AMC's 'Interview wh the Vampire' reboot is a brilliant gay fever dream | Mashable

interview with the vampire not gay enough

27 Dec 2024

AMC Bee gay people have been so maligned U.S. culture for s, ’s temptg to avoid ever patg them poorly Hollywood films and TV. When pictn do not equate to endorsement, be easier to open up the possibili of storytellg and unrstand that not all queer tal mt be happy and not…

Contents:

'INTERVIEW WH THE VAMPIRE' IS BLACKER AND GAYER THAN EVER — AND IT FEELS JT RIGHT
ANNE RICE AND HER HOMOEROTIC VAMPIR LEFT AN IMMORTAL MARK ON GAY CULTURE
INTERVIEW WH A VAMPIRE REBOOT WILL EMBRACE THE BOOKS' GAY SUBTEXT
INTERVIEW WH THE VAMPIRE FALLY HS SCREENS AND ’S GAY AS HELL: ‘I’M EMOTNALLY VASTATED’
ANNE RICE OPENS UP: ‘I FEEL LIKE I’M GAY’ ETERNALTHE ACCLAIMED VAMPIRE THOR DISCS HER LATT NOVEL, ‘PRCE LTAT AND THE REALMS OF ATLANTIS,’ ADAPTG HER OWN ‘GAME OF THRON’-STYLE TV SHOW, AND THE ELECTN OF TMP. MARLOW STERNUPDATED JUL. 12, 2017 8:40PM EDT ALAMY STOCK PHOTOFORTY YEARS AGO, ANNE RICE’S BUT NOVEL, INTERVIEW WH THE VAMPIRE, BROUGHT VAMPIRISM OUT OF THE SHADOWS AND TO THE LIGHT. HER IAL FORAY TO THE WORLD OF BLOOD-IMBIBG IMMORTALS WAS PARTIALLY SPIRED BY THE TRAGIC ATH OF HER DGHTER MICHELLE, WHO DIED AT AGE OF 5 OF LKEMIA. THE CHARACTER OF CLDIA, A 5-YEAR-OLD VAMPIRE WH AN SATIABLE THIRST FOR LIFE-GIVG BLOOD, WAS A TRIBUTE TO HER LOST LTLE GIRL.IT TOOK RICE FIVE WEEKS TO PEN INTERVIEW FOLLOWG HER DGHTER’S PASSG, AND THE STORY, ACHG WH LONGG AND ROMANCE, RONATED WH REARS A BIG WAY. IT BEME THE FIRST A BTSELLG SERI OF TOM DUBBED THE VAMPIRE CHRONICL, AND, WERE NOT FOR HER REVIVAL OF THE GENRE, THERE WOULD PROBABLY BE NO TE BLOOD, TWILIGHT, OR BUFFY THE VAMPIRE SLAYER.NOW, RICE HAS JT RELEASED THE TWELFTH BOOK HER VAMPIRE CHRONICL SERI. TLED PRCE LTAT AND THE REALMS OF ATLANTIS, FOLLOWS HER BELOVED BLOODSUCKG PROTAGONIST LTAT TO UNCHARTED WATERS—THE LOST CY OF ATLANTIS—AND TRODUC A FEW MAJOR CHANG TO HER VAMPIRE MYTHOLOGY.RICE, NOW 75, ALSO RECENTLY MA HEADL WHEN SHE ANNOUNCED THAT SHE’D REACQUIRED THE FILM AND TV RIGHTS TO HER CELEBRATED BOOKS, AND IS PLOTTG A VAMPIRE CHRONICL TV SERI THAT SHE’S MOLG AFTER GAME OF THRON. SHE TELLS ME SHE’S WRG A BIBLE FOR THE FIRST TWO SEASONS, BUT THAT SHE’LL LEAVE OPEN-END OM THERE. “WE’VE HAD SUCH A GOLN AGE OF FANTASY THE LAST FEW YEARS, IF YOU THK OF THE HARRY POTTER BOOKS, THE LORD OF THE RGS FILMS, AND GAME OF THRON,” SHE SAYS. “IT’S A PANTHEON OF CREATIVE TALENT.”THE DAILY BEAST SPOKE TO RICE, WHO IS LIGHTFULLY NDID NVERSATN, ABOUT HER NEW BOOK, “VAMPIRE FACIALS,” AND MUCH MORE. WHAT’S THE ORIG STORY OF YOUR VAMPIRE OBSSN?I SAW A FILM LLED DRACULA’S DGHTER WHEN I WAS A LTLE GIRL. IT WAS A 1934 FILM, AND WAS ALREADY OUT FOR A WHILE. I FELL LOVE WH THE IA OF THIS LTLE GIRL, THIS UNTS, WHO WAS A PATER AND UGHT THE TRAGIC DILEMMA OF HAVG TO TAKE LIFE ORR TO SURVIVE. I NEVER FOT THAT FILM. THAT WAS ALWAYS MY IMPRSN OF WHAT VAMPIR WERE: EARTHLGS WH HEIGHTENED SENSIBILY AND A DOOMED APPRECIATN OF LIFE.WHAT ABOUT BRAM STOKER’S DRACULA? MANY CULTURAL CRICS HAVE READ AS AN ANTI-SEMIC TEXT, WH DRACULA SERVG AS A METAPHOR FOR THE JEWS—“NTAMATG” WASP BLOODL AND MANIPULATG THE BANKS OF LONDON.I WASN’T REALLY MUCH OF A FAN OF DRACULA AT ALL. I HADN’T READ THE BOOK. I DIDN’T READ DRACULA SELF UNTIL I WAS AN ADULT, AND AFTER I’D WROTE INTERVIEW WH THE VAMPIRE. I HAD HEARD OF THAT CRIL TAKE ON —THAT REFLECTED A FEAR OF IMMIGRANTS POURG TO ENGLAND AT THE TIME. BUT THAT HAD NO FLUENCE ON MY NOVELS WHATSOEVER. I WAS TERTED A VAMPIRE AS A PERSON OF PRETERNATURAL SENS, AND WHO WAS LOCKED TO A TRAGIC DILEMMA THAT WAS SIAR TO OUR OWN.HAVE THERE BEEN ANY NTEMPORARY VAMPIRE FILMS OR TV SHOWS YOU’VE FOUND PARTICULARLY IMPRSIVE? WELL, I ENJOYED WATCHG TE BLOOD ON HBO A LOT. I THOUGHT WAS FUN! I THOUGHT MY VAMPIR WOULD’VE THOUGHT WAS FUN, TOO. I THK TWILIGHT WAS A GREAT SUCCS, OBVLY. IT MA KIDS REALLY HAPPY. IT WASN’T FOR ME, AND NOT THE TYPE OF THG I’D NORMALLY READ, BUT I WAS FASCATED BY WHAT STEPHENIE MEYER WAS ABLE TO PULL OFF. SHE DOMTITED THE ROMANCE OF THE VAMPIRE, BY MAKG THE VAMPIRE THE BOY NEXT TO YOU BLOGY CLASS. THE IA OF VAMPIR GOG TO HIGH SCHOOL FOREVER SEEMS LIKE HELL TO ME. I DIDN’T READ THE BOOKS, BUT I SAW THE TWILIGHT FILMS AS PHG ABSTENCE-ONLY MSAGG. I DON’T RELL HAVG ANY SOPHISTITED THOUGHTS ABOUT . I WENT TO THE MOVI, BUT DIDN’T REALLY HAVE TERT THE BOOKS. I DIPPED TO THE BOOKS A B, BUT NEVER HAD ANY SOPHISTITED ANALYSIS OF . BUT I’M NOT SURPRISED BY THAT KD OF CRICISM. IT SOUNDS VALID, SOUNDS TERTG. BUT WHAT I SAW UPONT WAS JT THE ROMANCE—THAT A VAMPIRE WOULD FALL LOVE WH YOU, PROTECT YOU OM EVERYONE ELSE, AND BEE YOUR ARCHANGEL, AND HOW THAT WOULD APPEAL TO A YOUNG REAR.A LOT OF REARS WILL BE SURPRISED BY HOW YOUR NEW BOOK, PRCE LTAT AND THE REALMS OF ATLANTIS, POSS THAT VAMPIR SCEND OM ALIENS. I’D ALWAYS BEEN TERTED WHERE THE VAMPIR ME OM, AND EARLY ON THE BOOKS I’D HTED THAT THE ORIG OF THE VAMPIR HAD TO DO WH A SPIR, AMEL, THAT MUTATED AND ENTERED TO AN ANCIENT EGYPTIAN QUEEN TO WHOM ALL OTHER VAMPIR SCEND, AND WHO ALL OTHER VAMPIR WERE NNECTED. WHO WAS THAT SPIR? DID HE HAVE A HISTORY? WAS HE A GHOST? REALLY, THAT’S WHAT LED ME HERE. I WANTED TO EXPLORE AMEL’S HISTORY. DID HE HAVE A HISTORY OF ANYTHG BEYOND WHAT WE ULD EVEN IMAGE? ATLANTIS OPENED THE POSSIBILY TO ALL THAT. I’D HAD QUE A B OF MATERIAL WRTEN FOR A NOVEL LLED BORN FOR ATLANTIS THAT VOLVED QUE A FEW OF THE CHARACTERS, TOO.WAS REALMS OF ATLANTIS SPIRED BY THE CLIMATE-CHANGE THREAT AT ALL?OH, YEAH. I DO A LOT OF READG ABOUT TASTROPH EARTH HISTORY AND HOW THEY CHANGED THE CLIMATE, AND WHETHER THERE WAS A TACLYSM 12,000 YEARS AGO THAT STROYED CIVILIZATNS THAT DON’T EXIST TODAY. THAT DIRECTLY RELAT TO CLIMATE CHANGE. THE BOOKS OF GRAHAM HANCK SPIRED ME. HE’S GONE DIVG THE MIDDLE EAST AND THE MEDERRANEAN AND FOUND S OF VAST, PLITED CIVILIZATNS THAT WERE LOST, AND OF URSE HE’S TRACED THROUGH LEGENDS TO SEE IF WE N READ LEGENDS OR MYTHS THROUGH DREAM ANALYSIS, AND HE SE EVINCE THAT THERE WAS AN ANCIENT CULTURE THAT GAVE BIRTH TO OTHER CULTUR.IT’S BEEN A VERY LONG, VERY TRYG YEAR—AND MUCH OF THE CRED FOR THAT GO TO DONALD TMP, WHO IS EXHSTG. WHAT ARE YOUR THOUGHTS ON THE ELECTN OF TMP?I FOLLOWED THE ELECTN VERY CLOSELY AND SEEMED THAT THIS ELECTN WAS THE FIRST THAT WAS REALLY IMPACTED BY THE TER, AND THE WAY THAT SOCIAL MEDIA AND THE TER CHANGED OUR CULTURE. WE WERE UGHT UNAWARE OF THAT. WE WERE UNPREPARED TO HEAR AND SEE THGS THAT WE’D NEVER SEEN BEFORE. I HOPE WE LEARN OM THIS, AND VELOP A GREATER RISTANCE TO FAKE NEWS STORI AND NSPIRACY THEORI. THAT’S WHAT TENDS TO HAPPEN OUR CULTURE—WE HAVE TO BE A LTLE MORE CLEVER AND NNY ABOUT WHAT WE ACCEPT, AND I THK WE WILL DO THAT. I THK WE WILL LEARN OM ALL THIS. BUT RIGHT NOW, ’S A B DISURAGG AND NFG WHAT’S HAPPENED. MOST OF THE PEOPLE I TALK TO ARE NUMB, IGHTENED AND NFED.ERIC TMP SORT OF REMBL AN ’80S MOVIE VAMPIRE.[LGHS] I REALLY DON’T ASSOCIATE THE TMPS WH VAMPIR. I N’T E UP WH ANYTHG THERE! WHAT, YOUR OPN, SEPARAT LTAT OM OTHER INIC VAMPIR? I THK LTAT’S ALWAYS BEEN MY REBEL-HERO. HE’S AN EXPLORER; HE WANTS TO KNOW WHAT THE MEANG OF LIFE IS. HE DON’T ACCEPT ANYBODY’S THORY. I SEE THE WHOLE VAMPIRE CHRONICL AS THE STORY OF LTAT’S EXPLORATNS. AT THE SAME TIME, I THK HE’S A VERY ROMANTIC HERO AND AN 18TH-CENTURY MAN OF REASON WHO’S VERY UNRSTANDG OF TODAY’S WORLD, AND HAS A GREAT UNRSTANDG OF TODAY’S WORLD. HE’S REALLY MY HERO. I’M LOVE WH HIM. HE’S MY ALTER EGO. I WOULD LOVE TO SEE THE WORLD AND EXPLORE THE WAY HE DO.I’VE ALWAYS VIEWED VAMPIRE TEXTS AS MENTARI ON XENOPHOBIA, OR FEAR OF THE “OTHER,” AS WELL AS CHRISTIANY. WE’RE LIVG A WORLD THAT V TO SPEGOAT EVERYBODY. I’VE BEEN TERTED THE MEANG OF EXISTENCE AND ORIGAL S. WHAT THEY REALLY MEAN IS THEY N’T EXPLA THE MOTIV OF PEOPLE WHO HURT THEM. THEY E WORDS LIKE “EVIL” OR “S” TO SCRIBE PEOPLE WHO THREATEN THEM. WE HAVE TO STOP THAT. I’M NOT SURE WE SHOULD E THE WORD “S” ANYMORE. WE SHOULD REPLACE WH “FALLIBILY.” THE OTHER WAY WE N ACHIEVE PEACE IS REGNIZG OTHER PEOPLE’S FALLIBILY. WHATEVER THEY’RE DOG, THERE’S A LOGIC TO , AND WE HAVE TO UNRSTAND THAT LOGIC. THAT DO NOT MEAN THAT ALL ACTS ARE EQUAL. THERE IS GOOD, AND THERE IS BAD. BUT WE N’T KEEP G MYTHIL WORDS FOR WHAT OTHER PEOPLE DO WHILE NOT ACKNOWLEDGG OUR NFLICTS AND OUR TENTNS. THAT’S ALL OVER MY NOVELS. LTAT AND LOUIS REFE TO ACCEPT HOW THEY ARE FED BY THE CULTURE, THAT BEE THEY ARE VAMPIR THEY ARE ABOMATNS.WERE ANY OF YOUR WORKS SPIRED BY THE AIDS CRISIS THE ’80S AND ’90S? WHEN I THK OF BLOOD, THE FIRST THGS THAT SPRG TO MD ARE AIDS AND VAMPIRISM.I WAS WRG ABOUT VAMPIR BEFORE THE AIDS CRISIS. PEOPLE TOLD ME INTERVIEW WH THE VAMPIRE WAS A GAY ALLEGORY, AND I WAS VERY HONORED BY THAT. [RICE’S SON, CHRISTOPHER, IS OPENLY GAY.] I THK I HAVE A GAY SENSIBILY AND I FEEL LIKE I’M GAY, BEE I’VE ALWAYS TRANSCEND GENR, AND I’VE ALWAYS SEEN LOVE AS TRANSCENDG GENR. IN MY BOOKS, I’VE ALWAYS CREATED BONDS OF LOVE THAT HAVE TRANSCEND GENR. BUT I’VE NEVER ASSOCIATED AIDS WH VAMPIR, MYSELF.I’VE ALWAYS BEEN VERY MUCH A CHAMPN OF GAY RIGHTS, AND ART PRODUCED BY GAY PEOPLE—WHETHER WAS THE EARLY FRANKENSTE MOVI THAT HAD SUCH A GAY SENSIBILY TO THEM, OR ANY ART CREATED BY GAY PEOPLE. I’M HIGHLY SENSIVE TO . I HAVE A GAY SENSIBILY. I GET TEASED A LOT BY MY GAY IENDS BEE WE HAVE A RAPPORT ON THGS WE FD EXCG OR TERTG. IT’S VERY HARD FOR ME TO REMEMBER THAT I HAVE A GENR, AND THAT THEY’RE TREATG ME A NEGATIVE WAY BEE OF THAT GENR.HAVE YOU HEARD OF THE “VAMPIRE FACIAL?” IT’S THIS NEW PROCRE THAT’S UGHT ON AMONG THE RICH AND FAMO—CLUDG KIM KARDASHIAN—AND VOLV JECTG PLASMA OM YOUR OWN BLOOD TO YOUR FACE. IT’S SAID TO STIMULATE LLAGEN AND ELAST FIBERS, MAKG YOUR SK SMOOTHER AND CLEARER. OH MY GOSH! VERY TERTG. I DO HAVE A GOOD IEND WHO IS A PLASTIC SURGEON, AND HE SOMETIM GIV ME MEDIL ADVICE ON THE NOVELS. I’LL HAVE TO ASK HIM ABOUT THAT, BEE I’VE NEVER HEARD OF . BUT HECK, IF MAK SOMEBODY FEEL GOOD, AND MAK THEM FEEL YOUNG, I’M ALL FOR . I THK THERE IS A LOT OF PRSURE ON PEOPLE TO FEEL AND LOOK YOUNG. WE’RE NOT ED TO SEEG FAC THAT HAVE NOT HAD PLASTIC SURGERY, AND N BE A SHOCK TO NONT A VENERABLE BRISH ACTOR WHO HAS NEVER HAD A FACELIFT—PECIALLY A FEMALE BRISH ACTOR WHO’S NEVER HAD A FACELIFT. WE WONR, WHY HASN’T SHE HAD WORK DONE TO KEEP UP? WHAT ARE YOUR THOUGHTS ON THE SOCIETAL PRSURE PEOPLE—PARTICULARLY WOMEN—FACE TO, AS YOU SAID, “FEEL AND LOOK YOUNG?”IT’S A PROBLEM. ADULTHOOD IS FILLED WH SUCH PROBLEMS. THERE’S PRSURE ON TO DRS RIGHT, TO BE SLENR AND NOT BE FAT, TO DRIVE THE RIGHT R, TO WORK OUT AND STAY F; THERE’S PRSURE ON ALL OUR LIV TODAY AMERI. THAT’S PART OF BEG A PARTICIPANT AN AFFLUENT SOCIETY. Y, THERE’S GOG TO BE PRSURE TO GET SURGERY AND LOOK VERY YOUNG. MY ATTU TOWARD IS ’S FUN—’S FUN TO HAVE THAT OPTN—BUT Y, WOULD BE NICE TO LIVE AN IAL WORLD WHERE WE SAW PEOPLE FOR WHO THEY ARE, AND DIDN’T MATTER IF PEOPLE LOOKED OLD OR TIRED OR HOW THEY WERE. IF YOU WENT TO THE 19TH CENTURY, PEOPLE WERE DRSED RSETS AND OCK ATS AND TI, SO WE VENT THE STRANGE SOCIETAL REQUIREMENTS EVERY CENTURY.YOU’VE REGAED THE RIGHTS TO THE VAMPIRE CHRONICL, AND HAVE SAID YOU’D LIKE TO VELOP AS A GAME OF THRON-STYLE TV SERI. WHY NOW? WELL, THE RIGHTS ME BACK. WE WERE WH IMAGE ENTERTAMENT AND UNIVERSAL STUDS AND THEY DID NOT RENEW THEIR OPTN, SO WE WERE VERY BLSED THAT THE RIGHTS ME BACK TO . WE LIKED WORKG WH THEM, BUT DID NOT WORK OUT. AND WE WANT TO DO TELEVISN. AS I MENTNED, I’M MORE THAN EVER NVCED THAT TV IS WHERE WE BELONG—NOT THE MOVI, WHERE THEY ARE TODAY. WE’VE SEEN A GOLN AGE OF TELEVISN THE LAST 12 YEARS. TO ME, STARTED WH THE TUDORS—A SHOW WH VERY HIGH PRODUCTN VALU, AND DEADWOOD, A FABULOLY TRANSGRSIVE SHOW. GAME OF THRON IS THE PREMIER FANTASY SERI, I THK, THAT REPRENTS FULL MMENT ON THE PART OF THE PRODUCERS TO THE BOOKS, AND TO HAVG FULL SENSUALY ONSCREEN. THAT’S WHAT WE WANT TO DO WH THE VAMPIRE CHRONICL—WE WANT TO GIVE THAT FULL-DRS STUME TREATMENT. BEG THE 18TH CENTURY WH LTAT PARIS AS HE GETS MA A VAMPIRE, AND FOLLOW HIS STORY. TO ME, THAT’S A GREAT STORY TO TELL. AND AGA, I WANT TO DO WHOUT ANY NSTRATS—JT THE WAY THEY DID WH GAME OF THRON. I WANT TO BE A FULL STUME DRAMA, AND FULL MMENT. I THK THAT’S WHAT MAK THE DIFFERENT LANDMARK TELEVISN SERI WORK. THE CROWN ABSOLUTELY BLEW ME AWAY. I MARATHONED THE WHOLE THG BEFORE I WENT ON THIS TOUR. THERE WERE NO PROMIS, AND FULL MMENT AND FULL BELIEF THAT IF THIS STORY WAS WELL-TOLD, WOULD GRIP PEOPLE. MARLOW STERN
HERE'S MY REVIEW; NOT GAY ENOUGH - AMC'S INTERVIEW WH THE VAMPIRE
'INTERVIEW WH THE VAMPIRE' IS A BRILLIANT GAY FEVER DREAM

