Love Man by Marv Gaye (Bootleg, Soul): Reviews, Ratgs, Creds, Song list - Rate Your Mic

Contents:

• LOVE MARV: THE GREATT LOVE SONGS OF MARV GAYE
• MARV {LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:600;MARG-BOTTOM:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:0.875REM;LE-HEIGHT:1.2;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:1.25REM;LE-HEIGHT:1.2;}} A{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:HER;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;} A:HOVER{LOR:#A00000;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL {MARG-BOTTOM:0.625REM;PADDG-RIGHT:0.3125REM;LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;} SPAN{LE-HEIGHT:1.6;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;}{FONT-STYLE:NORMAL;PADDG-RIGHT:0.3125REM;FONT-FAY:RALAS,GEIA,TIM,SERIF;LOR:#323232;FONT-SIZE:0.75REM;LE-HEIGHT:1.3;FONT-WEIGHT:BOLD;TEXT-TRANSFORM:PALIZE;}{DISPLAY:LE-BLOCK;TEXT-TRANSFORM:UPPERSE;MARG-LEFT:0.625REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}UPDATED: APR 19, {DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;}{MARG-BOTTOM:0.9375REM;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 64REM){{MAX-WIDTH:LC(100VW - (1REM * 2));MARG-LEFT:1REM;MARG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(-1 * 1REM);}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MARG-LEFT:TO;MARG-RIGHT:TO;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC((100VW - (LC(20.625REM * 2 - 1REM) - 2 * 1REM)) / -2);}}@MEDIA(M-WIDTH: 61.25REM) AND (MAX-WIDTH: 90REM){{MAX-WIDTH:LC(20.625REM * 2 - 1REM);MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / 2);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / -2) - 1REM);}}@MEDIA(M-WIDTH: 90REM){{MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 2);MAX-WIDTH:LC(20.625REM * 2 - 1REM);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 + 1REM)) / -2) - LC(2 * 1REM));}[DATA-HAS-SPONSOR] {MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);MARG-RIGHT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);}}{JTIFY-SELF:CENTER;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 48REM){{MARG-LEFT:-50VW;MARG-RIGHT:-50VW;WIDTH:100VW;LEFT:50%;RIGHT:50%;}}{HEIGHT:TO;}@MEDIA(MAX-WIDTH: 48REM){{MARG:TO LC(50% - 50VW);}}@MEDIA(M-WIDTH: 48REM){{MARG:TO;}}{POSN:RELATIVE;HEIGHT:TO;}{POSN:RELATIVE;--POSN:ABSOLUTE;HEIGHT:TO;} IMG{MAX-WIDTH:100%;HEIGHT:TO;} A{POSN:ABSOLUTE;}{POSN:RELATIVE;WIDTH:100%;HEIGHT:100%;OBJECT-F:VER;VERTIL-ALIGN:TOP;}{BACKGROUND:#C92228;BOTTOM:0;PADDG:.5REM;RIGHT:0;}@MEDIA(M-WIDTH: 64REM){{PADDG:0.39REM;}}{DISPLAY:BLOCK;HEIGHT:1REM;WIDTH:1REM;}@MEDIA(M-WIDTH: 64REM){{WIDTH:1.063REM;HEIGHT:1.063REM;}}{LE-HEIGHT:1;MARG-TOP:0.3125REM;}@MEDIA(MAX-WIDTH: 73.75REM){{PADDG-LEFT:0.9375REM;}}@MEDIA(M-WIDTH: 64REM){{PADDG-LEFT:0;}}{PADDG-RIGHT:0.3125REM;LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}PHOTO: NBCU PHOTO BANK/GETTY {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;PADDG-LEFT:0REM;PADDG-RIGHT:0REM;POSN:RELATIVE;}@MEDIA(M-WIDTH: 48REM){{PADDG-LEFT:3.5REM;PADDG-RIGHT:3.5REM;}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MAX-WIDTH:45.25REM;MARG-LEFT:TO;MARG-RIGHT:TO;}}@MEDIA(M-WIDTH: 61.25REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 73.75REM) AND (MAX-WIDTH: 100REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 90REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}{CLEAR:BOTH;NTENT:" ";DISPLAY:BLOCK;FONT-SIZE:0.7REM;LE-HEIGHT:1.5REM;HEIGHT:0REM;VISIBILY:HIDN;}{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;}(1939-1984){LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:800;LETTER-SPACG:0.02EM;MARG-BOTTOM:0.625REM;MARG-TOP:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:1.875REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 64REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;}WHO WAS MARV GAYE?MARV GAYE SANG HIS FATHER'S CHURCH AND THE MOONGLOWS BEFORE SIGNG WH MOTOWN. HE RERD SONGS BY SMOKEY ROBSON BEFORE BEG HIS OWN PRODUCER ON THE PROTT ALBUM WHAT'S GOG ON (1971). GAYE'S LATER RERDS VELOPED HIS PRODUCTN STYLE AND YIELD SEVERAL HS, CLUDG "LET'S GET IT ON," "SEXUAL HEALG" AND "I HEARD THROUGH THE GRAPEVE." GAYE WAS KILLED 1984 DURG A DOMTIC DISPUTE WH HIS FATHER.EARLY LIFESGER MARV PENTZ GAYE, JR., ALSO KNOWN AS THE "PRCE OF SOUL," WAS BORN WASHGTON, D.C., ON APRIL 2, 1939. GAYE WAS RAISED UNR THE STRICT NTROL OF HIS FATHER, REVEREND MARV GAY SR.—MARV GAYE JR. ADD THE "E" ON THE END OF HIS NAME LATER LIFE—THE MISTER AT A LOL CHURCH, AGAST A BLEAK BACKDROP OF WISPREAD VLENCE HIS NEIGHBORHOOD. THROUGHOUT HIS CHILDHOOD, GAYE OFTEN FOUND PEACE MIC, MASTERG THE PIANO AND DMS AT A YOUNG AGE. UNTIL HIGH SCHOOL, HIS SGG EXPERIENCE WAS LIMED TO CHURCH REVIVALS, BUT SOON HE VELOPED A LOVE FOR R&B AND DOO-WOP THAT WOULD SET THE FOUNDATN FOR HIS REER. IN THE LATE 1950S, GAYE JOED A VOL GROUP LLED THE NEW MOONGLOWS. THE TALENTED SGER HAD A PHENOMENAL RANGE THAT SPANNED THREE VOL STYL AND HE SOON IMPRSED THE GROUP'S FOUNR, HARVEY FUQUA. IT WASN'T LONG BEFORE GAYE AND FUQUA BOTH ME TO THE ATTENTN OF DETRO MIC IMPRAR {-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:#A00000;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;}{LOR:#595959;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}BERRY GORDY JR. AND WERE SIGNED TO GORDY'S LEGENDARY MOTOWN RERDS.MOTOWN RERDSGAYE'S FIRST CERTIFIED H UNR HIS OWN NAME WOULDN'T E UNTIL 1962, BUT HIS EARLY YEARS AT MOTOWN WERE FULL OF BEHD-THE-SCEN SUCCS. HE WAS A SSN DMMER FOR MOTOWN LEGENDS SUCH AS LTLE STEVIE WONR, THE SUPREM, THE MARVELETT AND MARTHA AND THE VANLLAS. SHOWG HIS STRIP AS MOTOWN'S RENAISSANCE MAN, GAYE WENT ON TO BREAK TO THE TOP 40 FOR THE FIRST TIME ON HIS OWN 1962 WH HIS SOLO SGLE "HCH HIKE." THROUGHOUT THE 1960S, GAYE WOULD SHOW HIS IMMENSE RANGE, CHURNG OUT SOLO DANCE HS AND ROMANTIC DUETS WH H-MAKERS LIKE DIANA ROSS AND MARY WELLS. "CAN I GET A WNS" AND "I HEARD THROUGH THE GRAPEVE" WERE SOME OF GAYE'S BIGGT HS OF THE PERD, THE LATTER ACHIEVG S PLACE AS MOTOWN'S BT-SELLG SGLE OF THE 1960S. FOR THREE HIGH-FLYG YEARS, GAYE AND TAMMI TERRELL WOWED THE UNTRY WH THEIR SOARG DUET PERFORMANC OF SONGS LIKE "A'T NO MOUNTA HIGH ENOUGH" AND "IF I COULD BUILD MY WHOLE WORLD AROUND YOU." UNFORTUNATELY, THEIR REIGN AS THE ROYAL COUPLE OF R&B END WHEN TERRELL SUCCUMBED TO A BRA TUMOR 1970. HIS BELOVED PARTNER'S ATH HERED A DARK PERD FOR THE SGER, WHO SWORE NEVER TO PARTNER WH ANOTHER FEMALE VOLIST AND THREATENED TO ABANDON THE STAGE FOR GOOD.POLIL MSAGEIN 1970, SPIRED BY LATG VLENCE AND POLIL UNRT OVER THE VIETNAM WAR, GAYE WROTE THE LANDMARK SONG "WHAT'S GOG ON." DPE CLASH WH MOTOWN OVER THE SONG'S CREATIVE DIRECTN, THE SGLE WAS RELEASED 1971 AND BEME AN STANT SMASH. ITS SUCCS PROMPTED GAYE TO TAKE EVEN MORE RISKS, BOTH MILLY AND POLILLY. WHEN WAS RELEASED THE SPRG OF 1971, THE WHAT'S GOG ON ALBUM SERVED TO OPEN GAYE UP TO NEW DIENC WHILE MATAG HIS MOTOWN FOLLOWG. DEPARTG OM THE TRIED AND TE MOTOWN FORMULA, GAYE WENT OUT ON HIS OWN ARTISTILLY, PAVG THE WAY FOR OTHER MOTOWN ARTISTS LIKE WONR AND MICHAEL JACKSON TO BRANCH OUT LATER YEARS. BEYOND FLUENCG HIS PEERS, THE ALBUM GARNERED WISPREAD CRIL ACCLAIM, WNG THE ROLLG STONE ALBUM OF THE YEAR AWARD.CROSSOVER SUCCSIN 1972, GAYE MOVED TO LOS ANGEL AND SOON MET JANIS HUNTER, WHO WOULD LATER BEE HIS SEND WIFE. INSPIRED PART BY HIS NEWFOUND PENNCE, GAYE RERD ONE OF THE MOST REVERED LOVE ANTHEMS OF ALL TIME, "LET'S GET IT ON." THE SONG BEME HIS SEND NO. 1 BILLBOARD H, CEMENTG HIS CROSSOVER APPEAL ONCE AND FOR ALL. SHORTLY AFTERWARDS, MOTOWN PHED