Wh Rsia unr fire culturally and polilly over s vasn of Ukrae, soon-to-be-released gay film Firebird offers a fascatg sight to gay love agast the backdrop of war.
Contents:
- ‘FIREBIRD’ FILM REVIEW: GAY USSR ROMANCE LOOKS GEO BUT THE STORY FALLS APART
- THE FILM PUT DON’T WANT THE WORLD TO SEE: FIREBIRD, A GAY LOVE STORY ABOUT FIGHTER PILOTS
- GAY ROMANCE MOVIE "FIREBIRD" (2021)
- FIREBIRD REVIEW – STORY OF GAY LOVERS THE SOVIET ERA IS BROKEBACK THE USSR
‘FIREBIRD’ FILM REVIEW: GAY USSR ROMANCE LOOKS GEO BUT THE STORY FALLS APART
* gay firebird movie *
New gay film Firebird offers a fascatg sight to love agast the backdrop of war. This isn’t a tale of angst-ridn gays; both men are at ease wh their sexualy, but the Soviet Unn is not.
It’s an aspect that mak this an tertg pann piece to Sebastian Meise’s Great Freedom—part of which is set a siar perd Germany when gay men ntued to be crimalized followg the Send World War—and Arthur Dong’s excellent documentary Comg Out Unr Fire, examg the history of the treatment of LGBTQ members of the ary by the US ernment.
THE FILM PUT DON’T WANT THE WORLD TO SEE: FIREBIRD, A GAY LOVE STORY ABOUT FIGHTER PILOTS
There is an unniable tensn Firebird between s aspiratn to be a grty perd piece and s sire to be an exhibn of homoerotic beekkery, and I’m not sure the film’s director (Peeter Rebane) effectively signals to which si he’d prefer his dience to lean.
GAY ROMANCE MOVIE "FIREBIRD" (2021)
The disproportnate foc that gay romance films have on whe, cisgenr, mcular leadg men is a symptom of larger issu the queer muny, and ’s time we started to curate a more reprentative non of LGBTQ+ films. Also prent is the ‘homophobic gnt’, who mak a missn to ensure our lovebirds spend more time jail than they do each other's arms.
FIREBIRD REVIEW – STORY OF GAY LOVERS THE SOVIET ERA IS BROKEBACK THE USSR
The film's very missn statement is to tail the life of Sergey Fetisov, who is played wonrfully here by Tom Prr, and Fetisov lived durg a time and a regime which the two-dimensnal homophob did exist. Firebird's 'other woman' character, Luisa, did exist, and further rearch to Firebird reveals that her and Sergey's relatnship was far more straed the origal script; effort has clearly been ma to make her character feel ls like a moralistic judgement on the ma relatnship and more like a real and nuanced the two-dimensnal homophobe character which hnts our pair throughout the film is ground by a sister post-creds scene, which didn't add nuance to the character per se, but grounds him as a metaphor for the ghoulish queerphobic vlence which still plagu ex-soviet stat today.