'INTERVIEW WH THE VAMPIRE' IS BLACKER AND GAYER THAN EVER — AND IT FEELS JT RIGHT

AMC’s new show fally lets Ltat and Louis be gay, do crim. * interview with the vampire not gay enough *

On Saturday Night Live, the late Weekend Update anchor and ocsnal short-form film cric Norm MacDonald livered what would bee the five review of 1994’s Interview wh the Vampire: “Not gay enough! ” At the time, he was beg facet, a ripe homoerotic energy radiatg om every ame of the unad Louis Pote du Lac’s reuntg of his dalliance wh fellow bloodsucker Ltat Lnurt.

Not unlike the way I uld’ve sworn that “Berensta Bears” was spelled wh a third “e, ” I totally believed that prev rnatns of Interview wh the Vampire — both Anne Rice’s origal 1976 novel and the 1994 movie adaptatn — were explicly about gay vampir. But more than that, they seemed to embody the ethos “be gay, do crime, ” a not-always-so-leral exhortatn to live a queer life fiance. But the homoeroticism was all subtext.

ANNE RICE AND HER HOMOEROTIC VAMPIR LEFT AN IMMORTAL MARK ON GAY CULTURE

The inic Amerin thor of gothic fictn, cludg "Interview Wh the Vampire," was a vol support of gay rights. * interview with the vampire not gay enough *

AMC’s Interview wh the Vampire, an updated, grisly, and often mordantly hilar retellg of the origal story pulls gay subtext to the ma text, givg a fancy vampire lookg for a longtime pann. And tellg their story, Interview creat an embolned mentary about how sexualy, race, inty, power, and opprsn are all tertwed, and how the forc have throughout Amerin history left the magnificently queer vampir (and many others) wh no choice but to be extremely gay and do so, so many crim. In Interview wh the Vampire, gay vampir get lonely, too.

INTERVIEW WH A VAMPIRE REBOOT WILL EMBRACE THE BOOKS' GAY SUBTEXT

The upg Interview wh a Vampire TV seri, a reboot of Anne Rice's cult-classic novels, will clu the origal books' gay subtext. * interview with the vampire not gay enough *

Logilly, gay vampir make a ton of sense. Vampir don’t partake racism, sexism, and homophobia bee all of humany is beneath them, let alone humany’s awful hangups. But vampir probably, as Ltat also monstrat, aren’t gog to let racism or homophobia gui their sire.

It’s hard for some of them to prehend the ia of two men together — not unlike the way history turns gay and lbian lovers to “roommat” or “bt iends. Come to thk of , Interview is a lot like Frasier, a show that’s also about two sufferable gay men whose fancy tast annoy and threaten the people around them. If they found out he was gay, his life would be danger.

INTERVIEW WH THE VAMPIRE FALLY HS SCREENS AND ’S GAY AS HELL: ‘I’M EMOTNALLY VASTATED’

AMC have dropped their new TV adaptatn of Interview Wh The Vampire based on the novel by Anne Rice and is gay as hell. * interview with the vampire not gay enough *

When Ltat shows up, all fancy and charmg and gay, his offer of vampiric immortaly is much more than an eternal life of queer pannship. Be gay, do crim! Part of me hope Louis, who is a 100-year-old queer vampire, got to hear Donna Summer’s “I Feel Love” on a dance floor full of flagrant homosexuals.

