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class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ AlertMsage-jgAjgo bVCFRm jEGgOR bmhHIl alert-msage"><p>To revis this article, vis My Profile, then<!-- --> <a href="/acunt/saved">View saved stori</a></p></div><button class="BaseButton-bLlsy ButtonWrapper-xCepQ gJNxgH bSqbcl button button--utily close-alert-button" data-event-click="{"element":"Button"}" data-ttid="Button" role="button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Close Alert</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="ButtonIn-YqaGo iwlhuX button-in in in-close" focable="false" viewBox="0 0 32 32" width="32" height="32" xmlns="><path d="M16 14.586l6.364-6.364 1.414 1.414L17.414 16l6.364 6.364-1.414 1.414L16 17.414l-6.364 6.364-1.414-1.414L14.586 16 8.222 9.636l1.414-1.414z" fill-le="nonzero"></path></svg></div></button></div></div><div class="StackedNavigatnSectnLogo-gMsxSu dwOfTV"><a href="/" class="StackedNavigatnLogoLk-byNqXP dmvHfj"><picture 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data-ttid="ContentHearContaer" class="ContentHearContaer-cGKRbE knDxNq"><div class="ContentHearHedAccredatnWrapper-GFiQf cDNVlV"><div data-ttid="ContentHearTleBlockWrapper" class="ContentHearTleBlockWrapper-cjmSKp eiGjZk"><div data-ttid="ContentHearRubric" class="ContentHearRubricBlock-LmpbT tPofh"><div data-ttid="ContentHearRubricDateBlock" class="ContentHearRubricDateBlock-kAQcZP fTFWxD"><div class="RubricWrapper-dKmCNX gPBNpL bric ContentHearRubricContaer-eTudtt iRsSlw"><a class="RubricLk-gRWSOU cwyjHY bric__lk" href="/entertament/tv-and-movi"><span class="RubricName-fVtemz cLxcNi">TV and Movi</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd jdcWfa isouMH">The Betiful, Infable Queerns of <em>The Power of the Dog</em></h1></div><div class="ContentHearAccredatn-lfctVB etVsnJ ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ eijTxK">Jane Campn’s masterpiece uld change how the Osrs approach LGBTQ+ cema.</div><div class="ContentHearByle-kmPyCa emiglw"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearContributorImage-cvjZXn epCAJC"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearContributorImage-cvjZXn epCAJC rponsive-image"><source media="(max-width: 767px)" srcSet=" 80w" siz="66px"/><source media="(m-width: 768px)" srcSet=" 90w" siz="66px"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bHLeKI"><p class="ByleWrapper-jWHrLH hdWCIC byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd bCbgyH gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd hSmufO skIR eErqIx byle__name-lk button" href="/ntributor/juan-barqu">Juan Barqu</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2022-02-10T14:43:55-05:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd dCoEhu bDGyxQ">Febary 10, 2022</time></div></div><div class="SocialInsWrapper-hKMEXV ffgPVr social-ins social-ins--standard ContentHearAccredatnSocialIns-jorO fPzfaa ntent-hear__social-share"><ul data-ttid="socialInslist" class="SocialInsList-cHVTIA ivmblD social-ins__list"><li class="SocialInsListItem-mbhR fxaFQj social-ins__list-em social-ins__list-em--twter social-ins__list-em--standard"><a aria-label="Share on Twter" class="external-lk SocialInExternalLk-huuzOU blkfJb social-ins__lk social-ins__lk--twter" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><div class="SocialInContaer-huXzUC 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social-ins__lk--email" data-event-click="{"element":"ExternalLk","outgogURL":"mailto:?subject=The%20Betiful%2C%20Infable%20Queerns%20of%20%E2%80%9CThe%20Power%20of%20the%20Dog%E2%80%9D&" href="mailto:?subject=The%20Betiful%2C%20Infable%20Queerns%20of%20%E2%80%9CThe%20Power%20of%20the%20Dog%E2%80%9D& rel="nofollow noopener" target="_blank"><div class="SocialInContaer-huXzUC pMzVC social-ins__in-ntaer"><svg class="SocialInNetworkInComponent-cZaKGz dlOAhZ in in-email" focable="false" viewBox="0 0 32 32" width="32" height="32" xmlns="><tle>Email</tle><path d="M6 23h20V9H6v14zm3.631-12H22.37l-6.368 5.661L9.631 11zM24 12.227V21H8v-8.773l8.002 7.109L24 12.227z" fill-le="evenodd"></path></svg></div></a></li></ul></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kJkLmH article-body__ntent"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG eOdfIs"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bectqB body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p> </p><p>When I saw <a href=" target="_blank"><em>The Power of the Dog</em></a> theaters, nversatns about the film’s queerns epted as soon as the creds rolled. One person near me wonred aloud whether s queer characters had ever nsummated their relatnship, to put litely, while others started argug about which queer character was the “te villa.”