Thunr waiv Rudy Gay, per report, clearg way for Jack Whe

who is gay in love and thunder

Here is all you need to know about the Thor: Love and Thunr gay characters. This clus K and Valkyrie, the latter of which is bisexual.

Contents:

SO, HOW GAY IS THOR: LOVE AND THUNR, REALLY?NATALIE PORTMAN CLAIMED THAT THE ANCHISE’S LATT STALLMENT IS “SO GAY”—BUT IS SHE RIGHT?BY CHRIS MURPHYJULY 8, 2022BY JAS BOLAND/MARVEL STUDS.SAVE THIS STORYSAVESAVE THIS STORYSAVEWHEN NATALIE PORTMAN SAYS THAT SOMETHG IS “SO GAY,” I WANT TO BELIEVE HER. AFTER ALL, SHE’S A QUEER IN BY VIRTUE OF STARRG PABLO LARRAíN’S JACKIE, MANY MISS DR MERCIALS, AND, FIRST AND FOREMOST, WNG THE OSR FOR THE BLACK SWAN, A PSYCHOSEXUAL PAS UX BETWEEN TWO WARRG BALLERAS. SO WHEN PORTMAN SWORE DURG A Q&A AT THE LONDON PREMIERE OF HER LATT FILM, THOR: LOVE AND THUNR, THAT MARVEL’S NEWT OFFERG IS “SO GAY,” MY TERT WAS IMMEDIATELY PIQUED—AND WHILE I HADN’T SEEN A MARVEL FILM SCE 2018’S BLACK PANTHER, I HAD TO KNOW WHETHER THOR 4 WOULD BE AN ENTRY TO THE QUEER CEMATIC NON à LA MOONLIGHT, CAROL, AND THE NILE KIDMAN AMC AD.SO OFF TO THE CEPLEX I WENT, TSTG NATALIE PORTMAN SPE MORS THAT THOR: LOVE AND THUNR MIGHT NOT BE AS GAY AS SHE CLAIMED. BUT STILL, I HAD FAH. THOR: LOVE AND THUNR WAS DIRECTED BY TAIKA WAI, WHOSE QUEER, PIRATE HBO MAX SHOW, OUR FLAG MEANS DEATH, CERTALY CROSS THE THRHOLD OF “SO GAY.” BISEXUAL ACTOR TSA THOMPSON WENT ON RERD AT SAN DIEGO COMIC-CON SAYG THAT SHE WANTED TO FD HER CHARACTER VALKYRIE, THE FEMALE KG OF ASGARDS, A QUEEN THE NEXT FILM. PL, THERE WAS GOG TO BE A RA ORA MEO. ALL POSIVE SIGNS!WHAT I FOUND…WELL I’M STILL TRYG TO WRAP MY HEAD AROUND. BELOW IS A LIST OF THE GAY MOMENTS, SUBTEXT, AND ENERGY THAT I ULD FD THOR: LOVE AND THUNR, RANKED BY THEIR LEVEL OF GAYNS. BE WARNED: SPOILERS ABOUND.NOT GAY (AND SORT OF RUDE)CHRIS PRATT’S STAR-LORD IS PRETTY HEAVILY FEATURED THE FIRST 15 MUT OF THE FILM. THERE’S A FIGHT SCENE WHERE THOR FENDS OFF TWO MONSTERS WHILE A RSIAN SPL, AND STAR-LORD DRAMATILLY ROLLS HIS EY (WHICH GOT A BIG LGH OM THE DIENCE, BY THE WAY). SHAMG ANOTHER MAN FOR BEG SUPER FLEXIBLE AND A “B MUCH”? SORRY; THAT’S ANTI-QUEER BEHAVR, I’M AAID.CHRISTIAN BALE’S PERFORMANCE AS GORR THE GOD BUTCHER WAS GIVG VOLMORT VIB, WHICH MA ME THK OF HARRY POTTER, WHICH MA ME THK OF J.K. ROWLG—WHO IS ACTUALLY HARMFUL TO LGBTQ+ PEOPLE AND TO MY PSYCHE. ALSO, FOR THE ENTIRE FILM I THOUGHT HE WAS PL BETTANY.THERE’S A B WHERE HEIMDALL’S SON, AXL (KIERON L. DYER), RENAM HIMSELF, AND THOR SISTS THAT AXL E HIS PREV NAME, ASTRID. EVENTUALLY, THOR ACQUIC AND LLS AXL BY HIS CHOSEN NAME…BUT ’S LEFT A WEIRD TASTE SOME LGBTQ+ FANS’ MOUTHS.SIMPLY NOT GAYTHERE’S A SHORT MONTAGE OF THOR, PLAYED BY CHRIS HEMSWORTH, AND HIS MANY LOVERS…ALL OF WHOM ARE WOMEN. TECHNILLY, HE KISS A “WOLF WOMAN” WHILE RIDG “A WOMAN WOLF,” BUT THE ENERGY OF ALL IS OVERWHELMGLY STRAIGHT LOTHAR.THE MONTAGE THAT PICTS NATALIE PORTMAN’S DR. JANE FOSTER AND THOR’S RELATNSHIP IS BASILLY JT A 10-MUTE VERSN OF THE BREAKUP (2006) STARRG JENNIFER ANISTON AND VCE VGHN, PL A MAGIC HAMMER. DECIDLY NOT GAY.MATT DAMON AND MELISSA MCCARTHY BOTH APPEAR A PERFORMG TROUPE ASGARD, ACTG OUT THE LEGEND OF THOR. LATER ON, DAMON APPEARS AGA AND ASKS VALKYRIE IF HE SHOULD WRE A PLAY TO HELP SAVE THE TOWN, WHICH HAS BEEN RAVAGED BY VOLGORR THE GOD BUTCHER. WHILE THE SHEER AMOUNT OF SURPRISE CELEBRY REVEALS THE FILM IS SOMEWHAT GAY (WHO DON’T LOVE A RUVEAL!), THE MOCKERY OF STAGE ACTG IS NOT GAY AT ALL.SLIGHTLY GAYTHE FILM OPENS WH A PREFACE THAT FEATUR THE GOD DNYS (SIMON RSELL BEALE)—SHIRTLS A FIELD OF GIGGLG FLOWERS AND WEARG A SPARKLY GOLN CROWN AND STATEMENT NECKLACE, BRAGGG ABOUT HOW MANY FOLLOWERS HE HAS. FLOWERS, STATEMENT NECKLAC, AND BEG OBSSED WH FOLLOWERS? DEFELY A B GAY!K MISTAKENLY LLS JANE FOSTER “JANE FONDA.” THE VOTN OF MISS FONDA, ’80S AEROBICS AND 9 TO 5 QUEEN, IS FELY SLIGHTLY GAY!THE FIRST NEEDLE DROP OF THE FILM IS, QUE RANDOMLY, ENYA’S “ONLY TIME.” THIS FEELS WEIRDLY APPROPRIATE GIVEN THE RECENT RURGENCE OF WCHY FORMER POP STARS WHO NOW LIVE STL PLETELY OFF THE GRID. AGA, NOT EXPLICLY GAY ANY WAY, BUT I FELY UGHT QUEER VIB.THOR’S CLOTH ACCINTALLY GET STRIPPED OM HIM, LEAVG HIM STANDG A ROOM FULL OF GODS THE NU. WHILE NOTHG SALAC IS SEEN (THE MOVIE IS ONLY PG-13, AFTER ALL), I BELIEVE THAT IMAGG CHRIS HEMSWORTH NAKED WILL RULT A QUEER AWAKENG FOR SOME OF THE YOUTH (AND, LET’S FACE , THE ADULTS) THE DIENCE. BON POTS: K SAID, “IT LOOKED LIKE A LTLE URGETTE,” I.E. A ZUCCHI—WHICH IS A HOP, SKIP, AND A JUMP AWAY OM THE EGGPLANT EMOJI.GAYTHOR, JANE, AND VALKYRIE MORE OR LS EXCLIVELY TRAVEL BY RIDG SCREAMG YAKS WHO N ON A SUPERCHARGED RABOW. WHILE RABOWS ARE NONILLY GAY (SEE: THE PRI FLAG, “SOMEWHERE OVER THE”), THIS IS SORT OF THE LOWT POSSIBLE BAR YOU ULD PASS FOR HAVG