‘Last Call’ Review: HBO Doc on Serial Killer of Gay Men 1990s NY – The Hollywood Reporter

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• LAST CALL IS ABOUT A MURRER—AND, MORE IMPORTANTLY, HIS GAY VICTIMS“IT WAS IMPORTANT TO LET QUEER PEOPLE TELL THIS STORY,” SAYS THE DIRECTOR OF HBO’S LAST CALL: WHEN A SERIAL KILLER STALKED QUEER NEW YORK.BY EVE BATEYJULY 6, 2023COURTY OF HBO.SAVE THIS STORYSAVESAVE THIS STORYSAVE“I WASN'T TERTED DOG TE CRIME,” SAYS ANTHONY CARONNA, DIRECTOR OF THE HBO DOCERI LAST CALL: WHEN A SERIAL KILLER STALKED QUEER NEW YORK. “I WAS VERY, VERY AAID OF REVICTIMIZG THE MUNY. SO I PASSED ON .”ABOUT A YEAR LATER, CARONNA WARMED UP TO THE IA OF ADAPTG ELON GREEN’S 2021 BOOK—THE SIARLY TLED LAST CALL: A TE STORY OF LOVE, LT, AND MURR QUEER NEW YORK. HE CREDS EXECUTIVE PRODUCER HOWARD GERTLER FOR CHANGG HIS MD.“HOWARD SAID THAT WHEN HE READ , HE FELT LIKE THERE WAS A REAL OPPORTUNY TO TELL A SOCIAL JTICE STORY AND E TE CRIME AS THIS TROJAN HORSE TO BRG PEOPLE —PEOPLE LOVE TE CRIME—AND THEN TELL A MUCH BIGGER STORY ABOUT THE ANTI-QUEER VLENCE MOVEMENT.”ACRDG TO GREEN, WHO IS ALSO AN EXECUTIVE PRODUCER ON THE SHOW, THE RULT IS A FOUR-PART SERI (THE FIRST EPISO AIRS AND STREAMS ON SUNDAY, JULY 9) THAT BUILDS SIGNIFINTLY ON HIS BOOK ABOUT THE CRIM OF RICHARD ROGERS, WHO WAS NVICTED 2005 OF KILLG AND DISMEMBERG TWO MEN BETWEEN 1992 AND 1993, AND SPECTED OF KILLG AT LEAST FIVE OTHERS. GREEN SAYS THAT THE SHOW TOOK WHAT WAS SENTIALLY A HISTORY OF NEW YORK’S GAY SCENE THE EARLY 1990S AND MA RELEVANT TO TODAY. “IT'S NOT JT A VIEW OF THE PAST,” GREEN SAYS, “BUT 'S ALSO SO OF THE MOMENT.”IT’S ALSO THE STORY OF A SE THAT, OTHER THAN A NEWSPAPER ARTICLE HERE OR THERE, WAS LARGELY IGNORED UNTIL GREEN WROTE HIS BOOK. “IT'S THE KD OF THG WHERE IF YOU SQUT, YOU N SEE EXACTLY WHY THIS DIDN'T GENERATE ANY PRS,” GREEN SAYS, CG THE AIDS EPIMIC AND NEW YORK’S HIGH CRIME RATE AT THE TIME. “AND OF URSE, DIDN'T HELP [THAT] THE VICTIMS WERE PRUMED TO BE GAY. IF YOU WERE GOG TO HAVE YOUR MURR WRTEN ABOUT THOSE YEARS, YOU HAD TO BE STRAIGHT AND WHE, AND YOU'D HAVE TO BE KILLED CENTRAL PARK.”COURTY OF HBO.ANOTHER THG THAT SETS LAST CALL APART IS WHO SPEAKS MOST LOUDLY ACROSS THE SERI. TE CRIME MEDIA OFTEN CENTERS ON THE VOICE OF THE KILLER—PARTICULARLY WHEN THAT KILLER’S TARGETS ARE MEMBERS OF A STIGMATIZED OR MARGALIZED MUNY. THIS MAK SENSE AS A PRACTIL MATTER; THE VICTIMS, AFTER ALL, N’T SPEAK FOR THEMSELV. BUT ’S ALSO WHY THE TE CRIME GENRE HAS A REPUTATN FOR BEG EXPLOATIVE, OR GLORIFYG SOCIETY’S WORST ACTORS.IN LAST CALL, THOUGH, THE MAJORY OF OUR TIME IS SPENT WH THE IENDS AND FAY OF THE SLA, AS WELL AS MEMBERS OF THE CY’S GAY MUNY THE EARLY 1990S, WHEN THE AIDS CRISIS FLAMED HOMOPHOBIC FEARS AND LAW ENFORCEMENT WAS NFOUND BY—OR OPENLY HOSTILE TO—LGBTQ+ PEOPLE.MOST POPULARVANY FAIR’S “IT’S RAG TEENS” COVER AT 20: WHERE ARE THEY NOW?BY SAVANNAH WALSHSOUND OF FREEDOM: THE WILD TE STORY BEHD 2023’S MOST CONTROVERSIAL FILMBY EVE BATEYIS THIS THE BEGNG OF THE END OF THE WRERS STRIKE?BY NATALIE JARVEY“OFTENTIM, TE CRIME, WE LET THE POLICE AND THE PERPETRATORS N THE SHOW,” CARONNA SAYS. “IT WAS IMPORTANT TO HOWARD AND ME TO LET QUEER PEOPLE TELL THIS STORY,” PECIALLY SCE SYSTEMIC HOMOPHOBIA AND THE ANTIPATHY BETWEEN THE LGBTQ+ MUNY AND THE POLICE APPARENTLY HELPED ROGERS M HIS CRIM WHOUT FEAR OF NSEQUENCE.THAT SAID, POLICE OFFICERS AND SE VTIGATORS ALSO APPEAR PROMENTLY LAST CALL, THOUGH THE SERI PULLS FEW PUNCH WHEN TO PICTG WHAT GERTLER LITELY REFERS TO AS “AWARENS GAPS