Benedict Cumberbatch Talks Playg a Reprsed Gay Character

power of the dog gay movie

Is Phil gay The Power of the Dog? Let’s get the Benedict Cumberbatch character the 2021 Netflix movie explaed wh full spoilers.

Contents:

IS PHIL GAY THE POWER OF THE DOG? NETFLIX MOVIE SPOILERS

It uld all be straight out of Genis, really, but wh a -wrg cred given to Aled Hchck.Cumberbatch is a heated race for Bt Actor, and mak sense; at s heart this is a story of people tryg to survive the Scylla- and Charybdis-like vicissus of Phil’s twisted soul, and Cumberbatch livers wh a performance as ighteng s own way as Ralph Fienn’ Amon Goeth “Schdler’s List.”If only his character wasn’t bogged down by the need to humanize him by revealg halfway through that he is a eply closeted gay man.

To say that is appropriate to have homosexual them or allns a Wtern is like sayg p movi shouldn’t have r chas.

Take another look at the source material, Sam.To say that is appropriate to have homosexual them or allns a Wtern is like sayg p movi shouldn’t have r chas.Phil Burbank is a man who tnts and hounds his brother and sister--law so relentlsly that they are aaid of him even when he’s not around. But fact, the film mostly rerc the longstandg and problematic trope of the tortured homosexual, which only further intifi L.G.B.T. People that do not volve them beg btalized one way or another?(The fact that Cumberbatch’s last big Osr-worthy movie, “The Imatn Game,” volved him playg a eply reprsed gay man, this se forced to unrgo chemil stratn when he is found out, do not help.)Right now Osr observers say ’s neck and neck for Bt Picture between “Dog” and “CODA,” the wng story of a child of af adults who wants to go to mic school but feels trapped by the needs of her fay.

SAM ELLTT RIPS GAY THEM ‘POWER OF THE DOG,’ LLS A ‘PIECE OF S – – T’

Though the ultimate du, he is somehow not like the other is bee he is gay.

Is , like so many prtig gay works, a tragic romance? Extrapolate those lsons too much and you end up patently homophobic terrory—we should not assume that every abive oaf p for a Bron Henry. Is Phil gay The Power of the Dog?

Image om Netflix Media Phil gay The Power of the Dog?

BENEDICT CUMBERBATCH REFLECTS ON PLAYG A REPRSED GAY CHARACTER 'THE POWER OF THE DOG'

Y, many sequenc the film suggt that Phil is a closeted homosexual, keepg his homosexualy hidn om everybody else on the ’re troduced to the character as a nontatnal, hyper-mascule antagonist who is prented as beg nstant petn wh the men around him. He’s the alpha male and the others – bis his brother – speak to him like the patriarchal figure of the they ask him about Bron Henry, they do so a childlike manner, as if they’re askg their father about their the narrative progrs ’s implied that the excsively macho exterr is actually a way to avoid anybody disverg that he is gay; an overpensatn of sorts stemmg om reprsn.

Wtern film in Sam Elltt is beg sp-roasted onle after railg on Jane Campn’s 12-time Osr-nomated drama “The Power of the Dog” for cludg “allns to homosexualy” and other LGBTQ them. For the uniated, the much-praised “The Power of the Dog” stars Benedict Cumberbatch as a closeted gay rancher 1925 Montana who’s abive toward his new sister--law and her son. There’s all the allns to homosexualy throughout the f – – kg movie.

“This is some barely even tryg to hi homophobic, misogynistic, xenophobic s – – t, ” they add. “Which is that wboy culture hasn’t changed one b and is still rife wh toxic masculy/homophobia.

BENEDICT CUMBERBATCH ADDRS SAM ELLTT'S 'ODD' RANT ABOUT POWER OF THE DOG'S GAY THEM

Another wonred why Elltt hated the LGBTQ them “Dog” when he apparently loved Ang Lee’s 2005 flick “Brokeback Mounta, ” another pneerg wboy movie that was rife wh gay them. Sam Elltt is chastisg Jane Campn’s Osr-nomated film “The Power of the Dog” for s “allns to homosexualy, ” llg a “piece of s–t. “The whole homosexual thg was tertg — they stepped over the le — but Kathare and I both looked at and thought, ‘What’s the big al?