</p><p>I felt like I had jt seen a queer neo-Wtern masterpiece — a subtle, sensive exploratn of masculy and femy on a leral and metaphoril ontier. But the dience chatter ma me worry that even a film this explicly queer still wasn’t “explic” enough for some viewers, and that would be acced of hewg too close to tired trop.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p>That the nversatns have ntued beyond the theater, beg the subject of endls onle bate, is no surprise. Jane Campn’s now <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow" target="_blank">multi-Osr nomated</a> film has sparked plenty of disurse over the urse of awards season, wh some crics highlightg how ftly the director <a href=" target="_blank">explor misogyny</a> through the lens of a psychologil thriller and others <a href=" target="_blank">ridg as havg “a queer problem,”</a> a dull and passively homophobic misfire. The film’s new stat as a ont-nner, thanks to s whoppg 12 Amy Award nods, has ma film an obv target for such bad-fah readgs like the latter. </p><div class="Contaer-bkChBi byNLHx"></div><p>But this is nothg new for the rare queer film that is nsired both “Osr ba” and “actually great cema.” To list all of the bad queer films that have been seen as awards worthy would be a fool’s errand, and would evably rult cishet folks shamg you for assertg that <em>Dallas Buyers Club</em> and <a href=" target="_blank"><em>The Danish Girl</em></a> are eply transphobic or that <a href=" target="_blank"><em>A Fantastic Woman</em></a> and <a href="><em>Boys Don’t Cry</em></a> aren’t the bastns of progrs they believe they are. </p><div class="AdWrapper-dQtivb fZrssS ad ad---ntent"><div class="ad__slot ad__slot---ntent" data-no-id="66ttj8j"></div></div><p>Meanwhile, great films like <a href=" target="_blank"><em>Carol</em></a> and <a href=" target="_blank"><em>Moonlight</em></a> are often acced by crics of beg ld, distant, or not queer enough, spe their every fiber beg signed to explore a queer gaze and experience. Only hdsight, when <em>The Danish Girl</em> has been all but memory-holed while <em>Carol</em> lgers, do seem like the crics and voters who ially dismissed an stant queer classic are able to sober up and see what LGBTQ+ viewers knew all along.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB kNleGZ sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="Contaer-bkChBi byNLHx"></div><div class="AdWrapper-dQtivb fZrssS ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="811sbj"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssS ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="ypmfb1"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bectqB body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p><em>The Power of the Dog</em> uld dispt this dichotomy, beg the rare queer film wh a queer followg to take home multiple awards mostly cid by non-queer voters, as both <em>Brokeback Mounta</em> and <em>Moonlight</em> have done to an extent, each of them takg home three Osrs. Or uld end up fallg squarely to the <em>Carol</em> tegory — a queer film that sparked a flurry of ter dialogue but was ultimately shut out of s six chanc at Osr gold.</p><asi aria-hidn="te" class="PullQuoteEmbedWrapper-sc-EoVjf fQbAzo"><div class="PullQuoteDerativeBorr-sc-iUyOLj fAzNVP"></div><div class="PullQuoteEmbedContent-sc-kTcfhx eoUd"><p>“Exploratns of masculy, misogyny, sexualy, and vlence have permeated Wterns om the begng, but so rarely have each of the threads been woven together so exquisely and ma this accsible.”</p></div></asi><p>Ined, seems like queer films mt thread a very specific needle to appeal to both dienc and awards voters. Take <a href=" target="_blank"><em>Call Me By Your Name</em></a>: while some queer crics noted s pdishns, the film was ultimately celebrated by many, received four Amy Award nomatns, and land wrer Jam Ivory his first Osr. This tightrope walk isn’t always good for a film’s legacy, however. <em>Call Me By Your Name</em>’s succs wh an stutn that has historilly celebrated queer films that foc on pa and tragedy has only ma easier to legimize to a gree.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p>The same phenomenon occurred wh the oft-discsed <a href=" target="_blank"><em>Brokeback Mounta</em></a>, which won three Amy Awards spe losg Bt Picture to <em>Crash</em> — a cisn that is equently, and rightfully, lled homophobic. The cultural perceptn of <em>Brokeback Mounta</em> has been siarly bifurted, wh <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow" target="_blank">some</a> <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow" target="_blank">viewers</a> celebratg as a nuanced exploratn of queer men navigatg ght relatnships, and others lambastg for not beg able to ci what kd of queer s characters are — a bafflg argument light of how fluid sexualy and inty n often be. Some still herald <em>Brokeback</em> as a landmark for <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow" target="_blank">queer cema</a>, while others drone on about how “unrealistic” s sex scene is bee of a lack of lube.