ANNE RICE OPENS UP: ‘I FEEL LIKE I’M GAY’ ETERNALTHE ACCLAIMED VAMPIRE THOR DISCS HER LATT NOVEL, ‘PRCE LTAT AND THE REALMS OF ATLANTIS,’ ADAPTG HER OWN ‘GAME OF THRON’-STYLE TV SHOW, AND THE ELECTN OF TMP. MARLOW STERNUPDATED JUL. 12, 2017 8:40PM EDT ALAMY STOCK PHOTOFORTY YEARS AGO, ANNE RICE’S BUT NOVEL, INTERVIEW WH THE VAMPIRE, BROUGHT VAMPIRISM OUT OF THE SHADOWS AND TO THE LIGHT. HER IAL FORAY TO THE WORLD OF BLOOD-IMBIBG IMMORTALS WAS PARTIALLY SPIRED BY THE TRAGIC ATH OF HER DGHTER MICHELLE, WHO DIED AT AGE OF 5 OF LKEMIA. THE CHARACTER OF CLDIA, A 5-YEAR-OLD VAMPIRE WH AN SATIABLE THIRST FOR LIFE-GIVG BLOOD, WAS A TRIBUTE TO HER LOST LTLE GIRL.IT TOOK RICE FIVE WEEKS TO PEN INTERVIEW FOLLOWG HER DGHTER’S PASSG, AND THE STORY, ACHG WH LONGG AND ROMANCE, RONATED WH REARS A BIG WAY. IT BEME THE FIRST A BTSELLG SERI OF TOM DUBBED THE VAMPIRE CHRONICL, AND, WERE NOT FOR HER REVIVAL OF THE GENRE, THERE WOULD PROBABLY BE NO TE BLOOD, TWILIGHT, OR BUFFY THE VAMPIRE SLAYER.NOW, RICE HAS JT RELEASED THE TWELFTH BOOK HER VAMPIRE CHRONICL SERI. TLED PRCE LTAT AND THE REALMS OF ATLANTIS, FOLLOWS HER BELOVED BLOODSUCKG PROTAGONIST LTAT TO UNCHARTED WATERS—THE LOST CY OF ATLANTIS—AND TRODUC A FEW MAJOR CHANG TO HER VAMPIRE MYTHOLOGY.RICE, NOW 75, ALSO RECENTLY MA HEADL WHEN SHE ANNOUNCED THAT SHE’D REACQUIRED THE FILM AND TV RIGHTS TO HER CELEBRATED BOOKS, AND IS PLOTTG A VAMPIRE CHRONICL TV SERI THAT SHE’S MOLG AFTER GAME OF THRON. SHE TELLS ME SHE’S WRG A BIBLE FOR THE FIRST TWO SEASONS, BUT THAT SHE’LL LEAVE OPEN-END OM THERE. “WE’VE HAD SUCH A GOLN AGE OF FANTASY THE LAST FEW YEARS, IF YOU THK OF THE HARRY POTTER BOOKS, THE LORD OF THE RGS FILMS, AND GAME OF THRON,” SHE SAYS. “IT’S A PANTHEON OF CREATIVE TALENT.”THE DAILY BEAST SPOKE TO RICE, WHO IS LIGHTFULLY NDID NVERSATN, ABOUT HER NEW BOOK, “VAMPIRE FACIALS,” AND MUCH MORE. WHAT’S THE ORIG STORY OF YOUR VAMPIRE OBSSN?I SAW A FILM LLED DRACULA’S DGHTER WHEN I WAS A LTLE GIRL. IT WAS A 1934 FILM, AND WAS ALREADY OUT FOR A WHILE. I FELL LOVE WH THE IA OF THIS LTLE GIRL, THIS UNTS, WHO WAS A PATER AND UGHT THE TRAGIC DILEMMA OF HAVG TO TAKE LIFE ORR TO SURVIVE. I NEVER FOT THAT FILM. THAT WAS ALWAYS MY IMPRSN OF WHAT VAMPIR WERE: EARTHLGS WH HEIGHTENED SENSIBILY AND A DOOMED APPRECIATN OF LIFE.WHAT ABOUT BRAM STOKER’S DRACULA? MANY CULTURAL CRICS HAVE READ AS AN ANTI-SEMIC TEXT, WH DRACULA SERVG AS A METAPHOR FOR THE JEWS—“NTAMATG” WASP BLOODL AND MANIPULATG THE BANKS OF LONDON.I WASN’T REALLY MUCH OF A FAN OF DRACULA AT ALL. I HADN’T READ THE BOOK. I DIDN’T READ DRACULA SELF UNTIL I WAS AN ADULT, AND AFTER I’D WROTE INTERVIEW WH THE VAMPIRE. I HAD HEARD OF THAT CRIL TAKE ON —THAT REFLECTED A FEAR OF IMMIGRANTS POURG TO ENGLAND AT THE TIME. BUT THAT HAD NO FLUENCE ON MY NOVELS WHATSOEVER. I WAS TERTED A VAMPIRE AS A PERSON OF PRETERNATURAL SENS, AND WHO WAS LOCKED TO A TRAGIC DILEMMA THAT WAS SIAR TO OUR OWN.HAVE THERE BEEN ANY NTEMPORARY VAMPIRE FILMS OR TV SHOWS YOU’VE FOUND PARTICULARLY IMPRSIVE? WELL, I ENJOYED WATCHG TE BLOOD ON HBO A LOT. I THOUGHT WAS FUN! I THOUGHT MY VAMPIR WOULD’VE THOUGHT WAS FUN, TOO. I THK TWILIGHT WAS A GREAT SUCCS, OBVLY. IT MA KIDS REALLY HAPPY. IT WASN’T FOR ME, AND NOT THE TYPE OF THG I’D NORMALLY READ, BUT I WAS FASCATED BY WHAT STEPHENIE MEYER WAS ABLE TO PULL OFF. SHE DOMTITED THE ROMANCE OF THE VAMPIRE, BY MAKG THE VAMPIRE THE BOY NEXT TO YOU BLOGY CLASS. THE IA OF VAMPIR GOG TO HIGH SCHOOL FOREVER SEEMS LIKE HELL TO ME. I DIDN’T READ THE BOOKS, BUT I SAW THE TWILIGHT FILMS AS PHG ABSTENCE-ONLY MSAGG. I DON’T RELL HAVG ANY SOPHISTITED THOUGHTS ABOUT . I WENT TO THE MOVI, BUT DIDN’T REALLY HAVE TERT THE BOOKS. I DIPPED TO THE BOOKS A B, BUT NEVER HAD ANY SOPHISTITED ANALYSIS OF . BUT I’M NOT SURPRISED BY THAT KD OF CRICISM. IT SOUNDS VALID, SOUNDS TERTG. BUT WHAT I SAW UPONT WAS JT THE ROMANCE—THAT A VAMPIRE WOULD FALL LOVE WH YOU, PROTECT YOU OM EVERYONE ELSE, AND BEE YOUR ARCHANGEL, AND HOW THAT WOULD APPEAL TO A YOUNG REAR.A LOT OF REARS WILL BE SURPRISED BY HOW YOUR NEW BOOK, PRCE LTAT AND THE REALMS OF ATLANTIS, POSS THAT VAMPIR SCEND OM ALIENS. I’D ALWAYS BEEN TERTED WHERE THE VAMPIR ME OM, AND EARLY ON THE BOOKS I’D HTED THAT THE ORIG OF THE VAMPIR HAD TO DO WH A SPIR, AMEL, THAT MUTATED AND ENTERED TO AN ANCIENT EGYPTIAN QUEEN TO WHOM ALL OTHER VAMPIR SCEND, AND WHO ALL OTHER VAMPIR WERE NNECTED. WHO WAS THAT SPIR? DID HE HAVE A HISTORY? WAS HE A GHOST? REALLY, THAT’S WHAT LED ME HERE. I WANTED TO EXPLORE AMEL’S HISTORY. DID HE HAVE A HISTORY OF ANYTHG BEYOND WHAT WE ULD EVEN IMAGE? ATLANTIS OPENED THE POSSIBILY TO ALL THAT. I’D HAD QUE A B OF MATERIAL WRTEN FOR A NOVEL LLED BORN FOR ATLANTIS THAT VOLVED QUE A FEW OF THE CHARACTERS, TOO.WAS REALMS OF ATLANTIS SPIRED BY THE CLIMATE-CHANGE THREAT AT ALL?OH, YEAH. I DO A LOT OF READG ABOUT TASTROPH EARTH HISTORY AND HOW THEY CHANGED THE CLIMATE, AND WHETHER THERE WAS A TACLYSM 12,000 YEARS AGO THAT STROYED CIVILIZATNS THAT DON’T EXIST TODAY. THAT DIRECTLY RELAT TO CLIMATE CHANGE. THE BOOKS OF GRAHAM HANCK SPIRED ME. HE’S GONE DIVG THE MIDDLE EAST AND THE MEDERRANEAN AND FOUND S OF VAST, PLITED CIVILIZATNS THAT WERE LOST, AND OF URSE HE’S TRACED THROUGH LEGENDS TO SEE IF WE N READ LEGENDS OR MYTHS THROUGH DREAM ANALYSIS, AND HE SE EVINCE THAT THERE WAS AN ANCIENT CULTURE THAT GAVE BIRTH TO OTHER CULTUR.IT’S BEEN A VERY LONG, VERY TRYG YEAR—AND MUCH OF THE CRED FOR THAT GO TO DONALD TMP, WHO IS EXHSTG. WHAT ARE YOUR THOUGHTS ON THE ELECTN OF TMP?I FOLLOWED THE ELECTN VERY CLOSELY AND SEEMED THAT THIS ELECTN WAS THE FIRST THAT WAS REALLY IMPACTED BY THE TER, AND THE WAY THAT SOCIAL MEDIA AND THE TER CHANGED OUR CULTURE. WE WERE UGHT UNAWARE OF THAT. WE WERE UNPREPARED TO HEAR AND SEE THGS THAT WE’D NEVER SEEN BEFORE. I HOPE WE LEARN OM THIS, AND VELOP A GREATER RISTANCE TO FAKE NEWS STORI AND NSPIRACY THEORI. THAT’S WHAT TENDS TO HAPPEN OUR CULTURE—WE HAVE TO BE A LTLE MORE CLEVER AND NNY ABOUT WHAT WE ACCEPT, AND I THK WE WILL DO THAT. I THK WE WILL LEARN OM ALL THIS. BUT RIGHT NOW, ’S A B DISURAGG AND NFG WHAT’S HAPPENED. MOST OF THE PEOPLE I TALK TO ARE NUMB, IGHTENED AND NFED.ERIC TMP SORT OF REMBL AN ’80S MOVIE VAMPIRE.[LGHS] I REALLY DON’T ASSOCIATE THE TMPS WH VAMPIR. I N’T E UP WH ANYTHG THERE! WHAT, YOUR OPN, SEPARAT LTAT OM OTHER INIC VAMPIR? I THK LTAT’S ALWAYS BEEN MY REBEL-HERO. HE’S AN EXPLORER; HE WANTS TO KNOW WHAT THE MEANG OF LIFE IS. HE DON’T ACCEPT ANYBODY’S THORY. I SEE THE WHOLE VAMPIRE CHRONICL AS THE STORY OF LTAT’S EXPLORATNS. AT THE SAME TIME, I THK HE’S A VERY ROMANTIC HERO AND AN 18TH-CENTURY MAN OF REASON WHO’S VERY UNRSTANDG OF TODAY’S WORLD, AND HAS A GREAT UNRSTANDG OF TODAY’S WORLD. HE’S REALLY MY HERO. I’M LOVE WH HIM. HE’S MY ALTER EGO. I WOULD LOVE TO SEE THE WORLD AND EXPLORE THE WAY HE DO.I’VE ALWAYS VIEWED VAMPIRE TEXTS AS MENTARI ON XENOPHOBIA, OR FEAR OF THE “OTHER,” AS WELL AS CHRISTIANY. WE’RE LIVG A WORLD THAT V TO SPEGOAT EVERYBODY. I’VE BEEN TERTED THE MEANG OF EXISTENCE AND ORIGAL S. WHAT THEY REALLY MEAN IS THEY N’T EXPLA THE MOTIV OF PEOPLE WHO HURT THEM. THEY E WORDS LIKE “EVIL” OR “S” TO SCRIBE PEOPLE WHO THREATEN THEM. WE HAVE TO STOP THAT. I’M NOT SURE WE SHOULD E THE WORD “S” ANYMORE. WE SHOULD REPLACE WH “FALLIBILY.” THE OTHER WAY WE N ACHIEVE PEACE IS REGNIZG OTHER PEOPLE’S FALLIBILY. WHATEVER THEY’RE DOG, THERE’S A LOGIC TO , AND WE HAVE TO UNRSTAND THAT LOGIC. THAT DO NOT MEAN THAT ALL ACTS ARE EQUAL. THERE IS GOOD, AND THERE IS BAD. BUT WE N’T KEEP G MYTHIL WORDS FOR WHAT OTHER PEOPLE DO WHILE NOT ACKNOWLEDGG OUR NFLICTS AND OUR TENTNS. THAT’S ALL OVER MY NOVELS. LTAT AND LOUIS REFE TO ACCEPT HOW THEY ARE FED BY THE CULTURE, THAT BEE THEY ARE VAMPIR THEY ARE ABOMATNS.WERE ANY OF YOUR WORKS SPIRED BY THE AIDS CRISIS THE ’80S AND ’90S? WHEN I THK OF BLOOD, THE FIRST THGS THAT SPRG TO MD ARE AIDS AND VAMPIRISM.I WAS WRG ABOUT VAMPIR BEFORE THE AIDS CRISIS. PEOPLE TOLD ME INTERVIEW WH THE VAMPIRE WAS A GAY ALLEGORY, AND I WAS VERY HONORED BY THAT. [RICE’S SON, CHRISTOPHER, IS OPENLY GAY.] I THK I HAVE A GAY SENSIBILY AND I FEEL LIKE I’M GAY, BEE I’VE ALWAYS TRANSCEND GENR, AND I’VE ALWAYS SEEN LOVE AS TRANSCENDG GENR. IN MY BOOKS, I’VE ALWAYS CREATED BONDS OF LOVE THAT HAVE TRANSCEND GENR. BUT I’VE NEVER ASSOCIATED AIDS WH VAMPIR, MYSELF.I’VE ALWAYS BEEN VERY MUCH A CHAMPN OF GAY RIGHTS, AND ART PRODUCED BY GAY PEOPLE—WHETHER WAS THE EARLY FRANKENSTE MOVI THAT HAD SUCH A GAY SENSIBILY TO THEM, OR ANY ART CREATED BY GAY PEOPLE. I’M HIGHLY SENSIVE TO . I HAVE A GAY SENSIBILY. I GET TEASED A LOT BY MY GAY IENDS BEE WE HAVE A RAPPORT ON THGS WE FD EXCG OR TERTG. IT’S VERY HARD FOR ME TO REMEMBER THAT I HAVE A GENR, AND THAT THEY’RE TREATG ME A NEGATIVE WAY BEE OF THAT GENR.HAVE YOU HEARD OF THE “VAMPIRE FACIAL?” IT’S THIS NEW PROCRE THAT’S UGHT ON AMONG THE RICH AND FAMO—CLUDG KIM KARDASHIAN—AND VOLV JECTG PLASMA OM YOUR OWN BLOOD TO YOUR FACE. IT’S SAID TO STIMULATE LLAGEN AND ELAST FIBERS, MAKG YOUR SK SMOOTHER AND CLEARER. OH MY GOSH! VERY TERTG. I DO HAVE A GOOD IEND WHO IS A PLASTIC SURGEON, AND HE SOMETIM GIV ME MEDIL ADVICE ON THE NOVELS. I’LL HAVE TO ASK HIM ABOUT THAT, BEE I’VE NEVER HEARD OF . BUT HECK, IF MAK SOMEBODY FEEL GOOD, AND MAK THEM FEEL YOUNG, I’M ALL FOR . I THK THERE IS A LOT OF PRSURE ON PEOPLE TO FEEL AND LOOK YOUNG. WE’RE NOT ED TO SEEG FAC THAT HAVE NOT HAD PLASTIC SURGERY, AND N BE A SHOCK TO NONT A VENERABLE BRISH ACTOR WHO HAS NEVER HAD A FACELIFT—PECIALLY A FEMALE BRISH ACTOR WHO’S NEVER HAD A FACELIFT. WE WONR, WHY HASN’T SHE HAD WORK DONE TO KEEP UP? WHAT ARE YOUR THOUGHTS ON THE SOCIETAL PRSURE PEOPLE—PARTICULARLY WOMEN—FACE TO, AS YOU SAID, “FEEL AND LOOK YOUNG?”IT’S A PROBLEM. ADULTHOOD IS FILLED WH SUCH PROBLEMS. THERE’S PRSURE ON TO DRS RIGHT, TO BE SLENR AND NOT BE FAT, TO DRIVE THE RIGHT R, TO WORK OUT AND STAY F; THERE’S PRSURE ON ALL OUR LIV TODAY AMERI. THAT’S PART OF BEG A PARTICIPANT AN AFFLUENT SOCIETY. Y, THERE’S GOG TO BE PRSURE TO GET SURGERY AND LOOK VERY YOUNG. MY ATTU TOWARD IS ’S FUN—’S FUN TO HAVE THAT OPTN—BUT Y, WOULD BE NICE TO LIVE AN IAL WORLD WHERE WE SAW PEOPLE FOR WHO THEY ARE, AND DIDN’T MATTER IF PEOPLE LOOKED OLD OR TIRED OR HOW THEY WERE. IF YOU WENT TO THE 19TH CENTURY, PEOPLE WERE DRSED RSETS AND OCK ATS AND TI, SO WE VENT THE STRANGE SOCIETAL REQUIREMENTS EVERY CENTURY.YOU’VE REGAED THE RIGHTS TO THE VAMPIRE CHRONICL, AND HAVE SAID YOU’D LIKE TO VELOP AS A GAME OF THRON-STYLE TV SERI. WHY NOW? WELL, THE RIGHTS ME BACK. WE WERE WH IMAGE ENTERTAMENT AND UNIVERSAL STUDS AND THEY DID NOT RENEW THEIR OPTN, SO WE WERE VERY BLSED THAT THE RIGHTS ME BACK TO . WE LIKED WORKG WH THEM, BUT DID NOT WORK OUT. AND WE WANT TO DO TELEVISN. AS I MENTNED, I’M MORE THAN EVER NVCED THAT TV IS WHERE WE BELONG—NOT THE MOVI, WHERE THEY ARE TODAY. WE’VE SEEN A GOLN AGE OF TELEVISN THE LAST 12 YEARS. TO ME, STARTED WH THE TUDORS—A SHOW WH VERY HIGH PRODUCTN VALU, AND DEADWOOD, A FABULOLY TRANSGRSIVE SHOW. GAME OF THRON IS THE PREMIER FANTASY SERI, I THK, THAT REPRENTS FULL MMENT ON THE PART OF THE PRODUCERS TO THE BOOKS, AND TO HAVG FULL SENSUALY ONSCREEN. THAT’S WHAT WE WANT TO DO WH THE VAMPIRE CHRONICL—WE WANT TO GIVE THAT FULL-DRS STUME TREATMENT. BEG THE 18TH CENTURY WH LTAT PARIS AS HE GETS MA A VAMPIRE, AND FOLLOW HIS STORY. TO ME, THAT’S A GREAT STORY TO TELL. AND AGA, I WANT TO DO WHOUT ANY NSTRATS—JT THE WAY THEY DID WH GAME OF THRON. I WANT TO BE A FULL STUME DRAMA, AND FULL MMENT. I THK THAT’S WHAT MAK THE DIFFERENT LANDMARK TELEVISN SERI WORK. THE CROWN ABSOLUTELY BLEW ME AWAY. I MARATHONED THE WHOLE THG BEFORE I WENT ON THIS TOUR. THERE WERE NO PROMIS, AND FULL MMENT AND FULL BELIEF THAT IF THIS STORY WAS WELL-TOLD, WOULD GRIP PEOPLE. MARLOW STERN