The are wterns that foc on gay relatnships, overtly or thematilly.

IS PHIL GAY IN POWER OF THE DOG?

And spe Sam Elltt’s risn of the film (the actor, known largely for starrg wterns, took exceptn to “all the allns to homosexualy throughout the f— movie,” on Marc Maron’s podst this week), ’s a theme that’s been explored before. He mocks Peter’s lisp and enurag the gay ephets hurled by his ranch hands. In the end, Jack is beaten to ath, much like a real-life gay Wyomg man, Matthew Shepard; Jack’s fay mak up a story about a roadsi accint to ver the tth.

IS PHIL GAY THE POWER OF THE DOG?

Of urse there were gay men the Old Wt, the film suggts. Cumberbatch, who is straight and has prevly played a gay character, has faced creased scty this role. The actor prevly played mathematician Alan Turg, a gay man, 2014's The Imatn Game.

To the Wt beg portrayed this way, " the Doctor Strange actor said, appearg to reference Elltt's issue wh the film's "allns to homosexualy" wh wboys "nng around chaps and no shirts" certa scen of the project. There's also a massive tolerance the world at large towards homosexualy, still, towards an acceptance of the other, of any kd of difference, and no more so than this prism of nformy, the sense of what is expected of a man the Wtern archetype mold of masculy. The dynamic of the group tensifi as the film progrs, wh particular attentn paid to Burbank's past, as numero scen explore the damagg effects of reprsed homosexualy on the hard-nosed wboy.

Related ntent: Sam Elltt slams Power of the Dog's gay them: 'They're all nng around chaps and no shirts'Kirsten Dunst on the secret she shared wh Kodi Sm-McPhee while makg The Power of the DogJane Campn be the Osrs' first woman wh 2 Bt Director nomatns The Power of the Dog The Power of the Dog (2021 movie) Benedict Cumberbatch stars as a menacg wboy Jane Campn's twisty Wtern. A key scene, some reful dialogue, and Phil’s sudn sire to strike up a iendship wh Peter show that Cumberbatch’s character is gay. The scen clue the dience to the fact that Phil’s aggrsivens is meant to mask his sexualy and the lonels he feels a time which homosexualy was disapproved of.