</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image"><noscript><img alt="Image may nta Human Person Clothg Apparel Benedict Cumberbatch and Ground" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE hTTfoq ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd eNhSMp fNaHcW ptn__cred">Netflix</span></div></figure></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssS ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="nae58e"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div><div data-attr-viewport-monor="" class="RecircMostPopularWrapper-bRuGTi jkTTgR recirc-most-popular-wrapper viewport-monor-anchor"><div class="RecircMostPopularConter-jiViNn ktrplG recirc-most-popular-sparrow-trackg hi-asi-ad" 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What to Expect Based on Your Sign</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY dHMSJg summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH ecFEgL byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name">Jennifer Culp </span></span></p></div></div></div></div></div></div></li><li><div class="AdWrapper-dQtivb fZrssS RecircMostPopularSummaryItem-jQxxiw gmWMTZ ad ad--asi"><div class="ad__slot ad__slot--asi" data-no-id="6d66pn"></div></div></li></ul><div class="RecircMostPopularFooter-enPjgs laPXdt"></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssS ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="iva3n"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bectqB body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p><em>The Power of the Dog</em> is at risk of receivg the <em>Brokeback</em> treatment for multiple reasons: The film picts the ath of a queer character, which evably expos to accatns of playg to the <a href=" target="_blank">“Bury Your Gays”</a> trope — and begs the qutn of when filmmakers will be allowed to explore queer loss whout beg acced of exploatn. But there is also an herent misogyny wh which people react when women approach stori about queer men. (Campn is a prumably heterosexual woman, and <em>Brokeback</em> was based on a short story by Annie Proulx.)</p><p>One nservative cric has already acced <a href=" target="_blank"><em>The Power of the Dog</em></a> of beg some kd of homophobic “gotcha” about gay wboys and the trop that surround them. In fact, what is so notable about her film and s source material — a novel by Thomas Savage, an openly queer man — is that never pulls the g out om unr the viewer. Queerns is never ed as a twist or a reveal; rather, ’s treated wh a rehg if plative forthrightns. Everythg is there on the screen, even if ’s not spoken aloud. Exploratns of masculy, misogyny, sexualy, and vlence have permeated Wterns om the begng, but so rarely have each of the threads been woven together so exquisely and ma this accsible.</p><asi aria-hidn="te" class="PullQuoteEmbedWrapper-sc-EoVjf fQbAzo"><div class="PullQuoteDerativeBorr-sc-iUyOLj fAzNVP"></div><div class="PullQuoteEmbedContent-sc-kTcfhx eoUd"><p>“The tth about Phil is that he is a human beg, not a cipher for the vlence of the closet.”</p></div></asi><p>Phil (Benedict Cumberbatch) is not picted as a illy evil gay wboy, but rather as a flh-and-blood beg wh mortal sir and tratns. It’s easy to overlook jt how much nuance there is to the way his role is prented the film bee Campn, as a filmmaker, isn’t prone to explag thgs to her dience. Her films, for better or worse, expect the dience to unrstand what is beg nveyed visually and emotnally. </p><p>Some viewers, like those attendance at my theatril showg, end up hyperfixatg on his malevolent behavr toward Rose (Kirsten Dunst), but while his loss of ntrol over his brother Gee (Jse Plemons) certaly provok vrl, there’s more to his character than villay. Nor is Phil the “tortured soul” that some (<a href=">cludg Cumberbatch himself</a>) have ma him out to be, as he seems largely ntent wh a celibate and most existence after losg the man he once idolized and still lov. The tth about Phil is that he is a human beg, not a cipher for the vlence of the closet.