Is Feri Felli Gay? Onle poll shows 68 percent don’t believe he was gay - The Celebry Post

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Pope Francis is warng that the Catholic Church's moral edifice might "fall like a hoe of rds" if don't balance s divisive l about abortn, gays and ntraceptn wh the greater need to make the church a merciful, more welg place for all.

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FERI FELLI GAY RUMORS?ONLE POLL SHOWS 68 PERCENT DON’T BELIEVE HE WAS GAY

Many of the gay mors surroundg Feri Felli (Eight and a Half, La Dolce Va) seem to be tied to his obssive attentn to his body, like most directors. However the poll suggts that a big majory (68%) of rponnts don't believe that he was gay. * fellini gay *

It seems like every celebry has been lled gay at some pot or another. Many of the gay mors surroundg Feri Felli (Eight and a Half, La Dolce Va) seem to be tied to his obssive attentn to his body, like most directors.

However the poll suggts that a big majory - 68% - of rponnts don't believe that he was the poll:What do you thk about the gay mors surroundg Feri Felli? Homosexual.

POPE FRANCIS SAYS CHURCH TOO OBSSED WH GAYS, ABORTN

In 1968, Feri Felli cid he was gog make the greatt homosexual movie ever ma.

What he meant by a homosexual movie, no one was que sure, but was gog to be great.

GORE VIDAL'S ITALIAN FILMS: ROMA, CALIGULA AND A GAY BEN-HUR

In fact, gog to be the greatt homosexual movie ever, or so Felli kept tellg anyone who would listen. Over lunch, Felli told Kaye, he didn’t want him as the star but rather the villa of the piece, Lichas—a murro gay transvte pirate and mortal enemy of the story’s narrator Enlpi. Meanwhile, back London, the Beatl’ prs office said they knew nothg of any proposal for John, Pl, Gee, and Rgo to star any great homosexual movie, Felli’s or otherwise.