QUEER NTENT. BUT, I GUS UNTS.THE SHEER NUMBER OF FIERCE PANTSUS VALKYRIE WEARS AS KG OF ASGARD. SERVG LEWKS IS GAY!VALKYRIE BRGS A PORTABLE SPEAKER WH HER ON THE RABOW GOAT SHIP AND PLAYS A SNIPPET OF “FAY AFFAIR” BY MARY J. BLIGE. THAT’S A BOP, AND GAYS LOVE BOPS!MOST POPULARVANY FAIR’S “IT’S RAG TEENS” COVER AT 20: WHERE ARE THEY NOW?BY SAVANNAH WALSHSOUND OF FREEDOM: THE WILD TE STORY BEHD 2023’S MOST CONTROVERSIAL FILMBY EVE BATEYIS THIS THE BEGNG OF THE END OF THE WRERS STRIKE?BY NATALIE JARVEYRSELL CROWE GIV THE WORST VOL PERFORMANCE OF HIS REER SCE L MISéRABL (2012). HIS BLOWHARD ZS SOUNDS LIKE THE FIRST DRAFT OF AN ITALIAN ACCENT, BUT ZS IS FAMOLY GREEK. IT WAS NFG AND NFOUNDG AND REMD ME OF HIS JAVERT, AND THERE’S SOMETHG HERENTLY QUEER ABOUT THAT.GAY??THE SO-LLED GAYNS OF VALKYRIE IS (TENTNALLY) NFG. AT ONE POT SHE TELLS DR. JANE FOSTER—WH WHOM SHE CLEARLY HAS NO ROMANTIC CHEMISTRY—THAT SHE MISS HER “SISTERS.” DO SHE MEAN SISTERS LIKE RELATIV, SISTERS LIKE GIRLIENDS (PLATONIC), OR SISTERS LIKE GIRLIENDS (ROMANTIC)? WE NEVER FD OUT. VALKYRIE IS THE GAYT PART OF THE FILM FOR SURE, BUT DO NOTHG EXPLICLY QUEER EXCEPT MAYBE…WHEN SHE’S PG THE KGDOM OF THE GODS. VALKYRIE BRIEFLY STOPS TO MAKE BEDROOM EY AT ONE OF ZS’S FEMALE NCUB, WHO I AM PRETTY SURE IS PLAYED BY RA ORA. THIS HAPPENS SO FAST (AND IS FILMED SUCH A WAY THAT I’M PRETTY SURE ULD GET CUT OUT OF THE MOVIE IF NEEDS TO BE LS LGBTQ+-IENDLY TERRORI) THAT I AM ACTUALLY NOT SURE IF ’S RA ORA OR NOT. BUT DO HAPPEN, AND IS A MOMENT—THE ONLY MOMENT—OF GIRL-ON-GIRL “ACTN” THE FILM, IF YOU N LL THAT.AT ONE POT, THOR IS VOLVED A LTLE B OF A LOVE TRIANGLE BETWEEN JANE FOSTER AND HIS AX, STORMBREAKER. MANY LGHS ARE (ATTEMPTED) TO BE WNG OUT OF STORMBREAKER’S SEEMG JEALOY OF JANE. IT WAS NFG TO ME, A MARVEL-NEOPHYTE, AS I ASSUMED THAT THOR’S AX WAS A GENRLS OBJECT—AND NOT TO GATEKEEP THE WORD GAY, BUT I’M PRETTY SURE A LOVE TRIANGLE BETWEEN A MAN, A WOMAN, AND A MAGIL AX DON’T QUALIFY AS “SO GAY.” BUT I’M HAPPY TO KEEP AN OPEN MD ON THE MATTER.THE MOST EXPLIC “GAY” MOMENT: VALKYRIE AND K HAVE A (VERY BRIEF) HEART-TO-HEART ABOUT ROMANCE WHILE THOR AND JANE FULL ON MAKE OUT. IN THE SCENE, K EXPLICLY SAYS THAT HE HAS TWO DADS, AND THAT HIS SPECI ARE NCEIVED WHEN TWO KRONAN MEN HOLD HANDS OVER A LAVA P. IT’S A SWEET MOMENT, BUT THE SCENE IS PLACED SUCH A WAY THAT, AGA, FEELS LIKE ULD BE ENTIRELY REMOVED OTHER MARKETS. DURG THE NVERSATN, K ALSO MENTNS VALKYRIE’S AD GIRLIEND AND HOW SHE’S CLOSED HERSELF OFF OM LOVE. AGA, FELY REGNN THAT LGBTQ+ PEOPLE EXIST—BUT ’S THE FIRST AND LAST TIME WE HEAR ANY MENTN OF VALKYRIE’S LOVE LIFE OR TERT WOMEN.AT THE END OF THE FILM, THERE’S ALSO THE BRIEFT OF SHOTS OF K HOLDG HANDS WH ANOTHER ROCK KRONAN (PRUMABLY A MAN) OVER A LAVA P, AN ATTEMPT TO MAYBE MAKE A BABY. DID MARVEL JT SHOW OUR FIRST SCENE OF GAY KRONAN SEX? IT’S HARD TO KNOW.SO GAYNATALIE PORTMAN G THIS FILM AS A SHOWSE AND THEN HAVG HER CHARACTER DIE, HOPEFULLY RELEASG HER OM THE MCU AND ALLOWG HER TO GET BACK TO PROJECTS LIKE CLOSER.MOST POPULARVANY FAIR’S “IT’S RAG TEENS” COVER AT 20: WHERE ARE THEY NOW?BY SAVANNAH WALSHSOUND OF FREEDOM: THE WILD TE STORY BEHD 2023’S MOST CONTROVERSIAL FILMBY EVE BATEYIS THIS THE BEGNG OF THE END OF THE WRERS STRIKE?BY NATALIE JARVEYVALKYRIE SUALLY WEARG A PHANTOM OF THE OPERA SWEATSHIRT WHILE KICKG SOME SPIR MONSTER ASS.HONORABLE GAY MENTIONKAT DENNGS ALSO APPEARS AS A LLEAGUE OF DR. JANE FOSTER ONE (1) SCENE, NEVER TO BE SEEN OR HEARD OM AGA. SHE’S BEEN A GUT JUDGE ON DRAG RACE AND HAS A OL VIBE, SO SHE GETS AN HONORABLE MENTN HERE.SO, LOOKS LIKE THOR WILL NOT BE WNG ANY GLAAD AWARDS. BY MY SCIENTIFIC LCULATNS, THERE WERE FAR MORE NOT GAY MOMENTS THAN GAY MOMENTS, AND ONLY TWO THAT WOULD QUALIFY AS “SO GAY.” IN EVERY WAY, THE FILM WAS LS GAY THAN DUNE, WHICH FEATURED TIMOTHéE CHALAMET POUTG, BUTTHOLE-SHAPED WORMS, AND STEPHEN MCKLEY HENRSON HOLDG A LTLE PARASOL JT SO.BUT WHAT WERE WE TO EXPECT? A MOVIE PRODUCED BY MARVEL WHICH IS OWNED BY DISNEY—WHICH HAS E UNR A B OF FIRE FOR S HANDLG OF GAY NTENT AND S FANCIAL SUPPORT OF ANTI-LGBTQ+ POLICIANS—WAS MAYBE NEVER BOUND TO BE “SO GAY” AFTER ALL. SO THE NEXT TIME THE FORMER UNRSTUDY FOR LRA BELL BUNDY RUTHLS THE MIL OFF BROADWAY SAYS THAT SOMETHG IS SO GAY, DON’T NECSARILY TAKE HER WORD FOR .MORE GREAT STORI FROM VANY FAIR“IT’S RAG TEENS” AT 20: WHERE ARE THEY NOW?THE BT TV SHOWS OF 2023, SO FARSEX TOYS, FANCIAL CRIM, AND THE ORIG OF BARBIETHAT SOUND YOU HEAR IS DONALD TMP SCREAMG, CRYG, AND THROWG UP A MAR-A-LAGO BATHROOMIVANKA TMP IS NOT LETTG HER DAD’S MOUNTG LEGAL WO RU HER SUMMERINSI THE ACTORS STRIKE PRS APOLYPSE: “THE CELEBRY FACTORY HAS SHUT DOWN”IS ALL THIS AMATR THERAPY-SPEAK JT MAKG US LONELIER?FROM THE ARCHIVE: TOO HEPBURN FOR HOLLYWOOD (2006)CHRIS MURPHY

