Benedict Cumberbatch Talks Playg a Reprsed Gay Character

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BENEDICT CUMBERBATCH ADDRS SAM ELLTT'S 'ODD' RANT ABOUT POWER OF THE DOG'S GAY THEM

Though the ultimate du, he is somehow not like the other is bee he is gay. Is , like so many prtig gay works, a tragic romance? Extrapolate those lsons too much and you end up patently homophobic terrory—we should not assume that every abive oaf p for a Bron Henry.

IS PHIL GAY IN POWER OF THE DOG?

”If only his character wasn’t bogged down by the need to humanize him by revealg halfway through that he is a eply closeted gay man. To say that is appropriate to have homosexual them or allns a Wtern is like sayg p movi shouldn’t have r chas.

Take another look at the source material, say that is appropriate to have homosexual them or allns a Wtern is like sayg p movi shouldn’t have r Burbank is a man who tnts and hounds his brother and sister--law so relentlsly that they are aaid of him even when he’s not around. But fact, the film mostly rerc the longstandg and problematic trope of the tortured homosexual, which only further intifi L.

SAM ELLTT RIPS GAY THEM ‘POWER OF THE DOG,’ LLS A ‘PIECE OF S – – T’

(The fact that Cumberbatch’s last big Osr-worthy movie, “The Imatn Game, ” volved him playg a eply reprsed gay man, this se forced to unrgo chemil stratn when he is found out, do not help. Is Phil gay The Power of the Dog?WARNING: MAJOR SPOILERS FOR THE POWER OF THE DOGTHE POWER OF THE DOG: Based on a te story?Image om Netflix Media Center.Is Phil gay The Power of the Dog?Y, many sequenc the film suggt that Phil is a closeted homosexual, keepg his homosexualy hidn om everybody else on the ranch.We’re troduced to the character as a nontatnal, hyper-mascule antagonist who is prented as beg nstant petn wh the men around him. He’s the alpha male and the others – bis his brother – speak to him like the patriarchal figure of the land.When they ask him about Bron Henry, they do so a childlike manner, as if they’re askg their father about their grandfather.As the narrative progrs ’s implied that the excsively macho exterr is actually a way to avoid anybody disverg that he is gay; an overpensatn of sorts stemmg om reprsn.

When Peter asks if they were naked, Phil’s silence suggts that they were and to rece any more of the story would fully nfirm his homosexualy.Divg eper, there are parallels between Bron and Phil’s myster relatnship and Phil and Peter’s. To the Wt beg portrayed this way, " the Doctor Strange actor said, appearg to reference Elltt's issue wh the film's "allns to homosexualy" wh wboys "nng around chaps and no shirts" certa scen of the project.

There's also a massive tolerance the world at large towards homosexualy, still, towards an acceptance of the other, of any kd of difference, and no more so than this prism of nformy, the sense of what is expected of a man the Wtern archetype mold of masculy.

GAY WBOYS? ‘POWER OF THE DOG’ DO NOT STAND ALONE GOG THERE

The dynamic of the group tensifi as the film progrs, wh particular attentn paid to Burbank's past, as numero scen explore the damagg effects of reprsed homosexualy on the hard-nosed wboy.

Related ntent: Sam Elltt slams Power of the Dog's gay them: 'They're all nng around chaps and no shirts'Kirsten Dunst on the secret she shared wh Kodi Sm-McPhee while makg The Power of the DogJane Campn be the Osrs' first woman wh 2 Bt Director nomatns The Power of the Dog The Power of the Dog (2021 movie) Benedict Cumberbatch stars as a menacg wboy Jane Campn's twisty Wtern.

BENEDICT CUMBERBATCH REFLECTS ON PLAYG A REPRSED GAY CHARACTER 'THE POWER OF THE DOG'

Phil’s anger, and his clawg lonels, take on a new light when ’s revealed he is a closeted gay man. But The Power of the Dog is ls about homosexualy than is about the specific lonels that toxic masculy breeds.

There were all the allns to homosexualy throughout the fuckg movie. The primary takeaway, which has already been vered several thoand headl elsewhere, is that Elltt don’t seem to re for gay people very much.

