Febary 13, 1983: The Afternoon Marv Gaye Revolutnized The Sgg of the Natnal Anthem

Contents:

• THE ALL-STAR ANTHEMPJ MCQUA/;PJ MCQUA/FACEBOOKTWTERFACEBOOK MSENGEREMAILPETE CROATTOFEB 15, 2013, 03:00 AM ETFACEBOOKTWTERFACEBOOK MSENGERPTERTEMAILPRTIT WAS EARLY AFTERNOON INGLEWOOD, CALIFORNIA, ABOUT 10 MUT BEFORE THE 12:30 P.M. TELEVISED START OF THE 1983 NBA ALL-STAR GAME, AND AMANDA MAYO WAS A BROOM CLOSET.TWENTY MUT EARLIER, A PANICKED LON ROSEN, THE LAKERS' DIRECTOR OF PROMOTNS, HAD ASKED THE 24-YEAR-OLD TEAM EMPLOYEE TO GET READY. THE PLANNED PREGAME ACT WAS NEARLY TWO HOURS LATE AND, SPE THE VERY HOLLYWOOD CROWD GATHERED AT THE FOM, ROSEN ULDN'T FD ANY SGERS TO FILL . SO THE HER WH PERFECT PCH, THE ACTRS'S DGHTER WHO HAD TALKED HER WAY TO THE TEAM'S ROTATN OF NATNAL ANTHEM SGERS, WOULD HAVE TO PERFORM.THE SMALL SPACE UNR THE FOM'S STAIRS WAS THE PREFERRED WARM-UP SPOT FOR MAYO, WHOSE MOTHER, JA BLAIR, WAS THE STAR OF A STRG OF MILS AND EDI THE 1940S. SHE DIDN'T MD THE LAST-SEND REQUTS. THERE WAS NO TIME TO OBSS OR WORRY, THOUGH SHE DID NTACT HER BROTHER AND LET HIM KNOW WHAT MIGHT BE G. "CALL EVERYBODY," SHE TOLD HIM.SURROUND BY NCRETE WALLS AND WH AN DIENCE OF A MOP AND BROOM, MAYO THOUGHT ABOUT THE MAGNU OF THE SCENE, AND THE EXCEMENT SURROUNDG THE MIL LEGEND SHE WAS ABOUT TO REPLACE. ONE THOUGHT, HOWEVER, LGERED ABOVE THE SPECTACLE."I REALLY WANTED HIM TO SHOW UP THE END," SHE REMEMBERS.HE DID.ROSEN LISTENED TO MARV GAYE'S TAKE ON "THE STAR-SPANGLED BANNER" OM THE SRER'S TABLE AT CENTER URT. HE LOVED WHAT HE HEARD, BUT STILL HAD NCERNS. GAYE'S RENDN WAS A BREAK TRADN, AND JUDGG BY THE ENZIED RPONSE OF 17,505 ATTEN, ROSEN KNEW PLENTY OF PEOPLE MIGHT FD DISRPECTFUL. ONE THG, HOWEVER, WAS IMMEDIATELY CLEAR: NBA MISSNER LARRY O'BRIEN SURE DID.DURG THE FIRST QUARTER, O'BRIEN LET ROSEN HAVE . THE NVERSATN WAS SHORT AND "VERY LORFUL," SAYS ROSEN, WHO CLED