*BEAR-MAGAZINE.COM* POWER OF THE DOG GAY MOVIE

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social-ins__lk--email" data-event-click="{"element":"ExternalLk","outgogURL":"mailto:?subject=The%20Betiful%2C%20Infable%20Queerns%20of%20%E2%80%9CThe%20Power%20of%20the%20Dog%E2%80%9D&" href="mailto:?subject=The%20Betiful%2C%20Infable%20Queerns%20of%20%E2%80%9CThe%20Power%20of%20the%20Dog%E2%80%9D& rel="nofollow noopener" target="_blank"><div class="SocialInContaer-huXzUC pMzVC social-ins__in-ntaer"><svg class="SocialInNetworkInComponent-cZaKGz dlOAhZ in in-email" focable="false" viewBox="0 0 32 32" width="32" height="32" xmlns="><tle>Email</tle><path d="M6 23h20V9H6v14zm3.631-12H22.37l-6.368 5.661L9.631 11zM24 12.227V21H8v-8.773l8.002 7.109L24 12.227z" fill-le="evenodd"></path></svg></div></a></li></ul></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kJkLmH article-body__ntent"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG eOdfIs"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bectqB body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p> </p><p>When I saw <a href=" target="_blank"><em>The Power of the Dog</em></a> theaters, nversatns about the film’s queerns epted as soon as the creds rolled. One person near me wonred aloud whether s queer characters had ever nsummated their relatnship, to put litely, while others started argug about which queer character was the “te villa.”</p><p>I felt like I had jt seen a queer neo-Wtern masterpiece — a subtle, sensive exploratn of masculy and femy on a leral and metaphoril ontier. But the dience chatter ma me worry that even a film this explicly queer still wasn’t “explic” enough for some viewers, and that would be acced of hewg too close to tired trop.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p>That the nversatns have ntued beyond the theater, beg the subject of endls onle bate, is no surprise. Jane Campn’s now <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow" target="_blank">multi-Osr nomated</a> film has sparked plenty of disurse over the urse of awards season, wh some crics highlightg how ftly the director <a href=" target="_blank">explor misogyny</a> through the lens of a psychologil thriller and others <a href=" target="_blank">ridg as havg “a queer problem,”</a> a dull and passively homophobic misfire. The film’s new stat as a ont-nner, thanks to s whoppg 12 Amy Award nods, has ma film an obv target for such bad-fah readgs like the latter. </p><div class="Contaer-bkChBi byNLHx"></div><p>But this is nothg new for the rare queer film that is nsired both “Osr ba” and “actually great cema.” To list all of the bad queer films that have been seen as awards worthy would be a fool’s errand, and would evably rult cishet folks shamg you for assertg that <em>Dallas Buyers Club</em> and <a href=" target="_blank"><em>The Danish Girl</em></a> are eply transphobic or that <a href=" target="_blank"><em>A Fantastic Woman</em></a> and <a href="><em>Boys Don’t Cry</em></a> aren’t the bastns of progrs they believe they are. </p><div class="AdWrapper-dQtivb fZrssQ ad ad---ntent"><div class="ad__slot ad__slot---ntent" data-no-id="86ybrq"></div></div><p>Meanwhile, great films like <a href=" target="_blank"><em>Carol</em></a> and <a href=" target="_blank"><em>Moonlight</em></a> are often acced by crics of beg ld, distant, or not queer enough, spe their every fiber beg signed to explore a queer gaze and experience. Only hdsight, when <em>The Danish Girl</em> has been all but memory-holed while <em>Carol</em> lgers, do seem like the crics and voters who ially dismissed an stant queer classic are able to sober up and see what LGBTQ+ viewers knew all along.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB kNleGZ sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="Contaer-bkChBi byNLHx"></div><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="zrvnv"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="6sbmh"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bectqB body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p><em>The Power of the Dog</em> uld dispt this dichotomy, beg the rare queer film wh a queer followg to take home multiple awards mostly cid by non-queer voters, as both <em>Brokeback Mounta</em> and <em>Moonlight</em> have done to an extent, each of them takg home three Osrs. Or uld end up fallg squarely to the <em>Carol</em> tegory — a queer film that sparked a flurry of ter dialogue but was ultimately shut out of s six chanc at Osr gold.</p><asi aria-hidn="te" class="PullQuoteEmbedWrapper-sc-EoVjf fQbAzo"><div class="PullQuoteDerativeBorr-sc-iUyOLj fAzNVP"></div><div class="PullQuoteEmbedContent-sc-kTcfhx eoUd"><p>“Exploratns of masculy, misogyny, sexualy, and vlence have permeated Wterns om the begng, but so rarely have each of the threads been woven together so exquisely and ma this accsible.”