IN GAY PARIS, 1889-90 by Co Mar

reflection about in gay paris 1889 90

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CHAPTER 15: GAY PARIS, 1889 90

Rizal went to live Bssels for two reasons, first was the st of livg Paris was very high bee of the ternatnal exposn and send was the gay social life of the cy hampered his lerary works pecially the wrg of his send novel El Filibterismo. Th, no geographer has llaborated wh the many dictnari and encyclopedias published recent years, which have been voted to homosexual cultur, nor participated the symposiums spired by Gay and Lbian Studi the Uned Stat on this subject, (such as the Renntr ternatnal sur l cultur gays et lbienn [Internatnal Meetgs on Gay and Lbian Culture] anized Paris by the Ge Pompidou Center 1997). 2“What we should be askg ourselv is not about why gay and lbian cultur exist (…); but rather why they are ncealed, ” the philosopher and soclogist Didier Eribon, a specialist on homosexual culture France, pertently remds (2003, 16).

It requir a knowledge, or even a practil experience of the terrori ncerned, an sight to the logic of those who nstct them and of the habs of those who equent them, difficult issu bee the anizatn and the dynamic of the spac of homosexualy are part visible, as we will monstrate.

EUROPEAN CI HAVG AT LEAST 60 GAY AND LBIAN BS 2004EUROPEAN CI HAVG AT LEAST 60 GAY AND LBIAN BS 200413IF PARIS APPEARS AS A PAL OF HOMOSEXUALY BEE OF THE QUANTY AND DIVERSY OF S MERCIAL OFFERGS TEND FOR GAYS, CERTALY DO NOT HAVE THE IMAGE OR THE RA OF S TWO MA PETORS, ON THE EUROPEAN OR WORLD STAGE. THE HOMOSEXUAL MUNI THERE APPEAR MUCH LS STCTURED AND ENGAGED THE SOCIAL AND POLIL FIELD THAN BERL (GRéSILLON 2000), AND ACRDG TO OUR OBSERVATNS, MUCH LS FTIVE, AVANT-GAR, AND EXTROVERTED THAN LONDON. GENERALLY, ONE NOT THAT BEE THEY ARE STILL RELATIVELY ISOLATED AND MARGALIZED THE SPACE AND THE LIFE OF THE CY, THEY ARE LS EVINCE THAN OTHER INIC PLAC OF HOMOSEXUAL MUNI. NOHELS – AND THE ELECTN 2001 OF AN OPENLY GAY MAYOR IS A CLEAR EXAMPLE – THGS HAVE CHANGED SIGNIFINTLY RECENT YEARS.14FIRSTLY, THE GAY PRI EVENT, [11] A GREAT ANNUAL FTIVAL MIXG TECHNO RHYTHMS AND POLIL SLOGANS (FIG. 2) IS, WH (FOR SEVERAL YEARS) APPROXIMATELY HALF A LN MONSTRATORS THE STREETS OF PARIS (PARED TO ONLY 800 1979), THE LARGT GATHERG OF THE YEAR TERMS OF THE NUMBER OF PARTICIPANTS, EVEN IF DO NOT RONATE TO ANY GREAT EXTENT THE MEDIA. THEN, IF THE DOMANT POSN OF PARIS ON A EUROPEAN SLE IS NTTED, THE PAL RETAS S NATNAL HEGEMONY. INED, THE DISTRIBUTN OF GAY TABLISHMENTS REVEALS A VERY HIERARCHIL STCTURE. IF LYON HAS A GAY MERCIAL FABRIC OF ABOUT 30 TABLISHMENTS, OTHER MAJOR CI ARE LS WELL PROVID FOR (ONLY 5 PROVCIAL CI HAD AT LEAST 20 TABLISHMENTS 2004). FALLY, NO TABLISHMENT THE PROVC N PETE WH THE RENOWN AND ATTRACTIVENS OF THE MOST FAMO PARISIAN GAY BARS OR DISTHEQU, WHICH SOME S HAVE AN ATTRACTIVENS ON A NATNAL OR EVEN NTENTAL SLE. WH PARIS, THE SPATIAL DISTRIBUTN OF GAY AND LBIAN MERCIAL TABLISHMENTS IS ALSO VERY UNEVEN, BUT EVEN WHEN RTRICTG ONELF TO THIS GEOGRAPHY, THE SPATIALI OF HOMOSEXUALY APPEAR LS SIMPLE TO UNRSTAND THAN ONE MIGHT THK. BETWEEN VISIBILY AND ANONYMY, LICENSED STAT AND ILLEGALY, THE TERRORI OF HOMOSEXUALY SKETCH A SUBTLE ARRANGEMENT OF MULTIPLE CENTRALI.FIG. 2THE PARIS GAY PRI, BETWEEN FOLKLORE AND SOCIAL AND POLIL MANDSTHE PARIS GAY PRI, BETWEEN FOLKLORE AND SOCIAL AND POLIL MANDS

It is natural that Paris should be the lotn for the study bee is the only cy France today which has a regnized, visible gay neighborhood, [1] likely to reprent the terrorial basis for a llective homosexual inty.

THE RISE OF GAY PARIS

That is why we n wele the exceptn, which is the recent Dictnnaire la géographie et l’pace s sociétés, eded by Jacqu Lévy and Michel Lslt (2003) which, unlike prev works of the same genre, propos an entry for “sexualy” and another for “sexuatn, ” and even refers to Gay and Lbian Studi. It is wh this particularly unfavorable ntext that gays and lbians all over the world mt try to build spac that su them, terrori of the llective, which as we know generate a sense of inty (Di Meo 1998).

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In Gay Paris 1889-1890 by Irish Lopez .

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