GAYE TO TOURG TO PALIZE ON HIS MOST RECENT SUCCS; RELUCTANTLY THE SGER-SONGWRER RETURNED TO THE STAGE. THROUGH MOST OF THE MID-1970S, GAYE WAS TOURG, LLABORATG OR PRODUCG. WORKG WH DIANA ROSS AND THE MIRACL, HE PUT OFF RELEASG ANOTHER SOLO ALBUM UNTIL 1976. HE NTUED TOURG AFTER THE RELEASE OF I WANT YOU (1976) AND, AFTER SRG A NO. 1 H 1977 WH THE DANCE SGLE "GOT TO GIVE IT UP," RELEASED HIS LAST ALBUM FOR MOTOWN RERDS (HERE, MY DEAR) 1978. (DES LATER, "GOT TO GIVE IT UP" WOULD BEE THE CENTER OF A BIG NTROVERSY. IN 2013, GAYE'S TATE ASSERTED THAT PRODUCER/SONGWRER PHARRELL WILLIAMS AND SGER/SONGWRER ROB THICKE HAD MTED PYRIGHT GEMENT BY TAKG MAJOR MIL ELEMENTS OM THE DIS TRACK FOR THE MEGA-H "BLURRED L." AFTER A SE WHICH THICKE TTIFIED THAT HE'D HAD LTLE TO DO WH THE WRG OF THE SONG, THE JURY LED FAVOR OF GAYE'S FAY, WHO WERE AWARD $7.3 LN DAMAG AND PROF SHAR. THE JURY ALSO LED THAT NEHER WILLIAMS OR THICKE HAD PURPOSELY MTED GEMENT.) AFTER TWO S AT MOTOWN, GAYE SIGNED WH CBS'S COLUMBIA RERDS 1982 AND BEGAN TO WORK ON HIS LAST ALBUM, MIDNIGHT LOVE. THE LEAD SGLE OM THAT ALBUM, "SEXUAL HEALG," BEME A HUGE EBACK H FOR THE R&B STAR AND EARNED HIM HIS FIRST TWO GRAMMY AWARDS AND AN AMERIN MIC AWARD FOR FAVORE SOUL SGLE.PERSONAL LIFEIN 1975, GAYE'S WIFE ANNA GORDY—BERRY GORDY'S SISTER—FILED FOR DIVORCE, AND TWO YEARS LATER GAYE MARRIED HUNTER, WHO HAD BY THEN GIVEN BIRTH TO THEIR DGHTER, NONA (BORN SEPTEMBER 4, 1974) AND THEIR SON FRANKIE (BORN NOVEMBER 16, 1975). GAYE ALSO HAD AN ADOPTED SON (MARV PENTZ GAYE III) OM HIS PREV MARRIAGE. THE SGER'S MARRIAGE TO HUNTER PROVED SHORT LIVED AND TUMULTUO, ENDG DIVORCE 1981.DEATH AND LEGACYDPE HIS SUCCSFUL EBACK THE EARLY 1980S, GAYE STGGLED BADLY WH THE SUBSTANCE ABE AND BOUTS OF PRSN THAT HAD PLAGUED HIM FOR MOST OF HIS LIFE. AFTER HIS LAST TOUR, HE MOVED TO HIS PARENTS' HOE. THERE HE AND HIS FATHER FELL TO A PATTERN OF VLENT FIGHTS AND QUARRELS THAT RELLED NFLICTS THAT HAD HNTED THE FAY FOR S. ON APRIL 1, 1984, MARV GAYE SR. SHOT AND KILLED HIS SON AFTER A PHYSIL ALTERTN; THE FATHER CLAIMED HE ACTED SELF-FENSE BUT WOULD LATER BE NVICTED OF VOLUNTARY MANSLGHTER. THREE YEARS AFTER HIS ATH, GAYE WAS DUCTED TO THE ROCK AND ROLL HALL OF FAME. CREATG BETIFUL ART OM A TROUBLED LIFE, GAYE AGA AND AGA BROUGHT HIS VISN, RANGE AND ARTISTRY TO THE WORLD STAGE. AT THE END OF HIS REER, HE ADMTED HE NO LONGER MA MIC FOR PLEASURE; STEAD, HE SAID, "I RERD SO THAT I N FEED PEOPLE WHAT THEY NEED, WHAT THEY FEEL. HOPEFULLY, I RERD SO THAT I N HELP SOMEONE OVERE A BAD TIME."{BORR:0;BORR-BOTTOM:TH SOLID BLACK;MARG:1.875REM 0;CLEAR:BOTH;}QUICK {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;MARG:0.9375REM 0 0 0.625REM;PADDG:0 0 0 1.25REM;}@MEDIA(M-WIDTH: 48REM){{MARG:0.9375REM 0;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;} LI{PADDG-BOTTOM:0.625REM;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} LI::MARKER{LOR:#323232;}NAME: MARV GAYEBIRTH YEAR: 1939BIRTH DATE: APRIL 2, 1939BIRTH CY: WASHGTON, D. C.BIRTH COUNTRY: UNED STATGENR: MALEBT KNOWN FOR: MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL THEM.INDTRIPOPASTROLOGIL SIGN: ARIINTERTG FACTSBEFORE MAKG AS A SOLO ARTIST, MARV GAYE PLAYED DMS FOR ARTISTS SUCH AS STEVIE WONR AND THE SUPREM.DEATH YEAR: 1984DEATH DATE: APRIL 1, 1984DEATH STATE: CALIFORNIADEATH CY: LOS ANGELDEATH COUNTRY: UNED STATFACT CHECKWE STRIVE FOR ACCURACY AND YOU SEE SOMETHG THAT DON'T LOOK RIGHT,NTACT !CITATION INFORMATIONARTICLE TLE: MARV GAYE BGRAPHYAUTHOR: EDORSWEBSE NAME: THE WEBSEURL: ACCS DATE: PUBLISHER: A&E; TELEVISN NETWORKSLAST UPDATED: APRIL 19, 2021ORIGAL PUBLISHED DATE: APRIL 2, 2014QUOTES
• MARV GAYE’S WIFE REVEALS HOW HE TORTURED HER
• HOW DID MARV GAYE DIE? INSI THE MOTOWN LEGEND’S MURR
• 10 SURPRISG FACTS ABOUT MARV GAYE