</p><div class="GenericCalloutWrapper-tojWn iezhXq llout--has-top-borr" data-ttid="GenericCallout"><div class="ContentCardEmbedWrapper-kULtsE iGAJsG ntent-rd-embed ntent-rd-embed--stacked" data-ttid="ContentCardEmbedWrapper"><div class="ContentCardEmbedImage-iwqgVw jlIubp ntent-rd-embed__image" data-ttid="ContentCardEmbedImage"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><img alt="article image" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/></picture></span></div><div class="ContentCardEmbedInfo-bDftKl bGnSrq"><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentCardEmbedHed-kJVPGC iUEiRd gFmvMS cewqFA ntent-rd-embed__hed" data-ttid="ContentCardEmbedHed"><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ContentCardEmbedHedLk-eXLwe iUEiRd gFmvMS hRaEiJ eFUKSb ntent-rd-embed__hed-lk" href="/story/favore-queer-films-2021-benetta-tane-power-of-the-dog" data-ttid="ContentCardEmbedHedLk">Our Favore Queer Films of 2021</a></div><div data-ttid="ContentCardEmbedDek" class="ContentCardEmbedDek-bA-DKch hXdQfY">Skip the Osr ba and watch the stead.</div></div></div></div><p>Peter (Kodi Sm-McPhee), the film’s other queer character, is siarly nuanced. Peter’s choice to kill Phil orr to ee his mother om the man who is tormentg her — and everyone around them by extensn — is lculated, but not unreasonable. Phil and Peter are both products of their environments and circumstanc, the same many ways while also beg pafully, vexgly different. They each rent each other’s rpective showsg of mascule and feme tras, while simultaneoly, if secretly, admirg them. Phil and Peter’s exchang throughout the latter half of the film are pellg bee Campn means to unrstand that they both need each other to exist, while also sperately needg the other to bee someone they are not orr to survive — a paradox that n only end vlence.</p><p>What’s so vigoratg about this dynamic is that avoids the easy theory that the homophobe is jt gay himself. Instead, <em>The Power of the Dog</em> sually observ that anyone n be both a monster and a victim. In film, as life, there are no “te villas.” Everyone has shas of shame and pri, of vulnerabily and imperabily, of weakns and abe; dulgg or succumbg to eher pole n lead to s own kd of tragedy. Campn’s balancg of ambiguy and clary — her abily to straddle the le between subtle and explic queerns — is precisely what has posned the film so perfectly, if tratgly, between cril acclaim and dissent. </p><p>Perhaps <em>The Power of the Dog</em>’s succs the awards realm will pend on whether or not the world is ready to accept a queer story that ref at every turn to be boxed .</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p><em><strong>Get the bt of what's queer.</strong></em> <a href=" target="_blank">Sign up for our weekly newsletter here.</a></p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssS ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="htbei"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf 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href="/story/b-by-rich-new-queer-cema-anniversary-q-and-a" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz hlQxkn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Is Hollywood Killg Radil Queer Film?" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl clSLtF summary-em__ntent"><div class="RubricWrapper-dKmCNX gPBNpL bric 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summary-em__bric"><span class="RubricName-fVtemz cLxcNi">TV and Movi</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk summary-em__hed-lk--unrle-disable" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href="/story/john-meron-mchell-shortb-rerelease-anniversary" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ kBFaWv summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">From Theaters to Pornhub and Back Aga: The Long, Strange Journey of John Cameron Mchell’s <em>Shortb</em></div></div></div></a><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY dHMSJg summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH ecFEgL 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Ramirez</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff fKazuH summary-em summary-em--has-le summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eIFuYX" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href="/story/favore-queer-films-2021-benetta-tane-power-of-the-dog" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" 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href="/story/favore-queer-films-2021-benetta-tane-power-of-the-dog" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ kBFaWv summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Our Favore Queer Films of 2021</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY dHMSJg summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH ecFEgL byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd bCbgyH gnILss byle__preamble">By </span>Juan 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the power of the dog is a gay movie