‘THE POWER OF THE DOG’ WAS INSPIRED BY THE TE STORY OF A GAY MAN IN THE 1920S

It’s based on a book that was wrten by a gay man about his experienc the wt, and almost every review wrten about the film has mentned the closeted longg at the heart of the film wh the first few sentenc. First, ’s slightly ridiculo to assume that a forcefield is place across the entire Amerin wt that sucks the gayns out of anyone who cross .

A key scene, some reful dialogue, and Phil’s sudn sire to strike up a iendship wh Peter show that Cumberbatch’s character is gay.

*BEAR-MAGAZINE.COM* THE POWER OF THE DOG IS A GAY MOVIE

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ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">Jane Campn’s new film “The Power of the Dog,” based on Thomas Savage’s 1967 novel of the same name, is set on a ranch Montana the neteen-twenti. Campn is known for makg tensely betiful imag of the natural world, but the new film (shot her native New Zealand) her paterly impuls are pecially breathtakg. Shots of ttle flowg across the hills and to the Great Plas have the energy of one of Eugène Boud’s beach scen. Sequenc of men at play and at work, light strikg their bare flh, mcl ripplg as they pull rop and goad their hors, posss the same languid sexual ankns of a Ma or a Degas. The film shar a certa visual vobulary wh “Brokeback Mounta,” Ang Lee’s 2005 adaptatn of Annie Proulx’s brilliant <a href=">short story</a> about two wboys, Jack and Ennis, who fall love neteen-sixti Wyomg. In “The Power of the Dog,” two lonely men also make a nnectn of sorts. But amid all of the film’s romantic bety darkns and vlence lurk, cludg unexpected plac. What looks like might bee a love story turns out to be a tale of revenge.</p><p class="paywall">The story centers on the Burbank brothers, Phil (Benedict Cumberbatch) and Gee (Jse Plemons), who together n a succsful ranchg outf. The brothers make a cur pair. Phil has a Yale gree classics but prefers the hont labor of ttle work, and Cumberbatch lends him the eerie charm of a high-born gone feral among roughnecks. (Note the ease wh which he strat a bull barehand.) Gee seems nicer, at first—simple, sweet. Yet he is more bourgeois and image-nsc, ridg around starched sus, and he throws their liv out of balance when he marri a widowed nkeeper, Rose (Kirsten Dunst), and brgs her to live the big, fe hoe that the brothers share. Feelg alienated and betrayed, Phil begs a mpaign of psychologil warfare agast Rose, drivg her to drk and to the edge of madns, sometim by dog ltle more than pluckg his banjo or whistlg a tune. Rose has a teen-age son, Peter (Kodi Sm-McPhee), and when he jos her on the ranch her nightmare grows more sperate as Phil, ially an antagonist of the boy, seemgly attempts to woo him.</p><p class="paywall">In the urse of the film, the Burbanks’ hoe be a gothic terr—as Anthony Lane <a href=">put </a>, the film is more chamber drama than Wtern—but the landspe outsi remas an En. In this place, the film seems to say, men are allowed to work and play whout the tercsn of what John Updike once absurdly scribed as “the chirp and swg and civilizg animatn of a female character” and “the ancient, sacralized stctur of the fay.” Instead, Phil vot himself to the memory of a late wboy named Bron Henry, who once tght the Burbank brothers all they know about ranch life. A saddle that belonged to Bron Henry is displayed the barn like a shre. In one early scene, Phil li awake the bedroom that he and his brother shared for most of their liv, listeng to the sounds of Gee and Rose makg love next door. In disgt (the ambiguy of s source is a strength of the film), Phil go out to the barn and remov the saddle om s perch to give a cleang. We assume that he’s about to rry this duty out wh the same arsens he’s shown almost every other scene. Instead, he lovgly, tenrly works oil to the old leather, and Campn plays the moment wh a Frdian acuy—the erotic transference is almost too much to bear. Phil, who until this pot had seemed a cliché of the macho wboy, a swaggerg example of toxic masculy, starts to e to fuller view. Perhaps he is a reprsed gay man, a oime lover of Bron Henry, and his hostily toward Rose and her son has somethg to do wh his own stifled sir.</p><p class="paywall">Dunst plays Rose wh a downbeat naturalism that at tim hg on a weird girlishns. I say weird bee we learn that Rose’s first hband killed himself, makg pariahs out of her and her son, and that she was forced to start nng the n as a means of survival. The thgs she’s been through ought to she out of her like light trapped unr a ozen sea. In the novel, we better unrstand why Phil mak Rose his target. After all, she’s an terloper, a threat to the social orr, and at moments the book she <em>do</em> seem like a b of an operator, ls a passive victim than a pric participant her own sad state. (At clothg stor, she “was an easy mark for the salladi, buyg hats and glov and sho,” Savage wr, addg, “She began to look on cloth as stum, disguis, masks to hi the els and ightened self she was beg.”) There are gleamg moments Dunst’s performance. When she hears Phil lurkg around some dark rner of the hoe, you feel how she feels the terror of his prence. In one scene, stg a fe drs, ndlelight flickerg as Gee and his parents wa for her to play the piano, she looks as though she’s facg the gallows. Her portrayal grows stronger the worse off Rose be, unspoolg until she is azzled to the pot of breakg. But for much of the film the character posss a naïve sktishns, like a child locked a cursed dollhoe, whose fatal error was to image that she might fd happs aga. (Whout givg away where Rose’s story go, I’ll say that the film also softens the edg of some of the novel’s gothic horror.)