TO GO TO SPECIFICS.MARV GAYE HAD BEEN ONE OF ROSEN'S MIL HERO. NOW ROSEN WAS SURE GAYE WAS GOG TO GET HIM FIRED. AT HALFTIME, ROSEN HAD TO CHECK WH LAKERS OWNER JERRY BS. THE WALK TO THE PRIVATE BOX WAS EXCCIATGLY LONG; FELT LIKE HE WAS HEADG TO THE PRCIPAL'S OFFICE."WHAT'S THE MATTER?" BS ASKED.ROSEN TOLD HIM."THAT WAS THE GREATT ANTHEM OF ALL TIME," BS REPLIED. "ARE YOU KIDDG?"IT'S BEEN 30 YEARS SCE MARV GAYE'S GROUNDBREAKG NATNAL ANTHEM, AND AT THIS POT, 'S HARD TO QUTN S IMPACT ON POP CULTURE. GAYE ME BEFORE WHNEY HOTON'S TRIUMPH TAMPA … AND FOR ROSEANNE BARR'S CROTCH-GRABBG EMBARRASSMENT SAN DIEGO. AND HIS RENDN FLUENCED THE NBA, WHOSE "HISTORY WAS BEG VENTED AS WE SPOKE," SAYS GOLN STATE WARRRS PRINT RICK WELTS, WHO WORKED THE LEAGUE OFFICE OM 1982 TO 1999 AND CREATED ALL-STAR WEEKEND. VENERABLE BASKETBALL WRER JACK MCCALLUM SAYS GAYE'S PERFORMANCE SIGNIFIED THE LEAGUE PLANTG S FLAG AS "A CULTURAL LEAR."AT THE TIME, HOWEVER, "YOU DIDN'T HEAR PASSNATE VERSNS OF 'THE STAR-SPANGLED BANNER,' WHICH IS WHY 'S A MISTAKE TO HAVE AT 10,000 BASEBALL GAM," SAYS MIC WRER DAVE MARSH. "IT DILUT THE MEANG THE SONG HAS. IT'S SOMETHG THAT ALONG LIKE THE FIVE O'CLOCK TRA." GAYE'S BGRAPHER AND IEND DAVID RZ SAYS THE PERFORMANCE OFFERED A SOCIAL MENTARY AND REVEALED THE SGER'S SOUL. IT WAS A CHALLENGE TO THE AMERIN JGOISM EMBRACED BY PRINT REAGAN — AND AN SI JOKE: HERE'S A FUNKY, DISTCTIVELY BLACK VERSN THAT'S REPRENTATIVE OF WHAT'S ON THE URT.MARV GAYE'S NATNAL ANTHEMAUD CLIPS URTY OF GAYE'S GUARIST AND MIL DIRECTOR, GORDON BANKS. THE FIRST IS GAYE PRACTICG WH A DIFFERENT BEAT; THE SEND IS THE BEAT ED AT THE ALL-STAR GAME.CLICK HERE FOR D
• FEBARY 13, 1983: THE AFTERNOON MARV GAYE REVOLUTNIZED THE SGG OF THE NATNAL ANTHEM
• 20 YEARS AGO, MARV GAYE TOOK 'NATNAL ANTHEM' TO NEW HEIGHTS
• GAYE PERFORMS ANTHEM
• FLASHBACK: MARV GAYE REIMAG ‘THE STAR-SPANGLED BANNER’ 1983