THE CULTURAL PETENCY OF LAW ENFORCEMENT.”ONE SUCH MOMENT LATER THE SERI, WHEN AN VTIGATG OFFICER VERBALLY STUMBL AND FALLS SILENT WHEN SCRIBG WHAT A LLECTN OF GOLN GIRLS VIO TAP MIGHT SAY ABOUT S OWNER. “I FEEL LIKE EVERY TIME WE SAT DOWN WH AN VTIGATOR, I DIDN'T HAVE THE TENT TO MAKE THEM LOOK BAD, OR HAVE A GOTCHA MOMENT,” CARONNA SAYS. “BUT I AM LOOKG TO JT UNRSTAND, EVEN JT FOR MYSELF, WHERE THE CULTURAL BLD SPOTS LIE THIS VTIGATN.”FROM SLAVEN VLASIC/GETTY IMAG FOR HBO.USG A VAST AMOUNT OF ARCHIVAL FOOTAGE—CLUDG 1950S-ERA STRANGER-DANGER FILMS OM LOL POLICE PARTMENTS, 1990S TALK SHOW TERVIEWS WH ANTI-GAY FIGUR, AND POLIL SPEECH OM THE TIM—LAST CALL ILLTRAT HOW HOMOPHOBIA WASN’T ONLY RPONSIBLE FOR THE VTIGATN’S FAILGS. ACRDG TO CARONNA, ROGERS HIMSELF WAS MOTIVATED BY ANTI-GAY SENTIMENTS, EVEN THOUGH 'S WILY BELIEVED THAT ROGERS WAS GAY.“THERE'S NO QUTN THAT THIS WAS THAT THIS IS ABSOLUTELY ANTI-GAY VLENCE,” CARONNA SAYS. “RICHARD GREW UP HEARG ALL OF THOSE THGS THAT THE GAY BASHER EPISO ONE HEARD, THAT ANA BRYANT HEARD, THAT WE'VE ALL HEARD GROWG UP AMERI.”IT’S A TRICKY THG, 2023, TO TELL A STORY ABOUT A REPORTEDLY GAY SERIAL KILLER WHOUT ADVERTENTLY VALIDATG THE CREASGLY HOMOPHOBIC FAR RIGHT. THAT CHALLENGE ISN’T LOST ON CARONNA, WHO SAYS THE PORTN OF THE SERI THAT DISCS ROGERS’S SEXUAL ORIENTATN “WENT THROUGH PROBABLY MORE ERATNS AND ANY OTHER SECTN THE SHOW,” AS THEY KNEW HOW MIGHT BE RECEIVED BY THOSE LOOKG FOR EVEN MORE REASONS TO MARGALIZE THE LGBTQ+ MUNY. “I KNEW THIS WAS A VERY DIFFICULT STORY TO TELL, WHICH IS WHY I WAS AAID TO TELL THE FIRST PLACE,” HE SAYS.THOSE FEARS WENT AWAY, CARONNA SAYS, AS HE STARTED REARCHG THE SE, AND VISUALIZG HOW A SERI MIGHT LOOK. “YEAH, IS MSY. BUT STILL, I THK 'S WAY MORE IMPORTANT TO TELL THIS STORY THAN TO BE AAID THAT WE'RE GONNA FFLE SOME FEATHERS.”MORE GREAT STORI FROM VANY FAIR“IT’S RAG TEENS” AT 20: WHERE ARE THEY NOW?THE BT TV SHOWS OF 2023, SO FARSEX TOYS, FANCIAL CRIM, AND THE ORIG OF BARBIETHAT SOUND YOU HEAR IS DONALD TMP SCREAMG, CRYG, AND THROWG UP A MAR-A-LAGO BATHROOMIVANKA TMP IS NOT LETTG HER DAD’S MOUNTG LEGAL WO RU HER SUMMERINSI THE ACTORS STRIKE PRS APOLYPSE: “THE CELEBRY FACTORY HAS SHUT DOWN”IS ALL THIS AMATR THERAPY-SPEAK JT MAKG US LONELIER?FROM THE ARCHIVE: TOO HEPBURN FOR HOLLYWOOD (2006)EVE BATEY
• STREAM IT OR SKIP IT: ‘LAST CALL: WHEN A SERIAL KILLER STALKED QUEER NEW YORK’ ON HBO, A DOCERI THAT TAK A LOOK AT 1990S POLICE INDIFFERENCE IN THE FACE OF GAY MEN GETTG MURRED
• THE SERIAL KILLER WHO PREYED UPON GAY NEW YORKERSMONSTROUSHBO’S DOCERI “LAST CALL” TELLS THE CHILLG STORY OF A STRG OF ANTI-LGBT MURRS ’90S NYC—AND MANAG TO HONOR THE VICTIMS THE PROCS.NICK SCHAGERENTERTAMENT CRICUPDATED JUL. 08, 2023 3:16AM EDT / PUBLISHED JUL. 07, 2023 8:30PM EDT COURTY OF HBOLAST CALL: WHEN A SERIAL KILLER STALKED QUEER NEW YORK IS YET ANOTHER DISTURBG TE-CRIME DOCUMENTARY ABOUT A FIEND PREYG UPON A MARGALIZED MUNY. HOWEVER, THE PELLG HOOK OF ANTHONY CARONNA AND HOWARD GERTLER’S FOUR-PART HBO VTIGATN (JULY 9) IS THAT ’S BOTH A WHODUN AND A SOCLOGIL CRIQUE OF THE ERA AND ENVIRONMENT WHICH S TALE TOOK PLACE: EARLY 1990S NEW YORK CY, WHOSE CLIMATE OF HOMOPHOBIA FACILATED S VILLA’S HOMICIS. WH ANTI-GAY AND TRANS LEGISLATN CURRENTLY SWEEPG THE NATN, ’S AN ALL-TOO-RELEVANT STORY ABOUT PERSECUTN AND VLENCE, AND THE WAY WHICH PUBLIC RHETORIC—AND ACTN—FOSTERS FURTHER HATE.DIRECTOR CARONNA’S SERI BEGS WH THE 1992 DISVERY BY MATENANCE WORKERS OF A DISMEMBERED BODY BURLGTON COUNTY, NEW JERSEY. CUT TO SEVEN PIEC, EACH