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BENEDICT CUMBERBATCH ADDRS SAM ELLTT'S 'ODD' RANT ABOUT POWER OF THE DOG'S GAY THEM

Though the ultimate du, he is somehow not like the other is bee he is gay. Is , like so many prtig gay works, a tragic romance?

Extrapolate those lsons too much and you end up patently homophobic terrory—we should not assume that every abive oaf p for a Bron Henry. ”If only his character wasn’t bogged down by the need to humanize him by revealg halfway through that he is a eply closeted gay man.

To say that is appropriate to have homosexual them or allns a Wtern is like sayg p movi shouldn’t have r chas.

IS PHIL GAY IN POWER OF THE DOG?

Take another look at the source material, say that is appropriate to have homosexual them or allns a Wtern is like sayg p movi shouldn’t have r Burbank is a man who tnts and hounds his brother and sister--law so relentlsly that they are aaid of him even when he’s not around. But fact, the film mostly rerc the longstandg and problematic trope of the tortured homosexual, which only further intifi L. (The fact that Cumberbatch’s last big Osr-worthy movie, “The Imatn Game, ” volved him playg a eply reprsed gay man, this se forced to unrgo chemil stratn when he is found out, do not help.

SAM ELLTT RIPS GAY THEM ‘POWER OF THE DOG,’ LLS A ‘PIECE OF S – – T’

Is Phil gay The Power of the Dog?WARNING: MAJOR SPOILERS FOR THE POWER OF THE DOGTHE POWER OF THE DOG: Based on a te story?Image om Netflix Media Center.Is Phil gay The Power of the Dog?Y, many sequenc the film suggt that Phil is a closeted homosexual, keepg his homosexualy hidn om everybody else on the ranch.We’re troduced to the character as a nontatnal, hyper-mascule antagonist who is prented as beg nstant petn wh the men around him.

He’s the alpha male and the others – bis his brother – speak to him like the patriarchal figure of the land.When they ask him about Bron Henry, they do so a childlike manner, as if they’re askg their father about their grandfather.As the narrative progrs ’s implied that the excsively macho exterr is actually a way to avoid anybody disverg that he is gay; an overpensatn of sorts stemmg om reprsn. When Peter asks if they were naked, Phil’s silence suggts that they were and to rece any more of the story would fully nfirm his homosexualy.Divg eper, there are parallels between Bron and Phil’s myster relatnship and Phil and Peter’s.

To the Wt beg portrayed this way, " the Doctor Strange actor said, appearg to reference Elltt's issue wh the film's "allns to homosexualy" wh wboys "nng around chaps and no shirts" certa scen of the project. There's also a massive tolerance the world at large towards homosexualy, still, towards an acceptance of the other, of any kd of difference, and no more so than this prism of nformy, the sense of what is expected of a man the Wtern archetype mold of masculy. The dynamic of the group tensifi as the film progrs, wh particular attentn paid to Burbank's past, as numero scen explore the damagg effects of reprsed homosexualy on the hard-nosed wboy.

GAY WBOYS? ‘POWER OF THE DOG’ DO NOT STAND ALONE GOG THERE

Related ntent: Sam Elltt slams Power of the Dog's gay them: 'They're all nng around chaps and no shirts'Kirsten Dunst on the secret she shared wh Kodi Sm-McPhee while makg The Power of the DogJane Campn be the Osrs' first woman wh 2 Bt Director nomatns The Power of the Dog The Power of the Dog (2021 movie) Benedict Cumberbatch stars as a menacg wboy Jane Campn's twisty Wtern.

BENEDICT CUMBERBATCH REFLECTS ON PLAYG A REPRSED GAY CHARACTER 'THE POWER OF THE DOG'

Phil’s anger, and his clawg lonels, take on a new light when ’s revealed he is a closeted gay man. But The Power of the Dog is ls about homosexualy than is about the specific lonels that toxic masculy breeds. There were all the allns to homosexualy throughout the fuckg movie.

The primary takeaway, which has already been vered several thoand headl elsewhere, is that Elltt don’t seem to re for gay people very much. It’s based on a book that was wrten by a gay man about his experienc the wt, and almost every review wrten about the film has mentned the closeted longg at the heart of the film wh the first few sentenc.

First, ’s slightly ridiculo to assume that a forcefield is place across the entire Amerin wt that sucks the gayns out of anyone who cross .

‘THE POWER OF THE DOG’ WAS INSPIRED BY THE TE STORY OF A GAY MAN IN THE 1920S

A key scene, some reful dialogue, and Phil’s sudn sire to strike up a iendship wh Peter show that Cumberbatch’s character is gay. The scen clue the dience to the fact that Phil’s aggrsivens is meant to mask his sexualy and the lonels he feels a time which homosexualy was disapproved of.