* interview with the vampire not gay enough *

Daniel isn’t gay. It turns out that beg a gay vampire and dog crime isn’t ial, but allows Louis to be closer to who he tly is — much more than the human world would ever allow him to be. For example, the seri reimag Anrson’s character, Louis Pote du Lac, as not only Black but gay, and is cur enough to actually explore his terry as a saloon owner-turned-vampire navigatg the nf of race, sexualy, thirst, power and eternal life 1910s Louisiana.

HERE'S MY REVIEW; NOT GAY ENOUGH - AMC'S INTERVIEW WH THE VAMPIRE

” “But an openly gay Negro man was not one of them.

This is, after all, the story of a vampire the prent day divulgg his memori om the so-lled Progrsive Era filled wh bloodthirsty nquts and gay sex, and wh an emotnal pacy regnizable to anyone — alive or unad. While she will first and foremost be remembered as an inic wrer of gothic horror — most notably for her Vampire Chronicl seri — her advocy for LGBTQ rights and steadfast support of her enthiastic, gay fan base would bee an sential part of her legacy. Her son, Christopher Rice, who is gay and is himself an acplished wrer, shared the news of his mother’s passg on her Facebook page.

” 'I have a gay sensibily'Rice wrote the first and most famo book the Vampire Chronicl seri, “Interview Wh the Vampire, ” 1976. At the time, she was mourng the loss of her 5-year-old dghter, Michele, one of her two children wh poet Stan the book failed to imprs crics, beme an immediate mercial succs, large part bee of s populary among gay rears.

'INTERVIEW WH THE VAMPIRE' IS A BRILLIANT GAY FEVER DREAM

François Duhamel / Sygma via Getty ImagIn an terview wh The Daily Beast 2017, Rice said she was “very honored” that people thought “Interview Wh the Vampire” — which was adapted to a film 1994 starrg Tom Cise and Brad Pt and is currently velopment as a TV seri — was a gay allegory.