OF THEM WRAPPED NEWSPAPER (AND A SHOWER CURTA) AND PACKED TO DIFFERENT TRASH BAGS, THIS DIVIDUAL WAS—VIA HIS BRIEFSE AND PERSONAL BELONGGS—SWIFTLY INTIFIED AS THOMAS MULHY, A 57-YEAR-OLD HBAND AND FATHER WHO WAS THE AREA FOR A BS MEETG. DETECTIV ALSO FOUND LATEX GLOV, A PASS SAW, AND A LEN SHEET THE PLASTIC BAGS, ONE OF WHICH WAS EVENTUALLY TRACED BACK TO STATEN ISLAND’S LONE CVS. OTHERWISE, HOWEVER, THERE WAS LTLE EFUL PHYSIL EVINCE PROCURED OM THE EMS, SO PS SHIFTED THEIR ATTENTN TO MULHY’S MOVEMENTS THE DAYS AND HOURS LEADG UP TO HIS MURR. AS THEY SOON LEARNED, MULHY HAD LAST BEEN SEEN ON JULY 8, 1992, AT MIDTOWN MANHATTAN’S TOWNHOE BAR, AN UPSLE GAY WATERG HOLE WHERE OLR WELL-TO-DO GENTLEMEN OFTEN MET YOUNGER SUORS. DOUGLAS GIBSON REMEMBERS TALKG TO MULHY THAT EVENG AND SPYG AN UNKNOWN MAN HIS VICY, BUT HE DIDN’T GET A GOOD ENOUGH LOOK AT THIS STRANGER TO PROVI AN ACTUAL SCRIPTN. COPS, MEANWHILE, FOUND DIFFICULT TO NVCE PEOPLE AND AROUND THIS TABLISHMENT TO TALK TO THEM, SCE 1992, THE RELATNSHIP BETWEEN THE POLICE AND THE GAY MUNY WAS FED BY DISTST, IF NOT OUTRIGHT ANTIPATHY, MUCH OF BORN OM THE FORMER’S HISTORY OF PREJUDICED HARASSMENT AND HOSTILY. IF THAT PROVED A SIGNIFINT HURDLE THE SE, SO TOO WAS LAW ENFORCEMENT’S STILL-LACKG TERPARTMENTAL MUNITNS, AND WAS THIS FAILURE THAT LAYED THEIR REALIZATN THAT MULHY’S MURR WAS PART OF A GHASTLY PATTERN.A YEAR EARLIER LANSTER COUNTY, PENNSYLVANIA, THE SIARLY DISMEMBERED BODY OF PETER ANRSON HAD BEEN FOUND. LIKE MULHY, ANRSON WAS A CLOSETED GAY MAN, AND ON THE NIGHT OF HIS DISAPPEARANCE ON MAY 5, 1991, HE TOO HAD VISED THE TOWNHOE. WHEN VTIGATORS TO MULHY’S SLAYG HEARD ABOUT THIS, THEY KNEW THE TWO MURRS WERE LKED. WORSE, THEY WERE FOLLOWED BY THE NEARLY INTIL MURRS OF 44-YEAR-OLD PROSTUTE ANTHONY MARRERO ( MAY 1993) AND OF 55-YEAR-OLD GREENWICH VILLAGE RINT MICHAEL SAKARA ( JULY 1993), THE LATTER OF WHOM WAS A REGULAR AND WELL-KNOWN STAPLE AT THE FIVE OAKS BAR. CLEARLY, SOMEONE WAS KILLG GAY MEN AFTER MEETG THEM AT CLUBS, AND BEE OF HIS MOD OPERANDI, THE ASSAILANT WAS DUBBED BY THE NEW YORK DAILY NEWS AS THE “LAST CALL KILLER.” STILL OM LAST CALL: WHEN A SERIAL KILLER STALKED QUEER NEW YORKHBO LAST CALL IS, ON THE ONE HAND, A TRADNAL SPENSEFUL MYSTERY, WH VAR POLICE OFFICERS DISCSG THEIR EFFORTS TO PIECE TOGETHER CLU AND UNRSTAND THEIR VICTIMS’ BACKSTORI ORR TO LOTE A SPECT. JT AS PTIVATG, THOUGH, ’S A VIVID SNAPSHOT OF S PARTICULAR MOMENT, NARRATED LARGE PART BY TWO DIVIDUALS WHO WERE ON THE ONTL OF THE FIGHT FOR EQUAL LGTBQ+ RIGHTS: THE NEW YORK GAY & LBIAN ANTI-VLENCE PROJECT’S BEA HANSON AND MATT FOREMAN. RELLG A TIME WHEN GAY AMERINS WERE BOTH EMERGG OM THE SHADOWS FORCE (PECIALLY NYC) AND FACG CREASED ANTAGONISM AND THREATS (CLUDG OM THE RAGG AIDS EPIMIC), HANSON AND FOREMAN OFFER TIMATE AND PASSNATE FIRST-HAND ACUNTS OF THE CULTURAL AND POLIL ATMOSPHERE OF THE EARLY ’90S. IN DOG SO, THEY HELP NTEXTUALIZE THE MURRS AS AN OUTGROWTH OF THE LONG-STANDG BTALY THAT GAY (AND TRANS) MEN AND WOMEN FACED ON A DAILY BASIS. EMPLOYG PLENTIFUL ARCHIVAL MATERIAL, LAST CALL IS A SIMULTANEOLY VIBRANT AND SORROWFUL LOOK BACKWARDS, S NOSTALGIA FOR THE BURGEONG GAY MOVEMENT LORED BY THE FEAR THAT SO MANY FELT BEE OF HOMOPHOBIA AND THE MORTAL DANGER POSED—AS WELL AS THE ANGER THAT WAS A DIRECT BYPRODUCT OF BEG IGNORED, SLANRED, AND OPPRSED. DIRECTOR CARONNA’S SERI HONTLY AND PASSNATELY REVISS THE PAST, PUTTG A NUANCED FACE ON PEOPLE WHO WERE SO OFTEN DISMISSED, DISRD, AND RCED TO UNFLATTERG STEREOTYP, CLUDG MULHY, ANRSON, MARRERO, AND