Natalie Portman claimed that the anchise’s latt stallment is “so gay”—but is she right? * who is gay in love and thunder *

When Natalie Portman says that somethg is “so gay, ” I want to believe her. So when Portman swore durg a Q&A at the London premiere of her latt film, Thor: Love and Thunr, that Marvel’s newt offerg is “so gay, ” my tert was immediately piqued—and while I hadn’t seen a Marvel film sce 2018’s Black Panther, I had to know whether Thor 4 would be an entry to the queer cematic non à la Moonlight, Carol, and the Nile Kidman AMC off to the ceplex I went, tstg Natalie Portman spe mors that Thor: Love and Thunr might not be as gay as she claimed. Thor: Love and Thunr was directed by Taika Wai, whose queer, pirate HBO Max show, Our Flag Means Death, certaly cross the thrhold of “so gay.

Below is a list of the gay moments, subtext, and energy that I uld fd Thor: Love and Thunr, ranked by their level of gayns. Be warned: Spoilers GAY (AND SORT OF RUDE)Chris Pratt’s Star-Lord is pretty heavily featured the first 15 mut of the film. Eventually, Thor acquic and lls Axl by his chosen name…but ’s left a weird taste some LGBTQ+ fans’ NOT GAYThere’s a short montage of Thor, played by Chris Hemsworth, and his many lovers…all of whom are women.

THUNR MAKE FAL RUDY GAY CISN AFTER HAWKS TRA

The Thunr have ma the cisn to cut Rudy Gay after acquirg the veteran wg a recent tra wh the Hawks. * who is gay in love and thunder *

While the sheer amount of surprise celebry reveals the film is somewhat gay (who don’t love a Ruveal! ), the mockery of stage actg is not gay at all.

SLIGHTLY GAYThe film opens wh a preface that featur the god Dnys (Simon Rsell Beale)—shirtls a field of gigglg flowers and wearg a sparkly goln crown and statement necklace, braggg about how many followers he has.

Defely a b gay! ” The votn of Miss Fonda, ’80s aerobics and 9 to 5 queen, is fely slightly gay!

THOR: LOVE AND THUNR GAY CHARACTERS: ARE K AND VALKYRIE LGBTQIA+?

* who is gay in love and thunder *

Aga, not explicly gay any way, but I fely ught queer ’s cloth accintally get stripped om him, leavg him standg a room full of gods the nu.

GAYThor, Jane, and Valkyrie more or ls exclively travel by ridg screamg yaks who n on a supercharged rabow. While rabows are nonilly gay (see: the Pri Flag, “Somewhere Over the”), this is sort of the lowt possible bar you uld pass for havg queer ntent.

Servg lewks is gay! That’s a bop, and gays love bops! From Marvel’s awkward portrayal of the gay Grievg Man Avengers: Endgame to s more well-round gay character, Phastos, Valkyrie’s bisexualy is perfectly balanced wh the rt of her inty, emphasizg her sexualy yet not makg the central pot of the character.