</p></div></asi><p>Ined, seems like queer films mt thread a very specific needle to appeal to both dienc and awards voters. Take <a href=" target="_blank"><em>Call Me By Your Name</em></a>: while some queer crics noted s pdishns, the film was ultimately celebrated by many, received four Amy Award nomatns, and land wrer Jam Ivory his first Osr. This tightrope walk isn’t always good for a film’s legacy, however. <em>Call Me By Your Name</em>’s succs wh an stutn that has historilly celebrated queer films that foc on pa and tragedy has only ma easier to legimize to a gree.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p>The same phenomenon occurred wh the oft-discsed <a href=" target="_blank"><em>Brokeback Mounta</em></a>, which won three Amy Awards spe losg Bt Picture to <em>Crash</em> — a cisn that is equently, and rightfully, lled homophobic. The cultural perceptn of <em>Brokeback Mounta</em> has been siarly bifurted, wh <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow" target="_blank">some</a> <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow" target="_blank">viewers</a> celebratg as a nuanced exploratn of queer men navigatg ght relatnships, and others lambastg for not beg able to ci what kd of queer s characters are — a bafflg argument light of how fluid sexualy and inty n often be. Some still herald <em>Brokeback</em> as a landmark for <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow" target="_blank">queer cema</a>, while others drone on about how “unrealistic” s sex scene is bee of a lack of lube.</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image"><noscript><img alt="Image may nta Human Person Clothg Apparel Benedict Cumberbatch and Ground" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE hTTfoq ptn 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summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz hlQxkn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Everythg You Need to Know About the Bud Light and Dylan Mulvaney Fias" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl clSLtF summary-em__ntent"><div class="RubricWrapper-dKmCNX gPBNpL bric SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">News</span></div><a class="SummaryItemHedLk-civM jRfyII summary-em-trackg__hed-lk summary-em__hed-lk summary-em__hed-lk--unrle-disable" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ jbVqqA summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Everythg You Need to Know About the Bud Light and Dylan Mulvaney Fias</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY dHMSJg summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH ecFEgL byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name">Samantha Riel</span></span></p></div></div></div></div></div></div></li><li><div class="AdWrapper-dQtivb fZrssQ RecircMostPopularSummaryItem-jQxxiw gmWMTZ ad ad--asi"><div class="ad__slot ad__slot--asi" data-no-id="yvkd2"></div></div></li></ul><div class="RecircMostPopularFooter-enPjgs laPXdt"></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="re51x"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bectqB body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p><em>The Power of the Dog</em> is at risk of receivg the <em>Brokeback</em> treatment for multiple reasons: The film picts the ath of a queer character, which evably expos to accatns of playg to the <a href=" target="_blank">“Bury Your Gays”</a> trope — and begs the qutn of when filmmakers will be allowed to explore queer loss whout beg acced of exploatn. But there is also an herent misogyny wh which people react when women approach stori about queer men. (Campn is a prumably heterosexual woman, and <em>Brokeback</em> was based on a short story by Annie Proulx.)</p><p>One nservative cric has already acced <a href=" target="_blank"><em>The Power of the Dog</em></a> of beg some kd of homophobic “gotcha” about gay wboys and the trop that surround them. In fact, what is so notable about her film and s source material — a novel by Thomas Savage, an openly queer man — is that never pulls the g out om unr the viewer. Queerns is never ed as a twist or a reveal; rather, ’s treated wh a rehg if plative forthrightns. Everythg is there on the screen, even if ’s not spoken aloud. Exploratns of masculy, misogyny, sexualy, and vlence have permeated Wterns om the begng, but so rarely have each of the threads been woven together so exquisely and ma this accsible.</p><asi aria-hidn="te" class="PullQuoteEmbedWrapper-sc-EoVjf fQbAzo"><div class="PullQuoteDerativeBorr-sc-iUyOLj fAzNVP"></div><div class="PullQuoteEmbedContent-sc-kTcfhx eoUd"><p>“The tth about Phil is that he is a human beg, not a cipher for the vlence of the closet.”</p></div></asi><p>Phil (Benedict Cumberbatch) is not picted as a illy evil gay wboy, but rather as a flh-and-blood beg wh mortal sir and tratns. It’s easy to overlook jt how much nuance there is to the way his role is prented the film bee Campn, as a filmmaker, isn’t prone to explag thgs to her dience. Her films, for better or worse, expect the dience to unrstand what is beg nveyed visually and emotnally. </p><p>Some viewers, like those attendance at my theatril showg, end up hyperfixatg on his malevolent behavr toward Rose (Kirsten Dunst), but while his loss of ntrol over his brother Gee (Jse Plemons) certaly provok vrl, there’s more to his character than villay. Nor is Phil the “tortured soul” that some (<a href=">cludg Cumberbatch himself</a>) have ma him out to be, as he seems largely ntent wh a celibate and most existence after losg the man he once idolized and still lov. The tth about Phil is that he is a human beg, not a cipher for the vlence of the closet.