SAKARA. FEATURG TERVIEWS WH IENDS, LOVERS, AND RELATIV OF THE FOUR MEN WHOSE LIV WERE HORRIFILLY CUT SHORT BY A MADMAN, REMEMBERS—AND CELEBRAT—THEM NOT AS STATISTICS, BUT AS FLH-AND-BLOOD DIVIDUALS. STILL OM LAST CALL: WHEN A SERIAL KILLER STALKED QUEER NEW YORKHBO IN SEPARATE TERVIEWS WH DIFFERENT TECTIV, LAST CALL HIGHLIGHTS POLICE OFFICERS’ IGNORANCE ABOUT THE GAY MUNY AND THEIR RETICENCE TO RELATE TO THE MURRS. SUCH BLDNS, WHETHER WILLFUL OR NOT, FEELS AT LEAST SOMEWHAT NNECTED TO THE SERI’ OWN LIBERATE DISMISSAL OF THE FACT THAT THE KILLER—WHO, THROUGH MORN FGERPRT ANALYSIS, WAS INTIFIED AS MOUNT SAI NURSE RICHARD ROGERS JR.—WAS ALSO A GAY MAN. THERE’S A PERSISTENT SENSE, OM ALL ANGL, THAT TOLERANCE (AND FEAR OF VILIFITN) HAS REPEATEDLY TRATED ATTEMPTS TO SOLVE, AND PREHEND, THIS TRAGEDY, AND THE FACT THAT ROGERS NEVER OPENED UP ABOUT HIS MOTIVATNS ONLY FURTHER LEAV THGS FEELG PRSGLY MURKY.WHAT REMAS CLEAR, THOUGH, IS ROGERS’ GUILT. HAVG BEEN PREVLY ACQUTED OF KILLG HIS LLEGE ROOMMATE AND, YEARS LATER, OF ASSLTG ANOTHER MAN, THE QUIET AND SOFT-SPOKEN MEDIL PROFSNAL WAS UNDOUBTEDLY THE SERIAL CULPR THORI HAD SOUGHT. NO MATTER THE QUTNS ABOUT JURISDICTN THAT AROSE AT TRIAL, HE WAS JTLY SENTENCED TO TWO NSECUTIVE LIFE SENTENC, ENDG A REIGN OF TERROR THAT—DUE TO HIS HAB OF TAKG ROUTE TRIPS AROUND THE UNTRY—MAY HAVE CLUD MANY MORE UNKNOWN VICTIMS. HE WAS, BY ALL ACUNTS, A MONSTER SEEMGLY WHOUT REMORSE, AND LAST CALL IS SHARPT WHEN POSS HIM AS THE RULT OF A SOCIETY THAT MONIZ WH MALIC TENT (BE ANA BRYANT THE ’70S OR RON DESANTIS TODAY) AND, THE PROCS, SPIR EVABLE CELTY. NICK SCHAGER
• LAST CALL: BEHD THE TERRIFYG UNTOLD STORY OF NEW YORK'S GAY BAR KILLER

LAST CALL IS ABOUT A MURRER—AND, MORE IMPORTANTLY, HIS GAY VICTIMS“IT WAS IMPORTANT TO LET QUEER PEOPLE TELL THIS STORY,” SAYS THE DIRECTOR OF HBO’S LAST CALL: WHEN A SERIAL KILLER STALKED QUEER NEW YORK.BY EVE BATEYJULY 6, 2023COURTY OF HBO.SAVE THIS STORYSAVESAVE THIS STORYSAVE“I WASN'T TERTED DOG TE CRIME,” SAYS ANTHONY CARONNA, DIRECTOR OF THE HBO DOCERI LAST CALL: WHEN A SERIAL KILLER STALKED QUEER NEW YORK. “I WAS VERY, VERY AAID OF REVICTIMIZG THE MUNY. SO I PASSED ON .”ABOUT A YEAR LATER, CARONNA WARMED UP TO THE IA OF ADAPTG ELON GREEN’S 2021 BOOK—THE SIARLY TLED LAST CALL: A TE STORY OF LOVE, LT, AND MURR QUEER NEW YORK. HE CREDS EXECUTIVE PRODUCER HOWARD GERTLER FOR CHANGG HIS MD.“HOWARD SAID THAT WHEN HE READ , HE FELT LIKE THERE WAS A REAL OPPORTUNY TO TELL A SOCIAL JTICE STORY AND E TE CRIME AS THIS TROJAN HORSE TO BRG PEOPLE —PEOPLE LOVE TE CRIME—AND THEN TELL A MUCH BIGGER STORY ABOUT THE ANTI-QUEER VLENCE MOVEMENT.”ACRDG TO GREEN, WHO IS ALSO AN EXECUTIVE PRODUCER ON THE SHOW, THE RULT IS A FOUR-PART SERI (THE FIRST EPISO AIRS AND STREAMS ON SUNDAY, JULY 9) THAT BUILDS SIGNIFINTLY ON HIS BOOK ABOUT THE CRIM OF RICHARD ROGERS, WHO WAS NVICTED 2005 OF KILLG AND DISMEMBERG TWO MEN BETWEEN 1992 AND 1993, AND SPECTED OF KILLG AT LEAST FIVE OTHERS. GREEN SAYS THAT THE SHOW TOOK WHAT WAS SENTIALLY A HISTORY OF NEW YORK’S GAY SCENE THE EARLY 1990S AND MA RELEVANT TO TODAY. “IT'S NOT JT A VIEW OF THE PAST,” GREEN SAYS, “BUT 'S ALSO SO OF THE MOMENT.”IT’S ALSO THE STORY OF A SE THAT, OTHER THAN A NEWSPAPER ARTICLE HERE OR THERE, WAS LARGELY IGNORED UNTIL GREEN WROTE HIS BOOK. “IT'S THE KD OF THG WHERE IF YOU SQUT, YOU N SEE EXACTLY WHY THIS DIDN'T GENERATE ANY PRS,” GREEN SAYS, CG THE AIDS EPIMIC AND NEW YORK’S HIGH CRIME RATE AT THE TIME. “AND OF URSE, DIDN'T HELP [THAT] THE VICTIMS WERE PRUMED TO BE GAY. IF