(PDF) A History of Gay Lerature: The Male Tradn

a history of gay literature the male tradition

All about A History of Gay Lerature: The Male Tradn by Gregory Woods. LibraryThg is a talogg and social workg se for booklovers

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A HISTORY OF GAY LERATURE

This important book is the first full-sle acunt of male gay lerature across cultur, languag, and centuri. A work of reference as well as the fi... * a history of gay literature the male tradition *

Earlier versns of some chapters appeared, at length or agments, var journals - European Gay Review, Journal of Homosexualy, perversns and PN Review — and the followg books: Gabriele Griff’s Difference View, Mark Lilly’s Lbian and Gay Wrg, Robert K. Brought together one place, s nstuent texts would look somethg like, but be even broar than, the ntents list of Stephen Coote’s Pengu Book of Homosexual Verse, begng the ancient world and progrsg wh great valy — nsirg how wily stigmatised male—male love has been at var pots history — through the Middle Ag and Renaissance, beyond the morn world to the era of the postmorn; om perasty to sodomy, om homosexualy to gayns, om pre-gay queerns to post-gay queerns, and beyond.

A HISTORY OF GAY LERATURE : THE MALE TRADN

A History Of Gay Lerature: The Male Tradn [PDF] [4qcgfudt6q20]. This important book is the first full-sle acunt of male gay lerature across cultur, languag, and centuri. A ... * a history of gay literature the male tradition *

His verse clus tenr and vibrant love poems addrsed to Clodia Metelli (‘Lbia’), a married woman; enthiastic ephalamia on matrimony; sultg epigrams accg a man lled Gelli of all manner of sexual transgrsns, cludg ct and ck suckg; what we might now (accurately) ll ‘homophobic’ tiras agast men who loved men stead of boys, or agast men who took the ‘wrong’ part oral or anal terurse wh boys; and so on.

A HISTORY OF GAY LERATURE: THE MALE TRADN

While many books have been wrten about gay wrg, this is an acunt of male gay lerature, across cultur, languag, and om ancient tim to the prent. Workg wh the wist fns of what nstut gay lerature, clus chapters on the signifint perds of cultural history (the Greek and Roman civilizatns, the Middle Ag, the European Renaissance, the Amerin Renaissance and the 20th century), on major wrers (Marlowe, Shakpeare, Prot, Wil) and on mon them (boyhood, mourng, masturbatn). A work of reference as well as a history of a tradn, vers a large field terms of time (om Homer to Edmund Whe), lerary stat (om cultural ins like Virgil and Dante to popular novelists like Clive Barker and Dashiell Hammett), and lotn (om Mishima's Tokyo and Abu Nuwas' Baghdada to David Leavt's New York). The book also als wh reprentatns of male-male love by wrers who were not themselv homosexual or bisexual men. It also addrs gaps, such as the lack of a substantial lerature of the gay holot and the arth of gay wrg post-lonial Ain poetry. In the breadth of s spe, the book nonts trends Anglo-Amerin gay studi, both by sistg on the ternatnalism of homosexual culture and by reassertg a ntuy of homo-erotic tradns between the ancient world and the prent. Furthermore, by clg to foc only on the most obv thors and texts, Woods succeeds both wing the gay non and remdg of the large variety of gay works wh the mastream. What emerg is a gay male lerature that is far om peripheral to the world's major cultural tradns. This work celebrat the plexy of the lerature that gay men wre, read, and offer to the broast market. * a history of gay literature the male tradition *

Perhaps this is not the work of a ‘gay poet’ the ntemporary sense; yet offers the gay rear a broad range of tert, both terms of intifiably shared emotns and as a documentary glimpse of‘our’ sexual history.

* a history of gay literature the male tradition *

This may jt be a cince; or may monstrate the fluence of classil tn the late neteenth century on men who were begng to fe themselv as belongg to a distct human type, the homosexual; or may jt be an stance of retrospective wish-fulfilment (ll cultural appropriatn) on the part of a gay rear like me.

Ined, if one were seekg to erect a memorial at the birthplace of gay lerature, would make sense to se , not on some Assyrian om which the story of Gilgamh and Enkidu first emerged, nor on the banks of the Nile where scriptns speak of the relatnship of Seth and Hos; but one of Oxford ’s relatively unloved Victorian buildgs. In Homogenic Love (1894), later rporated to The Intermediate Sex, one of Edward Carpenter’s first purpos is to name the ‘homogenic’ lovers om the ancient world, the classil and oriental thors whose work ‘homogenic’ passag n be found, and then a number of key wrers om the morn world: Michelangelo, Shakpeare, Wckelmann, Tennyson and Whman.

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