LOVE MARV: THE GREATT LOVE SONGS OF MARV GAYE

At the end of the '70s, Marv Gaye was termed to rerd an upbeat party album as a means of reverg fans who were alienated by the sulary and pa of Here, My Dear. But as much as Gaye might have wanted to rerd a straightforward dis album, he simply wasn’t that kd of artist. ” The tensn between Gaye’s mercial aspiratns and his personal realy is what mak this album sential.

In 1979, Love Man was supposed to be Marv Gaye's antidote agast the new generatn of male Soul sgers who were, Gaye's paranoid md, attemptg to overthrow his posn as the te prce of Soul mic (sgers such as Teddy Penrgrass, Michael Henrson, Peabo Bryson and the newer, Prce). After his trovert double album Here, My Dear, which revealed the unvarnished "tth" of his marriage/divorce - a masterpiece but also a mercial flop, Love Man was Gaye's weapon tend to brg him back to the charts, and brg him money and was fished, Gaye whdrew and so, was shelved and never released.

Though may be very close to In Our Lifetime?, Love Man is mostly another rerdg, wh changed lyrics, and a different and pleted mix that giv the mic a different tone who lov Marv Gaye, particularly the latter part of his reer, should try to get hold of this bootleg. Marv Gaye uld have sung somebody’s Power Pot prentatn and would still have sound like a love song torn om the pths of his soul, so llectns like this one, which feature several of his greatt sgl, n’t really miss.