*BEAR-MAGAZINE.COM* FELLINI GAY

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iRsSlw"><a class="RubricLk-gRWSOU fgWnkQ bric__lk" href="/magaze/the-current-cema"><span class="RubricName-fVtemz cLxcNi">The Current Cema</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd NbxED hpJvIc">A Hundred Years of Felli</h1></div><div class="ContentHearAccredatn-lfctVB enhwXT ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ Mtme">Feedg hungrily on the us of memory, the director summoned worlds to ply wh his imaggs.</div><div class="ContentHearByle-kmPyCa gvUmxJ"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearContributorImage-cvjZXn jKACOU"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearContributorImage-cvjZXn jKACOU rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="66px"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="66px"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bqbBYQ"><p class="ByleWrapper-jWHrLH ivtvgj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/anthony-lane">Anthony Lane</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2020-01-17T06:00:00-05:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">January 17, 2020</time></div></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHearLeadAsset-hGbumP iWPCcH lead-asset ContentHearLeadAssetWrapper-hfXHEc fTrSlG lead-asset--width-smallle" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb khLUzS"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jnOByv"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO KhjZz ContentHearRponsiveAsset-bREgIb khLUzS rponsive-image rponsive-image--expandable"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="Felli films" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE iTuhkZ ptn ContentHearLeadAssetCaptn-hPWmSN kuCzGS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">As his reer progrsed, Feri Felli gradually forsook actualy for the ntrollable stud universe of Cectà, Rome.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Illtratn by Andrea Ventura. Photographs (om left to right): Ullste Bild / Getty; Photo 12 / Alamy; Taz Secchiaroli / © David Secchiaroli</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" class="ContentHearLeadRailAnchor-jYVcDc djtEof"></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kAEsuD viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU cjjxgx bookmark mobile"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">A hundred years ago, on January 20, 1920, Feri Felli was born the Italian town of Rimi, on the Adriatic ast. The time and the place matter more than anythg else, as we approach him now and try to make sense of the movi he bequeathed—crown jewels such as “La Dolce Va” (1960) and “8 1/2” (1963), Osr wners such as “La Strada” (1954), “Nights of Cabiria” (1957), and “Amarrd” (1973), and a clter of other works. Many of them are warmed by the mic of No Rota. Some glter too fiercely for fort.</p><p class="paywall">Rimi has two fac. One face looks out to sea, and any Felli fan will rell the beach scen that lter his films. (The bullyg hero of “La Strada,” a circ strongman, wds up llapsg tears on the sand. Exhsted iasts, “La Dolce Va,” drift through p and emerge onto a barren strand, where a monster of the ep, wh viscid and accg ey, has been dragged ashore a .) Rimi’s other face is turned land, toward the Eternal—and ma­ternal—Cy, which beckons Felli’s characters and gathers them to s bosom. The first word that we hear “The Whe Sheik” (1952), his first film as a solo director, is “Roma.” It is uttered by a man at a tra wdow, nearg his statn. As Felli explaed to Lillian Ross, 1965, this magaze:</p><blockquote class="BlockquoteEmbedWrapper-sc-SdiGL jPeLne paywall blockquote-embed"><div class="BlockquoteEmbedContent-RbGs gmbtPx blockquote-embed__ntent"><p>My mother was a Roman. As soon as I me to Rome, I had the feelg that I was home. Now I nsir Rome my private apartment. That is the sctn secret of Rome. It is not like beg a cy, is like beg an apartment. The streets are like rridors. Rome is still the mother.</p></div></blockquote><p class="paywall">We should also remember the notor March on Rome, 1922, two years after Felli’s birth. Fascists stro en masse toward the pal, and, shortly afterward, Msoli me to power. So was that Felli grew up the embrace of Fascist le. “Amarrd,” his most tobgraphil film (which is sayg somethg, for no director has fed more hungrily on the us of memory), is set a heightened versn of Rimi, staffed wh figur black uniforms. Felli wast no opportuny to fd them absurd. As a Fascist manr, pool cue hand, prepar to play a shot the lol bar, one of his mns tipto around the room, so as not to disturb the matro at work. Sudnly, the lights go off. We uld be a theatre, watchg a dark farce.</p><p class="paywall">Fo of Felli will pot to a sequence like this and ask, Where are the victims? Do the suffergs of the time unt for nothg, unr his anthetizg gaze? To be sure, the visn of Fascism that aris om “Amarrd” has none of the suo and opprsive mood that sheath, say, Bertolucci’s “The Conformist” (1970), and Felli may be the least polilly engaged of major filmmakers. He would shg, I spect, and say, “That’s how was”—like or not, that’s how the events of the perd lodged the soul of a boy. But “Amarrd” also disvers somethg adolcent Fascism self, wh s taste for proud pos and s lghably doomed attempt to manhandle the vast profn of experience to le wh a sgle pot of view. If Felli’s mera fds hard to s still, that is ls a stylistic tic and more a prcipled refal to get stuck.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">No surprise, perhaps, that he began as a rtoonist, and ntued to scribble sketch throughout his reer. Whenever a soirée, his movi, swells to a gallery of grotqu, you tect his primary sistence—shared wh his iend Ingmar Bergman—on cema as a rec­ord of the human visage. When Felli went to Rome, 1939, his mother wanted him to study law, but he never did. Instead he drew, and wrote garlo humor piec for newspapers. He had a regular lumn, “Will You Listen to What I Have to Say?” After the Alli liberated the cy, he opened a store lled the Funny Face Shop, where ritur uld be produced ten mut. Among the ctomers were Amerin soldiers, who need somethg to send home.</p><p class="paywall">One day, 1944, the movie director Roberto Rosselli me to the Funny Face. Havg heard about Felli, he ved him to participate a new project. The rult was that Felli received wrg creds on Rosselli’s “Rome, Open Cy” (1945) and “Paisan” (1946), which happen to be two of the most wrenchg ttaments to the effects of war. (So much for his beg numb to pa.) For each movie, Felli—who had no llege gree, and never went to film school—was nomated for an Amy Award. He started directg the early neteen-­fifti, and didn’t stop until “The Voice of the Moon” (1990), three years before his ath. And <em>that’s</em> how you get to be a great filmmaker. Simple, really.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Felli is also the great divir. “La Dolce Va” was the film most loved by Roger Ebert, for whom was transformed wh every viewg, whereas Ple Kael likened Felli’s efforts to “pokg your head to a sack of fertilizer and then beg dignant bee you’re vered wh excrement.” The director, she said, was “shocked and horrified” by the antics of the idle rich that he surveyed. If so, the shock has not survived; what lgers, after sixty years, is a lazy amement at mortal foibl, which are srcely nfed to the wealthy. It is the poor who flock to a strip of wasteland where a uple of kids, for a giggle, claim to have beheld the Virg Mary. Any ht of hols is wrecked by a rastorm, and by the glare of the arc lights unr which TV meras hope to tch the miracle, yet Felli do not rage at our crly. He s.