FANS CLAIM THOR IS ‘GAY AS HELL’ AFTER ‘LOVE AND THUNR’ TRAILER REVEAL

Christian Group One Milln Moms lls for a boytt agast MCU film "Thor: Love and Thunr" due to gay them. * who is gay in love and thunder *

Disney Parks didn’t openly acknowledge Pri until 2019, and only at s Paris lotn; Pixar animators stated that rporate historilly sisted they remove “nearly every moment of overtly gay affectn” their films.

Disney has recently e unr fire for s ristance to nmn Florida’s “Don’t Say Gay” bill quickly enough. While ’s te that Disney and s subsidiari have clud small scen wh gay characters them — thk the moms at the aquarium Fdg Dory or LeFou the live-actn Bety and the Beast — the are blk-and-you’ll-miss- moments that are sorry exc for real reprentatn. The MCU started wh the most subtle troductn of a gay character Avengers: Endgame, when the Grievg Man, who is gay, attend Steve Rogers’ support group.

THUNR WAIV RUDY GAY, PER REPORT, CLEARG WAY FOR JACK WHE

Marvel star Natalie Portman has claimed Thor: Love and Thunr is “so gay”, but LGBTQ+ storyl were barely mentned the film.  * who is gay in love and thunder *

Eternals troduced Phastos, a gay superhero wh a hband. Midway through the movie, a prev girliend of hers is mentned a nversatn wh K (who is also nfirmed gay the film). She’s a bi character a central role, not a fleetg 60-send meo of someone who might be gay, if you watch closely enough; a bi character that is multifaceted, tertg, and admirable, along wh havg an LGBTQ inty.

While homophob are by gettg mad at Tom Holland for havg a gay scene his current show The Crowd Room, they’re missg somethg important: he’s not the first Spir-Man actor to play gay. In fact, Holland is followg a long and proud tradn of Spir-Man actors playg are some prev tim that actors who have played Peter Parker have crossed over to the other si and played gay characters movi, TV, and on stage.

THUNR WAIVE RUDY GAY

Fans of the Marvel Cematic Universe are nvced that Thor is gay followg the release of a new trailer for Thor: Love and Monday, Marvel Studs took to their official Twter to share the preview where the God of Thunr (played by Chris Hemsworth) n be seen givg Star-Lord ( pla... * who is gay in love and thunder *

The first live-actn Spir-Man has played gay several tim his reer, both before and after playg Spir-Man. Maguire played gay aga 2008’s Tropic Thunr. In a fake trailer for an Osr-ba movie the film, Maguire plays himself, who is starrg a movie about two gay 18th Century monks lled Satan’s Alley.

'PASSAG' DIRECTOR NOUNC 'DANGERO' NC-17 RATG ON A FILM PICTG A GAY LOVE STORY

Garfield, who played Parker the rebooted Spir-Man movi by Marc Webb, has actually gotten wispread cril acclaim for playg gay. In 2017, he started playg the role of Prr Walter, a gay man wh AIDS, the celebrated play Angels Ameri at the Natnal Theatre London. In The Crowd Room, Holland, who plays Spir-Man the Marvel Cematic Universe, plays a troubled young man named Danny Sullivan, who ms some heo crim, but also has gay sex.

Homophob are plag that their beloved Spir-Man would do such a thg (the gay stuff, not the rap).

Harris has played gay several tim, notably Unupled. He’s also gay and proud real life. They signed Euroleague star Vasilije Milic, add Jack Whe om the champn Denver Nuggets, brought back Victor Oladipo a tra wh the Miami Heat and brought a tr of players Rudy Gay, TyTy Washgton Jr.

THUNR WAIVE RUDY GAY

Facg a roster cnch of guaranteed ntracts, the Thunr ma the cisn to cut Rudy Gay followg the Hawks tra as per Shams Charania of The Athletic. The Oklahoma Cy Thunr have waived Rudy Gay, sourc tell @TheAthletic @Stadium. After the tra wh the Hawks, Rudy Gay appeared to be one of the players most likely to be ught the Thunr roster cnch.

Wh a team full of velopg young players need of mut, Gay seemed the odd man out. Gay fished last season wh the Utah Jazz and has been trad two tim this offseason. Gay played 56 game for the Jazz last season a ltle over 14 mut per game.

It’s been nfirmed that there are gay characters Thor: Love and Thunr, but who exactly are they? Here’s a breakdown of which characters are gay and how much LGBTQIA+ reprentatn there is the new Thor 4 movie. Which characters are gay Thor: Love and Thunr?

PEOPLE CAN’T SEEM TO AGREE ON HOW GAY THOR: LOVE AND THUNR IS

Is K gay Thor: Love and Thunr? K is nfirmed to be gay Thor: Love and Thunr. Is Valkyrie gay Thor: Love and Thunr?

After Natalie Portman scribed the new Thor movie as “so gay, ” ’s unrstandable why many people are watchg out for exampl of reprentatn the new Marvel movie. A new trailer for “Thor: Love and Thunr” dropped Monday — and some fans are now nvced the hammer-wieldg Marvel hero will be “gay as hell” the film.

The moment led people to celebrate on Twter what one fan lled “Thor’s gay awakeng.