*BEAR-MAGAZINE.COM* THE POWER OF THE DOG IS A GAY MOVIE

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iRsSlw"><a class="RubricLk-gRWSOU fgWnkQ bric__lk" href="/culture/culture-sk"><span class="RubricName-fVtemz cLxcNi">Culture Dk</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd NbxED hpJvIc">Jane Campn’s Gothic Visn of Rural Queerns “The Power of the Dog”</h1></div><div class="ContentHearAccredatn-lfctVB enhwXT ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ Mtme">Campn’s new Wtern shar a visual vobulary wh “Brokeback Mounta,” but what looks like an unlikely love story turns out to be a tale of revenge.</div><div class="ContentHearByle-kmPyCa gvUmxJ"><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bqbBYQ"><p class="ByleWrapper-jWHrLH ivtvgj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/brandon-taylor">Brandon Taylor</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2021-11-19T16:23:19-05:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">November 19, 2021</time></div></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHearLeadAsset-hGbumP iWPCcH lead-asset ContentHearLeadAssetWrapper-hfXHEc fTrSlG lead-asset--width-smallle" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb khLUzS"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz gxFtB"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO KhjZz ContentHearRponsiveAsset-bREgIb khLUzS rponsive-image rponsive-image--expandable"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="Benedict Cumberbatch wearg Wtern cloth and a wboy hat stands holdg a bouquet of paper flowers near a ndle flame." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE iTuhkZ ptn ContentHearLeadAssetCaptn-hPWmSN kuCzGS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">In “The Power of the Dog,” Phil, played by Benedict Cumberbatch, seems at first to be a cliché of the macho wboy but then starts to e to fuller view.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photograph urty Netflix</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" class="ContentHearLeadRailAnchor-jYVcDc djtEof"></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kAEsuD viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU cjjxgx bookmark mobile"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">Jane Campn’s new film “The Power of the Dog,” based on Thomas Savage’s 1967 novel of the same name, is set on a ranch Montana the neteen-twenti. Campn is known for makg tensely betiful imag of the natural world, but the new film (shot her native New Zealand) her paterly impuls are pecially breathtakg. Shots of ttle flowg across the hills and to the Great Plas have the energy of one of Eugène Boud’s beach scen. Sequenc of men at play and at work, light strikg their bare flh, mcl ripplg as they pull rop and goad their hors, posss the same languid sexual ankns of a Ma or a Degas. The film shar a certa visual vobulary wh “Brokeback Mounta,” Ang Lee’s 2005 adaptatn of Annie Proulx’s brilliant <a href=">short story</a> about two wboys, Jack and Ennis, who fall love neteen-sixti Wyomg. In “The Power of the Dog,” two lonely men also make a nnectn of sorts. But amid all of the film’s romantic bety darkns and vlence lurk, cludg unexpected plac. What looks like might bee a love story turns out to be a tale of revenge.</p><p class="paywall">The story centers on the Burbank brothers, Phil (Benedict Cumberbatch) and Gee (Jse Plemons), who together n a succsful ranchg outf. The brothers make a cur pair. Phil has a Yale gree classics but prefers the hont labor of ttle work, and Cumberbatch lends him the eerie charm of a high-born gone feral among roughnecks. (Note the ease wh which he strat a bull barehand.) Gee seems nicer, at first—simple, sweet. Yet he is more bourgeois and image-nsc, ridg around starched sus, and he throws their liv out of balance when he marri a widowed nkeeper, Rose (Kirsten Dunst), and brgs her to live the big, fe hoe that the brothers share. Feelg alienated and betrayed, Phil begs a mpaign of psychologil warfare agast Rose, drivg her to drk and to the edge of madns, sometim by dog ltle more than pluckg his banjo or whistlg a tune. Rose has a teen-age son, Peter (Kodi Sm-McPhee), and when he jos her on the ranch her nightmare grows more sperate as Phil, ially an antagonist of the boy, seemgly attempts to woo him.</p><p class="paywall">In the urse of the film, the Burbanks’ hoe be a gothic terr—as Anthony Lane <a href=">put </a>, the film is more chamber drama than Wtern—but the landspe outsi remas an En. In this place, the film seems to say, men are allowed to work and play whout the tercsn of what John Updike once absurdly scribed as “the chirp and swg and civilizg animatn of a female character” and “the ancient, sacralized stctur of the fay.” Instead, Phil vot himself to the memory of a late wboy named Bron Henry, who once tght the Burbank brothers all they know about ranch life. A saddle that belonged to Bron Henry is displayed the barn like a shre. In one early scene, Phil li awake the bedroom that he and his brother shared for most of their liv, listeng to the sounds of Gee and Rose makg love next door. In disgt (the ambiguy of s source is a strength of the film), Phil go out to the barn and remov the saddle om s perch to give a cleang. We assume that he’s about to rry this duty out wh the same arsens he’s shown almost every other scene. Instead, he lovgly, tenrly works oil to the old leather, and Campn plays the moment wh a Frdian acuy—the erotic transference is almost too much to bear. Phil, who until this pot had seemed a cliché of the macho wboy, a swaggerg example of toxic masculy, starts to e to fuller view. Perhaps he is a reprsed gay man, a oime lover of Bron Henry, and his hostily toward Rose and her son has somethg to do wh his own stifled sir.