YOU WERE GOG TO HAVE YOUR MURR WRTEN ABOUT THOSE YEARS, YOU HAD TO BE STRAIGHT AND WHE, AND YOU'D HAVE TO BE KILLED CENTRAL PARK.”COURTY OF HBO.ANOTHER THG THAT SETS LAST CALL APART IS WHO SPEAKS MOST LOUDLY ACROSS THE SERI. TE CRIME MEDIA OFTEN CENTERS ON THE VOICE OF THE KILLER—PARTICULARLY WHEN THAT KILLER’S TARGETS ARE MEMBERS OF A STIGMATIZED OR MARGALIZED MUNY. THIS MAK SENSE AS A PRACTIL MATTER; THE VICTIMS, AFTER ALL, N’T SPEAK FOR THEMSELV. BUT ’S ALSO WHY THE TE CRIME GENRE HAS A REPUTATN FOR BEG EXPLOATIVE, OR GLORIFYG SOCIETY’S WORST ACTORS.IN LAST CALL, THOUGH, THE MAJORY OF OUR TIME IS SPENT WH THE IENDS AND FAY OF THE SLA, AS WELL AS MEMBERS OF THE CY’S GAY MUNY THE EARLY 1990S, WHEN THE AIDS CRISIS FLAMED HOMOPHOBIC FEARS AND LAW ENFORCEMENT WAS NFOUND BY—OR OPENLY HOSTILE TO—LGBTQ+ PEOPLE.MOST POPULARVANY FAIR’S “IT’S RAG TEENS” COVER AT 20: WHERE ARE THEY NOW?BY SAVANNAH WALSHSOUND OF FREEDOM: THE WILD TE STORY BEHD 2023’S MOST CONTROVERSIAL FILMBY EVE BATEYIS THIS THE BEGNG OF THE END OF THE WRERS STRIKE?BY NATALIE JARVEY“OFTENTIM, TE CRIME, WE LET THE POLICE AND THE PERPETRATORS N THE SHOW,” CARONNA SAYS. “IT WAS IMPORTANT TO HOWARD AND ME TO LET QUEER PEOPLE TELL THIS STORY,” PECIALLY SCE SYSTEMIC HOMOPHOBIA AND THE ANTIPATHY BETWEEN THE LGBTQ+ MUNY AND THE POLICE APPARENTLY HELPED ROGERS M HIS CRIM WHOUT FEAR OF NSEQUENCE.THAT SAID, POLICE OFFICERS AND SE VTIGATORS ALSO APPEAR PROMENTLY LAST CALL, THOUGH THE SERI PULLS FEW PUNCH WHEN TO PICTG WHAT GERTLER LITELY REFERS TO AS “AWARENS GAPS THE CULTURAL PETENCY OF LAW ENFORCEMENT.”ONE SUCH MOMENT LATER THE SERI, WHEN AN VTIGATG OFFICER VERBALLY STUMBL AND FALLS SILENT WHEN SCRIBG WHAT A LLECTN OF GOLN GIRLS VIO TAP MIGHT SAY ABOUT S OWNER. “I FEEL LIKE EVERY TIME WE SAT DOWN WH AN VTIGATOR, I DIDN'T HAVE THE TENT TO MAKE THEM LOOK BAD, OR HAVE A GOTCHA MOMENT,” CARONNA SAYS. “BUT I AM LOOKG TO JT UNRSTAND, EVEN JT FOR MYSELF, WHERE THE CULTURAL BLD SPOTS LIE THIS VTIGATN.”FROM SLAVEN VLASIC/GETTY IMAG FOR HBO.USG A VAST AMOUNT OF ARCHIVAL FOOTAGE—CLUDG 1950S-ERA STRANGER-DANGER FILMS OM LOL POLICE PARTMENTS, 1990S TALK SHOW TERVIEWS WH ANTI-GAY FIGUR, AND POLIL SPEECH OM THE TIM—LAST CALL ILLTRAT HOW HOMOPHOBIA WASN’T ONLY RPONSIBLE FOR THE VTIGATN’S FAILGS. ACRDG TO CARONNA, ROGERS HIMSELF WAS MOTIVATED BY ANTI-GAY SENTIMENTS, EVEN THOUGH 'S WILY BELIEVED THAT ROGERS WAS GAY.“THERE'S NO QUTN THAT THIS WAS THAT THIS IS ABSOLUTELY ANTI-GAY VLENCE,” CARONNA SAYS. “RICHARD GREW UP HEARG ALL OF THOSE THGS THAT THE GAY BASHER EPISO ONE HEARD, THAT ANA BRYANT HEARD, THAT WE'VE ALL HEARD GROWG UP AMERI.”IT’S A TRICKY THG, 2023, TO TELL A STORY ABOUT A REPORTEDLY GAY SERIAL KILLER WHOUT ADVERTENTLY VALIDATG THE CREASGLY HOMOPHOBIC FAR RIGHT. THAT CHALLENGE ISN’T LOST ON CARONNA, WHO SAYS THE PORTN OF THE SERI THAT DISCS ROGERS’S SEXUAL ORIENTATN “WENT THROUGH PROBABLY MORE ERATNS AND ANY OTHER SECTN THE SHOW,” AS THEY KNEW HOW MIGHT BE RECEIVED BY THOSE LOOKG FOR EVEN MORE REASONS TO MARGALIZE THE LGBTQ+ MUNY. “I KNEW THIS WAS A VERY DIFFICULT STORY TO TELL, WHICH IS WHY I WAS AAID TO TELL THE FIRST PLACE,” HE SAYS.THOSE FEARS WENT AWAY, CARONNA SAYS, AS HE STARTED REARCHG THE SE, AND VISUALIZG HOW A SERI MIGHT LOOK. “YEAH, IS MSY. BUT STILL, I THK 'S WAY MORE IMPORTANT TO TELL THIS STORY THAN TO BE AAID THAT WE'RE GONNA FFLE SOME FEATHERS.”MORE GREAT STORI FROM VANY FAIR“IT’S RAG TEENS” AT 20: WHERE ARE THEY NOW?THE BT TV SHOWS OF 2023, SO FARSEX TOYS, FANCIAL CRIM, AND THE ORIG OF BARBIETHAT SOUND YOU HEAR IS DONALD TMP SCREAMG, CRYG, AND THROWG UP A MAR-A-LAGO BATHROOMIVANKA TMP IS NOT LETTG HER DAD’S MOUNTG LEGAL WO RU HER SUMMERINSI THE ACTORS STRIKE PRS APOLYPSE: “THE CELEBRY FACTORY HAS SHUT DOWN”IS ALL THIS AMATR THERAPY-SPEAK JT MAKG US LONELIER?FROM THE ARCHIVE: TOO HEPBURN FOR HOLLYWOOD (2006)EVE BATEY