*BEAR-MAGAZINE.COM* WHO IS GAY IN LOVE AND THUNDER

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We hope you’ll be spurred to read some of the books, and turn, we’d love to know what you’ve enjoyed lately so we n add to our pil.</i></p></div><div class="article-body grid-center grid-body" data-qa="article-body"><div class="db dn-ns mr-neg-gutter ml-neg-gutter mb-md hi-for-prt" data-qa="subscribe-promo"><div data-orientatn="horizontal" role="separator" class="wpds-c-dbVHzF wpds-c-dbVHzF-hDkAcj-variant-flt"></div><a class="pt-sm pb-sm flex ems-center bold font-xxxs font-xxs-ns jtify-center" href=" target="_blank" rel="noreferrer noopener" style="lor:#166dfc;borr:none"><svg class="ntent-box" width="24" height="24" viewBox="0 0 24 24" xmlns=" aria-hidn="te" focable="false" role="img"><tle>Wp</tle><path d="M11.055 8.728l-1.018-1.019-.782.782v6.292l1.782 1.564.018-.019v-7.6zm-4.11.236L5.674 7.71l-.836.855v6.237l1.545 1.327.564-.636V8.964zm2.656 9.074l-2.528-2.182-1.927 2.182-2.619-2.255v-3.564h-.509c-.454 0-.672.273-.745.636H1.09a2.89 2.89 0 0 1-.091-.69c0-.473.2-1.71 1.527-1.71V7.691c0-1.073-.709-1.127-.709-2.054 0-1.037.982-2 2.782-2.637l.164.145c-.6.291-1.09.655-1.09 1.437 0 1.2 1.163.89 1.163 2.782v.727l2.127-2.236 2.237 2.2 2.109-2.2 2.036 2v6.728l-3.745 3.455zm11.108-9.625l-1.073-.982-.964 1.018v6.6c.855.11 1.491.4 2.019.964l.018-.018V8.413zm-2.382.418l-.528.545v10.237l.528.492V8.83zm1.49 9.055c-.308-.382-.69-.709-1.145-.836v3.782l-.036.018-1-.927-2.11 1.945-.036-.018V16.96c-.636.145-1.327.545-1.854 1.2l-.146-.091c.127-1.4.818-2.436 2-2.837v-3.545h-.382c-.527 0-.89.363-.963.763h-.219c-.054-.145-.127-.381-.127-.836 0-.891.6-1.564 1.582-1.564h.11V8.085l-.655-.582-.51.51-.254-.237 2.018-2.073 1.71 1.564V9.05l.527-.564v-2.09h.345v1.727l2.273-2.419L23 7.576v7.91l-3.182 2.4z" fill-le="evenodd"></path></svg><span class="mr-xs ml-xs gray-darkt flex ems-center">Get the full experience.<span class="ml-xs subs-theme blue">Choose your plan</span></span><svg class="ntent-box" width="16" height="16" viewBox="0 0 16 16" xmlns=" style="fill:#166dfc" aria-hidn="te" focable="false" role="img"><tle>ArrowRight</tle><path d="M7.664 1.25l6 6a1 1 0 010 1.414l-6 6L6.25 13.25 10.499 9H2V7h8.585L6.25 2.664 7.664 1.25z" fill-le="nonzero"></path></svg></a><div data-orientatn="horizontal" role="separator" class="wpds-c-dbVHzF wpds-c-dbVHzF-hDkAcj-variant-flt"></div></div></div><div class="article-body grid-center grid-body" data-qa="article-body"><div id="listicle-rd-CPHZMVIDWVAP5N56XDBYXDNLXU-0"><div id="list-headle-CPHZMVIDWVAP5N56XDBYXDNLXU-0" tabx="0" class="wpds-c-jKHtLo"><div></div><h3 class="wpds-c-eKlvKd listicle-headle" data-qa="list-headle">‘Properti of Thirst,’ by Marianne Wiggs (2022)</h3></div><a href="#sendary-nav" class="skip-lk sr-only sr-only-focable black unrle brad-md pa-lg mb-xs borr-box font-sans-serif font-bold">Return to menu</a><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null"><b>Nora Kg, </b>edor</p></div><div class="article-body grid-body grid-center" data-qa="article-body"><div data-qa="article-image" class="hi-for-prt"><div style="m-height:358px"></div></div><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">I was lucky enough this summer to have a longtime librarian as a hoe gut. Who better to offer a book remendatn (other than the ntributors to this lumn)? So, I asked my iend: What’s the bt book you have read this year? Whout skippg a beat, he answered: “<a href=" target=_blank>Properti of Thirst</a>,” by Marianne Wiggs, which me out paperback May. Conveniently, this book was already on my TBR pile. In fact, I had wanted to wre a feature about bee of s amazg backstory. Wiggs was nearly fished wrg the book when, 2016, she had a massive stroke. The Pulzer falist (and ex-wife of Salman Rhdie), now 75, not only lost the abily to wre but fot what she had already wrten. She enlisted the help of her dghter, Lara Porzak, to help her plete the 517-page novel. In the afterword, Lara scrib the experience poignant tail: Over the urse of several years, she read the book aloud to her mother multiple tim, until the characters me to feel like Lara and Marianne’s fay. Mother and dghter chatted “about their daily shenanigans and potential adventur, anythg to brg them back to the fabric of Mom’s memory.” Through this “powerful alchemy,” Lara wr, “art happened: the procs of fishg the novel shifted om beg an impossible burn to the very life-affirmg thg that helped to heal.” I am only about 50 pag to this sweepg, poetic novel — about a California rancher and his fay fightg, among other enemi, Los Angel over water rights — and I am already hooked.</p></div></div></div><div class="article-body grid-center grid-body" data-qa="article-body"><div id="listicle-rd-3GBE2C6DWJFAFKY4MALQQL5STI-1"><div id="list-headle-3GBE2C6DWJFAFKY4MALQQL5STI-1" tabx="0" class="wpds-c-jKHtLo"><div></div><h3 class="wpds-c-eKlvKd listicle-headle" data-qa="list-headle">‘Tomorrow Will Be Different: Love, Loss, and the Fight for Trans Equaly,’ by Sarah McBri (2018)</h3></div><a href="#sendary-nav" class="skip-lk sr-only sr-only-focable black unrle brad-md pa-lg mb-xs borr-box font-sans-serif font-bold">Return to menu</a><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null"><b>Becky Meloan,</b> edorial ai</p></div><div class="article-body grid-body grid-center" data-qa="article-body"><div data-qa="article-image" class="hi-for-prt"><div style="m-height:358px"></div></div><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">Readg The Post’s <a href=" target="_blank">recent survey of trans Amerins</a> got me thkg about a powerful book — “<a href=" target="_blank">Tomorrow Will Be Different: Love, Loss, and the Fight for Trans Equaly</a>,” by Sarah McBri. Now a Delaware state senator and recently announced <a href=" target="_blank">ndidate for the U.S. Hoe</a>, McBri wrote her life story before she was elected to office. Interted polics om a young age, and also eply certa she would someday need to tell her parents that she wasn’t a boy like they thought she was, she grew up believg that eventually g out as a trans woman would make impossible to pursue her polil ambns. Beg unable to live the world the way she saw herself fally beme unbearable durg her senr year of llege. Takg baby steps, she me out to iends, fay, classmat and mentors, and fortunately found the rpons varied but affirmg. As she me to terms wh her inty, she ntued down the polil path she had always dreamed of — mpaigng for Be Bin Delaware, and workg to pass LGBTQ legislatn Delaware and later the Obama Whe Hoe. Her <a href=" target="_blank">ndid, down-to-earth memoir</a> is a gift to those who seek to unrstand more about the personal and public journeys trans people face today’s world.