</p><div class="GenericCalloutWrapper-tojWn iezhXq llout--has-top-borr" data-ttid="GenericCallout"><div class="ContentCardEmbedWrapper-kULtsE iGAJsG ntent-rd-embed ntent-rd-embed--stacked" data-ttid="ContentCardEmbedWrapper"><div class="ContentCardEmbedImage-iwqgVw jlIubp ntent-rd-embed__image" data-ttid="ContentCardEmbedImage"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><img alt="article image" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/></picture></span></div><div class="ContentCardEmbedInfo-bDftKl bGnSrq"><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentCardEmbedHed-kJVPGC iUEiRd gFmvMS cewqFA ntent-rd-embed__hed" data-ttid="ContentCardEmbedHed"><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ContentCardEmbedHedLk-eXLwe iUEiRd gFmvMS hRaEiJ eFUKSb ntent-rd-embed__hed-lk" href="/story/favore-queer-films-2021-benetta-tane-power-of-the-dog" data-ttid="ContentCardEmbedHedLk">Our Favore Queer Films of 2021</a></div><div data-ttid="ContentCardEmbedDek" class="ContentCardEmbedDek-bA-DKch hXdQfY">Skip the Osr ba and watch the stead.</div></div></div></div><p>Peter (Kodi Sm-McPhee), the film’s other queer character, is siarly nuanced. Peter’s choice to kill Phil orr to ee his mother om the man who is tormentg her — and everyone around them by extensn — is lculated, but not unreasonable. Phil and Peter are both products of their environments and circumstanc, the same many ways while also beg pafully, vexgly different. They each rent each other’s rpective showsg of mascule and feme tras, while simultaneoly, if secretly, admirg them. Phil and Peter’s exchang throughout the latter half of the film are pellg bee Campn means to unrstand that they both need each other to exist, while also sperately needg the other to bee someone they are not orr to survive — a paradox that n only end vlence.</p><p>What’s so vigoratg about this dynamic is that avoids the easy theory that the homophobe is jt gay himself. Instead, <em>The Power of the Dog</em> sually observ that anyone n be both a monster and a victim. In film, as life, there are no “te villas.” Everyone has shas of shame and pri, of vulnerabily and imperabily, of weakns and abe; dulgg or succumbg to eher pole n lead to s own kd of tragedy. Campn’s balancg of ambiguy and clary — her abily to straddle the le between subtle and explic queerns — is precisely what has posned the film so perfectly, if tratgly, between cril acclaim and dissent. </p><p>Perhaps <em>The Power of the Dog</em>’s succs the awards realm will pend on whether or not the world is ready to accept a queer story that ref at every turn to be boxed .</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p><em><strong>Get the bt of what's queer.</strong></em> <a href=" target="_blank">Sign up for our weekly newsletter here.</a></p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="18gmig"></div></div><div 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href="/story/b-by-rich-new-queer-cema-anniversary-q-and-a" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz hlQxkn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Is Hollywood Killg Radil Queer Film?" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl clSLtF summary-em__ntent"><div class="RubricWrapper-dKmCNX gPBNpL bric SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">TV and Movi</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk summary-em__hed-lk--unrle-disable" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href="/story/b-by-rich-new-queer-cema-anniversary-q-and-a" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ kBFaWv summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Is Hollywood Killg Radil Queer Film?</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY dHMSJg summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH ecFEgL byle byl__byle" data-ttid="ByleWrapper" 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summary-em__bric"><span class="RubricName-fVtemz cLxcNi">TV and Movi</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk summary-em__hed-lk--unrle-disable" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href="/story/john-meron-mchell-shortb-rerelease-anniversary" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ kBFaWv summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">From Theaters to Pornhub and Back Aga: The Long, Strange Journey of John Cameron Mchell’s <em>Shortb</em></div></div></div></a><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY dHMSJg summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH ecFEgL 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