MARV {LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:600;MARG-BOTTOM:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:0.875REM;LE-HEIGHT:1.2;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:1.25REM;LE-HEIGHT:1.2;}} A{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:HER;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;} A:HOVER{LOR:#A00000;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL {MARG-BOTTOM:0.625REM;PADDG-RIGHT:0.3125REM;LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;} SPAN{LE-HEIGHT:1.6;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;}{FONT-STYLE:NORMAL;PADDG-RIGHT:0.3125REM;FONT-FAY:RALAS,GEIA,TIM,SERIF;LOR:#323232;FONT-SIZE:0.75REM;LE-HEIGHT:1.3;FONT-WEIGHT:BOLD;TEXT-TRANSFORM:PALIZE;}{DISPLAY:LE-BLOCK;TEXT-TRANSFORM:UPPERSE;MARG-LEFT:0.625REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}UPDATED: APR 19, {DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;}{MARG-BOTTOM:0.9375REM;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 64REM){{MAX-WIDTH:LC(100VW - (1REM * 2));MARG-LEFT:1REM;MARG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(-1 * 1REM);}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MARG-LEFT:TO;MARG-RIGHT:TO;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC((100VW - (LC(20.625REM * 2 - 1REM) - 2 * 1REM)) / -2);}}@MEDIA(M-WIDTH: 61.25REM) AND (MAX-WIDTH: 90REM){{MAX-WIDTH:LC(20.625REM * 2 - 1REM);MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / 2);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / -2) - 1REM);}}@MEDIA(M-WIDTH: 90REM){{MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 2);MAX-WIDTH:LC(20.625REM * 2 - 1REM);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 + 1REM)) / -2) - LC(2 * 1REM));}[DATA-HAS-SPONSOR] {MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);MARG-RIGHT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);}}{JTIFY-SELF:CENTER;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 48REM){{MARG-LEFT:-50VW;MARG-RIGHT:-50VW;WIDTH:100VW;LEFT:50%;RIGHT:50%;}}{HEIGHT:TO;}@MEDIA(MAX-WIDTH: 48REM){{MARG:TO LC(50% - 50VW);}}@MEDIA(M-WIDTH: 48REM){{MARG:TO;}}{POSN:RELATIVE;HEIGHT:TO;}{POSN:RELATIVE;--POSN:ABSOLUTE;HEIGHT:TO;} IMG{MAX-WIDTH:100%;HEIGHT:TO;} A{POSN:ABSOLUTE;}{POSN:RELATIVE;WIDTH:100%;HEIGHT:100%;OBJECT-F:VER;VERTIL-ALIGN:TOP;}{BACKGROUND:#C92228;BOTTOM:0;PADDG:.5REM;RIGHT:0;}@MEDIA(M-WIDTH: 64REM){{PADDG:0.39REM;}}{DISPLAY:BLOCK;HEIGHT:1REM;WIDTH:1REM;}@MEDIA(M-WIDTH: 64REM){{WIDTH:1.063REM;HEIGHT:1.063REM;}}{LE-HEIGHT:1;MARG-TOP:0.3125REM;}@MEDIA(MAX-WIDTH: 73.75REM){{PADDG-LEFT:0.9375REM;}}@MEDIA(M-WIDTH: 64REM){{PADDG-LEFT:0;}}{PADDG-RIGHT:0.3125REM;LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}PHOTO: NBCU PHOTO BANK/GETTY {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;PADDG-LEFT:0REM;PADDG-RIGHT:0REM;POSN:RELATIVE;}@MEDIA(M-WIDTH: 48REM){{PADDG-LEFT:3.5REM;PADDG-RIGHT:3.5REM;}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MAX-WIDTH:45.25REM;MARG-LEFT:TO;MARG-RIGHT:TO;}}@MEDIA(M-WIDTH: 61.25REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 73.75REM) AND (MAX-WIDTH: 100REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 90REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}{CLEAR:BOTH;NTENT:" ";DISPLAY:BLOCK;FONT-SIZE:0.7REM;LE-HEIGHT:1.5REM;HEIGHT:0REM;VISIBILY:HIDN;}{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;}(1939-1984){LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:800;LETTER-SPACG:0.02EM;MARG-BOTTOM:0.625REM;MARG-TOP:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:1.875REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 64REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;}WHO