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">The Catholic Church, meanwhile, <em>was</em> horrified at “La Dolce Va.” How else to rpond to a film that begs wh a skyborne statue of J beg ferried over Rome—a send g, brought to by helipter? (Notice not jt the sacred rgo but, beneath , the half-built apartment blocks: a postwar metropolis, ptured mid-boom.) Then, there’s the movie idol (Ana Ekberg), who drs like a parody of a prit to ascend to the dome of St. Peter’s, and famoly romps the Trevi Founta. A monument of pagan majty, her strapls gown, she is an alabaster bt endowed wh the breath of life; more blasphemo still, she drips water onto the head of her votee, a hangdog reporter named Marcello (Marcello Mastroianni). No fant uld be more tenrly baptized.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">Mastroianni is one of two performers who lend a nourishg ntuy to Felli’s films. The other is Giulietta Masa, to whom Felli was married for fifty years. Her rol clud a tmpet-­tootg waif “La Strada,” a prostute “Nights of Cabiria,” and a hoewife vised by fantasi Felli’s first lor feature, “Juliet of the Spirs” (1965). The joke, wh Masa, is that she uldn’t be further om the voluptuari who stalk through her hband’s tal; wh Mastroianni, the joke is that, though forever st as a scer, he is visibly hant and shy, halfhearted and half-cked, as if embarrassed by the sway of his own lts. Never do he appear more naked than when removg his spectacl.</p><p class="paywall">If anythg is to mute the centennial celebratns for Felli, will be his attu toward the oppose sex. He was certaly more gynophobe than misogynist, not that so fe a distctn will rry much weight today. Thk of Mastroianni, as the film director renred unable to direct, “8 1/2,” and heckled by a para of his past lov; or, aga, as the limp Lothar “Cy of Women” (1980), who striv and fails to make out wh a fur-hatted passenger the toilet of a tra. Later, amid a throng of her fellow-­femists, she upbraids him as “this dismal, hollow, worn-out sultan,” clarg, “We women are simply an exce for him to perform, once aga, his btial fabl, his circ, his nrotic show.”</p><p class="paywall">What’s gog on here? Is Felli payg lip service to a new moral dispensatn that he don’t unrstand, or hontly chidg himself for former ss? Eher way, the film is an ugly display, and I prefer the poise of “Felli’s Casanova” (1976), which the dyg hero of the tle, played by Donald Sutherland, ends up peerg back, wh red-rimmed ey, at his youthful self, waltzg on a ozen Veian nal. His partner is not a willg paramour but an animated doll. Her featur, though lored like flh, are as polished as porcela. History’s leadg lover is nsoled the arms of a mache.</p><p class="paywall">The te Venice, needls to say, had no part the scene. By the time of “Casanova,” Felli had more or ls forsaken actualy, wh s risks and smuts, for the ntrollable universe of the stud—specifilly, for the verno soundstag of Cectà, Rome. (It was opened, 1937, by Msoli.) There, for “Amarrd,” he re-created Rimi, swaths of the origal havg been flattened by wartime bombs. For “Roma” (1972), he built half a kilometre of highway, four lan wi, wh billboards and rt stops, ignorg or fyg the fact that, if he wanted real roads, he had only to step outsi. “And the Ship Sails On” (1983) took place on an ocean ler, which never left the safe haven of Cectà, and, for “The Voice of the Moon,” Felli said, “I felt was necsary to build an entire untry,” plete wh “a piazza, a church, a disthèque, a town hall, a shoppg mall.” He had attaed the stat of a creator, summong small worlds to ply wh his imaggs. As he once remarked, “God may not play dice, but he enjoys a good round of Trivial Pursu every now and aga.”</p><p class="paywall">No wonr the late movi feel so hermetic. We may be charmed and dazzled, but often we n’t breathe. That is why, if I had to troduce a novice to Felli, I’d suggt a big-screen showg of “I Velloni” (1953)—an early film, breezy and nsequential, about a bunch of aimls pals a Rimi-like town. Somehow, the younger Felli strik me as sadr and wiser than the all-powerful mag he would eventually bee. (Maybe Ariel knows more than Prospero ever will.) The movie is sparsely plotted and blsed wh h air; a typil day fds the <em>velloni</em> down at the misty beach, ats and srv, starg out to sea, like staways hopg for a ship. And the ship, of urse, sails on. ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box ArticlePageSplAdRail-OyjwD jikppc"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="ArticlePageSplAdRailContent-jsltpq iZDmmY spl-ad-rail-ntent"><div class="ArticlePageSplAdRailTop-jUrrVY jzzFg"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="bn0tr"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div><div class="ArticlePageSplAdRailMiddle-tiRvu hiZeZX spl-ad-rail-middle"></div><div class="ArticlePageSplAdRailBottom-dBKMGQ jmCMsn spl-ad-rail-bottom"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="7vg38"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><footer class="ContentFooterMagazeDisclaimer-gzKAqo iZIuUU" data-ttid="MagazeDisclaimerWrapper">Published the prt edn of the <a href="/magaze/2020/01/27" data-reactroot="">January 27, 2020</a>, issue, wh the headle “Dream On.”</footer></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/anthony-lane"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/anthony-lane">Anthony Lane</a> has been a film cric for The New Yorker sce 1993. 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SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Iphigenia Fort Hills" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Anatomy of a murr trial.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Ja Mallm</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR 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target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Transn</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Transn" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Lyndon Johnson and the events Dallas.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Robert A. Caro</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm fvDIAb" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Blood Ti" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Annals of Crime</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Blood Ti</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Blood Ti" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Two brilliant llege lovers were nvicted of a btal slayg. All the years later, why has the se bee a e?</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Nathan Heller</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center 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class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Annals of Crime</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Chameleon</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Chameleon" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">The many liv of Frédéric Bourd.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" 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