BEAR-MAGAZINE.COM INTERVIEW WITH THE VAMPIRE NOT GAY ENOUGH

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sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} mHeight{props:mHeight;sle:siz;} mHeight transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} maxWidth{props:maxWidth;sle:siz;} maxWidth transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} maxHeight{props:maxHeight;sle:siz;} maxHeight transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} size{props:width;props:height;sle:siz;} size transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} overflow{props:overflow;sle:overflow;} overflowX{props:overflowX;sle:overflowX;} overflowY{props:overflowY;sle:overflowY;} vertilAlign{props:vertilAlign;sle:vertilAlign;} objectF{props:objectF;sle:objectF;} objectPosn{props:objectPosn;sle:objectPosn;} WebkLeClamp{props:WebkLeClamp;sle:WebkLeClamp;} WebkBoxOrient{props:WebkBoxOrient;sle:WebkBoxOrient;} mask{props:mask;sle:mask;} listStyle{props:listStyle;sle:listStyle;} listStyleType{props:listStyleType;sle:listStyleType;} unterRet{props:unterRet;sle:unterRet;} unterIncrement{props:unterIncrement;sle:unterIncrement;} cursor{props:cursor;sle:cursor;} poterEvents{props:poterEvents;sle:poterEvents;} lumnCount{props:lumnCount;sle:lumnCount;} lumnGap{props:lumnGap;sle:lumnGap;} appearance{props:appearance;sle:appearance;} ntaer{props:ntaer;sle:ntaer;} marg{props:marg;sle:space;} marg transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} m{props:marg;sle:space;} m transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margTop{props:margTop;sle:space;} margTop transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} mt{props:margTop;sle:space;} mt transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margRight{props:margRight;sle:space;} margRight transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} mr{props:margRight;sle:space;} mr transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margBottom{props:margBottom;sle:space;} margBottom transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} mb{props:margBottom;sle:space;} mb transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margLeft{props:margLeft;sle:space;} margLeft 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DEFAULT_SCALE :DEFAULT_SCALE;} margX{props:margLeft;props:margRight;sle:space;} margX transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} mx{props:margLeft;props:margRight;sle:space;} mx transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margY{props:margTop;props:margBottom;sle:space;} margY transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} my{props:margTop;props:margBottom;sle:space;} my transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margBlockEnd{props:margBlockEnd;sle:space;} margBlockEnd transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} margBlockStart{props:margBlockStart;sle:space;} margBlockStart transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} top{props:top;sle:space;} top transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} right{props:right;sle:space;} right transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} bottom{props:bottom;sle:space;} bottom transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} left{props:left;sle:space;} left transform:functn sleTransform(sle, value, props, sx){nstbase = sle && typeof sle === 'object' ? || DEFAULT_SCALE :DEFAULT_SCALE;} posn{props:posn;sle:posn;} zInx{props:zInx;sle:zIndic;} clear{props:clear;sle:clear;} set{props:set;sle:set;} img{object-f:ver;vertil-align:top;}</style><img fetchPrry="high" alt="terview wh the vampire" tle="DMG" width="3600" height="2400" dg="async" data-nimg="1" style="lor: transparent; width: 100%; height: to;" siz="100vw" srcSet=" 640w, 980w, 1120w, 1200w, 1920w" src="" class="exadjwu13 css-xluzk0 exi4f7p0" /><style data-emotn="css 13l7o78">{paddg-left:0.625rem;}</style><div class="css-13l7o78 m8yu70"><style data-emotn="css 1am3yn9">{paddg-left:0rem;le-height:1;}</style><figptn class="css-1am3yn9 enfs9c50"><style data-emotn="css 1mcfn5x">{lor:#595959;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;paddg-right:0.3125rem;}@media(max-width: 48rem){{font-size:0.70028rem;le-height:1.2;}}@media(m-width: 48rem){{font-size:0.70028rem;le-height:1.2;}}@media(m-width: 64rem){{font-size:0.75rem;le-height:1.3;}}</style><span class="css-1mcfn5x e6iqd2">Philip Friedman</span></figptn></div></div><style data-emotn="css mktybr">{marg:0 to;max-width:75rem;paddg:0 0.938rem;text-align:center;}@media(m-width: 64rem){[data-has-sponsor] {text-align:start;}}@media(m-width: 40.625rem){{paddg:0 2.5rem;}}@media(m-width: 48rem){{paddg:0.9375rem 1.875rem;}}@media(m-width: 64rem){{paddg:0 1.875rem;}}</style><div class="css-mktybr exadjwu4"><nav aria-label="breadcmbs" class="css-0 e9l0kn03"><style data-emotn="css 4j90ja">{lor:#595959;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.70284rem;le-height:1.3;list-style:none;marg:0 to;max-width:75rem;paddg:1.25rem 1.25rem 0 1.6875rem;}@media(m-width: 40.625rem){{paddg:1.25rem 2.5rem 0 3.3125rem;}}@media(m-width: 90rem){{paddg:1.25rem 0 0 0.8125rem;}}</style><ol emSpe emType=" class="css-4j90ja e9l0kn02"><style data-emotn="css zxq36b">{display:le;}{paddg:0.25rem;ntent:">";}</style><li emProp="emListElement" emSpe emType=" class="css-zxq36b e9l0kn01"><style data-emotn="css 100k4td">{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:0.0625rem;text-unrle-offset:0.25rem;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;}{lor:#000000;-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:0.0625rem;text-unrle-offset:0.25rem;}</style><style data-emotn="css 10e6ywj">{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:0.0625rem;text-unrle-offset:0.25rem;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;}{lor:#000000;-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:0.0625rem;text-unrle-offset:0.25rem;}</style><a emProp="em" href="/entertament/" data-vars-ga-ux-element="Breadcmbs" data-vars-ga-ll-to-actn="Entertament" data-vars-ga-outbound-lk=" class="e9l0kn00 css-10e6ywj e1c1bym14"><span emProp="name">Entertament</span></a><meta emProp="posn" ntent="1" /></li><li emProp="emListElement" emSpe emType=" class="css-zxq36b e9l0kn01"><a emProp="em" href="/entertament/tv/" data-vars-ga-ux-element="Breadcmbs" data-vars-ga-ll-to-actn="TV" data-vars-ga-outbound-lk=" class="e9l0kn00 css-10e6ywj e1c1bym14"><span emProp="name">TV</span></a><meta emProp="posn" ntent="2" /></li><style data-emotn="css huh8md">{display:none;}{paddg:0.25rem;ntent:">";}</style><li emProp="emListElement" emSpe emType=" class="css-huh8md e9l0kn01"><a emProp="em" href="/entertament/tv/a41404495/jab-anrson-sam-reid-terview-wh-the-vampire/" data-vars-ga-ux-element="Breadcmbs" data-vars-ga-ll-to-actn="Jab Anrson and Sam Reid Are Ready For Their Interview" data-vars-ga-outbound-lk=" class="e9l0kn00 css-10e6ywj e1c1bym14"><span emProp="name">Jab Anrson and Sam Reid Are Ready For Their Interview</span></a><meta emProp="posn" ntent="3" /></li></ol></nav><style data-emotn="css g4r5va">{font-fay:Glanz,Glanz-fallback,Tim,Serif;font-weight:normal;grid-lumn:1/-1;marg-bottom:0.9375rem;marg-top:0.9375rem;}@media(max-width: 48rem){{font-size:2rem;le-height:1.25;}}@media(m-width: 48rem){{font-size:2.625rem;le-height:1.1;}}@media(m-width: 64rem){{font-size:3.125rem;le-height:1.1;}}@media(m-width: 73.75rem){{font-size:3.37499rem;le-height:1.1;}}</style><h1 class="css-g4r5va exadjwu10"><span aria-hidn="te" class="css-0 eagam8p0"></span>Jab Anrson and Sam Reid Are Ready For Their Interview<span aria-hidn="te" class="css-0 eagam8p1"></span></h1><style data-emotn="css 2qf7xf">{lor:#515150;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-weight:normal;marg-bottom:0.625rem;}@media(max-width: 48rem){{font-size:1.0625rem;le-height:1.2;}}@media(m-width: 48rem){{font-size:1.3125rem;le-height:1.2;}}@media(m-width: 64rem){{font-size:1.3125rem;le-height:1.3;}} a{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:0.0625rem;text-ratn-lor:#FF3A30;text-unrle-offset:0.25rem;lor:#000000;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;} a:hover{lor:#595959;text-ratn-lor:borr-lk-body-hover;}</style><div class="css-2qf7xf exadjwu8"><p>The stars of <em>Interview Wh the Vampire</em> fally brought the heat to Anne Rice's seri. Don't worry—they've done the homework.</p></div><style data-emotn="css d04ng2">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0.02rem;marg-bottom:0.625rem;paddg-right:0.3125rem;text-transform:upperse;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}} span{font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0rem;text-transform:palize;}@media(max-width: 48rem){ span{font-size:0.875rem;le-height:1.4;}}@media(m-width: 48rem){ span{font-size:0.875rem;le-height:1.4;}}@media(m-width: 64rem){ span{font-size:0.875rem;le-height:1.4;}}</style><div class="css-d04ng2 exadjwu7"><style data-emotn="css 1eqkg5m">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-style:normal;letter-spacg:0.02rem;paddg-right:0.3125rem;text-transform:upperse;-webk-text-stroke:0.005rem;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}}</style><addrs class="css-1eqkg5m ehvvd9m2"><style data-emotn="css 19e0noj">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0.02rem;paddg-right:0.3125rem;text-transform:upperse;-webk-text-stroke:0.005rem;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}}</style><span class="css-19e0noj ehvvd9m1"><style data-emotn="css 1sa04t">{borr-radi:50%;vertil-align:middle;marg-right:0.3125rem;object-f:ver;}</style><img src="" alt="Headshot of Adrienne Wtenfeld" tle="Headshot of Adrienne Wtenfeld" width="40" height="40" dg="async" fetchPrry="high" class=" css-1sa04t ehvvd9m0" />By <style data-emotn="css 7l5upj">{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:0.0625rem;text-ratn-lor:her;text-unrle-offset:0.25rem;lor:her;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;}{lor:#595959;text-ratn-lor:borr-lk-body-hover;}</style><a href="/thor/2392/adrienne-wtenfeld/" class="css-7l5upj e1c1bym14">Adrienne Wtenfeld</a></span><style data-emotn="css 1bcsdhu">{display:le-block;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;marg-left:0.625rem;text-transform:upperse;}@media(max-width: 48rem){{font-size:0.75rem;le-height:1.3;}}@media(m-width: 48rem){{font-size:0.75rem;le-height:1.3;}}@media(m-width: 64rem){{font-size:0.75rem;le-height:1.3;}}</style><time class="css-1bcsdhu exadjwu6">Published: Sep 28, 2022</time></addrs></div><style data-emotn="css wkpw2c">{display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;-webk-flex-directn:lumn;-ms-flex-directn:lumn;flex-directn:lumn;-webk-box-pack:center;-ms-flex-pack:center;-webk-jtify-ntent:center;jtify-ntent:center;-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;}</style><div class="no-prt css-wkpw2c exadjwu15"><style data-emotn="css 1hpjtwr">{display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;posn:relative;marg-top:0.9375rem;}</style><div class="ntent-hear-actns css-1hpjtwr exadjwu14"><style data-emotn="css nx40">{background-lor:#FF3A30;lor:#000000;borr:th solid #FF3A30;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;-webk-flex-directn:row;-ms-flex-directn:row;flex-directn:row;-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;paddg:0.625rem 1.25rem;marg-top:0rem;marg-bottom:0rem;-webk-text-ratn:none;text-ratn:none;text-transform:upperse;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;-webk-box-pack:center;-ms-flex-pack:center;-webk-jtify-ntent:center;jtify-ntent:center;paddg-top:0.85rem;background:#FF3A30;borr-radi:2rem;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.875rem;le-height:1.3;letter-spacg:0.04rem;width:to;}{background-lor:#ffffff;lor:#000;cursor:poter;borr:th solid #FF3A30;} svg{fill:#000000;} svg>path{fill:#000000;}{marg-left:1rem;}{outle:0.125rem dotted #000000;outle-offset:0.2rem;} svg{fill:#000000;} svg>path{fill:#000000;}</style><button data-tooltip-id="article-hear-save" class="ntentSaveButton css-nx40 e12nq69g1"><style data-emotn="css p7o3tf">{width:1rem;height:1rem;marg-right:0.625rem;} path{fill:#ffffff;} path{fill:#ffffff;}</style><svg xmlns=" fill="none" viewBox="0 0 48 62" class="css-p7o3tf e10k4xbi2"><path fill="#000" fill-le="evenodd" d="M24 46.52 48 61V0H0v61.44l24-14.92ZM5.67 50.9 24 39.5l18.33 11.4V5.7H5.67v45.2Z" clip-le="evenodd"></path></svg>Save Article</button><style data-emotn="css