But ’s also why the te crime genre has a reputatn for beg exploative, or glorifyg society’s worst Last Call, though, the majory of our time is spent wh the iends and fay of the sla, as well as members of the cy’s gay muny the early 1990s, when the AIDS crisis flamed homophobic fears and law enforcement was nfound by—or openly hostile to—LGBTQ+ people. “It was important to Howard and me to let queer people tell this story, ” pecially sce systemic homophobia and the antipathy between the LGBTQ+ muny and the police apparently helped Rogers m his crim whout fear of said, police officers and se vtigators also appear promently Last Call, though the seri pulls few punch when to pictg what Gertler litely refers to as “awarens gaps the cultural petency of law enforcement. ”From Slaven Vlasic/Getty Imag for a vast amount of archival footage—cludg 1950s-era stranger-danger films om lol police partments, 1990s talk show terviews wh anti-gay figur, and polil speech om the tim—Last Call illtrat how homophobia wasn’t only rponsible for the vtigatn’s failgs.

STREAM IT OR SKIP IT: ‘LAST CALL: WHEN A SERIAL KILLER STALKED QUEER NEW YORK’ ON HBO, A DOCERI THAT TAK A LOOK AT 1990S POLICE INDIFFERENCE IN THE FACE OF GAY MEN GETTG MURRED

One of the most tellg moments of Last Call: When a Serial Killer Stalked Queer New York, the new HBO doceri about a serial killer who terrorized gay men the Neti, when director Anthony Caronna is terviewg a pair of retired police tectiv who worked the se.

THE SERIAL KILLER WHO PREYED UPON GAY NEW YORKERSMONSTROUSHBO’S DOCERI “LAST CALL” TELLS THE CHILLG STORY OF A STRG OF ANTI-LGBT MURRS ’90S NYC—AND MANAG TO HONOR THE VICTIMS THE PROCS.NICK SCHAGERENTERTAMENT CRICUPDATED JUL. 08, 2023 3:16AM EDT / PUBLISHED JUL. 07, 2023 8:30PM EDT COURTY OF HBOLAST CALL: WHEN A SERIAL KILLER STALKED QUEER NEW YORK IS YET ANOTHER DISTURBG TE-CRIME DOCUMENTARY ABOUT A FIEND PREYG UPON A MARGALIZED MUNY. HOWEVER, THE PELLG HOOK OF ANTHONY CARONNA AND HOWARD GERTLER’S FOUR-PART HBO VTIGATN (JULY 9) IS THAT ’S BOTH A WHODUN AND A SOCLOGIL CRIQUE OF THE ERA AND ENVIRONMENT WHICH S TALE TOOK PLACE: EARLY 1990S NEW YORK CY, WHOSE CLIMATE OF HOMOPHOBIA FACILATED S VILLA’S HOMICIS. WH ANTI-GAY AND TRANS LEGISLATN CURRENTLY SWEEPG THE NATN, ’S AN ALL-TOO-RELEVANT STORY ABOUT PERSECUTN AND VLENCE, AND THE WAY WHICH PUBLIC RHETORIC—AND ACTN—FOSTERS FURTHER HATE.DIRECTOR CARONNA’S SERI BEGS WH THE 1992 DISVERY BY MATENANCE WORKERS OF A DISMEMBERED BODY BURLGTON COUNTY, NEW JERSEY. CUT TO SEVEN PIEC, EACH OF THEM WRAPPED NEWSPAPER (AND A SHOWER CURTA) AND PACKED TO DIFFERENT TRASH BAGS, THIS DIVIDUAL WAS—VIA HIS BRIEFSE AND PERSONAL BELONGGS—SWIFTLY INTIFIED AS THOMAS MULHY, A 57-YEAR-OLD HBAND AND FATHER WHO WAS THE AREA FOR A BS MEETG. DETECTIV ALSO FOUND LATEX GLOV, A PASS SAW, AND A LEN SHEET THE PLASTIC BAGS, ONE OF WHICH WAS EVENTUALLY TRACED BACK TO STATEN ISLAND’S LONE CVS. OTHERWISE, HOWEVER, THERE WAS LTLE EFUL PHYSIL EVINCE PROCURED OM THE EMS, SO PS SHIFTED THEIR ATTENTN TO MULHY’S MOVEMENTS THE DAYS AND HOURS LEADG UP TO HIS MURR. AS THEY SOON LEARNED, MULHY HAD LAST BEEN SEEN ON JULY 8, 1992, AT MIDTOWN MANHATTAN’S TOWNHOE BAR, AN UPSLE GAY WATERG HOLE WHERE