</p><p class="paywall">Dunst plays Rose wh a downbeat naturalism that at tim hg on a weird girlishns. I say weird bee we learn that Rose’s first hband killed himself, makg pariahs out of her and her son, and that she was forced to start nng the n as a means of survival. The thgs she’s been through ought to she out of her like light trapped unr a ozen sea. In the novel, we better unrstand why Phil mak Rose his target. After all, she’s an terloper, a threat to the social orr, and at moments the book she <em>do</em> seem like a b of an operator, ls a passive victim than a pric participant her own sad state. (At clothg stor, she “was an easy mark for the salladi, buyg hats and glov and sho,” Savage wr, addg, “She began to look on cloth as stum, disguis, masks to hi the els and ightened self she was beg.”) There are gleamg moments Dunst’s performance. When she hears Phil lurkg around some dark rner of the hoe, you feel how she feels the terror of his prence. In one scene, stg a fe drs, ndlelight flickerg as Gee and his parents wa for her to play the piano, she looks as though she’s facg the gallows. Her portrayal grows stronger the worse off Rose be, unspoolg until she is azzled to the pot of breakg. But for much of the film the character posss a naïve sktishns, like a child locked a cursed dollhoe, whose fatal error was to image that she might fd happs aga. (Whout givg away where Rose’s story go, I’ll say that the film also softens the edg of some of the novel’s gothic horror.)</p><p class="paywall">Campn, a director known for exvatg feme psychology, here seems most preoccupied wh Rose as a talyst for the shiftg relatnships among the men around her—and, particular, for the pas ux between Peter and Phil. In my md, the boy and the man reprent two ntrastg fat of ral queerns. Savage was wrg the neteen-sixti about the neteen-twenti, but Peter’s story, particular, felt faiar to me om my own childhood as a queer Black boy the neteen-neti on a farm ral Alabama. There are certa harrowg r of masculy that may never change. Peter has slim, feme featur. On the ranch, he is awkward and out of place, an easy target. He wants to be a doctor and mak himself seem stranger still by dissectg rabbs his bedroom. The torment that Phil unleash upon Peter—mockg his lisp, enuragg the other men to sre him wh their hors, spoutg homophobic slurs—was faiar to me the way of old juri that wake up wh bad weather. My cht hurt for the boy, jt as had when I read Savage’s novel almost a ago. I was still livg Alabama at the time, my grandparents’ dark hoe, and I nsumed the story wh a speratn that was simultaneoly paful and pleasurable.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Watchg the film, though, I unrstood the story a ltle differently. Where before I mostly regnized myself Peter’s plight, I now felt a plited sympathy for Phil, whose tragedy is jt as profound, if not more so. In a uple of dreamy scen, he retreats to a secret sprg the woods, where he slathers his body mud and then flgs himself to the river, or rs himself wh an old handkerchief that once belonged to Bron Henry. The latter sequence ma me thk of the end of “Brokeback Mounta,” when Ennis, overwhelmed by the loss of Jack, clutch a nted pair of old shirts, a long-fotten artifact of their love. The moments of Phil alone, mung wh Bron Henry, are among the film’s strongt, part bee they st a spell on everythg around them, chargg even the more prosaic passag wh mystery and emotn.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">Still, there’s somethg off about the send half of “The Power of the Dog.” The story go slack, idlg a place of simmerg hostily between Rose and Phil. You wonr, Where is this all gog? A pivotal moment when Peter disvers Phil’s fort hiaway, cludg vaguely pornographic material that hts at the te nature of Phil’s votn to Bron Henry and the cult of masculy. Phil, ught bathg the sprg like a figure out of a Greek myth, chas the boy away, screamg obsceni. But afterward somethg strange happens. Phil softens toward the boy. He promis to teach Peter how to be a real rancher. He says that he’ll make Peter a rope before the boy parts by the end of the summer, and show Peter how to e , the way Bron Henry once tght him. It’s a shift that disncerts Rose, who tri to warn Peter away om him, to no avail.</p><p class="paywall">Sudnly, seems that Phil and Peter might be kdred spirs—that, spe the strict social s of their time and their way of life, they will fd somethg meangful one another, an unlikely and forbidn bond. I mean, havg read the book, I knew that wasn’t where thgs were head. But I n unrstand how a viewer, ndned on past narrativ of nnectn between lonely strangers, might spect that somethg is about to <em>happen</em> between the two. And, to be fair, somethg do happen, and all of the ld, unr-eye gaz wh which Peter fix Phil slowly click to place. A spoiler: Peter isn’t enamored of Phil. Peter hat Phil for the way that Phil has treated Rose. Whether the actn he tak feels appropriate or out of proportn will pend, I thk, on whether the film has nvced you of the magnu of Rose’s sufferg.