gulrqe">{width:160px;text-align:left;lor:#595959;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.70284rem;le-height:1.1;font-weight:normal;letter-spacg:0.045rem;text-transform:none;}</style></div></div></div></div></hear><style data-emotn="css k008qs">{display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;}</style><div class="css-k008qs ewisyje0"><style data-emotn="css 7ce51e">{marg-bottom:0.9375rem;posn:relative;}@media(max-width: 64rem){{max-width:lc(100vw - (1rem * 2));marg-left:1rem;marg-right:1rem;} .e152u5os0{width:100vw;marg-left:lc(-1 * 1rem);}}@media(m-width: 48rem) and (max-width: 61.25rem){{marg-left:to;marg-right:to;} .e152u5os0{width:100vw;marg-left:lc((100vw - (lc(20.625rem * 2 - 1rem) - 2 * 1rem)) / -2);}}@media(m-width: 61.25rem) and (max-width: 90rem){{max-width:lc(20.625rem * 2 - 1rem);marg-left:lc((100vw - lc(20.625rem * 2 - 1rem) - 1rem - 20.625rem) / 2);paddg-left:1rem;paddg-right:1rem;} .e152u5os0{width:100vw;marg-left:lc(lc((100vw - lc(20.625rem * 2 - 1rem) - 1rem - 20.625rem) / -2) - 1rem);}}@media(m-width: 90rem){{marg-left:lc((100vw - lc(20.625rem * 2 - 1rem)) / 2);max-width:lc(20.625rem * 2 - 1rem);paddg-left:1rem;paddg-right:1rem;} .e152u5os0{width:100vw;marg-left:lc(lc((100vw - lc(20.625rem * 2 + 1rem)) / -2) - lc(2 * 1rem));}[data-has-sponsor] {marg-left:lc((100vw - lc(20.625rem * 2 - 1rem)) / 4);marg-right:lc((100vw - lc(20.625rem * 2 - 1rem)) / 4);}}</style><div class="standard-ntaer ntent-ntaer article-ntaer css-7ce51e ewisyje3"><style data-emotn="css z6i669">{font-fay:Charter,Geia,Tim,Serif;font-size:1.1875rem;le-height:1.6;paddg-left:0rem;paddg-right:0rem;posn:relative;}@media(m-width: 48rem){{paddg-left:3.5rem;paddg-right:3.5rem;}}@media(m-width: 48rem) and (max-width: 61.25rem){{max-width:45.25rem;marg-left:to;marg-right:to;}}@media(m-width: 61.25rem){{paddg-left:0rem;paddg-right:0rem;}}@media(m-width: 73.75rem) and (max-width: 100rem){{paddg-left:0rem;paddg-right:0rem;}}@media(m-width: 90rem){{paddg-left:0rem;paddg-right:0rem;}} em{font-fay:Charter,Geia,Tim,Serif;font-style:alic;} strong{font-fay:Charter,Geia,Tim,Serif;font-weight:bold;}{clear:both;ntent:" ";display:block;font-size:0.7rem;le-height:1.5rem;height:0rem;visibily:hidn;}</style><div class="article-body-ntent article-body standard-body-ntent css-z6i669 ewisyje7"><style data-emotn="css 1nhwtgm">{font-fay:Charter,Geia,Tim,Serif;font-size:1.1875rem;le-height:1.6;}{float:left;text-transform:upperse;font-weight:bold;marg-right:0.9375rem;marg-bottom:-0.625rem;marg-top:0;}{font-fay:Glanz,Glanz-fallback,Tim,Serif;font-size:6.25rem;font-weight:normal;le-height:0.75;marg-right:0;paddg:0.6rem 0.75rem 0 0;}@-moz-document url-prefix(){{marg-top:0.625rem;}}@media(max-width: 48rem){{marg-right:0.3125rem;}}@media(m-width: 64rem){{le-height:0.75;}} em{font-fay:Charter,Geia,Tim,Serif;font-style:alic;} strong{font-fay:Charter,Geia,Tim,Serif;font-weight:bold;}</style><p data-no-id="0" class="body-dropp css-1nhwtgm et3p2gv0">Gather round, members of the <style data-emotn="css umdwtv">{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:.0625rem;text-ratn-lor:#FF3A30;text-unrle-offset:0.25rem;lor:her;-webk-transn:background 0.4s;transn:background 0.4s;background:lear-gradient(#ffffff, #ffffff 50%, #d5dbe3 50%, #d5dbe3);-webk-background-size:100% 200%;background-size:100% 200%;}{lor:#000000;text-ratn-lor:borr-lk-body-hover;-webk-background-posn:100% 100%;background-posn:100% 100%;}</style><a href=" target="_blank" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn="Anne Rice" class="body-lk css-umdwtv et3p2gv0">Anne Rice</a> Fan Club. Today, we wele two new members to the Board of Reprentativ: Jab Anrson and Sam Reid, the stars of AMC’s sumptuo new adaptatn of <em>Interview Wh the Vampire</em>. Their qualifitns, you ask? Well, beyond donng the inic fangs of Louis Pote du Lac and Ltat Lnurt, the two superfans have started their own on-set book club, talkg about Rice every day as they vour her twelve-volume magnum op, <em>The Vampire Chronicl</em>. Zoomg wh Esquire om England and Atralia, their reverence for the genre-fg novels is palpable, as is their sire to make roads wh the late thor’s cultishly voted fanbase. “I hope that her rears will accept ,” Reid nfs. </p><div supprsHydratnWarng data-no-id="1" data-embed="edorial-lk" class="embed css-0 e9hzx6g0"><style data-emotn="css 1643r8a">{borr:none;marg-top:1.875rem;marg-bottom:1.875rem;paddg:0rem;}</style><asi class="css-1643r8a e6pr2lz5"><style data-emotn="css l3w2xc">{display:le-block;font-weight:normal;marg:0rem;borr-top:0.25rem solid #15263D;paddg-right:1.1rem;paddg-top:0.4375rem;text-transform:lowerse;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.875rem;le-height:1.3;}</style><h6 class="css-l3w2xc e6pr2lz3"><style data-emotn="css 156fvc1">{borr-bottom:0.4375rem solid #FF3A30;borr-right:0.4375rem solid transparent;ntent:'';display:le-block;height:0;marg-right:0.5rem;width:0;}</style><span aria-hidn="te" class="css-156fvc1 eagam8p0"></span><style data-emotn="css 8lle59">{max-width:lc(100% - 120px - .625rem);}</style><span class="css-8lle59 e6pr2lz1">Related Stori</span><span aria-hidn="te" class="css-0 eagam8p1"></span></h6><style data-emotn="css c4s2gi">{paddg:0rem;marg:0rem;list-style:none;}</style><ul class="css-c4s2gi e6pr2lz4"><style data-emotn="css 79zw4t">{font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:1rem;le-height:2rem;paddg-top:0.625rem;}@media(max-width: 48rem){{font-size:0.9375rem;le-height:1.3;}}@media(m-width: 48rem){{le-height:1.4;}}@media(m-width: 64rem){{le-height:1.4;}} a{-webk-text-ratn:none;text-ratn:none;lor:her;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;} a:hover{lor:#595959;}</style><li class="css-79zw4t e6pr2lz2"><style data-emotn="css 1bn7a5e">{-webk-text-ratn:none;text-ratn:none;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;-webk-box-flex-wrap:wrap;-webk-flex-wrap:wrap;-ms-flex-wrap:wrap;flex-wrap:wrap;-webk-flex-directn:row;-ms-flex-directn:row;flex-directn:row;-webk-box-pack:start;-ms-flex-pack:start;-webk-jtify-ntent:flex-start;jtify-ntent:flex-start;-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;}</style><a href="/entertament/tv/a37090376/everythg-we-know-about-terview-wh-the-vampire-tv-reboot/" data-vars-ga-ll-to-actn="'Interview Wh the Vampire' Is Gettg a Season 2" data-vars-ga-ux-element="Edorial Lks" data-vars-ga-outbound-lk=" class="css-1bn7a5e e1c1bym14"><span aria-hidn="te" class="css-0 eagam8p0"></span><style data-emotn="css 1l0u1">{marg-right:0.625rem;height:to;}</style><img src="" alt="e" tle="'Interview Wh the Vampire' Is Gettg a Season 2" width="120" height="100%" dg="async" loadg="lazy" image-align="left" class="css-1l0u1 e6pr2lz0" /><span class="css-8lle59 e6pr2lz1">'Interview Wh the Vampire' Is Gettg a Season 2</span><span aria-hidn="te" class="css-0 eagam8p1"></span></a></li><li class="css-79zw4t e6pr2lz2"><a href="/entertament/movi/a36386485/tom-cise-terview-wh-a-vampire-anne-rice-sabotage/" data-vars-ga-ll-to-actn="This Author Tried to Sabotage a Hollywood Vampire" data-vars-ga-ux-element="Edorial Lks" data-vars-ga-outbound-lk=" class="css-1bn7a5e e1c1bym14"><span aria-hidn="te" class="css-0 eagam8p0"></span><img src="" alt="on the set of terview wh the vampire by neil jordan" tle="On the set of Interview wh the Vampire by Neil Jordan" width="120" height="100%" dg="async" loadg="lazy" image-align="left" class="css-1l0u1 e6pr2lz0" /><span class="css-8lle59 e6pr2lz1">This Author Tried to Sabotage a Hollywood Vampire</span><span aria-hidn="te" class="css-0 eagam8p1"></span></a></li><li class="css-79zw4t e6pr2lz2"><a href="/entertament/books/a38502406/anne-rice-ad-died-ob/" data-vars-ga-ll-to-actn="Anne Rice Lived As Large as Her Gothic Fictn" data-vars-ga-ux-element="Edorial Lks" data-vars-ga-outbound-lk=" class="css-1bn7a5e e1c1bym14"><span aria-hidn="te" class="css-0 eagam8p0"></span><img src="" alt="thor anne rice" tle="Anne Rice Lived As Large as Her Gothic Fictn" width="120" height="100%" dg="async" loadg="lazy" image-align="left" class="css-1l0u1 e6pr2lz0" /><span class="css-8lle59 e6pr2lz1">Anne Rice Lived As Large as Her Gothic Fictn</span><span aria-hidn="te" class="css-0 eagam8p1"></span></a></li></ul></asi></div><style data-emotn="css 18vfmjb">{font-fay:Charter,Geia,Tim,Serif;font-size:1.1875rem;le-height:1.6;} em{font-fay:Charter,Geia,Tim,Serif;font-style:alic;} strong{font-fay:Charter,Geia,Tim,Serif;font-weight:bold;}</style><p data-no-id="2" class="css-18vfmjb et3p2gv0">There’s good reason to fear that they may not. Back 1994, a splashy film adaptatn of <em>Interview Wh the Vampire </em><a href=" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn="ran afoul" class="body-lk css-umdwtv et3p2gv0"><u>ran afoul</u></a> of Rice’s rears, wh thoands gatherg the ra to prott the stg of Tom Cise as Ltat. Co-starrg Brad Pt as Louis, the film has sce gaed cult stat, but fans regnize as a lossal failure for s watered down take on the novel’s bold eroticism; reviewg <em>Interview Wh the Vampire</em> on <em>Saturday Night Live</em>’s Weekend Update, Norm MacDonald <a href=" data-vars-ga-outbound-lk=" data-vars-ga-ux-element="Hyperlk" data-vars-ga-ll-to-actn="panned" class="body-lk css-umdwtv et3p2gv0"><u>panned</u></a> wh the simple cricism, “Not gay enough!” No such cricism n be lobbied at the newer outg. AMC’s adaptatn is <em>Interview Wh the Vampire</em> as rears know and love —opulent, graphic, and unabashedly erotic. “You have to know that the two people are love,” Anrson tells Esquire. “Beg love is plited and betiful and msy.”</p><p data-no-id="3" class="css-18vfmjb et3p2gv0">Rice’s 1976 novel unfolds as a nversatn between reporter Daniel Molloy and Louis Pote du Lac, a tormented vampire who nfs his centuri-long life story. That ntext exists the AMC seri, wh an add layer om the md of shownner Rol Jon: this time around, the ame story tak place when Louis v Molloy to a do-over terview, termed to rrect the rerd nearly fifty years after their first nversatn. Jon has taken other imagative leaps wh Rice’s novel: the bulk of the story is set not the lonial New Orleans of 1791, but rather 1910. In this roarg cy, Louis is not a whe Creole plantatn owner, as Rice’s tellg, but a Black bsman nng a saloon the red light district, where he wrtl wh his sexualy and fac untls racist btali. "You uld be a lot of thgs New Orleans," he narrat. "But an openly gay Negro man was not one of them." </p><p data-no-id="4" class="css-18vfmjb et3p2gv0">Playg Louis as both alive and unad across multiple centuri, Anrson grounds his performance poignant pa, regret, and ep humany. Meanwhile, Reid dazzl as Ltat, the mercurial and magic vampire to whom Louis succumbs. "He was my murrer, my mentor, my lover, and my maker," Louis tells . Reid also puts the bratts back to Rice’s inic Brat Prce, tossg off some of the seri’ bt l wh shggg aplomb. “What n I say? I’m a lot,” Ltat quips. Together, the actors’ chemistry is electric, buoyed by their off-screen iendship. As the two bloodsuckers fight and fornite, all mak for enthrallg televisn. “Let the tale sce you, jt as I was sced,” Louis advis Molloy. It’s as good a this statement for <em>Interview Wh the Vampire</em> as any. </p><p data-no-id="5" class="css-18vfmjb et3p2gv0">Anrson and Reid took behd the scen of the seri, om their love of Anne Rice’s books to one <em>very</em> memorable sex scene. This nversatn has been eded for length and clary.</p><style data-emotn="css 18pb4rg">{borr:0;borr-bottom:th solid black;marg:1.875rem 0;clear:both;}</style><hr data-no-id="6" class="css-18pb4rg et3p2gv0" /><p data-no-id="7" class="css-18vfmjb et3p2gv0"><strong>ESQUIRE: What attracted you to the characters?</strong></p><p data-no-id="8" class="css-18vfmjb et3p2gv0"><strong>Jab Anrson:</strong> I felt that Louis related to beg a vampire the same way that I relate to beg a human. He's tortured by what the meang of his existence is, what his is, what he believ . You don’t see characters like Louis very often. They don’t often get to be the hero. </p><p data-no-id="9" class="css-18vfmjb et3p2gv0"><strong>Sam Reid:</strong> What I love about Ltat is that he has all the dark layers, but really, the way that he shows vlence is through love. It’s a very backwards way of g at a monster. Ltat always starts wh a ep attractn or ep love for someone, then be que sadistic the way that he approach those relatnships. The are Anne Rice monsters, so they're om the Mary Shelley tradn where there's so much humany wh them. He’s a monster who lov first—he wants to be accepted and appreciated, and therefore adored and worshiped. He's not tryg to sre anybody. He's tryg to get you to fall love wh him. He’s the antagonist, a way, but you also unrstand him bee he's often g om a good place.