OLR WELL-TO-DO GENTLEMEN OFTEN MET YOUNGER SUORS. DOUGLAS GIBSON REMEMBERS TALKG TO MULHY THAT EVENG AND SPYG AN UNKNOWN MAN HIS VICY, BUT HE DIDN’T GET A GOOD ENOUGH LOOK AT THIS STRANGER TO PROVI AN ACTUAL SCRIPTN. COPS, MEANWHILE, FOUND DIFFICULT TO NVCE PEOPLE AND AROUND THIS TABLISHMENT TO TALK TO THEM, SCE 1992, THE RELATNSHIP BETWEEN THE POLICE AND THE GAY MUNY WAS FED BY DISTST, IF NOT OUTRIGHT ANTIPATHY, MUCH OF BORN OM THE FORMER’S HISTORY OF PREJUDICED HARASSMENT AND HOSTILY. IF THAT PROVED A SIGNIFINT HURDLE THE SE, SO TOO WAS LAW ENFORCEMENT’S STILL-LACKG TERPARTMENTAL MUNITNS, AND WAS THIS FAILURE THAT LAYED THEIR REALIZATN THAT MULHY’S MURR WAS PART OF A GHASTLY PATTERN.A YEAR EARLIER LANSTER COUNTY, PENNSYLVANIA, THE SIARLY DISMEMBERED BODY OF PETER ANRSON HAD BEEN FOUND. LIKE MULHY, ANRSON WAS A CLOSETED GAY MAN, AND ON THE NIGHT OF HIS DISAPPEARANCE ON MAY 5, 1991, HE TOO HAD VISED THE TOWNHOE. WHEN VTIGATORS TO MULHY’S SLAYG HEARD ABOUT THIS, THEY KNEW THE TWO MURRS WERE LKED. WORSE, THEY WERE FOLLOWED BY THE NEARLY INTIL MURRS OF 44-YEAR-OLD PROSTUTE ANTHONY MARRERO ( MAY 1993) AND OF 55-YEAR-OLD GREENWICH VILLAGE RINT MICHAEL SAKARA ( JULY 1993), THE LATTER OF WHOM WAS A REGULAR AND WELL-KNOWN STAPLE AT THE FIVE OAKS BAR. CLEARLY, SOMEONE WAS KILLG GAY MEN AFTER MEETG THEM AT CLUBS, AND BEE OF HIS MOD OPERANDI, THE ASSAILANT WAS DUBBED BY THE NEW YORK DAILY NEWS AS THE “LAST CALL KILLER.” STILL OM LAST CALL: WHEN A SERIAL KILLER STALKED QUEER NEW YORKHBO LAST CALL IS, ON THE ONE HAND, A TRADNAL SPENSEFUL MYSTERY, WH VAR POLICE OFFICERS DISCSG THEIR EFFORTS TO PIECE TOGETHER CLU AND UNRSTAND THEIR VICTIMS’ BACKSTORI ORR TO LOTE A SPECT. JT AS PTIVATG, THOUGH, ’S A VIVID SNAPSHOT OF S PARTICULAR MOMENT, NARRATED LARGE PART BY TWO DIVIDUALS WHO WERE ON THE ONTL OF THE FIGHT FOR EQUAL LGTBQ+ RIGHTS: THE NEW YORK GAY & LBIAN ANTI-VLENCE PROJECT’S BEA HANSON AND MATT FOREMAN. RELLG A TIME WHEN GAY AMERINS WERE BOTH EMERGG OM THE SHADOWS FORCE (PECIALLY NYC) AND FACG CREASED ANTAGONISM AND THREATS (CLUDG OM THE RAGG AIDS EPIMIC), HANSON AND FOREMAN OFFER TIMATE AND PASSNATE FIRST-HAND ACUNTS OF THE CULTURAL AND POLIL ATMOSPHERE OF THE EARLY ’90S. IN DOG SO, THEY HELP NTEXTUALIZE THE MURRS AS AN OUTGROWTH OF THE LONG-STANDG BTALY THAT GAY (AND TRANS) MEN AND WOMEN FACED ON A DAILY BASIS. EMPLOYG PLENTIFUL ARCHIVAL MATERIAL, LAST CALL IS A SIMULTANEOLY VIBRANT AND SORROWFUL LOOK BACKWARDS, S NOSTALGIA FOR THE BURGEONG GAY MOVEMENT LORED BY THE FEAR THAT SO MANY FELT BEE OF HOMOPHOBIA AND THE MORTAL DANGER POSED—AS WELL AS THE ANGER THAT WAS A DIRECT BYPRODUCT OF BEG IGNORED, SLANRED, AND OPPRSED. DIRECTOR CARONNA’S SERI HONTLY AND PASSNATELY REVISS THE PAST, PUTTG A NUANCED FACE ON PEOPLE WHO WERE SO OFTEN DISMISSED, DISRD, AND RCED TO UNFLATTERG STEREOTYP, CLUDG MULHY, ANRSON, MARRERO, AND SAKARA. FEATURG TERVIEWS WH IENDS, LOVERS, AND RELATIV OF THE FOUR MEN WHOSE LIV WERE HORRIFILLY CUT SHORT BY A MADMAN, REMEMBERS—AND CELEBRAT—THEM NOT AS STATISTICS, BUT AS FLH-AND-BLOOD DIVIDUALS. STILL OM LAST CALL: WHEN A SERIAL KILLER STALKED QUEER NEW YORKHBO IN SEPARATE TERVIEWS WH DIFFERENT TECTIV, LAST CALL HIGHLIGHTS POLICE OFFICERS’ IGNORANCE ABOUT THE GAY MUNY AND THEIR RETICENCE TO RELATE TO THE MURRS. SUCH BLDNS, WHETHER WILLFUL OR NOT, FEELS AT LEAST SOMEWHAT NNECTED TO THE SERI’ OWN LIBERATE DISMISSAL OF THE FACT THAT THE KILLER—WHO, THROUGH MORN FGERPRT ANALYSIS, WAS INTIFIED AS MOUNT SAI NURSE RICHARD ROGERS JR.