WAS MARV GAYE?MARV GAYE SANG HIS FATHER'S CHURCH AND THE MOONGLOWS BEFORE SIGNG WH MOTOWN. HE RERD SONGS BY SMOKEY ROBSON BEFORE BEG HIS OWN PRODUCER ON THE PROTT ALBUM WHAT'S GOG ON (1971). GAYE'S LATER RERDS VELOPED HIS PRODUCTN STYLE AND YIELD SEVERAL HS, CLUDG "LET'S GET IT ON," "SEXUAL HEALG" AND "I HEARD THROUGH THE GRAPEVE." GAYE WAS KILLED 1984 DURG A DOMTIC DISPUTE WH HIS FATHER.EARLY LIFESGER MARV PENTZ GAYE, JR., ALSO KNOWN AS THE "PRCE OF SOUL," WAS BORN WASHGTON, D.C., ON APRIL 2, 1939. GAYE WAS RAISED UNR THE STRICT NTROL OF HIS FATHER, REVEREND MARV GAY SR.—MARV GAYE JR. ADD THE "E" ON THE END OF HIS NAME LATER LIFE—THE MISTER AT A LOL CHURCH, AGAST A BLEAK BACKDROP OF WISPREAD VLENCE HIS NEIGHBORHOOD. THROUGHOUT HIS CHILDHOOD, GAYE OFTEN FOUND PEACE MIC, MASTERG THE PIANO AND DMS AT A YOUNG AGE. UNTIL HIGH SCHOOL, HIS SGG EXPERIENCE WAS LIMED TO CHURCH REVIVALS, BUT SOON HE VELOPED A LOVE FOR R&B AND DOO-WOP THAT WOULD SET THE FOUNDATN FOR HIS REER. IN THE LATE 1950S, GAYE JOED A VOL GROUP LLED THE NEW MOONGLOWS. THE TALENTED SGER HAD A PHENOMENAL RANGE THAT SPANNED THREE VOL STYL AND HE SOON IMPRSED THE GROUP'S FOUNR, HARVEY FUQUA. IT WASN'T LONG BEFORE GAYE AND FUQUA BOTH ME TO THE ATTENTN OF DETRO MIC IMPRAR {-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:#A00000;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;}{LOR:#595959;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}BERRY GORDY JR. AND WERE SIGNED TO GORDY'S LEGENDARY MOTOWN RERDS.MOTOWN RERDSGAYE'S FIRST CERTIFIED H UNR HIS OWN NAME WOULDN'T E UNTIL 1962, BUT HIS EARLY YEARS AT MOTOWN WERE FULL OF BEHD-THE-SCEN SUCCS. HE WAS A SSN DMMER FOR MOTOWN LEGENDS SUCH AS LTLE STEVIE WONR, THE SUPREM, THE MARVELETT AND MARTHA AND THE VANLLAS. SHOWG HIS STRIP AS MOTOWN'S RENAISSANCE MAN, GAYE WENT ON TO BREAK TO THE TOP 40 FOR THE FIRST TIME ON HIS OWN 1962 WH HIS SOLO SGLE "HCH HIKE." THROUGHOUT THE 1960S, GAYE WOULD SHOW HIS IMMENSE RANGE, CHURNG OUT SOLO DANCE HS AND ROMANTIC DUETS WH H-MAKERS LIKE DIANA ROSS AND MARY WELLS. "CAN I GET A WNS" AND "I HEARD THROUGH THE GRAPEVE" WERE SOME OF GAYE'S BIGGT HS OF THE PERD, THE LATTER ACHIEVG S PLACE AS MOTOWN'S BT-SELLG SGLE OF THE 1960S. FOR THREE HIGH-FLYG YEARS, GAYE AND TAMMI TERRELL WOWED THE UNTRY WH THEIR SOARG DUET PERFORMANC OF SONGS LIKE "A'T NO MOUNTA HIGH ENOUGH" AND "IF I COULD BUILD MY WHOLE WORLD AROUND YOU." UNFORTUNATELY, THEIR REIGN AS THE ROYAL COUPLE OF R&B END WHEN TERRELL SUCCUMBED TO A BRA TUMOR 1970. HIS BELOVED PARTNER'S ATH HERED A DARK PERD FOR THE SGER, WHO SWORE NEVER TO PARTNER WH ANOTHER FEMALE VOLIST AND THREATENED TO ABANDON THE STAGE FOR GOOD.POLIL MSAGEIN 1970, SPIRED BY LATG VLENCE AND POLIL UNRT OVER THE VIETNAM WAR, GAYE WROTE THE LANDMARK SONG "WHAT'S GOG ON." DPE CLASH WH MOTOWN OVER THE SONG'S CREATIVE DIRECTN, THE SGLE WAS RELEASED 1971 AND BEME AN STANT SMASH. ITS SUCCS PROMPTED GAYE TO TAKE EVEN MORE RISKS, BOTH MILLY AND POLILLY. WHEN WAS RELEASED THE SPRG OF 1971, THE WHAT'S GOG ON ALBUM SERVED TO OPEN GAYE UP TO NEW DIENC WHILE MATAG HIS MOTOWN FOLLOWG. DEPARTG OM THE TRIED AND TE MOTOWN FORMULA, GAYE WENT OUT ON HIS OWN ARTISTILLY, PAVG THE WAY FOR OTHER MOTOWN ARTISTS LIKE WONR AND MICHAEL JACKSON TO BRANCH OUT LATER YEARS. BEYOND FLUENCG HIS PEERS, THE ALBUM GARNERED WISPREAD CRIL ACCLAIM, WNG THE ROLLG STONE ALBUM OF THE YEAR AWARD.CROSSOVER SUCCSIN 1972, GAYE MOVED TO LOS ANGEL AND SOON MET JANIS HUNTER, WHO WOULD LATER BEE HIS SEND WIFE. INSPIRED PART BY HIS NEWFOUND PENNCE, GAYE RERD ONE OF THE MOST REVERED LOVE ANTHEMS OF ALL TIME, "LET'S GET IT ON." THE SONG BEME HIS SEND NO. 1 BILLBOARD H, CEMENTG HIS CROSSOVER APPEAL ONCE