</p><p class="paywall">Campn, a director known for exvatg feme psychology, here seems most preoccupied wh Rose as a talyst for the shiftg relatnships among the men around her—and, particular, for the pas ux between Peter and Phil. In my md, the boy and the man reprent two ntrastg fat of ral queerns. Savage was wrg the neteen-sixti about the neteen-twenti, but Peter’s story, particular, felt faiar to me om my own childhood as a queer Black boy the neteen-neti on a farm ral Alabama. There are certa harrowg r of masculy that may never change. Peter has slim, feme featur. On the ranch, he is awkward and out of place, an easy target. He wants to be a doctor and mak himself seem stranger still by dissectg rabbs his bedroom. The torment that Phil unleash upon Peter—mockg his lisp, enuragg the other men to sre him wh their hors, spoutg homophobic slurs—was faiar to me the way of old juri that wake up wh bad weather. My cht hurt for the boy, jt as had when I read Savage’s novel almost a ago. I was still livg Alabama at the time, my grandparents’ dark hoe, and I nsumed the story wh a speratn that was simultaneoly paful and pleasurable.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Watchg the film, though, I unrstood the story a ltle differently. Where before I mostly regnized myself Peter’s plight, I now felt a plited sympathy for Phil, whose tragedy is jt as profound, if not more so. In a uple of dreamy scen, he retreats to a secret sprg the woods, where he slathers his body mud and then flgs himself to the river, or rs himself wh an old handkerchief that once belonged to Bron Henry. The latter sequence ma me thk of the end of “Brokeback Mounta,” when Ennis, overwhelmed by the loss of Jack, clutch a nted pair of old shirts, a long-fotten artifact of their love. The moments of Phil alone, mung wh Bron Henry, are among the film’s strongt, part bee they st a spell on everythg around them, chargg even the more prosaic passag wh mystery and emotn.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">Still, there’s somethg off about the send half of “The Power of the Dog.” The story go slack, idlg a place of simmerg hostily between Rose and Phil. You wonr, Where is this all gog? A pivotal moment when Peter disvers Phil’s fort hiaway, cludg vaguely pornographic material that hts at the te nature of Phil’s votn to Bron Henry and the cult of masculy. Phil, ught bathg the sprg like a figure out of a Greek myth, chas the boy away, screamg obsceni. But afterward somethg strange happens. Phil softens toward the boy. He promis to teach Peter how to be a real rancher. He says that he’ll make Peter a rope before the boy parts by the end of the summer, and show Peter how to e , the way Bron Henry once tght him. It’s a shift that disncerts Rose, who tri to warn Peter away om him, to no avail.</p><p class="paywall">Sudnly, seems that Phil and Peter might be kdred spirs—that, spe the strict social s of their time and their way of life, they will fd somethg meangful one another, an unlikely and forbidn bond. I mean, havg read the book, I knew that wasn’t where thgs were head. But I n unrstand how a viewer, ndned on past narrativ of nnectn between lonely strangers, might spect that somethg is about to <em>happen</em> between the two. And, to be fair, somethg do happen, and all of the ld, unr-eye gaz wh which Peter fix Phil slowly click to place. A spoiler: Peter isn’t enamored of Phil. Peter hat Phil for the way that Phil has treated Rose. Whether the actn he tak feels appropriate or out of proportn will pend, I thk, on whether the film has nvced you of the magnu of Rose’s sufferg.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssS ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="cfkdy"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssS ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="ihk1mn"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">But the bigger qutn for me is, <em>Why</em> do Phil treat Peter wh tenrns after the boy fds him such an exposed state? I’ve seen how men like that are provoked when their sexualy even vanishgly to view. They don’t offer to braid you a rope. They kill you, ually, or try to. In Campn’s film, you don’t really get a sense of the game that Phil is playg. Is he tly taken wh the boy, or is he simply out to torture Rose by wng Peter’s attentn? A subplot the novel volv Phil’s hab of hoardg w his; he llects them wh a growg tensy, and when Rose sells them off for thirty dollars ( the movie she tras them for a pair of glov) we unrstand the severy of her transgrsn. In the film, Phil’s tert the his is ls veloped, rultg a psychologil vaguens that only grows as Rose’s cisn to tra the his richets through the fal act.