</p></div></div></div><div class="article-body grid-center grid-body" data-qa="article-body"><div id="listicle-rd-UDAI7GXWTVGMTMYRKENRAIN7MY-2"><div id="list-headle-UDAI7GXWTVGMTMYRKENRAIN7MY-2" tabx="0" class="wpds-c-jKHtLo"><div></div><h3 class="wpds-c-eKlvKd listicle-headle" data-qa="list-headle">‘The Lonelit Amerins,’ by Jay Caspian Kang (2021)</h3></div><a href="#sendary-nav" class="skip-lk sr-only sr-only-focable black unrle brad-md pa-lg mb-xs borr-box font-sans-serif font-bold">Return to menu</a><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null"><b>Sophia Nguyen, </b>news and featur wrer</p></div><div class="article-body grid-body grid-center" data-qa="article-body"><div data-qa="article-image" class="hi-for-prt"><div style="m-height:358px"></div></div><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">A ltle after 10 a.m. on June 29, I download the PDF of the Supreme Court’s opn on affirmative actn — was long, and a lot of people were dog exactly the same thg, so took awhile — and then CTRL-F’ed for “Asian.” Is strange to say that I got more hs than I’d expected? The se, and the nversatn surroundg , theoretilly ncerned Asian Amerins; yet they (I suppose “we”) felt peculiarly cintal. Readg the ter that day felt like beg stuck traffic on the eeway: loud, tense, unmovg but somehow ducg motn sickns.</p></div><div class="article-body grid-full-bleed" data-qa="article-body"><div class="cb dn db-ns" data-qa="article-body-ad" data-ttid="article-body-ad-sktop"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-none pt-lg pb-lg" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"><div>Advertisement</div></div></div></div></div></div><div class="article-body grid-full-bleed" data-qa="article-body"><div class="cb db dn-ns" data-qa="article-body-ad" data-ttid="article-body-ad-mobile"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-sm pt-sm pb-sm" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"></div></div></div></div></div><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">In other words, felt like the right time to revis Jay Caspian Kang’s bracg 2021 book, “<a href=" target=_blank>The Lonelit Amerins</a>.” Lacg reportg wh polemic, ’s almost the oppose of a racial explaer: It’s rtls, cranky, a rare batn of nceptually rigoro and journalistilly cur. It’s the kd of book you thk wh and argue about, and that mak you feel — maybe foolishly — fally, we’re gettg somewhere.</p></div></div></div><div class="article-body grid-center grid-body" data-qa="article-body"><div id="listicle-rd-24T42633PVADXBAF4ZLVBEJBKA-3"><div id="list-headle-24T42633PVADXBAF4ZLVBEJBKA-3" tabx="0" class="wpds-c-jKHtLo"><div></div><h3 class="wpds-c-eKlvKd listicle-headle" data-qa="list-headle">‘Juno Lov Legs,’ by Karl Geary (2023)</h3></div><a href="#sendary-nav" class="skip-lk sr-only sr-only-focable black unrle brad-md pa-lg mb-xs borr-box font-sans-serif font-bold">Return to menu</a><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null"><b>Ron Charl, </b>fictn cric</p></div><div class="article-body grid-body grid-center" data-qa="article-body"><div data-qa="article-image" class="hi-for-prt"><div style="m-height:358px"></div></div><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">A few weeks ago <a href=" target=_blank>our ee Book Club newsletter</a>, I asked for exampl of cur differenc between U.S. and Brish book jackets. When a rear directed me to Karl Geary’s new novel, “<a href=" target=_blank>Juno Lov Legs</a>,” I uldn’t rist lvg beneath s ver(s). This is the story of Juno, a sharp-wted Irish girl the 1980s who’s too fiant to fd peace her dysfunctnal home or her btal Catholic school. “I was a lot,” she adms. “I was too much.” But her alholic father and toxic neighborhood would be too much for anyone. Deprsed by poverty and social isolatn, Juno experienc moments of peace by buryg herself the woods wh flowers and pretendg to be ad. She fds refuge only her iendship wh another young misf, a gay classmate she nicknam Legs. “We uldn’t be hurt,” she says, “not when the other was there.” Alas, that’s not entirely te. The trop of Irish tragedy arrive wh predictable regulary the pag, but the raw, liltg poetry of Juno’s voice provis a seri of heartbreakg revelatns.</p></div></div></div><div class="article-body grid-center grid-body" data-qa="article-body"><div id="listicle-rd-HZHP4E4E4BHULK57DQSQK5RI3Q-4"><div id="list-headle-HZHP4E4E4BHULK57DQSQK5RI3Q-4" tabx="0" class="wpds-c-jKHtLo"><div></div><h3 class="wpds-c-eKlvKd listicle-headle" data-qa="list-headle">‘The Rabow,’ by D.H. Lawrence (1915) and ‘Dpair,’ by Vladimir Nabokov (1937)</h3></div><a href="#sendary-nav" class="skip-lk sr-only sr-only-focable black unrle brad-md pa-lg mb-xs borr-box font-sans-serif font-bold">Return to menu</a><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null"><b>Bec Rothfeld, </b>nonfictn cric</p></div><div class="article-body grid-body grid-center" data-qa="article-body"><div data-qa="article-image" class="hi-for-prt"><div style="m-height:358px"></div></div><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">In high school, I loved the novels of D.H. Lawrence. I am generally not much of a re-rear — I am too plagued by anxiety that, on my ath bed, I will regret havg read “<a href=" target=_blank>Lola</a>” four tim when I have yet to read “<a href=" target=_blank>Middlemarch</a>” even once — but I do make a pot of returng to books I was too young to appreciate when I first happened upon them. For no reason other than hunger for an Unrtakg and the vague spicn that his unabashed sensualy mak him summery, I set out to read all of Lawrence’s novels, begng wh “<a href=" target=_blank>The Rabow</a>.” Do the prose hold up? In a way, holds up all too well. It is exactly the sort of thg I loved when I was a teenager, full of unmigated sex, ath and profundy. The wrg is betiful, but is also surgg, and I am no longer an appropriately ecstatic mood.