—WAS ALSO A GAY MAN. THERE’S A PERSISTENT SENSE, OM ALL ANGL, THAT TOLERANCE (AND FEAR OF VILIFITN) HAS REPEATEDLY TRATED ATTEMPTS TO SOLVE, AND PREHEND, THIS TRAGEDY, AND THE FACT THAT ROGERS NEVER OPENED UP ABOUT HIS MOTIVATNS ONLY FURTHER LEAV THGS FEELG PRSGLY MURKY.WHAT REMAS CLEAR, THOUGH, IS ROGERS’ GUILT. HAVG BEEN PREVLY ACQUTED OF KILLG HIS LLEGE ROOMMATE AND, YEARS LATER, OF ASSLTG ANOTHER MAN, THE QUIET AND SOFT-SPOKEN MEDIL PROFSNAL WAS UNDOUBTEDLY THE SERIAL CULPR THORI HAD SOUGHT. NO MATTER THE QUTNS ABOUT JURISDICTN THAT AROSE AT TRIAL, HE WAS JTLY SENTENCED TO TWO NSECUTIVE LIFE SENTENC, ENDG A REIGN OF TERROR THAT—DUE TO HIS HAB OF TAKG ROUTE TRIPS AROUND THE UNTRY—MAY HAVE CLUD MANY MORE UNKNOWN VICTIMS. HE WAS, BY ALL ACUNTS, A MONSTER SEEMGLY WHOUT REMORSE, AND LAST CALL IS SHARPT WHEN POSS HIM AS THE RULT OF A SOCIETY THAT MONIZ WH MALIC TENT (BE ANA BRYANT THE ’70S OR RON DESANTIS TODAY) AND, THE PROCS, SPIR EVABLE CELTY. NICK SCHAGER

Through extensive archival footage and terviews wh people who participated the AVP particular and New York’s gay scene general, we are remd of jt how dangero was for people who were jt beg themselv, ually via vlence perpetrated by people who ma a practice out of queer-bashg. But the realy is brought home by the members of AVP and Edgar Rodriguez, a former NYPD sergeant and a member of the Gay Officers Actn League, who discsed the rampant and open homophobia the partment, which was so severe that Rodriguez knew was unsafe for him to e out while he was a p. This is illtrated a really tellg scene durg the terview wh the two Pennsylvania State Police, when the director asks them if he missed anythg durg the terview and one of them potedly says, “Why is the emphasis [of the terview] on the gay part?

However, the pellg hook of Anthony Caronna and Howard Gertler’s four-part HBO vtigatn (July 9) is that ’s both a whodun and a soclogil crique of the era and environment which s tale took place: early 1990s New York Cy, whose climate of homophobia facilated s villa’s homicis. Otherwise, however, there was ltle eful physil evince procured om the ems, so ps shifted their attentn to Mulhy’s movements the days and hours leadg up to his they soon learned, Mulhy had last been seen on July 8, 1992, at midtown Manhattan’s Townhoe Bar, an upsle gay waterg hole where olr well-to-do gentlemen often met younger suors.

Cops, meanwhile, found difficult to nvce people and around this tablishment to talk to them, sce 1992, the relatnship between the police and the gay muny was fed by distst, if not outright antipathy, much of born om the former’s history of prejudiced harassment and hostily. Jt as ptivatg, though, ’s a vivid snapshot of s particular moment, narrated large part by two dividuals who were on the ontl of the fight for equal LGTBQ+ rights: The New York Gay & Lbian Anti-Vlence Project’s Bea Hanson and Matt Foreman.

LAST CALL: BEHD THE TERRIFYG UNTOLD STORY OF NEW YORK'S GAY BAR KILLER

Rellg a time when gay Amerins were both emergg om the shadows force (pecially NYC) and facg creased antagonism and threats (cludg om the ragg AIDS epimic), Hanson and Foreman offer timate and passnate first-hand acunts of the cultural and polil atmosphere of the early ’90s. Employg plentiful archival material, Last Call is a simultaneoly vibrant and sorrowful look backwards, s nostalgia for the burgeong gay movement lored by the fear that so many felt bee of homophobia and the mortal danger posed—as well as the anger that was a direct byproduct of beg ignored, slanred, and opprsed.