THE ALL-STAR ANTHEMPJ MCQUA/;PJ MCQUA/FACEBOOKTWTERFACEBOOK MSENGEREMAILPETE CROATTOFEB 15, 2013, 03:00 AM ETFACEBOOKTWTERFACEBOOK MSENGERPTERTEMAILPRTIT WAS EARLY AFTERNOON INGLEWOOD, CALIFORNIA, ABOUT 10 MUT BEFORE THE 12:30 P.M. TELEVISED START OF THE 1983 NBA ALL-STAR GAME, AND AMANDA MAYO WAS A BROOM CLOSET.TWENTY MUT EARLIER, A PANICKED LON ROSEN, THE LAKERS' DIRECTOR OF PROMOTNS, HAD ASKED THE 24-YEAR-OLD TEAM EMPLOYEE TO GET READY. THE PLANNED PREGAME ACT WAS NEARLY TWO HOURS LATE AND, SPE THE VERY HOLLYWOOD CROWD GATHERED AT THE FOM, ROSEN ULDN'T FD ANY SGERS TO FILL . SO THE HER WH PERFECT PCH, THE ACTRS'S DGHTER WHO HAD TALKED HER WAY TO THE TEAM'S ROTATN OF NATNAL ANTHEM SGERS, WOULD HAVE TO PERFORM.THE SMALL SPACE UNR THE FOM'S STAIRS WAS THE PREFERRED WARM-UP SPOT FOR MAYO, WHOSE MOTHER, JA BLAIR, WAS THE STAR OF A STRG OF MILS AND EDI THE 1940S. SHE DIDN'T MD THE LAST-SEND REQUTS. THERE WAS NO TIME TO OBSS OR WORRY, THOUGH SHE DID NTACT HER BROTHER AND LET HIM KNOW WHAT MIGHT BE G. "CALL EVERYBODY," SHE TOLD HIM.SURROUND BY NCRETE WALLS AND WH AN DIENCE OF A MOP AND BROOM, MAYO THOUGHT ABOUT THE MAGNU OF THE SCENE, AND THE EXCEMENT SURROUNDG THE MIL LEGEND SHE WAS ABOUT TO REPLACE. ONE THOUGHT, HOWEVER, LGERED ABOVE THE SPECTACLE."I REALLY WANTED HIM TO SHOW UP THE END," SHE REMEMBERS.HE DID.ROSEN LISTENED TO MARV GAYE'S TAKE ON "THE STAR-SPANGLED BANNER" OM THE SRER'S TABLE AT CENTER URT. HE LOVED WHAT HE HEARD, BUT STILL HAD NCERNS. GAYE'S RENDN WAS A BREAK TRADN, AND JUDGG BY THE ENZIED RPONSE OF 17,505 ATTEN, ROSEN KNEW PLENTY OF PEOPLE MIGHT FD DISRPECTFUL. ONE THG, HOWEVER, WAS IMMEDIATELY CLEAR: NBA MISSNER LARRY O'BRIEN SURE DID.DURG THE FIRST QUARTER, O'BRIEN LET ROSEN HAVE . THE NVERSATN WAS SHORT AND "VERY LORFUL," SAYS ROSEN, WHO CLED TO GO TO SPECIFICS.MARV GAYE HAD BEEN ONE OF ROSEN'S MIL HERO. NOW ROSEN WAS SURE GAYE WAS GOG TO GET HIM FIRED. AT HALFTIME, ROSEN HAD TO CHECK WH LAKERS OWNER JERRY BS. THE WALK TO THE PRIVATE BOX WAS EXCCIATGLY LONG; FELT LIKE HE WAS HEADG TO THE PRCIPAL'S OFFICE."WHAT'S THE MATTER?" BS ASKED.ROSEN TOLD HIM."THAT WAS THE GREATT ANTHEM OF ALL TIME," BS REPLIED. "ARE YOU KIDDG?"IT'S BEEN 30 YEARS SCE MARV GAYE'S GROUNDBREAKG NATNAL ANTHEM, AND AT THIS POT, 'S HARD TO QUTN S IMPACT ON POP CULTURE. GAYE ME BEFORE WHNEY HOTON'S TRIUMPH TAMPA … AND FOR ROSEANNE BARR'S CROTCH-GRABBG EMBARRASSMENT SAN DIEGO. AND HIS RENDN FLUENCED THE NBA, WHOSE "HISTORY WAS BEG VENTED AS WE SPOKE," SAYS GOLN STATE WARRRS PRINT RICK WELTS, WHO WORKED THE LEAGUE OFFICE OM 1982 TO 1999 AND CREATED ALL-STAR WEEKEND. VENERABLE BASKETBALL WRER JACK MCCALLUM SAYS GAYE'S PERFORMANCE SIGNIFIED THE LEAGUE PLANTG S FLAG AS "A CULTURAL LEAR."AT THE TIME, HOWEVER, "YOU DIDN'T HEAR PASSNATE VERSNS OF 'THE STAR-SPANGLED BANNER,' WHICH IS WHY 'S A MISTAKE TO HAVE AT 10,000 BASEBALL GAM," SAYS MIC WRER DAVE MARSH. "IT DILUT THE MEANG THE SONG HAS. IT'S SOMETHG THAT ALONG LIKE THE FIVE O'CLOCK TRA." GAYE'S BGRAPHER AND IEND DAVID RZ SAYS THE PERFORMANCE OFFERED A SOCIAL MENTARY AND REVEALED THE SGER'S SOUL. IT WAS A CHALLENGE TO THE AMERIN JGOISM EMBRACED BY PRINT REAGAN — AND AN SI JOKE: HERE'S A FUNKY, DISTCTIVELY BLACK VERSN THAT'S REPRENTATIVE OF WHAT'S ON THE URT.MARV GAYE'S NATNAL ANTHEMAUD CLIPS URTY OF GAYE'S GUARIST AND MIL DIRECTOR, GORDON BANKS. THE FIRST IS GAYE PRACTICG WH A DIFFERENT BEAT; THE SEND IS THE BEAT ED AT THE ALL-STAR GAME.CLICK HERE FOR D