</p></div><div class="article-body grid-full-bleed" data-qa="article-body"><div class="cb dn db-ns" data-qa="article-body-ad" data-ttid="article-body-ad-sktop"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-none pt-lg pb-lg" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"><div>Advertisement</div></div></div></div></div></div><div class="article-body grid-full-bleed" data-qa="article-body"><div class="cb db dn-ns" data-qa="article-body-ad" data-ttid="article-body-ad-mobile"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-sm pt-sm pb-sm" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"></div></div></div></div></div><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">So I fected to an thor for whom I am always the mood. My personal email addrs volv Nabokov’s name, and I cid to read all his novels. I started wh “<a href=" target=_blank>Mary</a>,” his but, which is about a Rsian exile pg for his first love and his homeland as he languish Berl; is not Nabokov’s bt, but is already lovely, nse wh lhly redolent scriptn. Next I turned to “<a href=" target=_blank>Dpair</a>,” his seventh novel, which is unmistakably the work of the master. The narrator is a classilly Nabokovian trickster, a supercil and schemg athete prone to dark sexual fantasy and meta-textual forays. It is well worth readg, but I know that the bt is yet to e. Let hot Nabokov summer mence!</p></div></div></div><div class="article-body grid-center grid-body" data-qa="article-body"><div id="listicle-rd-PHER3JLZK5HLRN6Y5B5RVYH2CA-5"><div id="list-headle-PHER3JLZK5HLRN6Y5B5RVYH2CA-5" tabx="0" class="wpds-c-jKHtLo"><div></div><h3 class="wpds-c-eKlvKd listicle-headle" data-qa="list-headle">‘The Atheist the Attic,’ by Samuel R. Delany (2018)</h3></div><a href="#sendary-nav" class="skip-lk sr-only sr-only-focable black unrle brad-md pa-lg mb-xs borr-box font-sans-serif font-bold">Return to menu</a><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null"><b>Jab Brogan, </b>edor</p></div><div class="article-body grid-body grid-center" data-qa="article-body"><div data-qa="article-image" class="hi-for-prt"><div style="m-height:358px"></div></div><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">As Julian Lus wr a <a href=" target=_blank>magnificent recent New Yorker profile</a>, Samuel R. Delany begs his days wh an “atheist’s prayer, hailg faraway celtial bodi wh a lany spired by the seventeenth-century philosopher Bach Spoza.” It’s an apt nnectn, bee Spoza, our greatt thker of the relatnships between bodi — the way they ph and pull one another, but also the way they rs and spire — has long been a rource for the queer imagatn. And Delany, who is bt known for his often-experimental science fictn novels, has spent his long and very queer reer imagg the many ways that bodi of all kds n e together.</p></div><div class="article-body grid-full-bleed" data-qa="article-body"><div class="cb dn db-ns" data-qa="article-body-ad" data-ttid="article-body-ad-sktop"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-none pt-lg pb-lg" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"><div>Advertisement</div></div></div></div></div></div><div class="article-body grid-full-bleed" data-qa="article-body"><div class="cb db dn-ns" data-qa="article-body-ad" data-ttid="article-body-ad-mobile"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-sm pt-sm pb-sm" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"></div></div></div></div></div><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">“<a href=" target=_blank>The Atheist the Attic</a>,” a novella that may be his fal work of prose fictn, is a strange but ftg artifact the arc of his reer. It claims to be a seri of diary entri by the mathematician and philosopher Gottied Leibniz documentg his (wholly imaged) vis to the home of Spoza. At s heart is a dizzyg nversatn between two of history’s greatt mds a way that uld have been renred only by one of our most brilliant livg wrers.</p></div><div class="article-body grid-center grid-body" data-qa="article-body"></div><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">It is a challengg book the way that visg Delany himself — an experience that Lus perfectly ptur his profile — n be. But as is often the se wh Delany’s wrg, s rewards lie stg wh those challeng. (Those new to Delany’s work may want to stead beg wh “<a href=" target=_blank>Nova</a>,” “<a href=" target=_blank>Trouble on Tron</a>” or my favore, “<a href=" target=_blank>Tal of Nevèrÿon</a>.”) As Delany has Leibniz observe, “Well, thkg about what’s not supposed to require thkg, that <i>is </i>philosophy, no?” Havg spent s thkg about topics once emed below nsiratn, Delany has given ample reasons to go on philosophizg, endlsly and expansively.</p></div></div></div><div class="article-body grid-center grid-body" data-qa="article-body"><div id="listicle-rd-EC2T7CG3HNDHPJJFJ35BXZNTNU-6"><div id="list-headle-EC2T7CG3HNDHPJJFJ35BXZNTNU-6" tabx="0" class="wpds-c-jKHtLo"><div></div><h3 class="wpds-c-eKlvKd listicle-headle" data-qa="list-headle">‘Blood, Bon & Butter: The Inadvertent Edutn of a Reluctant Chef,’ by Gabrielle Haton (2011)</h3></div><a href="#sendary-nav" class="skip-lk sr-only sr-only-focable black unrle brad-md pa-lg mb-xs borr-box font-sans-serif font-bold">Return to menu</a><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null"><b>Jill Pellettieri, </b>edor</p></div><div class="article-body grid-body grid-center" data-qa="article-body"><div data-qa="article-image" class="hi-for-prt"><div style="m-height:358px"></div></div><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">I ok more the summer, so seemed like the perfect time to turn to <a href=" target=_blank>Haton’s book about her life and reer</a>. I enjoyed a meal at Haton’s now-shuttered rtrant Pne almost a and a half ago, and I n still remember the succulent pork belly I ate, a food that I’d never liked much before and that I’ve never liked much sce. Pl, a good food memoir is almost always my thg. But Haton’s book is not jt for lovers of the genre. The book has the same zy timacy as her rtrant. Haton v rears to her life experienc, scribg the relatnships that shaped her wh the same re and precisn she brgs to her okg. She wr of her mother: “So what is there to make of the simplistic thg I’ve e to utter explanatn, which is so drab, so monochromatic, so water on top of ice even though ’s the most direct, most distilled path om my heart to my mouth: I feel better whout her.” Her scriptns of food are so strikg she n make even the most dited rnivore salivate for a 35-cent t of sard. Pne may have closed, but thankfully rears n still revel Haton’s artistry through her wrg.