</p><p class="paywall">Phil do still braid the promised rope for Peter, g his that Peter has cut off a ad w out on the trail. The two men are together the barn. Phil braids and braids, pullg the hi tt, dippg , pullg. We hear the tra of the rope, and a flashback remds of the betiful paper flowers that Peter once ma as table centerpiec for the rtrant at his mother’s n, and which Phil later torched to light a cigarette. Peter asks Phil about Bron Henry; the boy walks around the barn, g to and out of the light, wonrg about the man, the myth. We unrstand the scene to be an versn of an earlier one which Phil ma Peter s on Bron Henry’s saddle the barn. Now the power has shifted. Phil is the vulnerable one and Peter the one ntrol. It’s a betiful, dreamy sequence, but also feels like a b of cematic handwavg, a cheat to sneak some of the missg psychologil plexy to the story. Lookg back once the film is fished, you might feel as though much of was a long, luxur setup. Still, Campn’s dark reveri are potent, and the sound of Cumberbatch’s terrifyg whistle followed me to my dreams for days.</p><le-embed name="" attrs="[object Object]" childTyp="" ntentType="llout:"><hr class="paywall"/><h2 class="paywall">New Yorker Favor</h2><ul class="paywall"><li>Why the <a href=">last snow on Earth</a> may be red.</li><li>When Toni Morrison was a young girl, her father tght her an <a href=">important lson about work</a>.</li><li>The fantastil, earnt world of <a href=">hnted dolls on eBay</a>.</li><li>Can nroscience help <a href=">rewre our darkt memori</a>?</li><li>The anti-natalist philosopher David Benatar argu that would be better if <a href=">no one had children ever aga</a>.</li><li>What rampant materialism looks like, and <a href=">what sts</a>.</li><li>Sign up for our daily <a href=">newsletter</a> to receive the bt stori om <em>The New Yorker</em>.</li></ul></le-embed></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div 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summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Why Barbie Mt Be Punished" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">The Weekend Essay</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Why Barbie Mt Be Punished</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Why Barbie Mt Be Punished" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Mothers, dghters, and an in’s existential crisis.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Llie Jamison</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eamwqR" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Upper Wt Si Cult That Hid Pla Sight" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Unr Review</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Upper Wt Si Cult That Hid Pla Sight</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Upper Wt Si Cult That Hid Pla Sight" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">In the sixti and seventi, the Sullivanian Instute had a wng sal pch for young New Yorkers: parti, sex, low rent, and affordable therapy.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Jsi Wter</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eamwqR" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Are You the Same Person You Used to Be?" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Annals of Inquiry</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Are You the Same Person You Used to Be?</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Are You the Same Person You Used to Be?" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Rearchers have studied how much of our personaly is set om childhood, but what you’re like isn’t who you are.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Joshua Rothman</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eamwqR" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="On Killg Charl Dickens" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Life and Letters</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">On Killg Charl Dickens</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="On Killg Charl Dickens" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">I did everythg I uld to avoid wrg my historil novel. When I fally started “The Frd,” one prciple was clear: no Dickens.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Zadie Smh</span></span></p></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssS SummaryCollectnGridSummaryItem-WColm eamwqR ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-no-id="dpd03o"></div></div></div><div class="SummaryCollectnGridToActnWrapper-gnReGN eGayfk"></div></div></div></div></div></div><div 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