</p><style data-emotn="css 1736von">{--data-embed-display:flex;-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;clear:both;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;marg-bottom:0.9375rem;marg-left:to;marg-right:to;width:100%;}@media(m-width: 20rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 30rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 40.625rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 48rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 64rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 73.75rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 75rem){{width:100%;marg:0 to 0.9375rem;}}@media(m-width: 90rem){{width:100%;marg:0 to 0.9375rem;}} a span{right:1rem;} img{width:to;height:85vh;} a{display:-webk-le-box;display:-webk-le-flex;display:-ms-le-flexbox;display:le-flex;posn:var(--posn, relative);} img:not(.ewcw41w1){display:block;width:100%;height:to;-webk-align-self:flex-start;-ms-flex-em-align:flex-start;align-self:flex-start;}</style><div size="medium" data-embed="body-image" data-no-id="10" class="align-center size-medium embed css-1736von e1xqj1sx4"><style data-emotn="css uwraif">{width:100%;display:-webk-le-box;display:-webk-le-flex;display:-ms-le-flexbox;display:le-flex;-webk-flex-directn:lumn;-ms-flex-directn:lumn;flex-directn:lumn;marg-left:to;marg-right:to;-webk-box-pack:center;-ms-flex-pack:center;-webk-jtify-ntent:center;jtify-ntent:center;}</style><div class="css-uwraif e1xqj1sx3"><img alt="e" tle="DMG" loadg="lazy" width="2400" height="3600" dg="async" data-nimg="1" style="lor: transparent; width: 100%; height: to;" siz="100vw" srcSet=" 640w, 980w, 1120w, 1200w, 1920w" src="" class="css-0 exi4f7p0" /><style data-emotn="css swqnqv">@media(m-width: 20rem){{paddg-left:0rem;}}@media(m-width: 30rem){{paddg-left:0rem;}}@media(m-width: 40.625rem){{paddg-left:0rem;}}@media(m-width: 48rem){{paddg-left:0rem;}}@media(m-width: 64rem){{paddg-left:0rem;}}@media(m-width: 73.75rem){{paddg-left:0rem;}}@media(m-width: 75rem){{paddg-left:0rem;}}@media(m-width: 90rem){{paddg-left:0rem;}}</style><div class="css-swqnqv e1xqj1sx2"><figptn class="css-1am3yn9 enfs9c50"><span class="css-1mcfn5x e6iqd2">Philip Friedman</span></figptn></div></div></div><p data-no-id="11" class="css-18vfmjb et3p2gv0"><strong>Somehow he’s g om a very human place, even though he’s not human. </strong></p><p data-no-id="12" class="css-18vfmjb et3p2gv0"><strong>SR:</strong> That’s the thg—the vampir hold onto their humany different ways. Ltat holds onto his humany through his love and his m.</p><p data-no-id="13" class="css-18vfmjb et3p2gv0"><strong>At one pot the show, Daniel Molloy scrib Louis and Ltat’s relatnship as havg an “abive dynamic,” sayg that they’re “locked some fucked up Gothic romance.” Do you thk there's tth to that scriptn?</strong></p><p data-no-id="14" class="css-18vfmjb et3p2gv0"><strong>JA:</strong> I thk there's tth to both parts of that. There are thgs about their relatnship and their dynamic that are unniably abive. But there are ways which, at least to Ltat, Louis's whholdg of his love is a form of abe or celty. They're really cel to one another, but they have this ep nnectn that neher of them n really articulate. They’re trapped each other.</p><p data-no-id="15" class="css-18vfmjb et3p2gv0"><strong>SR:</strong> There’s also the vampire bond, which is basilly impossible to break. Cldia is ma om this sort of bond, but she's ma om a different place. It’s not jt the makg of another vampire that nnects them eply, but ’s the way that ’s done and the choice of the person you turn—all of the thgs create the ultimate cktail of immortal panns. Louis and Ltat are tied together a way that they nnot break. The show looks for the real relatnship all the time, wh Molloy there to say, "What’s <em>really </em>gog on here? Is Louis tellg the tth about what happened?" </p><div size="medium" data-embed="body-image" data-no-id="16" class="align-center size-medium embed css-1736von e1xqj1sx4"><div class="css-uwraif e1xqj1sx3"><img alt="e" tle="DMG" loadg="lazy" width="2400" height="3600" dg="async" data-nimg="1" style="lor: transparent; width: 100%; height: to;" siz="100vw" srcSet=" 640w, 980w, 1120w, 1200w, 1920w" src="" class="css-0 exi4f7p0" /><div class="css-swqnqv e1xqj1sx2"><figptn class="css-1am3yn9 enfs9c50"><span class="css-1mcfn5x e6iqd2">Philip Friedman</span></figptn></div></div></div><p data-no-id="17" class="css-18vfmjb et3p2gv0"><strong>Jab, was that on your md as you were filmg scen set the past? </strong></p><p data-no-id="18" class="css-18vfmjb et3p2gv0"><strong>JA:</strong> There are thgs that subnscly you're thkg about all the time, and then thgs that you jt unrstand and bury. I got some helpful cu om Rol [Jon, shownner], but really, I jt chose what Louis was aware of—what was a manipulatn and what wasn't. Part of the dynamic between Louis and Molloy is that the terview isn’t gog how he planned to go. He has a narrative he wants to ph, and he didn’t expect to be qutned. Louis se a b of himself this elrly man, and that’s que a nontg thg for a tached 147-year-old vampire. As the season go on, you’ll start to see Louis qutn his own memori. </p><p data-no-id="19" class="css-18vfmjb et3p2gv0"><strong>The 1994 film adaptatn of <em>Interview Wh the Vampire</em> shied away om pictg the romance between Ltat and Louis. Your adaptatn is very explic; at one pot, we even see Ltat and Louis have sex while levatg. Rol Jon scribed this seri as “an excable, aggrsive, toxic, betiful love story.” What did that mean to you, fally gettg to tell the story s full, explic sensualy?</strong></p><p data-no-id="20" class="css-18vfmjb et3p2gv0"><strong>SR:</strong> I was very happy was gog that way, bee wouldn't be <em>Interview Wh the Vampire</em> if didn't. It’s really important that we explored that, bee a big part of their relatnship is this tense nnectn. Anne Rice scrib drkg each other's blood as credibly erotic, almost like havg sex. So how do you translate that on screen? I gus nu levatn translat que well. I thk 's really important that we don't shy away om , bee if we spend the whole season gog, "Will they? Won't they?," we don't get to the really tertg parts of this plex relatnship. Gettg straight down to means we n look at the dynamics of this pair—how they hurt each other and how they build each other up.</p><p data-no-id="21" class="css-18vfmjb et3p2gv0"><strong>JA:</strong> Wh the levatg scene, we talked a lot about how you need those moments of joy and excement and romance so 's not all about tortured Catholic guilt. We've seen vampire stori told that way before, and like Sam said, you then n't get to the mss of their relatnship. You have to really believe. You have to know that the two people are love. Beg love is plited and betiful and msy.</p><div size="medium" data-embed="body-image" data-no-id="22" class="align-center size-medium embed css-1736von e1xqj1sx4"><div class="css-uwraif e1xqj1sx3"><img alt="e" tle="DMG" loadg="lazy" width="2400" height="3600" dg="async" data-nimg="1" style="lor: transparent; width: 100%; height: to;" siz="100vw" srcSet=" 640w, 980w, 1120w, 1200w, 1920w" src="" class="css-0 exi4f7p0" /><div class="css-swqnqv e1xqj1sx2"><figptn class="css-1am3yn9 enfs9c50"><span class="css-1mcfn5x e6iqd2">Philip Friedman</span></figptn></div></div></div><p data-no-id="23" class="css-18vfmjb et3p2gv0"><strong><em>The Vampire Chronicl </em>has a cult followg wh a joyful, vibrant culture. What do feel like to be jog somethg wh that sense of longevy and muny?</strong></p><p data-no-id="24" class="css-18vfmjb et3p2gv0"><strong>SR:</strong> We both love Anne Rice and we've talked about a lot.</p><p data-no-id="25" class="css-18vfmjb et3p2gv0"><strong>JA:</strong> We're talkg about Anne Rice at some pot every day.</p><p data-no-id="26" class="css-18vfmjb et3p2gv0"><strong>SR:</strong> I remember the day that she passed away. I went down to the Garn District Bookshop New Orleans where she did all her book opengs—she’d turn up to those book opengs a hearse and a bridal gown. Jt the legacy that that lady has across the whole cy—a lerary legacy, but also the Gothic legacy. She’s formed a type of inty that people n rry around: "I'm an Anne Rice rear.” It's jt so excg to be a part of . I hope that her rears will accept .</p><p data-no-id="27" class="css-18vfmjb et3p2gv0"><strong>Did you have a chance to spend any time wh Anne Rice?</strong></p><p data-no-id="28" class="css-18vfmjb et3p2gv0"><strong>JA:</strong> Sadly not.</p><p data-no-id="29" class="css-18vfmjb et3p2gv0"><strong>SR:</strong> Very, very sadly not.</p><div size="medium" data-embed="body-image" data-no-id="30" class="align-center size-medium embed css-1736von e1xqj1sx4"><div class="css-uwraif e1xqj1sx3"><img alt="e" tle="DMG" loadg="lazy" width="2400" height="3600" dg="async" data-nimg="1" style="lor: transparent; width: 100%; height: to;" siz="100vw" srcSet=" 640w, 980w, 1120w, 1200w, 1920w" src="" class="css-0 exi4f7p0" /><div class="css-swqnqv e1xqj1sx2"><figptn class="css-1am3yn9 enfs9c50"><span class="css-1mcfn5x e6iqd2">PHILIP FRIEDMAN</span></figptn></div></div></div><p data-no-id="31" class="css-18vfmjb et3p2gv0"><strong>You say you want to be accepted by this muny of voted rears. Did you feel any apprehensn or timidatn about that? </strong></p><p data-no-id="32" class="css-18vfmjb et3p2gv0"><strong>JA:</strong> Of urse. It would be naïve not to. I had nerv about the fact that the books, Louis is scribed as a Csian Creole man. Unlike Sam, I didn't e to the books until I me across the show, so I was readg him as a Black Creole man anyway, but that fely gave me e for worry at first. Then we started the project and I got to experience fallg love wh Anne Rice’s wrg jt before we were shootg. I thk there are certa thgs that Louis beg a Black Creole man om New Orleans really if not adds, then opens up other possibili that feel pletely te and right to this world, and to what she wrote about and where the characters exist.</p><p data-no-id="33" class="css-18vfmjb et3p2gv0">In the books, Louis was obvly a plantatn owner. In our story, Louis om a fay that owned plantatns. I'm not gog to say, "Good for you people that really wanted him to be a plantatn owner." But given the time perd that Rol's chosen for this terpretatn, would be strange for him or Cldia not to be people of lor New Orleans.