LET'S GET ON, HEY, HEY[BRIDGE]I KNOW YOU KNOW WHAT I BEEN DREAM' OF, DON'T YOU, BABY?MY WHOLE BODY WANTS THAT FEEL' OF LOVE, OH, HELP ME, WOOI A'T GONNA WORRY, NO, I A'T GONNA PHI WON'T PH YOU, BABY, WOOCOME ON, E ON, E ON, E ON, DARLGSTOP BEAT' 'ROUND THE BH, HEY[REA]OH, GONNA GET ON, THREATEN' YOU, BABYI WANNA GET ONYOU DON'T HAVE TO WORRY THAT 'S WRONGIF THE SPIR MOV YOULET ME GROOVE YOU GOODLET YOUR LOVE E DOWNOH, GET ON, E ON, BABYDO YOU KNOW THE MEANG?OF BEG SANCTIFIED, HEY, HEYGIRL, YOU GIVE ME GOOD FEELGSO GOOD, SOMETH' LIKE SANCTIFIEDOH, DO RIGHT, BABYNOTHG WRONG WH LOVEIF YOU WANT TO LOVE ME, JT LET YOURSELF GOOH BABY, LET'S GET ON RIGHT NOW24EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT

* marvin gay and get it on *

Asked by Billboard how the llaboratn me about, he replied: "Meghan and I were at a party one night, and we were exchangg the new mic, and she heard 'Marv Gaye; and asked, 'Who else is sgg on this? "Asked if Marv Gaye spir his mic, Puth replied: "I listened to a lot of Marv Gaye and Motown rerds.

When Marv Gaye ma his mic, he evoked this feelg that would reach everybody. Pure human emotn is how 'Marv Gaye' happened. I jt said the le 'let's Marv Gaye and get on' - I don't know where me om.

Marv Gaye, byname of Marv Pentz Gay, Jr., (born April 2, 1939, Washgton, D. Gaye sang his father’s Evangelil church Washgton, D.

MARV GAYE

Marv Gaye, Amerin soul sger-songwrer-producer who, to a large extent, hered the era of artist-ntrolled popular mic of the 1970s. Among his h songs were ‘I Heard It Through the Grapeve,’ ‘A’t Nothg Like the Real Thg,’ ‘What’s Gog On,’ ‘Let’s Get It On,’ and ‘Sexual Healg.’ * marvin gay and get it on *

When doo-wop dissipated the late 1950s, Gaye had already absorbed Fuqua’s lsons close harmony. After disbandg the Moonglows, Fuqua took the 20-year-old Gaye to Detro, where Berry Gordy, Jr., was formg Motown Rerds. Gaye, who also played dms and piano, bucked the Motown system and s emphasis on teen hs.

"MARV GAYE" LYRICS

Gaye also enjoyed a seri of succsful duets, most notably wh Tammi Terrell (“A’t Nothg Like the Real Thg” [1968]). Blsed wh an exceptnally wi range that enpassed three distct vol styl—a piercg falsetto, a smooth mid-range tenor, and a ep gospel growl—Gaye bed great technil prows wh rare mil dividualy. Gaye also displayed dazzlg virtuosy by overdubbg (buildg sound track by track onto a sgle tape) his own voice three or four tim to provi his own rich harmony, a technique he would employ for the rt of his reer.

”Other major artists—most importantly Stevie Wonr—followed Gaye’s lead and acted as producer of their own efforts. In 1972 Gaye wrote the soundtrack for the film Trouble Man, wh lyrics that mirrored his own sense of secury.

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