</p></div></div></div><div class="article-body grid-center grid-body" data-qa="article-body"><div id="listicle-rd-4FBGP2ZKBJAKXJCOAX5ZVUZBKI-7"><div id="list-headle-4FBGP2ZKBJAKXJCOAX5ZVUZBKI-7" tabx="0" class="wpds-c-jKHtLo"><div></div><h3 class="wpds-c-eKlvKd listicle-headle" data-qa="list-headle">‘Thunr at Twilight: Vienna 1913-1914,’ by Freric Morton (1989) and ‘1913: The Year Before the Storm,’ by Florian Illi (2013)</h3></div><a href="#sendary-nav" class="skip-lk sr-only sr-only-focable black unrle brad-md pa-lg mb-xs borr-box font-sans-serif font-bold">Return to menu</a><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null"><b>John Williams, </b>Book World edor</p></div><div class="article-body grid-body grid-center" data-qa="article-body"><div data-qa="article-image" class="hi-for-prt"><div style="m-height:358px"></div></div><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">I have a cent-size shelf of acclaimed books about World War I at home, a few of which I’ve even read, and yet the full motivatns and ntours of the epochal nflict — te to s reputatn — still elu my unrstandg. I have my sights set for soon on a uple of other big acunts of the era, cludg Barbara Tuchman’s “<a href=" target=_blank>The Guns of Augt</a>,” but for now I’m readg about one of history’s great unknowg prologu, the year before the war. Freric Morton’s “<a href=" target=_blank>Thunr at Twilight</a>” tak to Vienna the months before the assassatn of Franz Ferdand Sarajevo. We get energetic narrative portras of Ferdand and his polil rivals; of Frd and Jung; and, wh ep forhadowg of the send global taclysm that would e, of Stal and Hler. Florian Illi’s “<a href=" target=_blank>1913</a>” is a more tentnally agmented, imprsnistic diary of sorts, proceedg through the year month by month and focg more on artistic figur (Kafka, Pisso, Klimt, Stravsky …) than polil on. Each book might make history too digtible by (at least) half, but when to a time that sent the world to a sensels spiral of horrors, ’s hard to md.</p></div></div></div><div class="article-body grid-center grid-body" data-qa="article-body"><div id="listicle-rd-ZMKSNXRUB5HQFDBG6KPX5WYBZI-8"><div id="list-headle-ZMKSNXRUB5HQFDBG6KPX5WYBZI-8" tabx="0" class="wpds-c-jKHtLo"><div></div><h3 class="wpds-c-eKlvKd listicle-headle" data-qa="list-headle">‘Last Post,’ by Freric Raphael (2023)</h3></div><a href="#sendary-nav" class="skip-lk sr-only sr-only-focable black unrle brad-md pa-lg mb-xs borr-box font-sans-serif font-bold">Return to menu</a><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null"><b>Michael Dirda, </b>lumnist</p></div><div class="article-body grid-full-bleed" data-qa="article-body"><div class="cb dn db-ns" data-qa="article-body-ad" data-ttid="article-body-ad-sktop"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-none pt-lg pb-lg" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"><div>Advertisement</div></div></div></div></div></div><div class="article-body grid-full-bleed" data-qa="article-body"><div class="cb db dn-ns" data-qa="article-body-ad" data-ttid="article-body-ad-mobile"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-sm pt-sm pb-sm" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"></div></div></div></div></div><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">Freric Raphael is a Brish novelist, sayist and screenwrer, whose films clu “<a href=" target=_blank>Darlg</a>,” starrg Julie Christie, for which he won an Amy Award. In recent years he’s been wrg var sorts of memoirs. The latt, the curly stctured “<a href=" target=_blank>Last Post</a>,” nsists of say-length letters addrsed to ad iends, mentors and enemi — the clu lerary cric Gee Steer, book edor Tom Maschler, poser and lyricist Llie Bricse, artist Michael Ayrton and many others. The “letters” are all sentially acunts of Raphael’s associatn wh the emenc, upled wh cril appreciatns of their achievements. Each addrs s recipient as though he or she were still alive, as the openg to that for director Stanley Kubrick: “Dear Stanley, Did I ever hear you lgh or see you se?” This send-person approach do take gettg ed to.</p></div><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">Two other thgs make Raphael’s piec remarkable. First, they are packed wh sndalo, sometim vengeful anecdot about Fleet Street, publishg, the London lerary scene and the ternatnal film world. Send, Raphael wr extravagantly pun-filled, alln-rich prose, as if S.J. Perelman had done really, really well classics at Cambridge.</p></div><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">While the full dazzle of Raphael’s verbal fireworks requir extensive quotatn, he n also be wryly ncise. Of a celebry uple, he not: “If not yet married, you were certaly joed at the hype.”</p></div><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">“Last Post” has been my bedsi book for the past week, and I’ve only begun to sample s dub pleasur.</p></div></div></div></div><div></div><div class="flex mt-md grid-center grid-body"><div class="mb-lg-mod" data-qa="ments-btn-div"><button aria-label="Scroll to the ments sectn" data-qa="ments-btn" class="wpds-c-kSOqLF wpds-c-kSOqLF-SQjOY-variant-sendary wpds-c-kSOqLF-eHdizY-nsy-flt wpds-c-kSOqLF-ejCoEP-in-left ments hi-for-prt"><svg xmlns=" viewBox="0 0 16 16" fill="currentColor" aria-hidn="te" focable="false" role="img" class="wpds-c-fBqPWp "><path d="M14 14V2H2v9.47h8.18L12.43 13ZM3 10.52V3h10v9.23l-2.5-1.66Z"></path></svg><span class="ral-unt unfed" data-ral-notext="te"></span> Comments</button></div><div class="wpds-c-dXjReQ"><button id="gift-share-shortcut" class="wpds-c-kSOqLF wpds-c-kSOqLF-SQjOY-variant-sendary wpds-c-kSOqLF-biynoz-nsy-pact wpds-c-kSOqLF-ejCoEP-in-left hi-for-prt ml-sm"><svg xmlns=" viewBox="0 0 16 16" fill="currentColor" aria-hidn="te" focable="false" role="img" class="wpds-c-dJBvpf "><path d="M10.73 5h.14a1.75 1.75 0 0 0 1-2.25 1.83 1.83 0 0 0-.51-.75 1.72 1.72 0 0 0-1.48-.35 1.76 1.76 0 0 0-1.2.94L8 3.93l-.68-1.4A1.76 1.76 0 0 0 4 3.59 1.74 1.74 0 0 0 5.13 5H2v4h1v5h10V9h1V5ZM9.58 3a.77.77 0 0 1 .51-.4h.17a.73.73 0 0 1 .47.17.72.72 0 0 1 .27.71.72.72 0 0 1-.48.58l-1.77.66ZM5 3.43a.72.72 0 0 1 .27-.71.73.73 0 0 1 .47-.17h.17a.77.77 0 0 1 .51.4l.83 1.7L5.48 4A.74.74 0 0 1 5 3.43ZM3 6h4.5v2H3Zm1 3h3.5v4H4Zm4.5 4V9H12v4ZM13 8H8.5V6H13Z" data-name="Path 10"></path></svg><span class="wpds-c-iSKIAI">Gift this article</span>Gift Article</button></div></div><div class="grid-center grid-body"><div></div></div></ma></div><div class="grid-center grid-mobile-full-bleed"><div class="hi-for-prt ml-to mr-to mt-md pt-lg recirc" data-qa="recirc"><div class="flex-l jtify-center hi-for-prt"><div class="pr-sm ml-sm ml-0-ns b-l br-l bc-gray-darkt more-om-post"><div></div><div class="dn db-l pb-md pt-md"><div data-qa="newsletter" class="hi-for-prt relative"><div class="dib w-100"><div><div class="flex jtify-center align self-center center transn-all duratn-400 ease--out" data-qa="sc-newsletter-signup" aria-label=""><svg aria-labelledby="react-aria-1-aria" role="img" viewBox="0 0 100 80"><tle id="react-aria-1-aria">Loadg... .

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