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssS ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="cfkdy"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssS ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="ihk1mn"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">But the bigger qutn for me is, <em>Why</em> do Phil treat Peter wh tenrns after the boy fds him such an exposed state? I’ve seen how men like that are provoked when their sexualy even vanishgly to view. They don’t offer to braid you a rope. They kill you, ually, or try to. In Campn’s film, you don’t really get a sense of the game that Phil is playg. Is he tly taken wh the boy, or is he simply out to torture Rose by wng Peter’s attentn? A subplot the novel volv Phil’s hab of hoardg w his; he llects them wh a growg tensy, and when Rose sells them off for thirty dollars ( the movie she tras them for a pair of glov) we unrstand the severy of her transgrsn. In the film, Phil’s tert the his is ls veloped, rultg a psychologil vaguens that only grows as Rose’s cisn to tra the his richets through the fal act.</p><p class="paywall">Phil do still braid the promised rope for Peter, g his that Peter has cut off a ad w out on the trail. The two men are together the barn. Phil braids and braids, pullg the hi tt, dippg , pullg. We hear the tra of the rope, and a flashback remds of the betiful paper flowers that Peter once ma as table centerpiec for the rtrant at his mother’s n, and which Phil later torched to light a cigarette. Peter asks Phil about Bron Henry; the boy walks around the barn, g to and out of the light, wonrg about the man, the myth. We unrstand the scene to be an versn of an earlier one which Phil ma Peter s on Bron Henry’s saddle the barn. Now the power has shifted. Phil is the vulnerable one and Peter the one ntrol. It’s a betiful, dreamy sequence, but also feels like a b of cematic handwavg, a cheat to sneak some of the missg psychologil plexy to the story. Lookg back once the film is fished, you might feel as though much of was a long, luxur setup. Still, Campn’s dark reveri are potent, and the sound of Cumberbatch’s terrifyg whistle followed me to my dreams for days.</p><le-embed name="" attrs="[object Object]" childTyp="" ntentType="llout:"><hr class="paywall"/><h2 class="paywall">New Yorker Favor</h2><ul class="paywall"><li>Why the <a href=">last snow on Earth</a> may be red.</li><li>When Toni Morrison was a young girl, her father tght her an <a href=">important lson about work</a>.</li><li>The fantastil, earnt world of <a href=">hnted dolls on eBay</a>.</li><li>Can nroscience help <a href=">rewre our darkt memori</a>?</li><li>The anti-natalist philosopher David Benatar argu that would be better if <a href=">no one had children ever aga</a>.</li><li>What rampant materialism looks like, and <a href=">what sts</a>.</li><li>Sign up for our daily <a href=">newsletter</a> to receive the bt stori om <em>The New Yorker</em>.</li></ul></le-embed></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div 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class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/movi" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Movi</span></a><a href="/tag/jane-mpn" class="BaseWrap-sc-gjQpdd 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summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Why Barbie Mt Be Punished" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">The Weekend Essay</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Why Barbie Mt Be Punished</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Why Barbie Mt Be Punished" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Mothers, dghters, and an in’s existential crisis.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Llie Jamison</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eamwqR" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Upper Wt Si Cult That Hid Pla Sight" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Unr Review</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Upper Wt Si Cult That Hid Pla Sight</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Upper Wt Si Cult That Hid Pla Sight" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">In the sixti and seventi, the Sullivanian Instute had a wng sal pch for young New Yorkers: parti, sex, low rent, and affordable therapy.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Jsi Wter</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eamwqR" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Are You the Same Person You Used to Be?" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Annals of Inquiry</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Are You the Same Person You Used to Be?</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Are You the Same Person You Used to Be?" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Rearchers have studied how much of our personaly is set om childhood, but what you’re like isn’t who you are.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Joshua Rothman</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eamwqR" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="On Killg Charl Dickens" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Life and Letters</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">On Killg Charl Dickens</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a 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