AND FOR ALL. SHORTLY AFTERWARDS, MOTOWN PHED GAYE TO TOURG TO PALIZE ON HIS MOST RECENT SUCCS; RELUCTANTLY THE SGER-SONGWRER RETURNED TO THE STAGE. THROUGH MOST OF THE MID-1970S, GAYE WAS TOURG, LLABORATG OR PRODUCG. WORKG WH DIANA ROSS AND THE MIRACL, HE PUT OFF RELEASG ANOTHER SOLO ALBUM UNTIL 1976. HE NTUED TOURG AFTER THE RELEASE OF I WANT YOU (1976) AND, AFTER SRG A NO. 1 H 1977 WH THE DANCE SGLE "GOT TO GIVE IT UP," RELEASED HIS LAST ALBUM FOR MOTOWN RERDS (HERE, MY DEAR) 1978. (DES LATER, "GOT TO GIVE IT UP" WOULD BEE THE CENTER OF A BIG NTROVERSY. IN 2013, GAYE'S TATE ASSERTED THAT PRODUCER/SONGWRER PHARRELL WILLIAMS AND SGER/SONGWRER ROB THICKE HAD MTED PYRIGHT GEMENT BY TAKG MAJOR MIL ELEMENTS OM THE DIS TRACK FOR THE MEGA-H "BLURRED L." AFTER A SE WHICH THICKE TTIFIED THAT HE'D HAD LTLE TO DO WH THE WRG OF THE SONG, THE JURY LED FAVOR OF GAYE'S FAY, WHO WERE AWARD $7.3 LN DAMAG AND PROF SHAR. THE JURY ALSO LED THAT NEHER WILLIAMS OR THICKE HAD PURPOSELY MTED GEMENT.) AFTER TWO S AT MOTOWN, GAYE SIGNED WH CBS'S COLUMBIA RERDS 1982 AND BEGAN TO WORK ON HIS LAST ALBUM, MIDNIGHT LOVE. THE LEAD SGLE OM THAT ALBUM, "SEXUAL HEALG," BEME A HUGE EBACK H FOR THE R&B STAR AND EARNED HIM HIS FIRST TWO GRAMMY AWARDS AND AN AMERIN MIC AWARD FOR FAVORE SOUL SGLE.PERSONAL LIFEIN 1975, GAYE'S WIFE ANNA GORDY—BERRY GORDY'S SISTER—FILED FOR DIVORCE, AND TWO YEARS LATER GAYE MARRIED HUNTER, WHO HAD BY THEN GIVEN BIRTH TO THEIR DGHTER, NONA (BORN SEPTEMBER 4, 1974) AND THEIR SON FRANKIE (BORN NOVEMBER 16, 1975). GAYE ALSO HAD AN ADOPTED SON (MARV PENTZ GAYE III) OM HIS PREV MARRIAGE. THE SGER'S MARRIAGE TO HUNTER PROVED SHORT LIVED AND TUMULTUO, ENDG DIVORCE 1981.DEATH AND LEGACYDPE HIS SUCCSFUL EBACK THE EARLY 1980S, GAYE STGGLED BADLY WH THE SUBSTANCE ABE AND BOUTS OF PRSN THAT HAD PLAGUED HIM FOR MOST OF HIS LIFE. AFTER HIS LAST TOUR, HE MOVED TO HIS PARENTS' HOE. THERE HE AND HIS FATHER FELL TO A PATTERN OF VLENT FIGHTS AND QUARRELS THAT RELLED NFLICTS THAT HAD HNTED THE FAY FOR S. ON APRIL 1, 1984, MARV GAYE SR. SHOT AND KILLED HIS SON AFTER A PHYSIL ALTERTN; THE FATHER CLAIMED HE ACTED SELF-FENSE BUT WOULD LATER BE NVICTED OF VOLUNTARY MANSLGHTER. THREE YEARS AFTER HIS ATH, GAYE WAS DUCTED TO THE ROCK AND ROLL HALL OF FAME. CREATG BETIFUL ART OM A TROUBLED LIFE, GAYE AGA AND AGA BROUGHT HIS VISN, RANGE AND ARTISTRY TO THE WORLD STAGE. AT THE END OF HIS REER, HE ADMTED HE NO LONGER MA MIC FOR PLEASURE; STEAD, HE SAID, "I RERD SO THAT I N FEED PEOPLE WHAT THEY NEED, WHAT THEY FEEL. HOPEFULLY, I RERD SO THAT I N HELP SOMEONE OVERE A BAD TIME."{BORR:0;BORR-BOTTOM:TH SOLID BLACK;MARG:1.875REM 0;CLEAR:BOTH;}QUICK {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;MARG:0.9375REM 0 0 0.625REM;PADDG:0 0 0 1.25REM;}@MEDIA(M-WIDTH: 48REM){{MARG:0.9375REM 0;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;} LI{PADDG-BOTTOM:0.625REM;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} LI::MARKER{LOR:#323232;}NAME: MARV GAYEBIRTH YEAR: 1939BIRTH DATE: APRIL 2, 1939BIRTH CY: WASHGTON, D. C.BIRTH COUNTRY: UNED STATGENR: MALEBT KNOWN FOR: MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL THEM.INDTRIPOPASTROLOGIL SIGN: ARIINTERTG FACTSBEFORE MAKG AS A SOLO ARTIST, MARV GAYE PLAYED DMS FOR ARTISTS SUCH AS STEVIE WONR AND THE SUPREM.DEATH YEAR: 1984DEATH DATE: APRIL 1, 1984DEATH STATE: CALIFORNIADEATH CY: LOS ANGELDEATH COUNTRY: UNED STATFACT CHECKWE STRIVE FOR ACCURACY AND YOU SEE SOMETHG THAT DON'T LOOK RIGHT,NTACT !CITATION INFORMATIONARTICLE TLE: MARV GAYE BGRAPHYAUTHOR: EDORSWEBSE NAME: THE WEBSEURL: ACCS DATE: PUBLISHER: A&E; TELEVISN NETWORKSLAST UPDATED: APRIL 19, 2021ORIGAL PUBLISHED DATE: APRIL 2, 2014QUOTES