"I really wanted him to show up the end, " she listened to Marv Gaye's take on "The Star-Spangled Banner" om the srer's table at center urt. Gaye's rendn was a break tradn, and judgg by the enzied rponse of 17, 505 atten, Rosen knew plenty of people might fd disrpectful.

FEBARY 13, 1983: THE AFTERNOON MARV GAYE REVOLUTNIZED THE SGG OF THE NATNAL ANTHEM

The nversatn was short and "very lorful, " says Rosen, who cled to go to Gaye had been one of Rosen's mil hero.

20 YEARS AGO, MARV GAYE TOOK 'NATNAL ANTHEM' TO NEW HEIGHTS

Now Rosen was sure Gaye was gog to get him fired.

"It's been 30 years sce Marv Gaye's groundbreakg natnal anthem, and at this pot, 's hard to qutn s impact on pop culture.

Gaye me before Whney Hoton's triumph Tampa … and for Roseanne Barr's crotch-grabbg embarrassment San Diego. Venerable basketball wrer Jack McCallum says Gaye's performance signified the league plantg s flag as "a cultural lear.

GAYE PERFORMS ANTHEM

" Gaye's bgrapher and iend David Rz says the performance offered a social mentary and revealed the sger's soul. It was a challenge to the Amerin jgoism embraced by Print Reagan — and an si joke: Here's a funky, distctively black versn that's reprentative of what's on the clips urty of Gaye's guarist and mil director, Gordon Banks.

FLASHBACK: MARV GAYE REIMAG ‘THE STAR-SPANGLED BANNER’ 1983

The first is Gaye practicg wh a different beat; the send is the beat ed at the All-Star here for d"We did a mo, " Banks says. "He [Gaye] had some mic him, so what out is what out. "He knew what he was gog to do, " said Banks, who thks 's possible Gaye was late for the game bee he wanted to avoid further cricism over the song's players who participated the 1983 NBA All-Star Game were foced elsewhere that afternoon.

Gaye, all Motown ol his dark su and manhole-size sunglass — lookg "rplennt, " acrdg to Rosen — walked to center urt. "I asked God that when I sang , " Gaye later told an terviewer, "would He let move men's souls. " "I don't thk anyone had a clue what was about to e, " says Josh Rosenfeld, then the Lakers' director of public simple two-beat pattern me urty of Gaye and his guarist and mil director, Gordon Banks, who created Banks's stud — a 4-by-4 closet.

Then Gaye opened his players looked at each other, Johnson rells, and their exprsns said the same thg: Oh, sh, here we go. "As Gaye neared the climax of the performance, the song started to seem personal; he was workg through what Rz lls his "emotnal sh. After an elongated "brave, " Gaye exhaled a breathy "Oh, Lord.