</p><p data-no-id="34" class="css-18vfmjb et3p2gv0"><strong>As you were readg the other books, did you ever fd yourself thkg, "Ltat is behavg this way bee of somethg that happened one of the prequel books”? </strong></p><p data-no-id="35" class="css-18vfmjb et3p2gv0"><strong>SR:</strong> 100%. Wh Ltat, his entire backstory is there. We're not changg that, so we fely brought all of those elements to . Gog back to that ia of prsure—I've been a fan of the books for a long time. That adds a prsure I put on myself, which is, "Will I be able to live up to my own love of this character?" That’s almost worse than the prsure I feel about how someone else will receive . </p><style data-emotn="css 1iigb5k">{clear:none;posn:relative;text-align:center;word-break:break-word;}@media(max-width: 64rem){{max-width:100%;}{max-width:100%;}}@media(m-width: 48rem){{text-align:left;}}@media(m-width: 48rem) and (max-width: 61.25rem){{max-width:m(20.625rem, lc((100vw - (1rem * 3))/2));float:left;marg-left:0rem;marg-right:1rem;}{max-width:m(20.625rem, lc((100vw - (1rem * 3))/2));float:right;marg-right:0rem;marg-left:1rem;}}@media(m-width: 61.25rem) and (max-width: 90rem){{max-width:20.625rem;float:left;clear:left;marg-right:1rem;}{max-width:20.625rem;float:right;clear:right;marg-left:1rem;}}@media(m-width: 90rem){{max-width:20.625rem;float:left;clear:left;marg-right:1rem;}{max-width:20.625rem;float:right;clear:right;marg-left:1rem;}}</style><div data-ad-exclu="(m-width: 90rem)" data-embed="embed-product" data-no-id="36" size="medium" class="size-medium align-left embed css-1iigb5k 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y6pcxk">{marg-top:0.9375rem;-webk-orr:3;-ms-flex-orr:3;orr:3;}@media(max-width: 48rem){{marg-left:0.625rem;marg-right:0.625rem;}}@media(m-width: 40.625rem){{marg-left:0rem;marg-right:0rem;}}@media(m-width: 48rem){{marg-top:0rem;}}</style><div size="medium" class="css-y6pcxk eyaokey1"><div class="css-10ck1xh eyaokey2"><h2 class="css-6nsryy e8seki10">Ballante Books Interview Wh the Vampire</h2></div><style data-emotn="css g3y2dc">{display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;-webk-flex-directn:lumn;-ms-flex-directn:lumn;flex-directn:lumn;marg-bottom:0.625rem;marg-top:0.625rem;}@media(max-width: 64rem){{-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;}}@media(m-width: 48rem){{-webk-align-ems:flex-start;-webk-box-align:flex-start;-ms-flex-align:flex-start;align-ems:flex-start;}}</style><div size="medium" class="size-medium css-g3y2dc e1a1omje0"><style data-emotn="css 6po5wf">{background:#FF3A30;background-lor:#FF3A30;borr:th solid #FF3A30;borr-radi:2rem;lor:#000000;display:le-block;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.875rem;letter-spacg:0.04rem;le-height:1.3;marg-bottom:0.625rem;marg-top:0.625rem;paddg:0.625rem 1.25rem;-webk-text-ratn:none;text-ratn:none;text-transform:upperse;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;whe-space:pre-le;width:to;}@media(max-width: 48rem){{paddg:0.5rem 0.7rem 0.3125rem;}}@media(m-width: 48rem){{paddg:0.6rem 1.125rem 0.3125rem;}}@media(m-width: 64rem){{paddg:0.6rem 1.125rem 0.3125rem;}}{outle-lor:body-cta-btn-lk-foc;}{background-lor:#ffffff;lor:#000;borr:th solid #FF3A30;}</style><style data-emotn="css 1i4dhmq">{background:#FF3A30;background-lor:#FF3A30;borr:th solid #FF3A30;borr-radi:2rem;lor:#000000;display:le-block;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.875rem;letter-spacg:0.04rem;le-height:1.3;marg-bottom:0.625rem;marg-top:0.625rem;paddg:0.625rem 1.25rem;-webk-text-ratn:none;text-ratn:none;text-transform:upperse;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;whe-space:pre-le;width:to;background:#FF3A30;background-lor:#FF3A30;borr:th solid #FF3A30;borr-radi:2rem;lor:#000000;display:le-block;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.875rem;letter-spacg:0.04rem;le-height:1.3;marg-bottom:0.625rem;marg-top:0.625rem;paddg:0.625rem 1.25rem;-webk-text-ratn:none;text-ratn:none;text-transform:upperse;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;whe-space:pre-le;width:to;}@media(max-width: 48rem){{paddg:0.5rem 0.7rem 0.3125rem;}}@media(m-width: 48rem){{paddg:0.6rem 1.125rem 0.3125rem;}}@media(m-width: 64rem){{paddg:0.6rem 1.125rem 0.3125rem;}}{outle-lor:body-cta-btn-lk-foc;}{background-lor:#ffffff;lor:#000;borr:th solid #FF3A30;}@media(max-width: 48rem){{paddg:0.5rem 0.7rem 0.3125rem;}}@media(m-width: 48rem){{paddg:0.6rem 1.125rem 0.3125rem;}}@media(m-width: 64rem){{paddg:0.6rem 1.125rem 0.3125rem;}}{outle-lor:body-cta-btn-lk-foc;}{background-lor:#ffffff;lor:#000;borr:th solid #FF3A30;}</style><a target="_blank" rel="nofollow noopener" href=" aria-label="$9 at Amazon for Interview Wh the Vampire" data-href=" data-product-url=" data-affiliate="te" data-affiliate-url=" data-affiliate-work="{"id":"6d6f68a9-010c-4169-97b0-14dd8a217bdb","se_id":"8b6b0f67-bc-4d9d-86c6-dff1abae12","is_active":te,"metadata":{},"work":{"id":"469ce69f-4798-416d-9432-eaa9954b4053","name":"Amazon","is_active":te,"bs_un_id":"ad046b46-538b-42cb-aa54-c3d158875ed6","tails":"","metadata":{},"created_at":"2021-07-28T16:03:03.241365+00:00","last_updated_at":"2021-07-28T16:03:03.241381+00:00"}}" data-vars-ga-ll-to-actn="$9 at Amazon" data-vars-ga-media-type="Sgle Product Embed" data-vars-ga-outbound-lk=" data-vars-ga-product-brand="Ballante Books" data-vars-ga-product-id="cef210ec-156a-4f15-96ed-3e305084cb81" data-vars-ga-product-price="$8.99" data-vars-ga-product-retailer-id="83d1f37f-a2f6-454e-8a0a-ab9f552e44" data-vars-ga-product-sem3-brand="Ballante Books" data-vars-ga-gallery-id data-vars-ga-lk-treatment="(not set) | (not set)" data-vars-ga-sku="0345337662" data-vars-ga-magento-trackg="1" role="button" data-ab-label="ProdClick" class="product-btn-lk en6kra60 css-1i4dhmq e1c1bym14">$9 at Amazon</a></div></div></div></div><p data-no-id="37" class="css-18vfmjb et3p2gv0">But we do have all of those books to keep gog back to, and Rol is sanely clever terms of gog back and referencg thgs. I have one le that seems like such a throwaway le a scene that you wouldn't even thk about. Luckily I knew the eper meang. There’s heaps of them every scene—l where you thk, "That wouldn't mean anythg," but all means somethg, bee Ltat is talkg about a real life that exists over a seri of books that you n ntue to draw om. It's so much fun. Everythg has a place and a meang.</p><p data-no-id="38" class="css-18vfmjb et3p2gv0"><strong>JA:</strong> I had only read the first two books when we started shootg; now I’ve read beyond that. When we talk about the books, we get exced about how thgs slightly change based on our terpretatns of the characters, but also how siar they are ways that I wasn't aware of before, bee I hadn't read past the send book. I didn't know how fahful Rol was beg to thgs that happened beyond <em>The Vampire Ltat</em>. There are thgs the future, specifilly about Louis's fate, that bee pecially excg wh that new ntext.</p><p data-no-id="39" class="css-18vfmjb et3p2gv0"><strong>This is the bt way to do a lerary adaptatn. If you know the source material, then there's all that richns. If you don’t, you n still enjoy , and maybe even be led to disver the books.</strong></p><p data-no-id="40" class="css-18vfmjb et3p2gv0"><strong>SR:</strong> That would be the bt thg—for this to spire a whole new generatn of people to go back to those books. I fely thk there should be a rurgence of Anne Rice every uple of years, and hopefully we will spire that.</p><div size="medium" data-embed="body-image" data-no-id="41" class="align-center size-medium embed css-1736von e1xqj1sx4"><div class="css-uwraif e1xqj1sx3"><img alt="e" tle="DMG" loadg="lazy" width="3600" height="2400" dg="async" data-nimg="1" style="lor: transparent; width: 100%; height: to;" siz="100vw" srcSet=" 640w, 980w, 1120w, 1200w, 1920w" src="" class="css-0 exi4f7p0" /><div class="css-swqnqv e1xqj1sx2"><figptn class="css-1am3yn9 enfs9c50"><span class="css-1mcfn5x e6iqd2">Philip Friedman</span></figptn></div></div></div><p data-no-id="42" class="css-18vfmjb et3p2gv0"><strong>We’ve been tellg vampire stori for hundreds of years. Why do we keep g back to them?</strong></p><p data-no-id="43" class="css-18vfmjb et3p2gv0"><strong>JA:</strong> I thk there's somethg about livg the shadows that nnects to our own darkns and our own sir. It also nnects to the thgs that we're ashamed of, bee vampir have to hi. It's a lonely existence, but they so crave ntact and nnectn and timacy. There’s a human impulse there. The thgs we fear about ourselv burst out the bs of impulse or spair or torture—’s irristible, bee speaks to somethg that we don't really talk about. There's somethg about vampir that feels sordid, but they’re tensely human.</p><p data-no-id="44" class="css-18vfmjb et3p2gv0"><strong>SR:</strong> Whether 's Dracula or Nosferatu or Louis and Ltat, vampir are always yearng for love. The key them to which they’re always nnected are ath, which everyone has a certa relatnship wh, and sex. The are nstants throughout life and vampir speak to that, but other monsters, they n speak. They're very articulate creatur.</p><p data-no-id="45" class="css-18vfmjb et3p2gv0">I thk Anne Rice really ma vampir what they are today. Bram Stoker obvly created this ncept of the yearng, articulate, betiful vampire, but we never saw that story om his perspective. When Anne Rice puts the perspective to the md of the monster, you learn that the creatur are credibly articulate, thoughtful, and qutng—they’re agony, love, trated wh their own monic personali and their own drive to be bad. It's this whole psychologil spectm that we n relate to. As an dience member or as a fan of vampir, you n feel seen through the ey of a monster. You look at yourself and wonr, "Am I dog the right thg? Am I a good person? Am I a bad person?" In terms of monsters, there's nothg really like the vampire. That's why transcends and has lasted so long. People want to see them bee 's a fun feelg, beg able to relate to a mythil creature such a profound way.</p><style data-emotn="css 2ok9l4">{marg-top:1.875rem;borr-top:th solid #595959;}</style><div data-jam-id="thor-b" class="css-2ok9l4 e13rjwo40"><style data-emotn="css f0b5z8">{display:grid;grid-template-lumns:to 1;grid-lumn-gap:0.625rem;paddg-top:1.25rem;paddg-bottom:1.25rem;clear:both;}</style><div class="css-f0b5z8 e19xk9rq8"><style data-emotn="css irehmq">{borr-radi:50%;height:60px;width:60px;}@media(max-width: 48rem){{width:40px;height:40px;}}</style><span class="css-irehmq e19xk9rq1"><style data-emotn="css o0wq4v">{width:100%;height:100%;borr-radi:50%;vertil-align:middle;object-f:ver;}</style><img src="" alt="Headshot of Adrienne Wtenfeld" tle="Headshot of Adrienne Wtenfeld" width="100%" height="100%" dg="async" loadg="lazy" class="css-o0wq4v e19xk9rq3" /></span><div><style data-emotn="css 3sqxrq">{display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;grid-gap:4px;-webk-align-ems:basele;-webk-box-align:basele;-ms-flex-align:basele;align-ems:basele;-webk-box-flex-wrap:wrap;-webk-flex-wrap:wrap;-ms-flex-wrap:wrap;flex-wrap:wrap;}</style><div class="css-3sqxrq e19xk9rq7"><span class="css-0 e19xk9rq5"><style data-emotn="css 1yunoig">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0.02rem;-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-lor:her;text-ratn-thickns:0.0625rem;text-transform:upperse;text-unrle-offset:0.25rem;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}}{lor:#595959;text-ratn-lor:borr-lk-body-hover;}</style><style data-emotn="css 1kgdfad">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0.02rem;text-transform:upperse;lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0.02rem;-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-lor:her;text-ratn-thickns:0.0625rem;text-transform:upperse;text-unrle-offset:0.25rem;-webk-transn:all 0.3s ease--out;transn:all 0.3s ease--out;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}}{lor:#595959;text-ratn-lor:borr-lk-body-hover;}</style><a href="/thor/2392/adrienne-wtenfeld/" class="e1c1bym13 css-1kgdfad e1c1bym14"><span>Adrienne Wtenfeld</span></a></span></div><style data-emotn="css pqlu">{lor:#161616;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;letter-spacg:0.02rem;marg-top:0.625rem;text-transform:upperse;}@media(max-width: 48rem){{font-size:0.70003rem;le-height:1.4;}}@media(m-width: 40.625rem){{font-size:0.70003rem;le-height:1.3;}}</style><div class="css-pqlu e19xk9rq6">Books and Fictn Edor</div><style data-emotn="css 1b1navg">{display:-webk-box;font-fay:Charter,Geia,Tim,Serif;font-size:1rem;le-height:1.4;overflow:hidn;paddg-top:0.3125rem;-webk-box-orient:vertil;-webk-le-clamp:5;}@media(max-width: 48rem){{-webk-le-clamp:10;}}>*{display:le;} em{font-fay:CharterItalic,Geia,Tim,Serif;font-style:alic;} p{marg:0rem;} p a{-webk-text-ratn:unrle;text-ratn:unrle;text-ratn-thickns:0.0625rem;text-ratn-lor:her;text-unrle-offset:0.25rem;} p a:hover{text-ratn-lor:borr-lk-body-hover;}</style><div class="css-1b1navg e19xk9rq4"><p>Adrienne Wtenfeld is the Books and Fictn Edor at Esquire, where she overse books verage, eds fictn, and curat the Esquire Book Club. </p></div></div></div></div><style data-emotn="css ciejky">{clear:both;marg-top:1.25rem;}</style><div id="journey-le" class="css-ciejky e1cslvxz0"></div><style 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#15263D;text-align:left;width:-webk-f-ntent;width:-moz-f-ntent;width:f-ntent;borr-radi:2rem;display:block;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-size:0.70028rem;le-height:1.2;letter-spacg:0.04rem;marg-top:-1rem;paddg:0.5rem 0.9375rem 0.25rem;text-transform:upperse;}</style><h6 class="css-ju94x7 e10xr3vp2"><span aria-hidn="te" class="css-0 eagam8p0"></span><span class="css-0 e10xr3vp1">Watch Next</span><span aria-hidn="te" class="css-0 eagam8p1"></span></h6><style data-emotn="css un61">{-webk-align-ems:center;-webk-box-align:center;-ms-flex-align:center;align-ems:center;display:-webk-box;display:-webk-flex;display:-ms-flexbox;display:flex;font-fay:Lsanne,Lsanne-fallback,Arial,sans-serif;font-weight:normal;-webk-box-pack:center;-ms-flex-pack:center;-webk-jtify-ntent:center;jtify-ntent:center;marg:0rem;m-height:to;paddg-top:1rem;text-align:left;}@media(max-width: 48rem){{font-size:1.5rem;le-height:1.1;}}@media(m-width: 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