It’s Marv Gaye -- and there are classics here like “Let’s Get It On, ” “You’re a Wonrful One, ” “I Heard It Through the Grapeve” and ’s equally imprsive siblg “That’s the Way Love Is, ” and the magnificent and elegant “What’s Gog On. ” What mak this two-disc set feel a ltle more hive and plete than most on the market is the prence of not jt his early- and middle-reer Motown releas, but his later work as well; for stance, Gaye’s brilliant Top Ten swan song, “Sexual Healg” om 1982 and his twilight stay at Columbia Rerds, is also clud here. There are some thgs one uld argue for cln -- “A’t That Peculiar” and “Trouble Man” are jt two sis that e immediately to md -- but the miracle that was Marv Gaye wh a love song through loud and clear.

MARV GAYE’S WIFE REVEALS HOW HE TORTURED HER

I thk 's tertg to hear about albums that never me out, so we n ponr what uld have Prce fans, I'm sure we're all faiar wh unreleased projects that never saw the light of week, let's take a closer look at an unreleased Marv Gaye album om 1979... In 1979, Marv Gaye rerd a "straight ahead make-out party album" lled 'Love Man', but was never ntu to llect dt the Motown is the full tracklist... Bee his prev album 'Here, My Dear' (1978) was a mercial failure, Gaye felt prsure to e up wh a rult was the unreleased album he lled 'Love Man', featurg an abstract ver photo of Marv the midst of a sexy dance, cked out a whe su and srlet vt.

Marv wanted to re-tablish his mercial Jam---wh his highly erotic, fabuloly orchtrated funk---had bee Motown's biggt star and Gaye was Penrgrass was another star who worried Marv.

HOW DID MARV GAYE DIE? INSI THE MOTOWN LEGEND’S MURR

"Then there's this new t", Gaye said, "that people the dtry are talkg 't he know I'm supposed to be the only prce?

10 SURPRISG FACTS ABOUT MARV GAYE

The song was supposed to be the leadg track off Gaye's next album, was rerd at his personal stud. Between the show Japan at Banpaku Hall on November 14 and the next at Long Beach Arena, Long Beach, CA, USA on December 29, Marv tried fishg his “Love Man” project; but after hearg a mix at Sea-Wt rerdg studs Honolulu, Gaye shelved the album, fearg his mic reer was over; bee some of the songs were too obv and raw about his nt personal suatn.

Gaye's lawyer advised him to file for voluntary bankptcy, later rultg the shutdown of his rerdg stud, which further prsed Gaye. Time after, the ncert promoter:Jefey Keger got ntact wh Gaye, to start a European tour, which took place 1980, featured performanc Germany, Atria, France, Italy, Swzerland and England.

The rerdg ssns for his new ncept for the album began at London's Odyssey and Gee Mart's AIR that Gaye had rerd while Los Angel and Hawaii changed om their origal approach and tl. In December 1979, whout knowledge Marv Gaye, the master tap were stolen by bassist Frank Blair, and livered to Motown's Hollywood offic. And signed March 1982 wh CBS, who bought the rights of Marv Gaye to Motown In October, released his last stud album: “Midnight Love”, followed by a succsful world tour.